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BRANDING FOR
THE APOCALYPSE 🔥
#18NTCbrandapocalypse
BRANDING FOR
THE APOCALYPSE 🔥
HOW TO GET PEOPLE TO CARE ABOUT YOUR CAUSE WHEN EVERYTHING IS HORRIBLE
#18NTCbrandapocalypse
Rhiannon Tasker

The Public Theater, NYC
Donor Communications, Project Manager
James Wu, NYC
Ex-Acumen, Ex-BAM
Brand Consultant
Kristyna “iPad” Jones
Brothers Empowered 2 Teach, NOLA
Co-Founder and COO
USE THIS HASHTAG:
#18NTCbrandapocalypse


TAG / TWEET AT US:

@bunkywu

@realbruhsteach 

@publictheaterny


COLLABORATE & EVALUATE:
http://po.st/18NTCbrandapocalypse
EVERYTHING

IS HORRIBLE.
“James. Help. I’m paralyzed.”
“If you haven’t noticed, things
are pretty messed up. Nobody
cares what we have to say right
now. Tweeting about [org] while
the world is burning feels
sorta…I dunno…tone deaf?
Wrong? Selfish?”
“We’re not the ACLU.”
“Who’s doing an amazing job?”
“Who’s doing an amazing job in NOLA?”
Founded 1954

180 employees

$42M annual budget
Founded 2014

7 employees, 40 Fellows

$700K annual budget
“Brand humility is the only response
to a fast-changing and competitive
marketplace. The humble brand
understands that it needs to re-earn
attention, re-earn loyalty and
reconnect with its audience as if every
day is the first day.”


— Seth Godin
1
REDEFINING EDUCATION . DEFYING ODDS
Brothers Empowered to Teach 2R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
OUR
FOUNDATION
KRISTYNA JONES | Co-Founder LARRY IRVIN | Co-Founder
Started as an idea in 2012,
Brothers Empowered to Teach
now has a cohort of 40 stu-
dents between New Orleans
and Baton Rouge serving 10
local schools and 2 after-
school partners. Partners like
the Alliance for Diversity and
Excellence support the expe-
riential learning of our fel-
lows through mentorship and
professional advice.
Brothers Empowered to Teach 3R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
OUR
FELLOWS
Starting with just 7 fellows
in 2014 to 40 participants
between New Orleans and
Baton Rouge in 2017, the BE2T
Fellowship has students who
attend community colleges,
historically black colleges
and universities, and major-
ity schools through out the
region. Fellows major in a
variety of disciplines whether
pre-med or political science
while all having a common
desire to work with kids and
help them achieve their per-
sonal and academic goals.
NKEMDI AGWARAMGBO
Alumni 2017
JUSTIN HARRIS
Senior, Year 3
ROBERT FRETER
Senior, Year 3
ALEX HALSTEAD
Alumni, 2015
4
01.
OUR VISION
4
Brothers Empowered to Teach 5R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
OUR VISION IS TO
HAVE 1,500 MEN
OF COLOR IN THE
CLASSROOMS
BY 2026
01. OUR VISION
6
02.
THE PROBLEM
6
Brothers Empowered to Teach 7R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
02. THE PROBLEM
As much as of college
bound black men will drop
out by sophomore year.
More than 50%
drop out starting
in 8th grade.
1/3
WE’RE SOLVING THESE PROBLEMS
LESS THAN 3%
OF ALL TEACHERS
ARE BLACK MEN.
MEN OF
COLOR ARE
BEING LEFT
BEHIND
IN SCHOOL
Brothers Empowered to Teach 8R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
KIDS NEED
ACCESS TO
TEACHERS WHO
REFLECT THEIR
EXPERIENCE AND
MODEL SUCCESS
02. THE PROBLEM
9
03.
THE SOLUTION
9
1010
TARGET POTENTIAL EDUCATORS
EARLY IN THEIR COLLEGE CAREER
AND PROVIDE THEM WITH THE
RIGHT TOOLS FOR PERSONAL AND
PROFESSIONAL SUCCESS
11
04.
OUR MODEL
11
Brothers Empowered to Teach 12R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
WE EXPOSE
FELLOWS
GRADUALLY
WITH A
“SPOON-FED”
APPROACH...
04. OUR MODEL
1
2
3
BE2T FELLOWSHIP
THE CIPHER
THE CHANGE
TRACK
Brothers Empowered to Teach 13R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
...AND ENSURE
THAT THEY ARE
INCREDIBLE
EDUCATORS WHO
ARE CULTURALLY
RESPONSIVE
04. OUR MODEL
14
05.
THE RESULTS
14
1515
OUR FELLOWS IMPACT STUDENTS
EVEN BEFORE THEY TEACH.
Brothers Empowered to Teach 16
Impacted over 1,750 school-age children
Exposed over 40 young men to teaching
5 OUT OF 5 graduating participants teach
4 OUT OF 5 never planned to be educators
R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S
05. THE RESULTS
1
2
3
SINCE 2014, WE HAVE:
06.
THE BRAND
2Brothers Empowered to Teach Brand Foundation
brand
overview
01. VOICE
+ Empowered
+ Successful
+ Trustworthy
+ Authentic
02. MISSION
Brothers Empowered to Teach’s (BE2T) mission is to generate a pipeline of incredible teachers
who mirror success for their students by recruiting men of color into classroom-based careers.
03. VISION
To inspire all children, especially those at-risk of dropping out of school, to expand their vision
of success and defy the odds.
04. VALUES
+ Relevance
+ Adaptability
+ Preparedness
+ Hustle
+ Unconventional
+ Self-Care
Brand Foundation
color
palette
Brothers Empowered to Teach 3
PMS 3955 U
C5 M1 Y93 K0
R250 G235 B55
#FAEB37
PMS 573 U
C25 M0 Y16 K0
R187 G233 B222
#BBE9DE
PMS 539 C
C98 M69 Y32 K 45
R70 G76 B89
#464C59
PMS 2627 U
C48 M70 Y0 K0
R110 G82 B124
#6E527C
PMS Cool Gray 1 U
C4 M3 Y6 K7
R218 G217 B214
#DAD9D6
Brand FoundationBrothers Empowered to Teach 5
logo
expanded
07.
THE RULES
Be clear on who you are…
BE2T IS:
Collaborative
Fresh/Fashionable
Creative
Culturally Relevant
20-something
Collaborative
2012 or 2018
Be clear on who you are not…
BE2T IS NOT:
Earthy
Conservative
Overly Serious
Intense
Old
Self-Aggrandizing
We are always ourselves
Do you know who you are?
Represent your brand in
everything you do…
@REALBRUHSTEACH
THANK YOU!
Rhiannon	
  Tasker	
  
Donor	
  Communica2ons	
  	
  
Project	
  Manager	
  
•  The	
  New	
  York	
  Shakespeare	
  Fes0val	
  founded	
  by	
  Joe	
  Papp	
  
in	
  1954	
  with	
  the	
  Mobile	
  Shakespeare	
  Unit	
  	
  
•  The	
  Delacorte	
  Theater,	
  our	
  first	
  permanent	
  home,	
  
opened	
  in	
  1962	
  and	
  is	
  the	
  home	
  of	
  Free	
  Shakespeare	
  in	
  
the	
  Park	
  
•  Our	
  Astor	
  Place	
  home	
  opened	
  in	
  1967	
  with	
  the	
  world	
  
premier	
  of	
  Hair	
  
History	
  of	
  The	
  Public	
  	
  
Mission	
  Statement:	
  	
  
As	
  the	
  na0on's	
  foremost	
  theatrical	
  producer	
  of	
  
Shakespeare	
  and	
  new	
  work,	
  The	
  Public	
  Theater	
  is	
  
dedicated	
  to	
  achieving	
  ar0s0c	
  excellence	
  while	
  
developing	
  an	
  American	
  theater	
  that	
  is	
  accessible	
  and	
  
relevant	
  to	
  all	
  people	
  through	
  produc0ons	
  of	
  
challenging	
  new	
  plays,	
  musicals	
  and	
  innova0ve	
  
staging's	
  of	
  the	
  classics.	
  	
  	
  
	
  
History	
  of	
  The	
  Public	
  	
  
The	
  Public	
  Theater	
  Now	
  
Year-­‐round	
  season	
  at	
  Astor	
  Place	
  
five	
  theaters	
  and	
  one	
  cabaret	
  space	
  
(Joe’s	
  Pub).	
  	
  
Mobile	
  Unit	
  tours,	
  bringing	
  Shakespeare	
  
to	
  prisons,	
  community	
  centers,	
  and	
  
homeless	
  shelters	
  throughout	
  the	
  city.	
  
Free	
  Shakespeare	
  in	
  the	
  Park	
  at	
  the	
  
Delacorte	
  Theater	
  in	
  Central	
  Park,	
  offering	
  
over	
  100,000	
  free	
  0ckets	
  to	
  world-­‐class	
  
theater	
  throughout	
  the	
  summer.	
  	
  
The	
  Public	
  Theater	
  Now	
  
•  Open	
  364	
  days	
  a	
  year,	
  1500+	
  
performances.	
  	
  
•  Budget:	
  $42	
  million	
  a	
  year,	
  $30	
  million	
  
from	
  contributed	
  revenue.	
  	
  
•  Staff	
  Size	
  180	
  
A	
  Chorus	
  Line,	
  1975	
  
The	
  Normal	
  Heart,	
  1985	
  
Hair,	
  1967	
   for	
  colored	
  girls	
  who	
  have	
  considered	
  suicide	
  /	
  	
  
when	
  the	
  rainbow	
  is	
  enuf,	
  1976	
  
Fun	
  Home,	
  2013	
   Sweat,	
  2016	
  
Notable	
  Produc2ons	
  
2016	
  End	
  of	
  Year	
  
Campaign	
  
Original	
  Messaging	
  and	
  Concept:	
  
	
  
The	
  Public	
  Theater	
  
FY17	
  End	
  of	
  Year	
  Campaign	
  	
  
	
  	
  
Theme	
  
The	
  campaign	
  will	
  focus	
  on	
  the	
  community	
  at	
  The	
  Public.	
  	
  
	
  
Messaging	
  
People	
  
Place	
  	
  
Performance	
  
	
  
The	
  Public	
  creates	
  an	
  open	
  space	
  where	
  all	
  communi0es	
  are	
  
welcome.	
  As	
  part	
  of	
  The	
  Public	
  Theater	
  family,	
  you	
  are	
  what	
  
mo0vates	
  and	
  inspires	
  us	
  to	
  create	
  beau0ful	
  works	
  of	
  
theater.	
  You	
  are	
  at	
  the	
  center	
  of	
  our	
  community.	
  Give	
  a	
  gi`	
  
today	
  of	
  $10	
  to	
  ensure	
  culture	
  belongs	
  to	
  everyone.	
  	
  
Original	
  Messaging	
  and	
  Concept:	
  
	
  
The	
  Public	
  Theater	
  
FY17	
  End	
  of	
  Year	
  Campaign	
  	
  
	
  	
  
Theme	
  
The	
  campaign	
  will	
  focus	
  on	
  the	
  community	
  at	
  The	
  Public.	
  	
  
	
  
Messaging	
  
People	
  
Place	
  	
  
Performance	
  
	
  
The	
  Public	
  creates	
  an	
  open	
  space	
  where	
  all	
  communi0es	
  are	
  
welcome.	
  As	
  part	
  of	
  The	
  Public	
  Theater	
  family,	
  you	
  are	
  what	
  
mo0vates	
  and	
  inspires	
  us	
  to	
  create	
  beau0ful	
  works	
  of	
  
theater.	
  You	
  are	
  at	
  the	
  center	
  of	
  our	
  community.	
  Give	
  a	
  gi`	
  
today	
  of	
  $10	
  to	
  ensure	
  culture	
  belongs	
  to	
  everyone.	
  	
  
2016	
  End	
  of	
  Year	
  Campaign	
  
Does	
  this	
  
campaign	
  s0ll	
  feel	
  
relevant?	
  
How	
  do	
  we	
  speak	
  to	
  the	
  
feeling	
  of	
  a	
  dividedness	
  
in	
  our	
  community?	
  	
  
What	
  are	
  our	
  values	
  as	
  
an	
  ins0tu0on?	
  	
  
2016	
  End	
  of	
  Year	
  Campaign	
  
“We	
  were	
  founded	
  on	
  the	
  ideal	
  that	
  culture	
  
belongs	
  to	
  everyone	
  and	
  that	
  we	
  have	
  a	
  civic	
  
duty	
  to	
  be	
  a	
  place	
  of	
  community	
  and	
  equality.	
  	
  
We	
  are	
  commifed	
  to	
  championing	
  the	
  values	
  
of	
  acceptance,	
  and	
  celebra0ng	
  the	
  diversity	
  
that	
  makes	
  America	
  a	
  rich	
  and	
  dynamic	
  
country.	
  	
  We	
  are	
  a	
  place	
  of	
  free	
  speech,	
  
dreams,	
  integrity,	
  and	
  respect	
  for	
  everyone;	
  a	
  
home	
  open	
  for	
  all	
  to	
  come	
  together	
  and	
  be	
  
part	
  of	
  the	
  shared	
  experience	
  of	
  storytelling.”	
  
	
  
2016	
  End	
  of	
  Year	
  Campaign	
  
2016	
  End	
  of	
  Year	
  Campaign	
  
Campaign	
  Included:	
  
	
  
•  Direct	
  Mail	
  piece	
  which	
  included	
  a	
  
lefer	
  and	
  a	
  mail	
  back	
  form	
  
	
  
•  6	
  Emails	
  including	
  Giving	
  Tuesday	
  
	
  
•  Street	
  case	
  and	
  Lobby	
  sign	
  
takeover.	
  	
  
2016	
  End	
  of	
  Year	
  Campaign	
  Results	
  
•  Total	
  Raised:	
  
$110,355.36	
  
	
  
•  Total	
  of	
  1342	
  dona0ons	
  
ranging	
  from	
  $5-­‐$10,000	
  
	
  
•  $32,500	
  in	
  new	
  or	
  returning	
  
Partners;	
  Including	
  two	
  new	
  
$10,000	
  donors	
  	
  
	
  
2017	
  End	
  of	
  Year	
  Campaign	
  	
  
2017	
  End	
  of	
  Year	
  Campaign	
  	
  
Targeted	
  mailing	
  based	
  
on	
  giving	
  history.	
  	
  
	
  
2017	
  End	
  of	
  Year	
  Campaign	
  	
  
2017	
  End	
  of	
  Year	
  Campaign	
  	
  
•  Total	
  Raised:	
  $93,938	
  
	
  
•  Total	
  of	
  1258	
  dona0ons	
  ranging	
  from	
  $5-­‐
$10,000	
  
	
  
•  67%	
  increase	
  in	
  revenue	
  from	
  the	
  mailing	
  
from	
  the	
  year	
  before	
  	
  
	
  
Thank	
  You	
  Postcards	
  
	
  
Recognizing	
  ALL	
  our	
  donors	
  
	
  
•  Handwrifen	
  postcards	
  for	
  dona0ons	
  
made	
  during	
  a	
  two	
  week	
  period	
  of	
  0me	
  
	
  
Thank You
Postcards
•  Key	
  Takeaways	
  
	
  
•  When	
  the	
  moment	
  calls	
  for	
  it,	
  pivot	
  to	
  fit	
  the	
  urgency	
  of	
  what	
  is	
  happening	
  in	
  the	
  world	
  around	
  us	
  
	
  
•  However,	
  speaking	
  to	
  the	
  moment	
  only	
  works	
  when	
  you	
  remain	
  authen0c	
  to	
  who	
  you	
  are	
  as	
  an	
  
organiza0on.	
  	
  
	
  
•  A	
  small	
  Thank	
  You	
  goes	
  a	
  long	
  way	
  
	
  
Thank You
Postcards
RHIANNON	
  TASKER	
  
DONOR	
  COMMUNICATIONS,	
  PROJECT	
  MANAGER	
  
RTASKER@PUBLICTHEATER.ORG	
  
	
  
THANKS!
EMAIL US:
bunkywu@gmail.com

kristynaj@be2t.org

rtasker@publictheater.org

TAG / TWEET AT US:

@bunkywu

@realbruhsteach 

@publictheaterny
COLLABORATE & EVALUATE:
http://po.st/18NTCbrandapocalypse
QUESTIONS?

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Branding for the Apocalypse

  • 1. BRANDING FOR THE APOCALYPSE 🔥 #18NTCbrandapocalypse
  • 2. BRANDING FOR THE APOCALYPSE 🔥
HOW TO GET PEOPLE TO CARE ABOUT YOUR CAUSE WHEN EVERYTHING IS HORRIBLE #18NTCbrandapocalypse
  • 3. Rhiannon Tasker
 The Public Theater, NYC Donor Communications, Project Manager James Wu, NYC Ex-Acumen, Ex-BAM Brand Consultant Kristyna “iPad” Jones Brothers Empowered 2 Teach, NOLA Co-Founder and COO
  • 4.
  • 5. USE THIS HASHTAG: #18NTCbrandapocalypse 
 TAG / TWEET AT US:
 @bunkywu
 @realbruhsteach 
 @publictheaterny 
 COLLABORATE & EVALUATE: http://po.st/18NTCbrandapocalypse
  • 7.
  • 8.
  • 9. “James. Help. I’m paralyzed.”
  • 10. “If you haven’t noticed, things are pretty messed up. Nobody cares what we have to say right now. Tweeting about [org] while the world is burning feels sorta…I dunno…tone deaf? Wrong? Selfish?”
  • 11. “We’re not the ACLU.”
  • 12.
  • 13.
  • 14.
  • 15.
  • 16. “Who’s doing an amazing job?”
  • 17.
  • 18. “Who’s doing an amazing job in NOLA?”
  • 19.
  • 20. Founded 1954
 180 employees
 $42M annual budget Founded 2014
 7 employees, 40 Fellows
 $700K annual budget
  • 21. “Brand humility is the only response to a fast-changing and competitive marketplace. The humble brand understands that it needs to re-earn attention, re-earn loyalty and reconnect with its audience as if every day is the first day.” 
 — Seth Godin
  • 22. 1 REDEFINING EDUCATION . DEFYING ODDS
  • 23. Brothers Empowered to Teach 2R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S OUR FOUNDATION KRISTYNA JONES | Co-Founder LARRY IRVIN | Co-Founder Started as an idea in 2012, Brothers Empowered to Teach now has a cohort of 40 stu- dents between New Orleans and Baton Rouge serving 10 local schools and 2 after- school partners. Partners like the Alliance for Diversity and Excellence support the expe- riential learning of our fel- lows through mentorship and professional advice.
  • 24. Brothers Empowered to Teach 3R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S OUR FELLOWS Starting with just 7 fellows in 2014 to 40 participants between New Orleans and Baton Rouge in 2017, the BE2T Fellowship has students who attend community colleges, historically black colleges and universities, and major- ity schools through out the region. Fellows major in a variety of disciplines whether pre-med or political science while all having a common desire to work with kids and help them achieve their per- sonal and academic goals. NKEMDI AGWARAMGBO Alumni 2017 JUSTIN HARRIS Senior, Year 3 ROBERT FRETER Senior, Year 3 ALEX HALSTEAD Alumni, 2015
  • 26. Brothers Empowered to Teach 5R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S OUR VISION IS TO HAVE 1,500 MEN OF COLOR IN THE CLASSROOMS BY 2026 01. OUR VISION
  • 28. Brothers Empowered to Teach 7R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S 02. THE PROBLEM As much as of college bound black men will drop out by sophomore year. More than 50% drop out starting in 8th grade. 1/3 WE’RE SOLVING THESE PROBLEMS LESS THAN 3% OF ALL TEACHERS ARE BLACK MEN. MEN OF COLOR ARE BEING LEFT BEHIND IN SCHOOL
  • 29. Brothers Empowered to Teach 8R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S KIDS NEED ACCESS TO TEACHERS WHO REFLECT THEIR EXPERIENCE AND MODEL SUCCESS 02. THE PROBLEM
  • 31. 1010 TARGET POTENTIAL EDUCATORS EARLY IN THEIR COLLEGE CAREER AND PROVIDE THEM WITH THE RIGHT TOOLS FOR PERSONAL AND PROFESSIONAL SUCCESS
  • 33. Brothers Empowered to Teach 12R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S WE EXPOSE FELLOWS GRADUALLY WITH A “SPOON-FED” APPROACH... 04. OUR MODEL 1 2 3 BE2T FELLOWSHIP THE CIPHER THE CHANGE TRACK
  • 34. Brothers Empowered to Teach 13R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S ...AND ENSURE THAT THEY ARE INCREDIBLE EDUCATORS WHO ARE CULTURALLY RESPONSIVE 04. OUR MODEL
  • 36. 1515 OUR FELLOWS IMPACT STUDENTS EVEN BEFORE THEY TEACH.
  • 37. Brothers Empowered to Teach 16 Impacted over 1,750 school-age children Exposed over 40 young men to teaching 5 OUT OF 5 graduating participants teach 4 OUT OF 5 never planned to be educators R E D E F I N I N G E D U C ATI O N . D E F Y I N G O D D S 05. THE RESULTS 1 2 3 SINCE 2014, WE HAVE:
  • 39. 2Brothers Empowered to Teach Brand Foundation brand overview 01. VOICE + Empowered + Successful + Trustworthy + Authentic 02. MISSION Brothers Empowered to Teach’s (BE2T) mission is to generate a pipeline of incredible teachers who mirror success for their students by recruiting men of color into classroom-based careers. 03. VISION To inspire all children, especially those at-risk of dropping out of school, to expand their vision of success and defy the odds. 04. VALUES + Relevance + Adaptability + Preparedness + Hustle + Unconventional + Self-Care
  • 40. Brand Foundation color palette Brothers Empowered to Teach 3 PMS 3955 U C5 M1 Y93 K0 R250 G235 B55 #FAEB37 PMS 573 U C25 M0 Y16 K0 R187 G233 B222 #BBE9DE PMS 539 C C98 M69 Y32 K 45 R70 G76 B89 #464C59 PMS 2627 U C48 M70 Y0 K0 R110 G82 B124 #6E527C PMS Cool Gray 1 U C4 M3 Y6 K7 R218 G217 B214 #DAD9D6
  • 41. Brand FoundationBrothers Empowered to Teach 5 logo expanded
  • 43. Be clear on who you are… BE2T IS: Collaborative Fresh/Fashionable Creative Culturally Relevant 20-something Collaborative 2012 or 2018
  • 44. Be clear on who you are not… BE2T IS NOT: Earthy Conservative Overly Serious Intense Old Self-Aggrandizing We are always ourselves Do you know who you are?
  • 45. Represent your brand in everything you do…
  • 46.
  • 49. Rhiannon  Tasker   Donor  Communica2ons     Project  Manager  
  • 50. •  The  New  York  Shakespeare  Fes0val  founded  by  Joe  Papp   in  1954  with  the  Mobile  Shakespeare  Unit     •  The  Delacorte  Theater,  our  first  permanent  home,   opened  in  1962  and  is  the  home  of  Free  Shakespeare  in   the  Park   •  Our  Astor  Place  home  opened  in  1967  with  the  world   premier  of  Hair   History  of  The  Public    
  • 51. Mission  Statement:     As  the  na0on's  foremost  theatrical  producer  of   Shakespeare  and  new  work,  The  Public  Theater  is   dedicated  to  achieving  ar0s0c  excellence  while   developing  an  American  theater  that  is  accessible  and   relevant  to  all  people  through  produc0ons  of   challenging  new  plays,  musicals  and  innova0ve   staging's  of  the  classics.         History  of  The  Public    
  • 52. The  Public  Theater  Now   Year-­‐round  season  at  Astor  Place   five  theaters  and  one  cabaret  space   (Joe’s  Pub).     Mobile  Unit  tours,  bringing  Shakespeare   to  prisons,  community  centers,  and   homeless  shelters  throughout  the  city.   Free  Shakespeare  in  the  Park  at  the   Delacorte  Theater  in  Central  Park,  offering   over  100,000  free  0ckets  to  world-­‐class   theater  throughout  the  summer.    
  • 53. The  Public  Theater  Now   •  Open  364  days  a  year,  1500+   performances.     •  Budget:  $42  million  a  year,  $30  million   from  contributed  revenue.     •  Staff  Size  180  
  • 54. A  Chorus  Line,  1975   The  Normal  Heart,  1985   Hair,  1967   for  colored  girls  who  have  considered  suicide  /     when  the  rainbow  is  enuf,  1976   Fun  Home,  2013   Sweat,  2016   Notable  Produc2ons  
  • 55. 2016  End  of  Year   Campaign   Original  Messaging  and  Concept:     The  Public  Theater   FY17  End  of  Year  Campaign         Theme   The  campaign  will  focus  on  the  community  at  The  Public.       Messaging   People   Place     Performance     The  Public  creates  an  open  space  where  all  communi0es  are   welcome.  As  part  of  The  Public  Theater  family,  you  are  what   mo0vates  and  inspires  us  to  create  beau0ful  works  of   theater.  You  are  at  the  center  of  our  community.  Give  a  gi`   today  of  $10  to  ensure  culture  belongs  to  everyone.    
  • 56. Original  Messaging  and  Concept:     The  Public  Theater   FY17  End  of  Year  Campaign         Theme   The  campaign  will  focus  on  the  community  at  The  Public.       Messaging   People   Place     Performance     The  Public  creates  an  open  space  where  all  communi0es  are   welcome.  As  part  of  The  Public  Theater  family,  you  are  what   mo0vates  and  inspires  us  to  create  beau0ful  works  of   theater.  You  are  at  the  center  of  our  community.  Give  a  gi`   today  of  $10  to  ensure  culture  belongs  to  everyone.     2016  End  of  Year  Campaign   Does  this   campaign  s0ll  feel   relevant?   How  do  we  speak  to  the   feeling  of  a  dividedness   in  our  community?     What  are  our  values  as   an  ins0tu0on?    
  • 57. 2016  End  of  Year  Campaign   “We  were  founded  on  the  ideal  that  culture   belongs  to  everyone  and  that  we  have  a  civic   duty  to  be  a  place  of  community  and  equality.     We  are  commifed  to  championing  the  values   of  acceptance,  and  celebra0ng  the  diversity   that  makes  America  a  rich  and  dynamic   country.    We  are  a  place  of  free  speech,   dreams,  integrity,  and  respect  for  everyone;  a   home  open  for  all  to  come  together  and  be   part  of  the  shared  experience  of  storytelling.”    
  • 58. 2016  End  of  Year  Campaign  
  • 59. 2016  End  of  Year  Campaign   Campaign  Included:     •  Direct  Mail  piece  which  included  a   lefer  and  a  mail  back  form     •  6  Emails  including  Giving  Tuesday     •  Street  case  and  Lobby  sign   takeover.    
  • 60. 2016  End  of  Year  Campaign  Results   •  Total  Raised:   $110,355.36     •  Total  of  1342  dona0ons   ranging  from  $5-­‐$10,000     •  $32,500  in  new  or  returning   Partners;  Including  two  new   $10,000  donors      
  • 61. 2017  End  of  Year  Campaign    
  • 62. 2017  End  of  Year  Campaign     Targeted  mailing  based   on  giving  history.      
  • 63. 2017  End  of  Year  Campaign    
  • 64. 2017  End  of  Year  Campaign     •  Total  Raised:  $93,938     •  Total  of  1258  dona0ons  ranging  from  $5-­‐ $10,000     •  67%  increase  in  revenue  from  the  mailing   from  the  year  before      
  • 65. Thank  You  Postcards     Recognizing  ALL  our  donors     •  Handwrifen  postcards  for  dona0ons   made  during  a  two  week  period  of  0me    
  • 66. Thank You Postcards •  Key  Takeaways     •  When  the  moment  calls  for  it,  pivot  to  fit  the  urgency  of  what  is  happening  in  the  world  around  us     •  However,  speaking  to  the  moment  only  works  when  you  remain  authen0c  to  who  you  are  as  an   organiza0on.       •  A  small  Thank  You  goes  a  long  way    
  • 67. Thank You Postcards RHIANNON  TASKER   DONOR  COMMUNICATIONS,  PROJECT  MANAGER   RTASKER@PUBLICTHEATER.ORG    
  • 68. THANKS! EMAIL US: bunkywu@gmail.com
 kristynaj@be2t.org
 rtasker@publictheater.org
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