Sharing my presentation about Music of the lowland Luzon. Quarter 1 in MAPEH 7 (Music) It just a summary of important details from the book. Just hit like, comment, download and follow. Reference: Music and Arts Learners Module. Credits: YouTube, Google Photo, etc.

1. PREPARED BY: JETLEE H. CUMBE
MUSIC OF
LOWLAND OF
THE LUZON
MAGPAPALAYOK NATIONAL HIGH SCHOOL

2. TABLE OF CONTENTS
FOLKSONG (3 - 39)
LITURGY AND DEVOTIONAL MUSIC (40 - 79)
SECULAR MUSIC (80 - 116)
INSTRUMENTAL MUSIC (117 - 205)

3. GUESS THE TITLE
1. “Nabali ang
sanga”

4. GUESS THE TITLE
2. “Ang halaman
doon ay sari-
sari”

5. GUESS THE TITLE
3. “Lilipad-
lipad”

6. GUESS THE TITLE
4. “Kung
gumiling parang
tandang”

7. GUESS THE TITLE
5. “Mag hapong
naka yuko”

8. FOLKSONG OF THE
LUZON (LOWLANDS)

9. FOLKSONG
•Folk songs are songs
written by the folk and are
sung to accompany daily
activities such as farming,
fishing, and putting the baby
to sleep

10. FOLKSONG
•These are traditionally
passed on orally.

11. FOLKSONG
•Most Philippine folk
songs have Spanish
and other Western
influences.

12. FOLKSONG
•The people created melodic
chants and indigenous
instruments based on the
materials available where
they lived

13. FOLKSONG
•The folk songs of Luzon
lowlands are performed in
his/her native language
such as:

14. FOLKSONG
Ilocano Pangasinense Kapampangan
Tagalog Bicolano

15. CHARACTERISTICS
1. Originally passed down
orally to the family, and to
the other members of the
community

16. CHARACTERISTICS
2. Learned
through rote

17. CHARACTERISTICS
3. Sung in his/her
own dialect

18. CHARACTERISTICS
4. Begins in one
key and ends in the
same key

19. CHARACTERISTICS
5. Composers and
lyricist are usually
unknown

20. CHARACTERISTICS
6. Mood can be
sentimental,
playful, and
humurous

21. CHARACTERISTICS
7. Concepts are
based on nature or
people’s work,
tradition, culture

22. CHARACTERISTICS
8. Short and
simple

23. CHARACTERISTICS
9. Either in duple
meter, triple meter,
or quadruple
meter

24. ILOCANO
Pamulinawen
Naraniag a
Bulan
Manang
Biday
Dungdungwen
kanto

25. ILOCANO
Bannatiran
Ti Ayat ti
Maysa nga
Ubing
Igid Diay
Baybay
Diro ni
Ayat

26. KAPAMPANGAN
Ati Cu
Pung
Singsing
Doredo
Caca, o
Caca
Ing Bulung
Lara Y
Rizal

27. KAPAMPANGAN
Tinanam
Kung
Kamantigui
Misan a
Cayaldaw
an
Patag a
Bundoc
Nung
Acuing
Cucutnan
Y Mariang
Malagu

28. TAGALOG
Magtanim
ay Di Biro
Bahay
Kubo
Leron
Leron
Sinta
Sitsiritsit
Paru-
parong
Bukid

29. BICOLANO
Sarung Banggi

30. ACTIVITY #2
•IDENTIFY TRUE OR
FALSE.
DRAW  IF THE
STATEMENTS ARE
TRUE,  IF FALSE

31. 1. Folk songs are originally
passed down through
written to the family, and to
the other members of the
community

32. 2. Folk songs
Learned
through rote

33. CHARACTERISTICS
3. Folk song
sung with other
languages

34. CHARACTERISTICS
4. Folk song begins
in one key and
ends in the unlike
key

35. CHARACTERISTICS
5. Folk songs
composers and
lyricist are usually
popular.

36. CHARACTERISTICS
6. Folk songs mood
can be sentimental,
playful, and
humorous.

37. CHARACTERISTICS
7. Folk songs
concepts are based
on nature or
people’s work,
tradition, culture

38. CHARACTERISTICS
8. Folk songs
are long and
simple

39. CHARACTERISTICS
9. Folk songs
are in duple
meter only

40. 2. LITURGY AND
DEVOTIONAL MUSIC

41. LITURGY AND DEVOTIONAL MUSIC
Religious music of the lowlands
of Luzon reveals the impact of
Spanish colonization to the
Philippines which lasted for
almost three centuries.

42. LITURGY AND DEVOTIONAL MUSIC
With the introduction of
Christianity came the
different Western forms
of music that are used
for religious rites

43. LITURGY AND DEVOTIONAL MUSIC
Some of these were
adapted by Filipino
musicians to suit Philippine
musical forms were
incorporated to Christian
practices

44. 1. PASYON
Pasyon is a Philippine
narrative of the Passion,
Death, and Resurrection of
Jesus Christ in a form of
song with a dramatic
theme.

45. 1. PASYON
It is a book of
stanzas of five lines
of eight syllables.

46. 1. PASYON
The whole text is
chanted and known as
“Pabasa” and is recited
during Holy Week
(Semana Santa)

47. 2. SALUBONG
Salubong is a religious
ritual that re-enacts the
meeting of the Risen Christ
with His mother on the
dawn of Easter Sunday.

48. 2. SALUBONG
It is performed under a
prepared arch where the
veiled image of the Virgin
Mary has been placed.

49. 2. SALUBONG
A child dressed as an angel
is lowered by ropes from a
high platform to lift the
mourning veil of the
grieving

50. 2. SALUBONG
Mother while other children
dressed in angle costumes
sing the “Regina Coeli
Laetare” meaning “Queen
of Heaven”

51. 2. SALUBONG
The church bells are rung to
signify the end of Virgin
Mary’s mourning for Jesus
Christ’s resurrection from
the dead.

52. 3. FLORES DE MAYO
Flores de Mayo or
“Flowers of May” is a
Catholic festival held
on the month of May.

53. 3. FLORES DE MAYO
It is one of devotions
to the Blessed Virgin
Mary or “Alay”
(offering)

54. 3. FLORES DE MAYO
The celebration is held
inside the church wherein
children bring flowers to
offer to the image of the
Virgin Mary at the altar

55. 3. FLORES DE MAYO
While they sing
the “Alay ng
Bulaklak kay
Maria”

56. 4. STA CRUZAN
Santa Cruzan is a
religious-historical
event that
dramatizes

57. 4. STA CRUZAN
The finding of the
Holy Cross by the
Queen Helena and
her son,

58. 4. STA CRUZAN
Constantine the
Great.

59. 4. STA CRUZAN
It is held throughout
the Philippines
during the month of
May

60. 4. STA CRUZAN
As the sagalas and the
escorts parade the
streets of the
community, the musiko
(brass band)

61. 4. STA CRUZAN
Accompanies the
procession with the
music “Dios Te Salve
Maria”

62. ACTIVITY 4

63. LITURGY AND DEVOTIONAL MUSIC
1. The book of
pasyon is
composed of how
many lines?

64. LITURGY AND DEVOTIONAL MUSIC
2. The book of Pasyon
is composed of how
many syllables per
lines?

65. 1. PASYON
3. The pasyon is
narrated only during
__________________.

66. 1. PASYON
4. Pasyon is all about the
passion, death, and
ressurection of
___________.

67. 5. When did the
Salubong
celebrated?

68. 6. Salubong is
meeting of Risen
Jesus Christ and His
______.

69. 2. SALUBONG
7. The English title of
the music played in
Salubong is
_____________?

70. 3. FLORES DE MAYO
8. Flores de Mayo
is also called as
__________.

71. 3. FLORES DE MAYO
9. When did the
Flores de Mayo
celebrated?

72. 3. FLORES DE MAYO
10. Flores de Mayo is
one of devotions to the
Blessed Virgin
_________.

73. 3. FLORES DE MAYO
11. In Flores de
Mayo _______ is
being played.

74. 4. STA CRUZAN
12. Sta. Cruzan is
about finding of
the _______ of
Queen Helena.

75. 4. STA CRUZAN
13. What is the
name of the son
of Queen Helena?

76. 14. When did the
Sta. Cruzan
celebrated?

77. 4. STA CRUZAN
15. ______ and the
escorts parade the
streets of the
community, the musiko
(brass band)

78. 16. Dios Te Salve
Maria is being played
in the events of
__________.

79. 17-20
Enumerate the 4
events that we
have discussed.

80. 3. SECULAR MUSIC

81. SECULAR MUSIC
Music that is not
relating to the physical
world and not the
spiritual world

82. HARANA
Harana is a serenade
traditionally sung by
a man to express his
love to a lady.

83. HARANA
It is sung with
emotion and usually
accompanied by a
guitar.

84. HARANA
Such popular Filipino
harana songs are “Ang
Tangi Kong Pag-Ibig,”
“O Ilaw,” and
“Dungawin Mo Hirang.”

85. HARANA
Harana is in duple or
quadraple meter in
danza menor or
habanera tempo.

86. KUMINTANG
Kumintang
originated from
Balayan ,Batangas.

87. KUMINTANG
This song is in
triple meter with
the themes of love
and courtship.

88. KUMINTANG
Mutya ng
Pasig(1926) by
Nicanor Abelardo

89. KUMINTANG
The mutya
expresses her
feelings under
the light of the
moon.

90. KUMINTANG
She is mourning
the loss of her
love, which
symbolizes the
country’s loss of
freedom

91. PANDANGGO
Pandanggo is a dance
form that can found in the
different islands of Luzon,
such as Ilocos, Tarlac, and
parts of Visayas

92. PANDANGGO
It is a variation of the
Spanish word
fandango.
Popular

93. PANDANGGO
Pandanggo is a
courtship dance but it
can also refer to a type
of song to entertain the
farmers in the rice field.

94. PANDANGGO
The singers of this folk
song are called
pandanggeros and
pandanggeras

95. POLKA
Originate from a
Bohemian dance that
become popular in
Europe and America in
the Early 19 Century

96. POLKA
In the Philippines, it was
performed in elegant,
evening gatherings at the
height of its popularity
during the Spanish
colonial Period

97. POLKA
The tempo is in quick
duple meter while the
melody is supported by
chords/harmonies of tonic
(I), dominant (V), and sub-
dominant (IV).

98. POLKA
There are some Philippine
folksongs that are in polka
rhythm like Pamulinawen
(“Stone-hearted”), Magtanim
Ay ‘Di Biro (“Planting Rice Is
Never Fun”) and Leron-Leron
Sinta (“Leron the Beloved)

99. BALITAW
Balitaw is a dialogue or
courtship song in triple
meter, mostly in 2 and 3
part forms and arranged
with counter melodies

100. BALITAW
Sa Libis ng Nayon
Bakya mo Neneng
Composed by
Santiago Suarez

101. BALITAW
Arimunding-munding
Composed by
Severino Reyes

102. KUNDIMAN
Kundiman cames
from the words
“Kung Hindi Man”

103. KUNDIMAN
Through its melody,
lyrics, and expressive
singing, the kundiman
conveys a selfless and
spiritual attitude,

104. KUNDIMAN
Intense love, longing,
caring, devotions, and
oneness not only with a
romantic partner, but also
with a parent, child, a
spiritual figure, or the
motherland.

105. KUNDIMAN
Some famous Filipino
kundiman composers are
Francisco Santiago, Nicanor
Abelardo, Bonicia Abdon,
Francisco Buencamino, and
Angel Pena

106. KUNDIMAN
Among the famous
kundiman performers in
the Early 1900’s are Atang
de la Rama, Jovita
Fuentes, Conching Rosal,
and Ruben Tagalog.

107. KUNDIMAN
In musical context,
kundiman usually starts in
a mirror key then goes to
the major key and in triple
meter.

108. KUNDIMAN
•Pilipinas kong mahal by
Francisco Santiago
•Nasaan ka Irog
•Huling Awit by Nicanor
Abelardo

109. KUNDIMAN
•Jocelynang Baliwag
•Sa Sariling Bayan by V.
Tolentino
•Iyo Kailan pa Man by
Angel Pena

110. REVIEW!!!
1. It is a song
that a man
use to
express his
feelings to a
lady.
Harana

111. REVIEW!!!
2. This song
is in triple
meter with the
themes of
love and
courtship.
KUMINTANG

112. REVIEW!!!
3. It is a courtship
dance but it can
also refer to a
type of song to
entertain the
farmers in the
rice field.
PANDANGGO

113. REVIEW!!!
4. Dance that was
performed in
elegant, evening
gatherings at the
height of its
popularity during
the Spanish
colonial Period
POLKA

114. REVIEW!!!
5. It is a dialogue or
courtship song in
triple meter, mostly
in 2 and 3 part
forms and arranged
with counter
melodies.
BALITA
W

115. REVIEW!!!
6. It is came
from the
words
“Kung Hindi
Man”
KUNDIMAN

116. VERY
GOOD!!!

202. Angklung Bumbong Kalatok
Talunggating Kalagong
Pan
Pipes
Tulali Kiskis

206. References: Music & Arts
Learner’s Module
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