Gary's Portfolio

Proposal
Book Covers

ations
ral Qualiﬁc ion
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GARY A. RAYMOND
Member, SMPS
Marke ng Specialist/Graphic Designer
9 Franklin Avenue West, Unit 210
Minneapolis, Minnesota 55404
612.269.1622

Proposal
Book Pages

Etowah Indian Mounds Historic Site, Cartersville, Georgia

Cover Photo: Ocmulgee National Monument, Macon, Georgia

Map: A plan of part of the rivers Tombecbe, Alabama, Tensa, Perdido, & Scambia in the province of West Florida; with a sketch of the boundary between the nation
of upper Creek Indians and that part of the province which is contiguous thereto, as settled at the congresses at Pensacola in the years 1765 & 1771: Collected from
different surveys at the desire of the Honorable John Stuart, Esquire, sole agent and superintendant of Indian Affairs for the southern district of North America, by
David Taitt. Library of Congress, Prints and Photograph Division, Washington, D.C.

Project Understanding

COMMUNITY CENTERED PROJECTS

It is imperative that the Muscogee (Creek) Nation Museum and
Cultural Center provide a coherent, understandable and exciting
architectural experience to the community. The planning
process itself presents a significant opportunity to reach out to
various audiences, achieve greater visibility, and become more
welcoming.

Effective design can accentuate the experience of arrival. The
museum experience starts for visitors as they approach either
by car or foot. Therefore, space planning must take into account
signage, wayfinding, and the visitor’s experience from the car to
the museum’s entry. A strong arrival experience can enhance a
viewers’ appreciation of the exhibits, surrounding grounds and
Ocmulgee National Monument, Macon, Georgia
the Cultural Center itself.

As a whole, the museum’s environment can expand beyond the
Museums and Cultural Centers are dynamic, multiuse,
buildings to the natural landscape and its paths. Interpretive
interactive centers for learning, research, cultural performances
information can be incorporated within the landscape to begin a
and exhibits. The technological and evolving nature of the
better appreciation of the collection.
programs require highly specialized architectural expertise.
The HGA / EWC1 Team is dedicated to the concept that each Establishing a coherent experience for visitors when they enter
building is an individual and unique expression of its context and will be essential. We believe that architecture and the signature
community. We will go beyond the mere exterior by focusing character of buildings can help to interpret and frame the
on how individuals relate to their environment and how spaces exhibit experience and the Muscogee (Creek) Nation story.
allow individuals to relate to one another—how people connect
We believe that the planning process is key to designing
to a building inside, outside, and around.
successful museums and interpretive centers. In order to lay the
The Muscogee (Creek) Nation Museum and Cultural Center is foundation for a final result that will best serve the museum’s
a singular opportunity to create a memorable and lasting legacy mission, it is of key importance that the early phases of the
to the Muscogee (Creek) Nation, the City of Okmulgee and the project be respected and not shortchanged.
State of Oklahoma.

For the Muscogee (Creek) Nation Museum and Cultural Center,
we will immerse ourselves in the Muscogee culture and explore
its legacy to create an authentic building that will add another
stratum to the Muscogee (Creek) Nation geological timeline.
Welcoming, clear and informative, the museum will become
a new cultural destination that will speak succinctly of the GARY A. RAYMOND
Nation’s living history.
Member, SMPS
Architectural Qualiﬁcations • Muscogee (Creek) Nation Museum Project Understanding | 1
612.269.1622

Proposal
Book Covers

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58.45
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@hg
greetz

Historical
Sign, Hope
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Front Cove , Holland,
olla Mi
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Relations.

GARY A. RAYMOND
Member, SMPS
612.269.1622

“The students and faculty are really
Proposal
Book Pages
charmed with this facility. It’s everything Relevant Projects
they dreamed of—and a little more.” College of St. Benedict
Benedicta Arts Center Expansion
ST. JOSEPH, MINNESOTA
— Sr. Coleman O’Connell
Senior Development Officer / Former President
College of St. Benedict

The Benedicta Arts Center Expansion has provided much-
needed rehearsal and performance space that has enabled the
Fine Arts Program to confirm its standing as a leading regional
arts program. Harmonious yet distinct from the original
facility (also designed by HGA), the expansion strengthens the
experience of campus arrival by giving more definition to the
main academic Mall.

Since its completion in 1964, the Benedicta Arts Center (BAC)
has become the premier performing arts center in central
Minnesota. The facility’s 1,000-seat auditorium and 300-seat
theater reverberate with acoustical precision, while the building
itself stands as a modernist campus icon. HGA’s original design,
drawing on The Rule of Saint Benedict, reflects monastic
architectural tradition in its use of cloisters or courtyards as a
unifying devise. BAC’s restrained and dignified persona focuses
inward to emphasize the charged energy between audience and
performer.

The Fine Arts Program’s on-going growth since BAC’s
completion led to a predictable struggle for rehearsal and
performance space between the burgeoning Theater, Music and
Dance departments.

HGA addressed that struggle by designing a new state-of-the-
art facility that includes:
• Music Practice Rooms
• Faculty Studios
• Band Rehearsal
• Small Ensemble Rehearsal
• Black-Box Theatre
• Dance Studio
• Outdoor Amphitheater
• Expanded Lobby and Ticket Office

KEY FEATURES

• Anodized aluminum panels complement original brick.
• Interior spaces open to campus.
• Glass corridor ushers light into lower level.

10 | Acoustically Superior Installations HGA Architects and Engineers

Project Team

Hope College

DESIGN TEAM

Gary Reetz, AIA
Bill Blanski, AIA, LEED AP
Principal-in-Charge
Lead Designer
Performing Arts Specialist

Nancy Blankfard, AIA, LEED AP Rebecca Krull, AIA, LEED AP
Project Architect Project Manager
Performing Arts Specialist Performing Arts Specialist

Steven Dwyer, AIA, LEED AP
Jamie Milne Rojek, AIA
Project Designer

ENGINEERS, SPECIALTY CONSULTANTS & COST ESTIMATING

Benjamin Gutierrez Paul Asp, PE, SE, LEED AP Lance Kempf, PE
Electrical System Designer Structural Engineer Mechanical Engineer

Acoustical / Audio Visual Lighting / Theater Mark McDonald
TBD w/ Owner TBD w/ Owner Cost Estimator

GARY A. RAYMOND
Member, SMPS
MINNEAPOLIS MILWAUKEE ROCHESTER SACRAMENTO SAN FRANCISCO LOS ANGELES 9 Franklin Avenue West, Unit 210
Hope College | Concert Hall and Music Department Facility Project Team | 1
This document printed on post-consumer reclaimed content.

612.269.1622

Proposal
Book Covers

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GARY A. RAYMOND
Member, SMPS
612.269.1622

Proposal
Book Covers

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This docume
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on post-co
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laimed conte
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GARY A. RAYMOND
Member, SMPS
612.269.1622

Presenta on
Photo (a-1) - detail of typical column and beam
Photo (a) - taken from the upper mezzanine level
looking to the ground floor Photo (a) - taken from the second floor looking to the
upper mezzanine

Photo (b) -
detail of stair
leading from the
upper
mezzanine to
the second floor
Photo (e) - detail of stair and catwalk at the second
floor

Photo (f) -
detail of
semi-circular
catwalk and
column at
the second
floor
Graphics
Photo (b) - detail of typical
Photo (b) - detail of column Photo (c)
column, beam and - circular
vaulted ceiling opening
for Photo (d)
Photo (a-2) - detail of typical column and beam brewing - circular
Photo (c) - detail of tank opening
typical column base for
Photo (a) - detail of Photo (b) - detail of Photo (c) - interior room, Photo (d) - looking thru
Photo (d) - view of Photo (e) - circular Photo (f) - circular brewing
brewery tank and stair brewery tank adjacent to stairwell opening to main stairwell
brewing relic opening for tank opening for tank tank

Photo (a) -
detail of main Photo (a) -
stairwell room above
showing grain elevators,
columns and showing
railings access ladder
to rooftop

Photo (b) - door detail; taken
from room above grain
elevators looking thru to
space below cupola Photo (c) - truss system inside the cupola
Photo (a-1) - detail of brewery tanks at top of light Photo (a) - catwalk to brewery
atrium tanks under the “twin towers”

Photo (b) - detail of support
footings for tanks under the towers
Photo (b) -
interior room
showing Photo (c) -
entrance to “twin stairway leading
tower” room on to attic space
north side of under the
building cupola and
weathervane Photo (d) - truss system inside the cupola

Photos (b, c, d) - detail of Photo (a-2) - detail of truss system and mansard style
interior rooms roof of light atrium

Photo (b) Photo (c) Photo (d) Photo (e) - atrium trusses Photo (f) - atrium catwalk Photo (g) - atrium glazing

Photo (h) - truss system inside the “twin towers”

GARY A. RAYMOND
Member, SMPS
612.269.1622

Betula nigra Betulaceae
Presenta on
River Birch BET-u-la NI-gra Graphics
Deciduous tree, usually not more than 40-70 ft (12-21 m) tall with a similar spread, rounded outline at maturity, trunk usually divided into several large arching branches.
Light brown (often reddish) bark exfoliating into papery plates, exposing inner bark of gray-brown or cinnamon- to reddish-brown. Large variation in bark color among
trees. Leaves alternate, 4-9 cm long, rhombic-ovate, sharp pointed, doubly serrate, base wedge shaped, lustrous medium to dark green above and glabrous below.
Sun. Best adapted to moist, acid soils, will survive dry soils. Not bothered by the bronze birch borer.
Hardy to USDA Zone 4.

Cornus sericea (formerly Cornus stolonifera) Cornaceae

Redosier Dogwood KOR-nus ser-EE-se-a
Deciduous shrub, 7-9 ft (2-3 m) high, spreading to 10 ft (3 m), multi-stemmed, loose, spreads by
underground stems (stolons). Leaves opposite, simple, ovate to oblong-lanceolate, 5-13 cm long,
rounded at base. Fruit, white, globose.
Sun. Very adaptable to a wide range of soil and climatic conditions. Does best in moist soil, in the
wild often observed in wet swampy areas. A good shrub for a riparian zones. Red stems, appealing in
a winter setting.
Hardy to USDA Zone 2.

landscape plant materials

2 level ofﬁce building • schafer richardson • shamrock development inc.

GARY A. RAYMOND
Member, SMPS
612.269.1622

Presenta on
Graphics

B’nai Israel Synagogue

Wall of Discovery

Benedicta Arts Center

Artists’ Live/Work Lofts

22 | experience
ex erience
x e
xpe Hammel, Green and Abrahamson, Inc.

TA s for

NESO
cation
n Qualifi
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Arch
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SI TY O HASE TW
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UNIV RTHROP
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GARY A. RAYMOND
Member, SMPS
612.269.1622

Presenta on
Graphics

GARY A. RAYMOND
Member, SMPS
612.269.1622

Presenta on
Graphics

3D-CAD MODELING / PHOTOSHOP FINISHES
TRANSLATIONAL RESEARCH FACILITY - U of M

• 3-D AUTOCAD MODEL
(USING 2-D FLOOR PLANS, ELEVATIONS FOR REFERENCE)

• 3D-VIZ STUDIO
(MATERIAL/FINISHES APPLICATION AND FINAL BUILDING RENDERING)

• PHOTOSHOP ENHANCEMENT
(LANDSCAPING, PEOPLE, SHADOWS)

GARY A. RAYMOND
Member, SMPS
612.269.1622

S O N D J F

Graphic
A/E Selection Design
P r o g r a m m in g 8 W eek s

Programming Workshop #1
Programming Workshop #2
Conceptual Workshop
Concept Design Deliverables

Owner Review

S ch e m a ti c D e s i g n 1 0 W eek s

Schematic Workshop #1
Schematic Design Deliverables

Owner Review

Finalize / Incorporate Comments

2009 2010

PROJECT RESPONSIBILITY—HOW WE WORK TOGETHER

PROGRAM
CONFIRMATION SCHEMATIC DESIGN DESIGN DEVELOPMENT CONSTRUCTION DOCUMENTS BID / PRICING CONSTRUCTION

HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS HGA ARCHITECTS

RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY: RESPONSIBILITY:
REVIEW

REVIEW

REVIEW

REVIEW
Primary & Lead Primary & Lead Primary & Lead Designer Support Support Attend periodic meetings
Designer Designer LEED Review for compliance w/ design Critical issues support
intent
PRIORITY: PRIORITY:
Primarily work w/ Creative solution to SWAIM ARCHITECTS SWAIM ARCHITECTS
Arizona Historical Arizona Historical
Society to develop Society needs and budget RESPONSIBILITY: RESPONSIBILITY:
comprehensive user Lead Architect Lead Architect
SWAIM ARCHITECTS
group requirements DELIVERABLES:
100% SD w/ cost PRIORITY: PRIORITY:
RESPONSIBILITY: Evaluate and Compliance w/
DELIVERABLES: estimate and lifecycle
Lead Architect select qualified construction documents
Final program costs
Cost Estimate LEED contractor
PRIORITY: Conduct a pre- DELIVERABLES:
Fully developed set of construction bid review for all Shop drawing reviews
documents contractors Construction field reports
CD’s at 50%, 90%, 100% Weekly meetings
Construction cost estimates with CM Perform punch list
@ RISK
SWAIM ARCHITECTS

RESPONSIBILITY:
Support
SWAIM ARCHITECTS Project administration
Cost estimate verification
RESPONSIBILITY: with CM @ RISK
SWAIM ARCHITECTS Support Life safety GARY A. RAYMOND
Project administration
Cost estimate verification
LEED Member, SMPS
RESPONSIBILITY:
Support, with CM @ RISK Marke ng Specialist/Graphic Designer
Schedules, Schedules 9 Franklin Avenue West, Unit 210
Administration Life safety
LEED Minneapolis, Minnesota 55404
612.269.1622

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