Anzeige
Anzeige

Más contenido relacionado

Anzeige

FUNDAMENTALS OF DRAWING LESSON 2.pptx

  1. FUNDAMENTALS OF DRAWING LESSON 2
  2. Topic covered Value ◦ Pencil control from low value to high value ◦ Relating value to shading Line and Shape ◦ line control ◦ creating objects with shapes
  3. GRIPPING THE PENCIL VALUE
  4. Gripping the pencil Scribe Grip The ―scribe’s grip‖ that feels natural for most people is surely the worst grip for drawing: writing and drawing are fundamentally different activities.
  5. Gripping the pencil Scribe Grip Writing is done with minute motions of the hand and fingers, with the elbow fixed
  6. Gripping the pencil Scribe Grip Drawing is done with broad movement of the whole arm, from hand to shoulder- blade
  7. Gripping the pencil Violin bow grip Hold the pencil with the thumb against all four fingers. This removes most control from the fingers, and emphasizes the wrist and especially the arm at elbow and shoulder.
  8. Gripping the pencil Violin bow grip This grip is the preferable basic drawing grip. O it produces flowing, economical sweeping line and is ideal for rough sketching, hatching and tonal work with the side of lead
  9. Gripping the pencil Gesture grips and variations Between the ―pen‖and the ―violin bow‖, there is any number of intermediate grips, suitable mostly for gesture drawing with varying paper size and motion range.
  10. Gripping the pencil Brush Grip O Sometimes a brush grip is used for detail work — it is the pencil held like a brush, in a pen grip with index finger resting along the shaft.
  11. Gripping the pencil Brush Grip OIt offers more motion freedom than the pen grip and works with or without elbow support, but when used with a pencil it also takes away some fine control. OIt is fairly good for holding the Wacom stylus, too.
  12. BASIC SHAPES & FORMS Line and Shapes
  13. Basic Shapes & Forms ◦ Exercise #1: Drawing Straight Lines Draw each line with a single motion. You'll discover the best angle at which you can draw a straight line. Then, all you have to do is turn the paper to execute a horizontal, a vertical, or diagonal line.
  14. Basic Shapes & Forms
  15. Basic Shapes & Forms
  16. SHADING Line and Shapes
  17. Shading Definition THE USE OF LIGHT AND DARK VALUES TO GIVE ILLUSION FORM OF DEPTH
  18. Shading Hatching Crosshatching Stippling Scribbling Blending
  19. Shading - Techniques
  20. Shading - Techniques Hatching is a series of straight or curved lines (called a set), drawn beside one another to give the illusion of a value.
  21. Shading - Techniques Crosshatching is a shading technique in which one set of lines crosses over (overlaps) another set.
  22. Shading - Techniques The act of Stippling involves covering an area with dots. It is a wildly time- consuming technique, in which an image is drawn dot...by dot...by dot. Pointillism in art is based on this technique.
  23. Shading - Techniques Scribbling has many different names and techniques such as Scumbling, Circling & Squirkling. Basically, this technique involves shading using random strokes or circlular strokes.
  24. Shading - Techniques Blending, also known as Smooth Shading is where you use your finger or some smudge tool such as a piece of cloth or cotton swab and smear the shading for a more uniform shade. If controlled correctly this can give a smooth polished look.
  25. Shading - Techniques
Anzeige