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Gabrijel Garsija Markes, Sto godina samode

,,Na licu stranca pojavio se bolni izraz zaprepašdenja, i izgledalo je da se potajno bori protiv svojih
nagona samo da ne poremeti priviđenje. Lepotica Remedios pomisli da njega muči strah da se ne razbiju
crepovi, pa se i okupa brže nego obično, kako čovek ne bi dugo bio u opasnosti. Dok se polivala vodom iz
cisterne, govorila mu je da je nezgodno što je krov u takvom stanju, pošto je ona ubeđena da iz gnezda
od trulog lišda dolaze škorpije u kupatilo. Stranac je njeno brbljanje shvatio kao način kojim ona želi da
prikrije svoje zadovoljstvo, pa kad je počela da se sapuna popustio je iskušenju i učinio jedan korak
napred.”

Anafora: stranac ‐ njega; lepotica Remedios ‐ ona

Katafora: nema

Semantička polja: 1. Borba, strah, opasnost, zaprepašdenje, bol, nagon, iskušenje, škorpija, mučiti.

                   2. Krov, crep, gnezdo, prikriti, potajno.

                   3. Okupati, politi, voda, sapunati.

Glagolska vremena: perfekat i prezent, uzročno‐posledična veza. Perfekat ukazuje na to da se iz necega
sto je bilo, povezuje sa onim sto je sada (prezent).

Veznici: i, pošto, pa. „I“ nema neku specijalnu ulogu sem u povezivanju rečenica i njihovih delova, dok
„pa“ i „pošto“ nas opet vradaju i ukazuju na to da postoji nešto iz čega de se nešto sledede desiti, dakle,
da postoji uzročno‐posledična veza, pokazana i odabranom upotrebom glagolskih vremena.

Predlozi: na, u, iz, napred. „Iz“ i „napred“ potvrđuju, još jednom, način razvijanja radnje. Iz nečega
proizilazi nesto, radnja „krede“ napred.

Ton: jasnih zvučnih slika nema, dok je ton scene, pasusa određena napetost koja se oseda, na šta ukazuju
i semantičke grupe, određena borba, nešto što treba prikriti i nešto što treba sprati (sa sebe).

Fraze i klišetirana mesta: nema.




Maja Galovid, Hristina Filipovid, Stefana Živojinovid

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Gabrijel garsija markes, 100 godina samoće, analiza

  • 1. Gabrijel Garsija Markes, Sto godina samode ,,Na licu stranca pojavio se bolni izraz zaprepašdenja, i izgledalo je da se potajno bori protiv svojih nagona samo da ne poremeti priviđenje. Lepotica Remedios pomisli da njega muči strah da se ne razbiju crepovi, pa se i okupa brže nego obično, kako čovek ne bi dugo bio u opasnosti. Dok se polivala vodom iz cisterne, govorila mu je da je nezgodno što je krov u takvom stanju, pošto je ona ubeđena da iz gnezda od trulog lišda dolaze škorpije u kupatilo. Stranac je njeno brbljanje shvatio kao način kojim ona želi da prikrije svoje zadovoljstvo, pa kad je počela da se sapuna popustio je iskušenju i učinio jedan korak napred.” Anafora: stranac ‐ njega; lepotica Remedios ‐ ona Katafora: nema Semantička polja: 1. Borba, strah, opasnost, zaprepašdenje, bol, nagon, iskušenje, škorpija, mučiti. 2. Krov, crep, gnezdo, prikriti, potajno. 3. Okupati, politi, voda, sapunati. Glagolska vremena: perfekat i prezent, uzročno‐posledična veza. Perfekat ukazuje na to da se iz necega sto je bilo, povezuje sa onim sto je sada (prezent). Veznici: i, pošto, pa. „I“ nema neku specijalnu ulogu sem u povezivanju rečenica i njihovih delova, dok „pa“ i „pošto“ nas opet vradaju i ukazuju na to da postoji nešto iz čega de se nešto sledede desiti, dakle, da postoji uzročno‐posledična veza, pokazana i odabranom upotrebom glagolskih vremena. Predlozi: na, u, iz, napred. „Iz“ i „napred“ potvrđuju, još jednom, način razvijanja radnje. Iz nečega proizilazi nesto, radnja „krede“ napred. Ton: jasnih zvučnih slika nema, dok je ton scene, pasusa određena napetost koja se oseda, na šta ukazuju i semantičke grupe, određena borba, nešto što treba prikriti i nešto što treba sprati (sa sebe). Fraze i klišetirana mesta: nema. Maja Galovid, Hristina Filipovid, Stefana Živojinovid