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Cropping, Framing, Monochrome & Everything After
To understand how meaning changes with
presentation and how you might apply this to your
own work.
To see what happens when you crop, or frame
To see how colour effects meaning
What do we mean by cropping?
What effect does it have?
During the 1930s in the USA, due to poor
farming techniques and drought the American
Mid-West was experiencing poor harvests.
This combined with an economic depression,
means that many people in the Mid-West
were starving, travelling around from farm to
farm looking for work.
Dorothea Lange was employed by the Farm
Security Administration – FSA.
Lange’s first crop
I saw and approached the hungry and
desperate mother, as if drawn by a
magnet. I do not remember how I
explained my presence or my camera to
her, but I do remember she asked me no
questions.
I made five exposures, working closer and
closer from the same direction. I did not
ask her name or her history. She told me
her age, that she was thirty-two. She said
that they had been living on frozen
vegetables from the surrounding fields,
and birds that the children killed.
She had just sold the tires from her car to
buy food. There she sat in that lean- to tent
with her children huddled around her, and
seemed to know that my pictures might
help her, and so she helped me. There
was a sort of equality about it. (From:
Popular Photography, Feb. 1960).
“Destitute pea pickers in California. Mother of
seven children. Age thirty-two. Nipomo,
California” (note that the main page gives
“Destitute peapickers in California; a 32 year
old mother of seven children. February 1936.”
Why do we frame pictures?
Artistically it gets the eye ready to see what is inside the
frame – preparation
Symbolically it can suggest that what is inside is important
worth looking at
It also calls a halt to wondering what is going on either side of
the frame (pointillist exceptions)
Korda gave the portrait "an ageless quality,
divorced from the specifics of time and place
Take one image (your own)
Create a new crop and save
Put a frame around it
Create a monochrome version as well as
colour.
What have you taken from this
section?
How can you use it in your own
work?
Stand up if you feel clear on the Portfolio Module.
Stand up if you feel worried about the amount of work
you have to do.
Stand up if you don’t understand what you need to do
in Portfolio.
Stand up if you are stressed about this module?
Stand up if you are relaxed about completing this
module.
P1 explain how media and materials are used in the work
of others to convey ideas and meaning
P2 create own visual language by working with materials,
media and processes
P3 describe ways in which visual language is used to
communicate ideas and meaning
M1 evaluate how media, materials and processes are
used diversely to convey ideas and meaning, drawing on
own experiments to make effective comparisons
P3 select and experiment safely with specialist
media, materials and techniques to develop visual
communication skills
P4 develop personal presentation and
communication skills.
Look at the resources on Moodle and in book
form in the classroom.
Take some of the images provided and create a
gallery piece for the studio wall based on
today’s learning.
Present to the rest of the group why you made
the decisions and how you will apply this to
your own work.
If you have time, you can look at adding
video or sound clips (some sound clips
provided on Moodle). You can do this
using your phones or tablets.
Once you have decided the nature of your personal
project you will need to select the work of at least 2
other practitioners and create a presentation which
outlines their work and how you intend to use these
sources to inform your own work (U6: P1, M1, D1)
Stand up if you feel clear on the Portfolio Module.
Stand up if you feel worried about the amount of work
you have to do.
Stand up if you don’t understand what you need to do
in Portfolio.
Stand up if you are stressed about this module?
Stand up if you are relaxed about completing this
module.

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Cropping Framing & Monochrome Effects

  • 1. Cropping, Framing, Monochrome & Everything After
  • 2. To understand how meaning changes with presentation and how you might apply this to your own work. To see what happens when you crop, or frame To see how colour effects meaning
  • 3. What do we mean by cropping? What effect does it have?
  • 4. During the 1930s in the USA, due to poor farming techniques and drought the American Mid-West was experiencing poor harvests. This combined with an economic depression, means that many people in the Mid-West were starving, travelling around from farm to farm looking for work. Dorothea Lange was employed by the Farm Security Administration – FSA. Lange’s first crop
  • 5.
  • 6.
  • 7.
  • 8. I saw and approached the hungry and desperate mother, as if drawn by a magnet. I do not remember how I explained my presence or my camera to her, but I do remember she asked me no questions.
  • 9. I made five exposures, working closer and closer from the same direction. I did not ask her name or her history. She told me her age, that she was thirty-two. She said that they had been living on frozen vegetables from the surrounding fields, and birds that the children killed.
  • 10. She had just sold the tires from her car to buy food. There she sat in that lean- to tent with her children huddled around her, and seemed to know that my pictures might help her, and so she helped me. There was a sort of equality about it. (From: Popular Photography, Feb. 1960).
  • 11. “Destitute pea pickers in California. Mother of seven children. Age thirty-two. Nipomo, California” (note that the main page gives “Destitute peapickers in California; a 32 year old mother of seven children. February 1936.”
  • 12.
  • 13. Why do we frame pictures?
  • 14. Artistically it gets the eye ready to see what is inside the frame – preparation Symbolically it can suggest that what is inside is important worth looking at It also calls a halt to wondering what is going on either side of the frame (pointillist exceptions)
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20. Korda gave the portrait "an ageless quality, divorced from the specifics of time and place
  • 21.
  • 22.
  • 23. Take one image (your own) Create a new crop and save Put a frame around it Create a monochrome version as well as colour.
  • 24. What have you taken from this section? How can you use it in your own work?
  • 25. Stand up if you feel clear on the Portfolio Module. Stand up if you feel worried about the amount of work you have to do. Stand up if you don’t understand what you need to do in Portfolio. Stand up if you are stressed about this module? Stand up if you are relaxed about completing this module.
  • 26. P1 explain how media and materials are used in the work of others to convey ideas and meaning P2 create own visual language by working with materials, media and processes P3 describe ways in which visual language is used to communicate ideas and meaning M1 evaluate how media, materials and processes are used diversely to convey ideas and meaning, drawing on own experiments to make effective comparisons
  • 27. P3 select and experiment safely with specialist media, materials and techniques to develop visual communication skills
  • 28. P4 develop personal presentation and communication skills.
  • 29.
  • 30.
  • 31.
  • 32. Look at the resources on Moodle and in book form in the classroom. Take some of the images provided and create a gallery piece for the studio wall based on today’s learning. Present to the rest of the group why you made the decisions and how you will apply this to your own work.
  • 33. If you have time, you can look at adding video or sound clips (some sound clips provided on Moodle). You can do this using your phones or tablets.
  • 34. Once you have decided the nature of your personal project you will need to select the work of at least 2 other practitioners and create a presentation which outlines their work and how you intend to use these sources to inform your own work (U6: P1, M1, D1)
  • 35. Stand up if you feel clear on the Portfolio Module. Stand up if you feel worried about the amount of work you have to do. Stand up if you don’t understand what you need to do in Portfolio. Stand up if you are stressed about this module? Stand up if you are relaxed about completing this module.