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P5 PRESENTATION
Marta Pabel
Museum of Contemporary Art in Warsaw
Introduction
Design brief
Process
Design solutions
Spatial organisation
Structure
Climate
Materials
Conclusions
Location
Warsaw: city center
Palace of Culture
Opening 1955
Pre-war architetcure and density
Builings on the exact design location
Current situation
Master plan for city center
Underlines Palace axis
No connection with the park (across the street)
Question 1
How to create in th epark - the feeling of intimacy and peacefulness without losing the enormous open space?
How to turn emptiness and experience of length and distance into quality?
Process
Exploring scale of the plot and palace by models
Exploring possible volume scale and shape
Frame in the city
The idea of oasis: enclosing a place in the city which provides completely different experience than can be found around
Step 1: enclosing the park with the wall
Exclusive experience, without interruptions, chaos and noise of the city.
Behind the wall - experience of discovery, mistery, curiosity.
Step 2: excavating the area of park
Connection to metro and the Old museum.
The idea of skipping the city.
Experience of isolation even stronger.
Park sections
Palace of Culture height: 230 m
Museum lenght: 360 m
Question 2
What should be the relation of the builing with wall?
Exploring different location and shape of the museum builing
Conclusions:
- volume that will underline length
- that will not interfere with experiencing the distance
Exploring the relation between building and the wall
Underlining the experience of length
Breaking the symmetry and underlining the long perspective
Placing the builing in the south wall
Visual connection with the Palace
Underlining the length by creating long volume
Detaching the volume from the wall to strenghten the experience of the wall
Question 3
How to introduce spatial variety in long and very narrow volume?
Exploring long perspective in the interiors
Experience of length in the interior or exterior?
Spatial variety
By changing interior heights - keeping visual connections
Spatial variety
By changing interior heights - keeping visual connections
Spatial variety
By changing colour and material
Spatial variety
By changing colours and materials
Spatial variety
By changing lighting conditions
Spatial variety
By changing colours and materials
Conclusions
What strenghtens the experience of length but also allows for spatial diversity: rhythm of repeating structural elements;
visual or movement axis through the changing space
Public space in front of museum
- common square with Palace of Culture
- on the axis
2 axis
Cultural and commercial
Program in the wall
Gallery
Shops
Studios for artists in residense
Hotel rooms
Cafe..
Structure of the wall
space inbetween: 2,5 m wide
Structure of the wall
space inbetween: 2,5 m wide
Spatial organization
Diversity of interior components
Interior compartments
Reactionary gallery
Study center
Permanent exhibition hall
Permanent exhibition hall 2
Entrance hall
Temporary exhibitions
Art handling + Administration
Main communication axis
Curved shape closes view at the end and creates impression of even longer building
short exhibitions
reactions to political and cultural
events
lectures
festivals
researchers
students
artists
museum visitors
tourists
permanent collection
park/bistro/cafe/retail temporary exhibitions employees
1 2 2 3 4 5
Circulation
Compartments can be open and closed separately
Accessibility gradation
Exhibition compartments
Exhibition galleries differ as far as light, climate size
and proportion of the interiors are concerned
room
Closed gallery room
Climate
Two separately controlled climates
Two separate elements of structure
Glazed facade
Concrete interior
Staircases
Vertical communication
Structurally:
- Dilatations between compartments
Wayfinding
- Colours help orientation in the builing
Staircase
Colour reflected in aluminium facade structure and polished concrete floor.
Staircase reflection
Staircase reflection
How to emphasize the experience of lenght?
How to create impression of lightness and transparency?
Park facade
rhythm of vertical elements
Staircases visible behind
Garden as the extension of groundfloor - no interruptions of long perspectives
Rafael Moneo
Kursaal
Lightness and unity of the facade
Curved glass
Louvre Lens
Transparent glass and reflections
Depth of the facade
Curved panels
Double galzing
Glued together
Impression of Garden facade
fabric-like
curtain

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