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Theory of Western Music: Outline of the 3rd Class (April 2, 2010)


Basic Chord: “Inversion”




      Root position(5                 1st inversion(6                 2nd inversion(6
                    3)                               3)                             4)

7th Chord:



   Rood position (7)         1st inversion(6       2nd inversion(6         3rd inversion(6
                                            5)                    4                       4
                                                                  3)                    2)
Doubling the root: In chord progression we should start constructing our chord by doubling its root.
Following is an example of C major chord where C is doubled. Now we have four parts of the chord.




“S A T B” represents Soprano, Alto, Tenor and Base starting from the top to the bottom of four part chord.
Chord progression: rule #1: Do not use parallal cotaves and 5ths in Soprano and Base when writing two
chords.




                Otaves(C-C, G-G)                          5ths(C-G, G-D)
rule #2: Use step wise motion in soprano parts when writing two chords. Base notes do not need step wise
motion. In the example below C is going to B which is a step wise motion.




   C Major:     I                          V                           I

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Theory of music(session 3)

  • 1. Theory of Western Music: Outline of the 3rd Class (April 2, 2010) Basic Chord: “Inversion” Root position(5 1st inversion(6 2nd inversion(6 3) 3) 4) 7th Chord: Rood position (7) 1st inversion(6 2nd inversion(6 3rd inversion(6 5) 4 4 3) 2) Doubling the root: In chord progression we should start constructing our chord by doubling its root. Following is an example of C major chord where C is doubled. Now we have four parts of the chord. “S A T B” represents Soprano, Alto, Tenor and Base starting from the top to the bottom of four part chord. Chord progression: rule #1: Do not use parallal cotaves and 5ths in Soprano and Base when writing two chords. Otaves(C-C, G-G) 5ths(C-G, G-D) rule #2: Use step wise motion in soprano parts when writing two chords. Base notes do not need step wise motion. In the example below C is going to B which is a step wise motion. C Major: I V I