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AP Art History
Note-taking Outline—Chapter 34

FROM THE MODERN TO THE POSTMODERN AND BEYOND: THE LATER 20TH CENTURY
(Mnemonic: “Modernism and „Less is More‟ to Postmodernism and „Less is a Bore!‟”)

KEY VOCABULARY               (not including artists‟ names or works)
Modernism Formalism                 Postmodernism               Modernist
Formalism                           abstract expressionism      Minimal Art
Post-Painterly Abstraction          Color-Field Painting        Conceptual Art
“Non-Art”                           Performance Art             Pop Art
Earth Art

SECTION I: MODERNISM, FORMALISM, EXPRESSIONISM (PAGES 1031-
1043)

Figure #:     Subject:                    Artist:                     Key Concept:

34-1          Painting                    Francis Bacon               Brutality of War




34-3          Man Pointing                Giacometti                  Existential Human
Figure #:   Subject:         Artist:      Key Concept:

34-4        Number 1, 1950   Pollock      Abstract expression




34-6        Woman I          De Kooning   Raw abstraction




34-8        No. 14           Rothko       Meaning in color
Figure #:   Subject:      Artist:        Key Concept:

34-9        Cubi XIX      David Smith    Stainless steel weld




34-11       Mas o Menos   Frank Stella   Purity of paint




34-14       Die           Tony Smith     Minimal art
SECTION II: SCULPTURE, PERFORMANCE ART, CONCEPTUAL ART, POP
ART (PAGES 1043-1054)
Figure #:   Subject:               Artist:         Key Concept:

34-16       Vietnam Wall           Maya Ying Lin   Power of minimal




34-19       Hang-Up                Eva Hesse       “Non-Art” art




34-25       One and Three Chairs   Kosuth          Conceptual art
Figure #:   Subject:                Artist:        Key Concept:

34-26       The True Artist. . .    Nauman         Conceptual art




34-27       Just What Is It. . .?   Hamilton       Pop art




34-28       Flag                    Jasper Johns   Commonly seen
Figure #:   Subject:            Artist:            Key Concept:

34-29       Canyon              Rauschenberg       Combines media




34-30       Hopeless            Lichtenstein       Art in cartoons




34-31       Green Coca-Cola Bottles       Warhol   Repetition is art
Figure #:   Subject:          Artist:    Key Concept:

34-32       Marilyn Diptych   Warhol     Mass culture




SECTION III: SUPERREALISM, ENVIRONMENTAL ART, ARCHITECTURE
(PAGES 1054-1067)

34-34       Marilyn           Flack      Superrealism




34-37       Spiral Jetty      Smithson   Earth art
Figure #:   Subject:             Artist:         Key Concept:

34-41       Guggenheim Museum    F. L. Wright    Organic forms




34-42       Notre-Dame-du-Haut   Le Corbusier    Sculpted forms




34-46       Seagram Building     Rohe &Johnson   Steel and glass
Figure #:   Subject:           Artist:            Key Concept:

34-49       AT&T Building      Johnson & Burgee   Classic elements




34-52       Pompidou Center    Rogers and Piano   Deconstruction




SECTION IV: NEW MEDIA (PAGES 1068-1090)

34-59       The Dinner Party   Judy Chicago       Celebrating women
Figure #:   Subject:             Artist:                 Key Concept:

34-70       Public Enemy         Hammons                 Viewer introspection




34-71       Trade          Quick-to-See Smith            Native American




34-74       “When I put my hands. . .”     Wojnarowicz          Dealing with AIDS
Figure #:   Subject:                                Artist:                 Key Concept:

34-79       The Crossing                Viola                 Digital Sensory Experience




34-82       A Short History of Modernist Painting   Tansey                  Critique of art history

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Ap art history outline for notes ch.34

  • 1. AP Art History Note-taking Outline—Chapter 34 FROM THE MODERN TO THE POSTMODERN AND BEYOND: THE LATER 20TH CENTURY (Mnemonic: “Modernism and „Less is More‟ to Postmodernism and „Less is a Bore!‟”) KEY VOCABULARY (not including artists‟ names or works) Modernism Formalism Postmodernism Modernist Formalism abstract expressionism Minimal Art Post-Painterly Abstraction Color-Field Painting Conceptual Art “Non-Art” Performance Art Pop Art Earth Art SECTION I: MODERNISM, FORMALISM, EXPRESSIONISM (PAGES 1031- 1043) Figure #: Subject: Artist: Key Concept: 34-1 Painting Francis Bacon Brutality of War 34-3 Man Pointing Giacometti Existential Human
  • 2. Figure #: Subject: Artist: Key Concept: 34-4 Number 1, 1950 Pollock Abstract expression 34-6 Woman I De Kooning Raw abstraction 34-8 No. 14 Rothko Meaning in color
  • 3. Figure #: Subject: Artist: Key Concept: 34-9 Cubi XIX David Smith Stainless steel weld 34-11 Mas o Menos Frank Stella Purity of paint 34-14 Die Tony Smith Minimal art
  • 4. SECTION II: SCULPTURE, PERFORMANCE ART, CONCEPTUAL ART, POP ART (PAGES 1043-1054) Figure #: Subject: Artist: Key Concept: 34-16 Vietnam Wall Maya Ying Lin Power of minimal 34-19 Hang-Up Eva Hesse “Non-Art” art 34-25 One and Three Chairs Kosuth Conceptual art
  • 5. Figure #: Subject: Artist: Key Concept: 34-26 The True Artist. . . Nauman Conceptual art 34-27 Just What Is It. . .? Hamilton Pop art 34-28 Flag Jasper Johns Commonly seen
  • 6. Figure #: Subject: Artist: Key Concept: 34-29 Canyon Rauschenberg Combines media 34-30 Hopeless Lichtenstein Art in cartoons 34-31 Green Coca-Cola Bottles Warhol Repetition is art
  • 7. Figure #: Subject: Artist: Key Concept: 34-32 Marilyn Diptych Warhol Mass culture SECTION III: SUPERREALISM, ENVIRONMENTAL ART, ARCHITECTURE (PAGES 1054-1067) 34-34 Marilyn Flack Superrealism 34-37 Spiral Jetty Smithson Earth art
  • 8. Figure #: Subject: Artist: Key Concept: 34-41 Guggenheim Museum F. L. Wright Organic forms 34-42 Notre-Dame-du-Haut Le Corbusier Sculpted forms 34-46 Seagram Building Rohe &Johnson Steel and glass
  • 9. Figure #: Subject: Artist: Key Concept: 34-49 AT&T Building Johnson & Burgee Classic elements 34-52 Pompidou Center Rogers and Piano Deconstruction SECTION IV: NEW MEDIA (PAGES 1068-1090) 34-59 The Dinner Party Judy Chicago Celebrating women
  • 10. Figure #: Subject: Artist: Key Concept: 34-70 Public Enemy Hammons Viewer introspection 34-71 Trade Quick-to-See Smith Native American 34-74 “When I put my hands. . .” Wojnarowicz Dealing with AIDS
  • 11. Figure #: Subject: Artist: Key Concept: 34-79 The Crossing Viola Digital Sensory Experience 34-82 A Short History of Modernist Painting Tansey Critique of art history