Optimised Youth

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Brand Philosophy
The Youth Market
The Consumer
The Umbrella Trend: Digital Medicine
Optimise
Experiment
Integrate
List of Illustrations
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We aim to forecast fashion trends, which are
effected by rapidly advancing technologies, which
in turn, change our way of thinking and being.
DigiCast is a forecasting company that focuses on the ever-changing
effects and consequences of advancing technologies. We as a race are
advancing rapidly to the point where things that we saw in sci-fi films
in the 1980s, are now a reality, and more.
We are living in a digital world, where the real and the virtual
intertwine and leave us feeling disorientated, disconnected and ever-
seeking more. We expect more from everything around us, including our
own bodies. Technology is now our constant companion and source of
optimisation. With this, we are better humans.

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The Youth Fashion market size rose from £13 billion in 2009, to £14.7 billion in
2014. It is set to see an estimated 15% growth by 2019, to reach £16.9 billion.
This market underperformed the total clothing and footwear market, which grew by
4.8% to £62.3 billion.
Youth like efficiency and speed due to growing up with fast technology being readily
available for everyday use. Online shopping is popular in this market sector. 70%
of 15 - 24-year-olds purchased online in 2014, compared with 63% in 2013. Young
people are attracted to Amazon’s use of collection and delivery points, suggesting
they want to buy and wear trends immediately. 88% of 16-24-year-olds personally own
a smartphone, and use this for socialising, buying and browsing. They expect the
optimum service from retailers via their technology.
16 - 25-year-olds are most likely to be celebrating their new-found financial
independence, yet rising UK house prices has meant that the amount of youth
living with their families has increased to 35% in the last 8 years, to 5 million.
Entertainment in the form of gaming technology has risen, possibly because of this,
and this has mean that gaming technology is being developed to have medicinal and
academic uses, such as memory stimulation task simulation.
57% of US Millennials prefer Unisex stores, which perhaps suggests a want for an
ultimate shopping experience, where no time is wasted and they can just go to one
shop and purchase all clothing needs.
EST. £15.9 BILLION BY 2017

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The Youth Menswear sector has seen growth
due to young men being more likely to buy
things at full price than young women.
59% of male 15 - 24-year-olds buy new
clothes when their old clothes wear out.
They are also more likely to buy clothes
at full price than young women.
66% of male 15 - 24-year-olds purchased
clothes online in 2014 compared with 54%
in 2013.
Aggressive discounting on Youth Womenswear
has meant that this area has not seen much
growth.
23% of female 18 - 24-year-olds and 45% of
15 - 17-year-olds are most likely to buy
new clothes driven by a trend.
40% of female 15-24-year-olds use social
media for fashion inspiration.

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1NEW LUXURY MILLENNIALSThis consumer is used to the luxury, designer lifestyle, which comes
with a modern, minimalist aesthetic. They will grow up with advanced
technologies being available to them, at a price they can afford. They
like the new and the innovative.
They expect brands to come to them by way of location-enabled apps. They keep
in touch digitally with friends and brands alike. They buy into premium beauty
brands and eat at organic, high-class restaurants for optimum health and goodness.
They want the best and can afford it, and with an active online presence that
revolves around followers, their appearance is exceedingly important.

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2IDENTITY SHARDERSThis consumer is very concerned with their calculated
identity. They are very active with their many
online profiles, and are very aware that they must
keep up that appearance when out and about.
They have Elasticated Personas, meaning they shop
accordingly to suit each persona. Sharders swap uniforms
to maximise their ‘value’, or increase their high social
net worth. They are obsessed with the value that is
given to them by viewers online, so would be susceptible
to products and services that might help increase this
visual worth, if they became available.

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The world is moving fast enough that industries are blending and fusing
together to blur the lines between functionality and creativity. The medical
industry is advancing and in turn, advancing us as the human race. We will soon
be unstoppable, and use procedures that were once only used for necessity,
for optimisation, liberation and creation. Technology has helped surge the
medical industry forward, and made the impossible a reality. Mankind can
feel this happening, and will take advantage of what is offered to them, be
it performance enhancing drugs or procedures. The pressure of keeping up
with multiple identities and personas in life is too much to conquer without
a little help from the gift that advancing technology has enabled us to
produce and utilise; a form of technologically enhanced medicine.
Optimise is a word of power and tenacity. The Optimised human is one that never
seeks fulfillment, but continuously seeks improvement. The simplicity of absorbing
smart chemicals into your veins to momentarily sharpen your mind and body, leads to
humans that are visually astounding, yet teetering on the edge of destruction.
Experiment is a word of obsession and sacrifice. One must understand that seeking
perfection never comes without a price. Although the ease of pill popping makes
optimising possible, if abused, the lasting effects are intolerable. It leads to
humans that are unbearably self-aware, yet clouded in their minds; suffocating in self
loathing, but always craving more.
Integrate is a word of progress and victory. We outsmarted nature. We grew organs
to replace the faulty and the broken, and can now let man-made technology grow into
our tissues. We live longer and although the technology may not yet be perfect enough
to leave our bodies unscathed, the scars left remind us that we are still wonderfully
human, but better.

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OPTImise
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Optimise uses colours that look
almost organic but with the synthetic
quality of digitally created images.
Textures are hard, cold and slick to
the body to give the appearance of
a protective shield that visually
optimises appearance and shape.

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2 3EXPERIMENT
Experiment has a deeper palette to
evoke a feeling of sinking and feeling
clouded in the mind. The rusty, dirty
tones represent decay, erosion,
obsession and addiction.
Integrate uses a muted palette with
subtle tones that are the essence of
body tissues and organs that are grown
to replace anything damaged. Their
subtlety blends them with naturally
created tissues and textures.

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OPTImiseI am the Optimised Human. Advancement in medical technology
has given us medication that makes us faster, stronger,
more attractive; better. Coursing through my veins are
synthetically enhanced chemicals which enhance me and
my body, to the point where I no longer look organic. I
am a brand new human, who is hardened and prepared for
anything that nature tries to throw at me. Our race is
one step ahead of nature, and I am the best human I can
possibly be.

2314-3207 TCX
17-3730 TCX
15-3920 TCX
19-2520 TCX
DS 200-3 C
7541-C
7547-U 7469 - C

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CADSSilhouettes are slick and fitted with a
multi-tonal sheen. The shine varies from
subtle to bright chrome, capturing a
chemical, synthetic appearance. The forms
enhance and emphasise the body shape and
give the appearance of an advanced body,
one that cannot be harmed and one that is
optimised to beyond human levels.

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EXPERIMENTI am the Experimental Human. Alongside the
advancements in medical technology, there is a
problem. The availability of new medications creates
unbearable pressure to look and perform a certain
way. I know that my body can be healed through new
technologies, be it cyborg technology or synthetic
transplants, so do not fear the physical damage.
However, my mind cannot be healed so easily. There
are still no answers to mental health issues, no
cure for the feeling that I am drowning in my own
mind; suffocating and choking. I am an addict and
thousands like myself are now hooked on medicating
for perfection.

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14-4315 TCX
DS 233-9 C
415 - C
18-1541 TCX
2326 - C
18-3929 TCX
19-4005 TCX 12-4302 TCX

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Silhouettes are misshapen and dynamic,
giving the illusion of darkness clouding
the mind. Hoods and high necks represent
the feeling of suffocation that comes
with mental illness, enclosing the
head and neck area.
CADS

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I am the Integrated Human. Medication may now be a
solution to superficial problems, but there is now
the option to grow and replace any part of myself.
Any organ we can grow, in turn, can grow into us
and become part of us. It is unlikely nature will
kill me. Instead we understand it better than it
understands itself, and use this knowledge for
life. We are God.

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DS 19-9 - C
7520 - C
12-2901 TCX
DS 12-8 - C
9021 - C
DS 144-9 - C
METALLIC 8002 - C 5025 - U

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Silhouettes are padded and bulbous,
giving the illusion of something
biological that is affected in some
way. Textures are smooth and soft
like body tissues and skin.

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Figure 1. Sojourner Morrell by Damian Foxe (The Art Of Overstatement – How To Spend It) (2012) [Image] At: http://www.
fashionselected.com/2012/12/01/sojourner-morrell-for-how-to-spend-it-december-2012-damian-foxe/sojourner-morrell-by-damian-
foxe-the-art-of-overstatement-how-to-spend-it-december-2012-10/ (Accessed on 02.12.15)
Figure 2. Catwalk Christopher Kane AW14 (2014) [Image] At: http://www.gofugyourself.com/high-fugshion-christopher-kane-
london-fashion-week-fall-2014-02-2014/christopher-kane-runway-london-fashion-week-aw14-6 (Accessed on 02.12.15)
Figure 3. Catwalk Gareth Pugh SS11 (2011) [Image] At: http://www.vogue.com/fashion-shows/spring-2011-ready-to-wear/gareth-
pugh (Accessed on 02.12.15)

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Figure 4. Shisedo The Ginza (2015) [Image] At: http://bngkhunghoanghn.blogspot.co.uk/2014/06/shopping-my-pham-nhat.html
(Accessed on 08.12.15)
Figure 5. iPhone 6S (2015) [Image] At: http://www.rexposta.com.br/tecnologia/rexposta/destaques/ (Accessed on 12.12.15)
Figure 6. Cafe Boheme London (2015) [Image] At: http://criterionatsanditon.tumblr.com/ (Accessed on 02.12.15)
Figure 7. Photo of a woman doing Yoga on the beach (2015) [Image] At: http://luxurylaunches.com/travel/travel-around-the-
world-and-transform-your-life-with-the-worlds-most-expensive-wellness-trip.php (Accessed on 09.12.15)
Figure 8. Maison Veuve Clicquot Champagne (2015) [Image] At: http://imgur.com/gallery/Vv6XJ (Accessed on 09.12.15)
Figure 9. Planet Raw Pad Thai with Togu (2015) [Image] At: http://www.onegreenplanet.org/vegan-recipe/raw-pad-thai-bowl-
with-tofu/ (Accessed on 09.12.15)
Figure 10. Eauzone Resort in Dubai (2015) [Image] At: https://snappeat.wordpress.com/2014/07/13/eauzone-dubai-2/ (Accessed
on 09.12.15)
Figure 11. Rooftop bar Singapore (2015) [Image] At: http://www.travelforsenses.com/best-rooftop-bars-in-singapore/ (Accessed
on 09.12.15)
Figure 12. Modern interior study (2015) [Image] At: http://www.interiordesign777.com/2013/11/03/modern-study-interior-
design-image/ (Accessed on 09.12.15)

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Figure 13. Smartphones and social media apps (2015) [Image] At: http://www.fastcodesign.com/3030102/tumblrs-new-app-has-33-
billion-unique-designs (Accessed on 08.12.15)
Figure 14. Wired magazine app (2015) [Image] At: http://www.wired.co.uk/magazine/ipad (Accessed on 12.12.15)
Figure 17. Scandinavian style study (2015) [Image] At: http://www.pikcells.com/portfolio/scandanavian-stairs-cgi-bedroom-
office-kitchen/ (Accessed on 02.12.15)
Figure 18. Plate of sushi (2015) [Image] At: http://www.recreoviral.com/curiosidades/los-20-platillos-y-menus-mas-caros-del-
mundo-pagarias-por-esto/ (Accessed on 09.12.15)
Figure 19. Milan rooftop bar (2015) [Image] At: http://www.dissapore.com/grande-notizia/antonello-colonna-hotel-da-incubo/
Figure 20. Cahoots bar London (2015) [Image] At: http://welovefood-itsallweeat.com/2015/04/09/cahoots/ (Accessed on
09.12.15)
Figure 21. Gu Pudding (2015) [Image] At: http://snackysnacky.blogspot.co.uk/2014_07_01_archive.html (Accessed on 09.12.15)

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Figure 22. Hand with electric veins (2015) [Image] At: http://www.islandtimemassage.com.au/blog (Accessed on 08.12.15)
Figure 23. Pantone Swatches (Accessed on 12.12.15) [Google Images]:
http://www.thecolorswatch.com/14-3207.html
http://colormepantone.tumblr.com/post/31603760199
http://www.newcastle.edu.au/community-and-alumni/arts-and-culture/the-conservatorium
http://www.geauxpromos.com/resources/templates/item_large_view.cfm?ItemGUID=23a77881-4192-456b-bf2c-58cc4ad13303&AcctGUID=e6fd3be1-
051f-4190-86f4-692a97e939c2&ItemName=Pantone%20Black%20C&rand=49
http://www.metoffice.gov.uk/public/weather/observation/gbvp9f2yx
https://picasaweb.google.com/lh/photo/ImhTXHBXFTduI5COdDrRSQ
http://www.myperfectcolor.com/en/color/316895_Martha-Stewart-MSL166-Darkening-Sky

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Figure 24. Pantone Swatches (Accessed on 12.12.15) [Google
Images]:
http://wallpaperswide.com/light_gray_linen_pattern-wallpapers.
html?ref=hihidnews
http://www.cenac.ipn.mx/Documents/Gesti%C3%B3nCuentasUsuarios.pdf
http://www.colourdirect.nl/pantone-pms-solid-chips-coated-pagina-
221c.html
http://slow-font.de/
http://www.planetecouleur.com/pantone-smart-swatch-18-1541-tcx-
brandy-brown,us,4,pantone-smartcard-18-1541.cfm
blue-horizon,us,4,pantone-smartcard-18-3929.cfm
sea-angel,us,4,pantone-smartcard-14-4315.cfm
http://www.periodhousestore.co.uk/LittleGreene[2][2][2][2].html
Figure 25. Pantone Swatches (Accessed on 12.12.15) [Google Images]:
http://pantoneproject.tumblr.com/post/41357618810/blush-f6c6b2-7520-c
http://www.rotografluzzara.it/pdf/METALLICS.pdf
https://www.pinterest.com/pin/527132331364393029/
http://stylebyaccident.com/product/pantone-666c
http://tm-interiors.co.uk/paints-brands/sanderson-paints-sky-grey-sp050
http://www.planetecouleur.com/pantone-smart-swatch-12-2901-tcx-morganite,us,4,pantone-smartcard-12-2901.cfm
http://rgb.to/pantone/9021-c
http://www.slidingwardrobecentre.co.uk/finishes-colours/woodgrains.html

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Figure 26. Woman coated in chrome (2015) [Image] At: http://semshayne.tumblr.com/page/2 (Accessed on 03.12.15)
Figure 27. Pantone swatch 7547-U [Image] http://www.geauxpromos.com/resources/templates/item_large_view.
cfm?ItemGUID=23a77881-4192-456b-bf2c-58cc4ad13303&AcctGUID=e6fd3be1-051f-4190-86f4-692a97e939c2&ItemName=Pantone%20Black%20
C&rand=49 (Accessed on 03.12.15)
Figure 28. Pantone swatch 7541-C [Image] http://colormepantone.tumblr.com/post/31603760199 (Accessed on 03.12.15)
Figure 29. Pantone swatch 19-2520 TCX [Image] http://www.newcastle.edu.au/community-and-alumni/arts-and-culture/the-
conservatorium (Accessed on 03.12.15)
Figure 30. Pantone swatch DS 200-3 C [Image] http://www.myperfectcolor.com/en/color/316895_Martha-Stewart-MSL166-Darkening-
Sky (Accessed on 03.12.15)
Figure 31. Pantone swatch 7469-C [Image] https://picasaweb.google.com/lh/photo/ImhTXHBXFTduI5COdDrRSQ (Accessed on 03.12.15)
Figure 32. Pantone swatch 15-3920 TCX [Image] http://www.metoffice.gov.uk/public/weather/observation/gbvp9f2yx (Accessed on
03.12.15)
Figure 33. Pantone swatch 17-3730 TCX [Image] http://www.thecolorswatch.com/17-3730.html (Accessed on 03.12.15)

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Figure 35. Light lines image (2015) [Image] http://capturingcapacity.com/2012/11/02/long-exposure-capacity/topo_lightpainting/
Figure 36. Metallic liquid (2015) [Image] http://futureofcio.blogspot.co.uk/2015/07/digital-master-tuning-101-information.html
Figure 38. Pantone swatch 7541-C [Image] http://colormepantone.tumblr.com/post/31603760199 (Accessed on 03.12.15)
Figure 40. Pantone swatch 15-3920 TCX [Image] http://www.metoffice.gov.uk/public/weather/observation/gbvp9f2yx (Accessed on
03.12.15)
Figure 41. Shiny woman (2015) [Image] http://www.suneseemodel.com/women/masha-radkovska/ (Accessed on 04.12.15)
Figure 42. Pantone swatch DS 200-3 C [Image] http://www.myperfectcolor.com/en/color/316895_Martha-Stewart-MSL166-Darkening-Sky
Figure 43. Pantone swatch 19-2520 TCX [Image] http://www.newcastle.edu.au/community-and-alumni/arts-and-culture/the-
conservatorium (Accessed on 03.12.15)
Figure 44. Pantone swatch 7469-C [Image] https://picasaweb.google.com/lh/photo/ImhTXHBXFTduI5COdDrRSQ (Accessed on 03.12.15)
Figure 45. Pantone swatch 7547-U [Image] http://www.geauxpromos.com/resources/templates/item_large_view.cfm?ItemGUID=23a77881-
4192-456b-bf2c-58cc4ad13303&AcctGUID=e6fd3be1-051f-4190-86f4-692a97e939c2&ItemName=Pantone%20Black%20C&rand=49 (Accessed on
03.12.15)
Figure 46. Iris Van Herpen AW14 [Image] https://www.notjustalabel.com/editorial/taste-alternative-fabrics (Accessed on 03.12.15)

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Figure 47. Editted images. Original Images (Google, Accessed on 05.12.15):
http://victoralfarostudio.tumblr.com/post/117373159716/tadao-ando
https://www.tumblr.com/search/catwalk%20in%20london
Figure 48. Pantone chart (Accessed on 03.12.15):
Figure 50. Editted images. Original Images (Google, Accessed on 05.12.15):
http://showstudio.com/collection/gareth_pugh_paris_womenswear_s_s_2014/gareth_pugh_by_piet_paris
http://www.theenglishgroup.co.uk/blog/2013/08/26/frank-gehry-2/
Figure 51.Iris Van Herpen AW14 [Image] At: http://www.dailymail.co.uk/femail/article-2573623/Has-fashion-gone-far-Lady-Gagas-
favourite-designer-sends-models-catwalk-vacuum-packed-giant-plastic-bags-earth-did-breathe.html (Accessed on 03.12.15)

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Figure 52. Gareth Pugh SS14 (2014) [Image] At: http://www.mytrnd.com/lookbooks/gareth-pugh/rtw14/2920 (Accessed on 04.12.15)
Figure 53. Iris Van Herpen AW14 (2014) [Image] At: http://www.myjane.ru/articles/text/?id=14702&printer=ok (Accessed on
04.12.15)
Figure 54. Liquid Metal (2015) [Image] At: http://dahab19.tumblr.com/post/64204087603/studio903-pretty (Accessed on 04.12.15)

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Figure 55, 56, 57, 63, 64, 62, 65. Editted CAD (2015) At: http://www.wgsn.com.ucreative.idm.oclc.org/search/
search.php#%7B%22start%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20%22%22%2C%20
%22facets%5B%5D%22%3A%20%5B%22classif_name%7C43042%22%5D%7D (Accessed on 04.12.15)
Figure 58. Iris Van Herpen AW14 (2014) [Image] At: http://www.elitemanagementnyc.com/page/65/ (Accessed on 04.12.15)
http://www.geauxpromos.com/resources/templates/item_large_view.cfm?ItemGUID=23a77881-4192-456b-bf2c-
58cc4ad13303&AcctGUID=e6fd3be1-051f-4190-86f4-692a97e939c2&ItemName=Pantone%20Black%20C&rand=49
Figure 61. Nastya Sten for McQ Lookbook SS15 (2015) [Image] At: http://www.elitebarcelonablog.es/2015/01/nastya-
sten-for-mcq-lookbook-ss15.html (Accessed on 04.12.15)

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Figure 66. Smokey hands (2015) [Image] At: https://www.pinterest.com/kaylecurley/hands-and-the-human/ (Accessed on 04.12.15)
Figure 67. Pantone swatch 18-3929 TCX. [Image] At: http://wallpaperswide.com/light_gray_linen_pattern-wallpapers.
html?ref=hihidnews (Accessed on 12.12.15)
Figure 68. Pantone swatch 12-4302 TCX. [Image] At: http://www.cenac.ipn.mx/Documents/Gesti%C3%B3nCuentasUsuarios.pdf
http://www.colourdirect.nl/pantone-pms-solid-chips-coated-pagina-221c.html (Accessed on 12.12.15)
Figure 69. Pantone swatch 18-3929 TCX. [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-18-3929-tcx-blue-
horizon,us,4,pantone-smartcard-18-3929.cfm (Accessed on 12.12.15)
Figure 70. Pantone swatch 415-C. [Image] At: http://slow-font.de/ (Accessed on 12.12.15)
Figure 71. Pantone swatch 18-1541 TCX. [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-18-1541-tcx-brandy-
brown,us,4,pantone-smartcard-18-1541.cfm (Accessed on 12.12.15)
Figure 72. Pantone swatch DS 233-9 C. [Image] At: http://www.periodhousestore.co.uk/LittleGreene[2][2][2][2].html (Accessed on
12.12.15)
Figure 73. Pantone swatch 2326 - C. [Image] At: http://www.colourdirect.nl/pantone-pms-solid-chips-coated-pagina-221c.html
Figure 74. Pantone swatch 14-4315 TCX. [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-14-4315-tcx-sea-
angel,us,4,pantone-smartcard-14-4315.cfm (Accessed on 12.12.15)

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Figure 75. Burning woman. (2015) [Image] At: http://phlearn.com/anxiety-weekend-inspiration-clxi (Accessed on 05.12.15)
Figure 76. Rusty texture. (2015) [Image] At: https://www.pinterest.com/petervadim/ (Accessed on 05.12.15)
Figure 77. Pantone swatch DS 233-9 C. [Image] At: http://www.periodhousestore.co.uk/LittleGreene[2][2][2][2].html (Accessed on
12.12.15)
Figure 78. Pantone swatch 18-3929 TCX. [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-18-3929-tcx-blue-
horizon,us,4,pantone-smartcard-18-3929.cfm (Accessed on 12.12.15)
Figure 79. Pantone swatch 2326 - C. [Image] At: http://www.colourdirect.nl/pantone-pms-solid-chips-coated-pagina-221c.html
Figure 80. Pantone swatch 18-1541 TCX. [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-18-1541-tcx-brandy-
brown,us,4,pantone-smartcard-18-1541.cfm (Accessed on 12.12.15)
Figure 81. Photograph of Paola Kudacki. [Image] At: https://www.pinterest.com/explore/sculptural-fashion/ (Accessed on 12.12.15)
Figure 82. Iris Van Herpen SS09. [Image] At: http://theredlist.com/wiki-2-23-1185-1196-view-conceptual-2-profile-iris-van-herpen.
html (Accessed on 12.12.15)
Figure 83. Pantone swatch 18-3929 TCX. [Image] At: http://wallpaperswide.com/light_gray_linen_pattern-wallpapers.
html?ref=hihidnews (Accessed on 12.12.15)
Figure 84. Pantone swatch 14-4315 TCX. [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-14-4315-tcx-sea-
angel,us,4,pantone-smartcard-14-4315.cfm (Accessed on 12.12.15)
Figure 85. Pantone swatch 415-C. [Image] At: http://slow-font.de/ (Accessed on 12.12.15)
Figure 86. Pantone swatch 12-4302 TCX. [Image] At: http://www.cenac.ipn.mx/Documents/Gesti%C3%B3nCuentasUsuarios.pdf
http://www.colourdirect.nl/pantone-pms-solid-chips-coated-pagina-221c.html (Accessed on 12.12.15)

87
88 89
90
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Figure 87. Editted images. Orginal Images: Google (Accessed 04.15.15) At:
https://modanekadisad.wordpress.com/2012/09/22/iris-van-herpen/
http://androgikdesign.blogspot.com.es/?view=classic
http://wallpaperswide.com/light_gray_linen_pattern-wallpapers.html?ref=hihidnews
http://www.colourdirect.nl/pantone-pms-solid-chips-coated-pagina-221c.html
http://www.planetecouleur.com/pantone-smart-swatch-18-1541-tcx-brandy-brown,us,4,pantone-smartcard-18-1541.cfm
http://www.planetecouleur.com/pantone-smart-swatch-18-3929-tcx-blue-horizon,us,4,pantone-smartcard-18-3929.cfm
http://www.planetecouleur.com/pantone-smart-swatch-14-4315-tcx-sea-angel,us,4,pantone-smartcard-14-4315.cfm
http://www.wekidsdesign.com/blog/
Figure 91. Woman with netting over face. (2015) [Image] At: http://theoryoftaste.tumblr.com/ (Accessed on 29.11.15)

92 93
94
Figure 92. Iris Van Herpen Dress SS09. (2015) [Image] At: https://modanekadisad.wordpress.com/2012/09/22/iris-van-herpen/
Figure 93. Woman with knit over head. (2015) [Image] At: http://prostheticknowledge.tumblr.com/post/25188168592/fashion-
photography-by-jin-chong-yu (Accessed on 27.11.15)
Figure 94. Smokey woman’s face. (2015) [Image] At: https://www.pinterest.com/janerjjs/solve-sundsbo/ (Accessed on 27.11.15)

95
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99
100
101
102
103
Figure 95, 96, 101, 102, 103. Editted CADs. (2015) At: http://www.wgsn.com.ucreative.idm.oclc.org/search/search.
php#%7B%22start%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20%22%22%2C%20
Figure 97. Woman with netting. (2015) [Image] At: https://www.pinterest.com/Weddingupdos/fashion-and-avant-garde-photography/
http://wallpaperswide.com/light_gray_linen_pattern-wallpapers.html?ref=hihidnews
http://www.colourdirect.nl/pantone-pms-solid-chips-coated-pagina-221c.html
Figure 99. Smokey woman. (2015) [Image] At: http://donggiaonews.com/cam-hung-thoi-trang-tu-thien-nhien-donggiaonews.html
http://www.planetecouleur.com/pantone-smart-swatch-18-1541-tcx-brandy-brown,us,4,pantone-smartcard-18-1541.cfm
http://www.planetecouleur.com/pantone-smart-swatch-18-3929-tcx-blue-horizon,us,4,pantone-smartcard-18-3929.cfm
http://www.planetecouleur.com/pantone-smart-swatch-14-4315-tcx-sea-angel,us,4,pantone-smartcard-14-4315.cfm

104
105 109
106 110
107 111
108 112
Figure 104. String around flesh. (2015) [Image] At: https://www.pinterest.com/alexkonwinski/textured/ (Accessed on 28.11.15)
Figure 105. Pantone swatch Metallic 8002-C. (2015) [Image] At: http://www.rotografluzzara.it/pdf/METALLICS.pdf (Accessed on
03.12.15)
Figure 106. Pantone swatch DS 144-9 C. (2015) [Image] At: http://stylebyaccident.com/product/pantone-666c (Accessed on 03.12.15)
Figure 107. Pantone swatch DS 12-8 C. (2015) [Image] At: http://tm-interiors.co.uk/paints-brands/sanderson-paints-sky-grey-sp050
Figure 108. Pantone swatch 9021-C. (2015) [Image] At: http://rgb.to/pantone/9021-c (Accessed on 03.12.15)
Figure 109. Pantone swatch 5025-U. (2015) [Image] At: https://www.pinterest.com/pin/527132331364393029/ (Accessed on 03.12.15)
Figure 110. Pantone swatch 12-2901 TCX. (2015) [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-12-2901-tcx-
morganite,us,4,pantone-smartcard-12-2901.cfm (Accessed on 03.12.15)
Figure 111. Pantone swatch 7520-C. (2015) [Image] At: http://pantoneproject.tumblr.com/post/41357618810/blush-f6c6b2-7520-c

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121 122 123 124
Figure 113. Flesh and mesh structure. (2015) [Image] At: http://www.deviantart.com/morelikethis/210028924 (Accessed on 03.12.15)
Figure 114. Ruched fabric. (2015) [Image] At: https://www.pinterest.com/pin/251849804138626586/ (Accessed on 03.12.15)
Figure 115. Pantone swatch 7520-C. (2015) [Image] At: http://pantoneproject.tumblr.com/post/41357618810/blush-f6c6b2-7520-c
Figure 116. Pantone swatch 5025-U. (2015) [Image] At: https://www.pinterest.com/pin/527132331364393029/ (Accessed on 03.12.15)
Figure 117. Pantone swatch DS 144-9 C. (2015) [Image] At: http://stylebyaccident.com/product/pantone-666c (Accessed on 03.12.15)
Figure 118. Pantone swatch 12-2901 TCX. (2015) [Image] At: http://www.planetecouleur.com/pantone-smart-swatch-12-2901-tcx-
morganite,us,4,pantone-smartcard-12-2901.cfm (Accessed on 03.12.15)
Figure 119. Person with synthetic growth. (2015) [Image] At: http://larapixie.blogspot.co.uk/2012/05/technosensual.html
Figure 120. Iris Van Herpen SS12. (2015) [Image] At: http://afflante.com/1932-micro-collection-ss12-iris-van-herpen/ (Accessed on
03.12.15)
Figure 121. Pantone swatch Metallic 8002-C. (2015) [Image] At: http://www.rotografluzzara.it/pdf/METALLICS.pdf (Accessed on
03.12.15)
Figure 122. Pantone swatch 9021-C. (2015) [Image] At: http://rgb.to/pantone/9021-c (Accessed on 03.12.15)
Figure 123. Pantone swatch DS 19-9 C. (2015) [Image] At: http://www.slidingwardrobecentre.co.uk/finishes-colours/woodgrains.html

125 126
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128 129
http://vikagreen.ru/author/vikagreen/page/4/
http://www.tumbex.com/tumblr/gnossienne/photo?tag=le%20corps%20humain
http://fbl.ba/fendi-jesenzima-2015/
http://beesarchitecture.blogspot.co.uk/2010/11/abhominal-by-jason-hopkins.html
Figure 129. Women in ruffled garment. (2015) [Image] At: http://www.roxannazamani.com/ (Accessed on 11.12.15)

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131 132
Figure 130. Andrew Kudless P_Wall. (2009) [Image] At: http://matsysdesign.com/2009/08/ (Accessed on 12.12.15)
Figure 131. Woman with balloons. (2009) [Image] At: http://designandhandcraft.tumblr.com/page/30 (Accessed on 12.12.15)
Figure 132. Woman with padded coat. (2014) [Image] At: https://www.pinterest.com/pin/391461392583981637/ (Accessed on 14.12.15)

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Figure 133, 134, 135, 138, 139, 140. Editted CADs. (2015) At: http://www.wgsn.com.ucreative.idm.oclc.org/search/
search.php#%7B%22start%22%3A%200%2C%20%22limit%22%3A%2050%2C%20%22f_limit%22%3A%205%2C%20%22q%22%3A%20%22%22%2C%20
Figure 136. Ermanno Scervino AW15. (2015) [Image] At: http://www.vogue.co.uk/brand/ermanno-scervino (Accessed on 11.12.15)
Figure 141. Woman in rumpled jacket by Nadine Goepfert. (2014) [Image] At: http://hopestreetmag.com/fashion/new-talent/nadine-
goepfert (Accessed on 11.12.15)

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