поэтический альбом "Weather"

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This document contains a collection of poems about different weather phenomena including winter, autumn, spring, tornadoes, and summer. It also includes poems in various forms like haiku, cinquain, rhombuses, acrostics, and more that describe different aspects of weather such as storms, sunshine, and enjoying outdoor activities. The poems provide imagery and descriptions related to seasons, natural occurrences, and human experiences of weather.

Education

“ WEATHER” Poetry booklet By Y.Bryukhova, T.Kuzminykh, K.Kuznetsova 752 gr.

Haiku ,[object Object],[object Object],[object Object],[object Object],[object Object]

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Parts of Speech Poem ,[object Object],[object Object],[object Object],[object Object],[object Object]

Rondelle ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

CINQUAIN ,[object Object],[object Object],[object Object],[object Object],[object Object]

R hombus ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

A crostic ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]

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Emily Dickinson 1830-1886 A virtual recluse In 55 short years of life, rarely left her home in Amherst, Mass. A comfortable home: dad a prominent lawyer and civic leader. A chronically ill mother, for whom Emily had to care An unmarried sister (“Vinnie”) who also lived at home. A brother (Austin) and his wife Susan Gilbert, to whom ED wrote. A highly religious household, but Emily was different; a little strange and solitary. Not anti-social, but not exactly the “belle of the ball.” Hard to communicate with; on a different “wavelength.” Had few friends. Never married or had a “boy friend,” and, as far as we know, never experienced physical love. A valentine to a young man at Amherst “Sir, I desire an interview; meet me at sunrise, or sunset, or the new moon – the place is immaterial…With soul, or spirit, or body, they are all alike to me. With host or alone, in sunshine or storm, in heaven or earth, some how or no how – I propose, sir, to see you. And not to see merely, but a chat, sir, or a tete-a-tete, a confab, a mingling of opposite minds is what I propose to have…Our friendship, sir, shall endure till sun and moon shall wane no more, till stars shall set, and victims rise to grace the final sacrifice…I am Judith, the heroine of the Apocrypha, and you the orator of Ephesus. That’s what they call a metaphor in our country. Don’t be afraid of it, sir, it won’t bite! To George Gould, a friend of her brother Austin, Feb. 1850 “Vesuvius at home” Spent her solitude reading (Bible and Shakespeare), writing poetry. Some poems about the theme of creativity itself. Often compared her creative urge to a volcano bubbling invisibly beneath the surface: Volcanoes be in Sicily And South America I judge from my Geography – Volcanoes nearer here A Lava step at any time Am I inclined to climb – A Crater I may contemplate Vesuvius at Home. (#1705; ?) No desire for fame. Never in her lifetime did she try to publish her poems. Handwrote and tied them together in small bundles (“fascicles”), 1776 in all. Asked sister to burn them after death. Vinnie could not do it, and with a family friend, eventually brought them to light. I’m Nobody! Who are you? Are you – Nobody – Too? Then there’s a pair of us? Don’t tell! they’d advertise – you know! How dreary – to be – Somebody! How public – like a Frog – To tell one’s name – the livelong June – To an admiring Bog! (#288; c. 1861) Despite staying at home, she knew the world. I never saw a Moor – I never saw the Sea – Yet know I how the Heather looks And what a Billow be. (#1052; c. 1865) Dickinson vs. Whitman “One of the two great poetic geniuses of the 19th c.” (F. Madden) As different from Whitman as night from day. “You speak of Mr. Whitman – I never read his Book – but was told that he was disgraceful --” (ED in letter to TW Higginson, April 1862) Whitman a “public” poet who loved people; Dickinson intensely private. Whitman’s lines a ...

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What I Have Learned from Nature by Grant Mincy Some of my fondest childhood memories are with my parents hiking around the Great Smoky Mountains National Park. One memory is particularly vivid. I was six and on the trail to Abrams Falls after a summer rain moved through the forest. The sun was just again peaking through the canopy. As my folks and I moved along the trail I noticed water droplets on the leaves of a rhododendron. We stopped for a rest next to the woody plant along the bank of Abrams Creek. I sat down, letting my hands feel the damp Earth, laden with bryophytes. I studied the beads of water on the plant before turning my considerations to the creek. My love for nature began young. In the wild I am always in awe of water. Water, in its many forms, occupies every part of the forest. Clouds are among my favorite forms water takes. There is nothing like standing on a green mountain bald on a cool spring day — the clouds steal the show. Whether weeping grey or puffy white, when the land is again bursting with life, clouds hug ridges and occupy valleys in ways that can only be described as breathtaking. I once had the holy experience of camping in the Blue Ridge of North Carolina on a late Spring evening at over 5,000 feet. As I hiked to camp I moved across mountain meadows covered in a thick fog, but my destination sat above the clouds. That night around a roaring bonfire, in the company of budding plants and a vast array of newly awakened wildlife, there was a piercing, radiant starry night above, and a sea of clouds cracking with lightning below. All of the heavens witnessed Earth’s wonder. From the clouds, in the chill of January, snow seems to continually fall over temperate Appalachian forests. In the winter, snow dusts the landscape, coating evergreens and the naked limbs of deciduous trees. When running old trails in this ancient terrain in the depths of the season, ones own breath is often visible as it escapes the lungs. If, like I often do, one follows this vapor in the white landscape, it is hard not to notice the depth of the mountains this time of year. Though peppered in white, something about the winter makes the Appalachians appear dark. Perhaps it is exposed ancient metamorphic rock, thick ice that clings to steep mountain ridges and the bare grey bark of trees, but the color avoids a description. The mountains are mysterious and beautiful beyond words. My favorite time in the woods, however, is Autumn. Fall air is always brisk, the sky is often a beaming cerulean blue, and it is of no mystery why the southern Appalachians are long described as “smoky.” A thick mist settles in the mountains in the fall and the forest changes dramatically daily. Some of my favorite moments of solitude, and thus my life, are experienced in the mountain lowlands in late autumn. Under the splendor of November hue, on the banks of a stream I am often lost in thought as I watch water carve its way through ancient rock while, at the same .

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