Goodmans Brand Book_PC

BRILLIANTLY SIMPLE
Goodmans Brand Book_PC
At Goodmans, we believe great products should be innovative,
attractive, affordable. With over 90 years experience in consumer
electronics, our vision remains as clear as ever.
As a British brand established in 1925, we have strived to offer our
customers engaging products, combining the latest features with
uncomplicated functionality for nearly a century.
We pride ourselves on developing the technology essential for
modern living, creating products through careful consideration,
passion and integrity.
We believe that through simplicity we can enhance usability and that
good design should be available to everybody.
The Goodmans Journal
Manifesto
3
The Goodmans Journal
goodmans.co.uk
JourneyGoodmans
4
brilliantly simple.
A familiar name to British consumers, we began
manufacturing speakers in Wembley in 1925 and
have remained within the hearts and homes of the
British public ever since.
Our goal has always been to ensure the latest
and best technology is within everyone’s reach,
adapting to the aspirations of each generation, with
a commitment to creating considered, innovative
products that meet the needs of the evolving
consumer.
Throughout our 90-year history our consistent
approach has been to enhance people’s experience
of technology, by developing products with the
latest features, ensuring that each one is intuitive
and attractive whilst remaining straightforward
and honest.
Our squirrel mascot is a nod to the principles of
resourcefulness and agility that have remained at
the heart of the company for nearly a century.
With the focus firmly on our customers, we
remain true to the values established at
Goodmans’ inception – investing in design and
innovation to create brilliantly simple products
for everyone.
Journey
5
The Goodmans Journal
goodmans.co.uk
Journal
Our portfolio.
Intuitive designs for everyone. 
JournalGoodmans
6
brilliantly simple.
Award-winning design studio DonaldWentworth’s
wide-range of experience from mechanical
engineering to sculpture provides them with a
Simon Donald
Product designer and co-founder of DonaldWentworth.
Listening with Go.
unique approach to creative problem solving.
Clients to date include Artemide,Joseph
Joseph and Nestle.
7
The Goodmans Journal
goodmans.co.uk
‘Like most people, I remember Goodmans making car
and personal stereos in the 1980s.The aesthetics
of a device are twinned with quality for me, and then
Harris Elliott
Creative director and co-founder of the Return of the Rudeboy exhibition.
Listening with Heritage.
capability and price.The Heritage I have in my
kitchen is such a doddle to use and feels totally
robust. It’s well designed but totally affordable.’
JournalGoodmans
8
brilliantly simple.
Gareth is an award winning furniture designer and
craftsman with pieces exhibited at the Victoria and Albert
Museum and the Museum of Art and Design in New York.
Gareth Neal
Furniture designer and craftsman.
Listening with Go. 
9
The Goodmans Journal
goodmans.co.uk
‘I have music playing all day in the shop. For me, the
most important aspect of a device is the quality of the
sound – but paired with a good-looking product, that’s
a real bonus!’
Nik Southern
Founder of Grace & Thorn.
Listening with Oxford BT.
JournalGoodmans
brilliantly simple.
10
Simon Donald
Product designer and co-founder of DonaldWentworth.
On the Nod.
‘As a product designer, every purchase is highly
considered. I feel that Goodmans is becoming
an increasingly forward-thinking brand, who
isn’t fearful of investing in good design.The USB
charging feature on the NOD was so useful, as I
often charge my phone overnight and it saves me
using a power socket – I would be excited to see
their future developments.’
11
The Goodmans Journal
goodmans.co.uk
JournalGoodmans
12
brilliantly simple.
13
The Goodmans Journal
goodmans.co.uk
Heritage
The reimagining of authentic, iconic
designs combined with the latest
features and technology.
HeritageCollection
14
brilliantly simple.
14
brilliantly simple.
Oxford is an original 1960s design classic that
has been refreshed with the latest Digital Radio
and Bluetooth features. Creating the ultimate
in old-school cool combined with contemporary
technology.
Oxford BT
15
The Goodmans Journal
goodmans.co.uk
15
Heritage Heritage Connect Portable
Heritage combines the 1950s style of a piano finish
wooden cabinet with the latest audio technologies,
providing access to a wide range of Digital Radio
stations and wireless streaming via Bluetooth.
Heritage Portable gives the latest, high performance
audio in a compact package. Digital Radio, Spotify
Connect and Bluetooth streaming all in a rechargeable
radio that comes in both walnut and ivory finishes.
16
HeritageCollection
16
brilliantly simple.
16
brilliantly simple.
17
The Goodmans Journal
17
goodmans.co.uk
Only One Choice
In The City.
Interview William Kennedy, filmmaker
1818
brilliantly simple.
03
Only One Choice In The City, directed by William
Kennedy, is the first in a collection of short films for
the Goodmans Series – designed to showcase the
talent of creative groups and individuals working in
the UK today.
Collaborating with London agency,The Rig Out, it
was shot entirely on location in the east end of the
capital and aims to capture the inner sanctums
of Soundbwoy Killah and Organ Tapes, both of
whom are emerging bedroom producers. Using a
multitude of filming techniques and treatments,
Kennedy created a cinematic snapshot that reflects
the influences, passion and inspirations behind
their music.
Keen to embrace and expose the DNA of the
underground electronic scene, the film delves into
the internal creative processes and inspiration
behind music making principles. Using the raw
architecture of the Thamesmead Estate as a
backdrop, Kennedy offers us the chance to view
this British counterculture during one of its most
vibrant and experimental phases. Goodmans was
keen to uncover how the concept was realised and
took the time to speak to William about his part in
the production of the film.
Friendship forms a significant thread
throughout the film. Can you expand on how
camaraderie relates to the way young people
experience music today?
Such a lot of my friends make really great music, so
it’s a privilege to work with them. We love sharing
our work with each other, as well as going out
together and discovering new music.Technology
has allowed us to share music with each other at
the touch of a button. I wanted to make a film about
the people I enjoy collaborating with to try and show
the different ways we share music. It was a very
personal project.
Can you explain why Organ Tapes and
Soundbwoy Killah felt like the perfect choice
for the Goodmans Series? 
Both artists are phenomenally talented. Living in
London and working hard to produce music that
sounds fresh and exciting. We are all part of the
same community and have collaborated with each
other in the past.They felt like the natural choice
because they are young, hungry and ahead of the
curve.
We love sharing our work with each
other, as well as going out together
and discovering new music. Technology
has allowed us to share music with
each other at the touch of a button.
19
The Goodmans Journal
goodmans.co.uk
19
The Goodmans Journal
Still from ‘Only One
Choice In The City’.
How did you start to piece the story together,
what were the starting points for your
storyboard?
I always wanted to make this a cinematic experience,
not just the usual documentary aesthetic.
Cinematography was always going to be hugely
important because I wanted the film to feel quite
unique.The photographs of Lise Sarfati, and the films
of AG Rojas were hugely influential.
How has the brutalism of our urban landscape
come to reflect the DIY attitude that is now so
prevalent in the home-produced digital music
scene?
All you need is a laptop to make electronic music.
It’s very democratic as an art form.The variety of
landscapes and shooting styles featured in the
film reflect the diversity of music being produced
in this city.
How did the involvement of Goodmans
enhance your approach to making this
particular piece of work?
Goodmans gave me the opportunity to make a
film on a subject I am passionate about. I love the
scene, the music and the people. It was fantastic to
be offered the chance to document my experience
of collaborating with these guys. Goodmans
supported me with this all the way - they wanted
the film to feel organic and honest.These artists
are the most passionate and exciting people you
could hope to meet, so I wanted to make a branded
film as progressive as their music.
Interview William Kennedy, filmmaker
20
brilliantly simple.
goodmans.co.uk
21
The Goodmans Journal
goodmans.co.uk
Collection Connected
High performance audio and the latest
technology combined with sophisticated,
considered industrial design.
Connected
brilliantly simple.
22
Module easily connects to and upgrades existing
HiFi equipment with the latest wireless audio
functionality. It enables smartphone control,
Module
multi-room, Spotify Connect and High Resolution
audio playback, giving treasured HiFi set-ups a
new lease of life.
23
The Goodmans Journal
goodmans.co.uk
Aspect is a fully featured, compact soundbar
and speaker that can switch from horizontal
to vertical in an instant. Clever acoustics and
Aspect
integrated DSPs combine with innovative design
to provide a flexible speaker that delivers
impressive audio performance.
Collection Connected
24
brilliantly simple.
In keeping with its 1970s namesake,Dimension
combines impressive audio performance,iconic
design and the very latest technology.Smartphone
Dimension
control,Spotify Connect,multi-room,Bluetooth
re-streaming and High Resolution Audio are just a
few of the class leading features included as standard.
25
The Goodmans Journal
goodmans.co.uk
Return Of The Rudeboy
Following the phenomenal success of the
Return of the Rudeboy show at Somerset
House, creators Dean Chalkley and Harris
Elliott reflect on their collaboration with
Goodmans. With its roots in mid-century jazz
and R&B, the Rudeboy movement migrated
from the streets of Kingston,Jamaica, to the
shores of the United Kingdom during the 1950s
– infiltrating Britain’s burgeoning music scene
and injecting some serious swagger into the
lives of the post-war generation.
Rudeboy culture has always dared to challenge
convention and its distinctive sartorial style
continues to evolve.The mohair suits, skinny
ties and pork pie hats came to define the
movement and as a subculture that has always
been proudly non-conformist, its essence still
remains over half a century later. Regardless of
reinvention, the core values are unwavering and
the clean, sharp silhouettes are just as iconic
today as they ever were.
Interview Return Of The Rudeboy
26
brilliantly simple.
Goodmans was quick to acknowledge the cultural
significance of the works of Chalkley and Elliott
and recognised numerous values that were aligned
within their own authentic audio heritage. With
joint origins in London, both Goodmans and the
Rudeboy movement reflected strong, modern and
multicultural qualities and embraced the freedom
of expression that has always been associated with
the capital.These factors, combined with an innate
ability to stand out amongst the masses, provided
the spark that started the creative partnership. A
128-page hardback-book was created, containing
previously unseen images and essays, together
with a Goodmans X Return of the Rudeboy sonic art
installation.
After your hugely triumphant exhibition
in London, why did the relationship with
Goodmans begin?
Return of the Rudeboy reaches far and wide. We
always believed the impact would be significant,
but in reality it’s so satisfying when people
actually get it.The number of people who came
to the Somerset House exhibition exceeded
expectations three fold, and in a global sense it
seemed to capture people’s attention.The New
York Times and Washington Post picked up on it
and spread the message to their audience and this
is how the relationship began. Goodmans has a
long-standing history with contemporary innovation
and there’s an ingrained sense of creativity
that runs through to the heart of the brand.The
Goodmans values simply synced with Return of
the Rudeboy. We’ve been deadly serious about the
project from the very beginning, and we’ve been
amazed at the way it’s grown. It is the magnetism
of the imagery that attracts people, and those who
understand what we’re doing seem to feel a real
affinity to it to the photographs, so we’ve definitely
embraced it.
You worked with Goodmans as a brand partner
for your Return of the Rudeboy book, and the
subsequent launch in London. What do you
feel were the benefits of this collaboration?
When Goodmans heard we were doing a book they
expressed that they would like to be involved. As
soon as we met with them, it became apparent
very quickly that they weren’t just a faceless
conglomerate, but actual people we could talk to.
They were excited by what we were doing, and they
trusted our vision and integrity. When we originally
started making plans for the book launch, we felt it
was important to create some kind of event – and
that way the focus was on us, and Goodmans as the
partner.
The way we operate can appear pretty renegade,
but this is purely down to our love of bringing things
to life. No restrictions were placed on us, so with
the notion of the book launch we were looking to
squeeze out as much creativity as possible – it
could have easily been the single-night-party
as some would have expected, but instead we
wanted it to be the catalyst for something bigger.
We had heavyweight DJs playing (including Justin
Robertson, Norman Jay MBE and Ashley Beadle) on
the Rudeboy Sound System for two extra days after
the event, along with guest speakers (including
John Bradbury from The Specials). It was so much
more than the launch of a coffee table book – it was
an educational happening too.
“The way we operate can appear
pretty renegade, but this is purely down
to our love of bringing things to life.”
27
The Goodmans Journal
goodmans.co.uk
ImageTitle.
How did the idea for the Goodmans radio
installation come to fruition?
It was such a simple and organic process.They
asked if we would consider making something
and once again there were no restrictions or
impositions – simply an invitation to be creative
within a context, with Goodmans supporting us in a
technical sense.This is exactly the sort of thing we
like to do. We went to the Goodmans headquarters
and met with their technical manager, looked over
what sonics they had and began to formulate the
idea. We wanted the piece to convey our message
and be visually exciting as well as functional. It was
a perfect way for us to make a new and exciting piece
of work.
Return of the Rudeboy references a bespoke, DIY
aesthetic and so with that in mind, we combined 90
of the Heritage radios in two stacks of 45, to create
a unique hybrid Sound System. We then worked with
artist Andrew Ibi, who hand-painted all of the radios to
great effect;with the finished installation resembling
something reminiscent of the works of Jean Michel
Basquiat, blended with Rudeboy culture and
underpinned by the stereo connectivity of Goodmans.
Interview Return Of The Rudeboy
28
brilliantly simple.
Embodying our core values of innovative
aesthetics, smart design and versatile
performance.
Contemporary
goodmans.co.uk
The Goodmans Journal
29
Nod is a clock radio for the modern bedside, designed
with both form and function in mind; a Digital Radio with
a gentle rising alarm and twin high power USB ports to
charge your devices as you sleep.
Nod
ContemporaryCollection
brilliantly simple.
30
Rocka is a digital radio providing superior sound
alongside innovative industrial design. Enhanced
audio is delivered due to detailed acoustic
Rocka
tuning combined with built in Digital Sound
Processors, instantly activated by its unique
side panel power switch.
31
The Goodmans Journal
goodmans.co.uk
Canvas is smartly designed inside and out to
provide uncomplicated access to your favourite
radio stations. Its simple controls and portability
are paired with a considered, contemporary range
of metallic finishes.
Go is a splashproof and flexible portable radio that
couples its rugged performance with the latest
Digital Radio functionality, Bluetooth streaming and
a high performance battery that can charge your
phone on the move.
Canvas Go
ContemporaryCollection
brilliantly simple.
32
0333
The Goodmans Journal
goodmans.co.uk
For nearly a century, our considered approach to design, innovation
and simplicity has elevated us beyond the norm. And we will continue
to develop products that bring the latest technology to life, adding
unique details that lift the users’ experience.
We believe great design shouldn’t be elitist, and we will continue to
dedicate ourselves to bringing clever and distinctive products within
everyone’s reach.
Goodmans – brilliantly simple.
Our Statement
The Goodmans Journal
34
brilliantly simple.

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Goodmans Brand Book_PC

  • 3. At Goodmans, we believe great products should be innovative, attractive, affordable. With over 90 years experience in consumer electronics, our vision remains as clear as ever. As a British brand established in 1925, we have strived to offer our customers engaging products, combining the latest features with uncomplicated functionality for nearly a century. We pride ourselves on developing the technology essential for modern living, creating products through careful consideration, passion and integrity. We believe that through simplicity we can enhance usability and that good design should be available to everybody. The Goodmans Journal Manifesto 3 The Goodmans Journal goodmans.co.uk
  • 5. A familiar name to British consumers, we began manufacturing speakers in Wembley in 1925 and have remained within the hearts and homes of the British public ever since. Our goal has always been to ensure the latest and best technology is within everyone’s reach, adapting to the aspirations of each generation, with a commitment to creating considered, innovative products that meet the needs of the evolving consumer. Throughout our 90-year history our consistent approach has been to enhance people’s experience of technology, by developing products with the latest features, ensuring that each one is intuitive and attractive whilst remaining straightforward and honest. Our squirrel mascot is a nod to the principles of resourcefulness and agility that have remained at the heart of the company for nearly a century. With the focus firmly on our customers, we remain true to the values established at Goodmans’ inception – investing in design and innovation to create brilliantly simple products for everyone. Journey 5 The Goodmans Journal goodmans.co.uk
  • 6. Journal Our portfolio. Intuitive designs for everyone.  JournalGoodmans 6 brilliantly simple.
  • 7. Award-winning design studio DonaldWentworth’s wide-range of experience from mechanical engineering to sculpture provides them with a Simon Donald Product designer and co-founder of DonaldWentworth. Listening with Go. unique approach to creative problem solving. Clients to date include Artemide,Joseph Joseph and Nestle. 7 The Goodmans Journal goodmans.co.uk
  • 8. ‘Like most people, I remember Goodmans making car and personal stereos in the 1980s.The aesthetics of a device are twinned with quality for me, and then Harris Elliott Creative director and co-founder of the Return of the Rudeboy exhibition. Listening with Heritage. capability and price.The Heritage I have in my kitchen is such a doddle to use and feels totally robust. It’s well designed but totally affordable.’ JournalGoodmans 8 brilliantly simple.
  • 9. Gareth is an award winning furniture designer and craftsman with pieces exhibited at the Victoria and Albert Museum and the Museum of Art and Design in New York. Gareth Neal Furniture designer and craftsman. Listening with Go.  9 The Goodmans Journal goodmans.co.uk
  • 10. ‘I have music playing all day in the shop. For me, the most important aspect of a device is the quality of the sound – but paired with a good-looking product, that’s a real bonus!’ Nik Southern Founder of Grace & Thorn. Listening with Oxford BT. JournalGoodmans brilliantly simple. 10
  • 11. Simon Donald Product designer and co-founder of DonaldWentworth. On the Nod. ‘As a product designer, every purchase is highly considered. I feel that Goodmans is becoming an increasingly forward-thinking brand, who isn’t fearful of investing in good design.The USB charging feature on the NOD was so useful, as I often charge my phone overnight and it saves me using a power socket – I would be excited to see their future developments.’ 11 The Goodmans Journal goodmans.co.uk
  • 14. Heritage The reimagining of authentic, iconic designs combined with the latest features and technology. HeritageCollection 14 brilliantly simple. 14 brilliantly simple.
  • 15. Oxford is an original 1960s design classic that has been refreshed with the latest Digital Radio and Bluetooth features. Creating the ultimate in old-school cool combined with contemporary technology. Oxford BT 15 The Goodmans Journal goodmans.co.uk 15
  • 16. Heritage Heritage Connect Portable Heritage combines the 1950s style of a piano finish wooden cabinet with the latest audio technologies, providing access to a wide range of Digital Radio stations and wireless streaming via Bluetooth. Heritage Portable gives the latest, high performance audio in a compact package. Digital Radio, Spotify Connect and Bluetooth streaming all in a rechargeable radio that comes in both walnut and ivory finishes. 16 HeritageCollection 16 brilliantly simple. 16 brilliantly simple.
  • 18. Only One Choice In The City. Interview William Kennedy, filmmaker 1818 brilliantly simple.
  • 19. 03 Only One Choice In The City, directed by William Kennedy, is the first in a collection of short films for the Goodmans Series – designed to showcase the talent of creative groups and individuals working in the UK today. Collaborating with London agency,The Rig Out, it was shot entirely on location in the east end of the capital and aims to capture the inner sanctums of Soundbwoy Killah and Organ Tapes, both of whom are emerging bedroom producers. Using a multitude of filming techniques and treatments, Kennedy created a cinematic snapshot that reflects the influences, passion and inspirations behind their music. Keen to embrace and expose the DNA of the underground electronic scene, the film delves into the internal creative processes and inspiration behind music making principles. Using the raw architecture of the Thamesmead Estate as a backdrop, Kennedy offers us the chance to view this British counterculture during one of its most vibrant and experimental phases. Goodmans was keen to uncover how the concept was realised and took the time to speak to William about his part in the production of the film. Friendship forms a significant thread throughout the film. Can you expand on how camaraderie relates to the way young people experience music today? Such a lot of my friends make really great music, so it’s a privilege to work with them. We love sharing our work with each other, as well as going out together and discovering new music.Technology has allowed us to share music with each other at the touch of a button. I wanted to make a film about the people I enjoy collaborating with to try and show the different ways we share music. It was a very personal project. Can you explain why Organ Tapes and Soundbwoy Killah felt like the perfect choice for the Goodmans Series?  Both artists are phenomenally talented. Living in London and working hard to produce music that sounds fresh and exciting. We are all part of the same community and have collaborated with each other in the past.They felt like the natural choice because they are young, hungry and ahead of the curve. We love sharing our work with each other, as well as going out together and discovering new music. Technology has allowed us to share music with each other at the touch of a button. 19 The Goodmans Journal goodmans.co.uk 19 The Goodmans Journal
  • 20. Still from ‘Only One Choice In The City’. How did you start to piece the story together, what were the starting points for your storyboard? I always wanted to make this a cinematic experience, not just the usual documentary aesthetic. Cinematography was always going to be hugely important because I wanted the film to feel quite unique.The photographs of Lise Sarfati, and the films of AG Rojas were hugely influential. How has the brutalism of our urban landscape come to reflect the DIY attitude that is now so prevalent in the home-produced digital music scene? All you need is a laptop to make electronic music. It’s very democratic as an art form.The variety of landscapes and shooting styles featured in the film reflect the diversity of music being produced in this city. How did the involvement of Goodmans enhance your approach to making this particular piece of work? Goodmans gave me the opportunity to make a film on a subject I am passionate about. I love the scene, the music and the people. It was fantastic to be offered the chance to document my experience of collaborating with these guys. Goodmans supported me with this all the way - they wanted the film to feel organic and honest.These artists are the most passionate and exciting people you could hope to meet, so I wanted to make a branded film as progressive as their music. Interview William Kennedy, filmmaker 20 brilliantly simple.
  • 22. Collection Connected High performance audio and the latest technology combined with sophisticated, considered industrial design. Connected brilliantly simple. 22
  • 23. Module easily connects to and upgrades existing HiFi equipment with the latest wireless audio functionality. It enables smartphone control, Module multi-room, Spotify Connect and High Resolution audio playback, giving treasured HiFi set-ups a new lease of life. 23 The Goodmans Journal goodmans.co.uk
  • 24. Aspect is a fully featured, compact soundbar and speaker that can switch from horizontal to vertical in an instant. Clever acoustics and Aspect integrated DSPs combine with innovative design to provide a flexible speaker that delivers impressive audio performance. Collection Connected 24 brilliantly simple.
  • 25. In keeping with its 1970s namesake,Dimension combines impressive audio performance,iconic design and the very latest technology.Smartphone Dimension control,Spotify Connect,multi-room,Bluetooth re-streaming and High Resolution Audio are just a few of the class leading features included as standard. 25 The Goodmans Journal goodmans.co.uk
  • 26. Return Of The Rudeboy Following the phenomenal success of the Return of the Rudeboy show at Somerset House, creators Dean Chalkley and Harris Elliott reflect on their collaboration with Goodmans. With its roots in mid-century jazz and R&B, the Rudeboy movement migrated from the streets of Kingston,Jamaica, to the shores of the United Kingdom during the 1950s – infiltrating Britain’s burgeoning music scene and injecting some serious swagger into the lives of the post-war generation. Rudeboy culture has always dared to challenge convention and its distinctive sartorial style continues to evolve.The mohair suits, skinny ties and pork pie hats came to define the movement and as a subculture that has always been proudly non-conformist, its essence still remains over half a century later. Regardless of reinvention, the core values are unwavering and the clean, sharp silhouettes are just as iconic today as they ever were. Interview Return Of The Rudeboy 26 brilliantly simple.
  • 27. Goodmans was quick to acknowledge the cultural significance of the works of Chalkley and Elliott and recognised numerous values that were aligned within their own authentic audio heritage. With joint origins in London, both Goodmans and the Rudeboy movement reflected strong, modern and multicultural qualities and embraced the freedom of expression that has always been associated with the capital.These factors, combined with an innate ability to stand out amongst the masses, provided the spark that started the creative partnership. A 128-page hardback-book was created, containing previously unseen images and essays, together with a Goodmans X Return of the Rudeboy sonic art installation. After your hugely triumphant exhibition in London, why did the relationship with Goodmans begin? Return of the Rudeboy reaches far and wide. We always believed the impact would be significant, but in reality it’s so satisfying when people actually get it.The number of people who came to the Somerset House exhibition exceeded expectations three fold, and in a global sense it seemed to capture people’s attention.The New York Times and Washington Post picked up on it and spread the message to their audience and this is how the relationship began. Goodmans has a long-standing history with contemporary innovation and there’s an ingrained sense of creativity that runs through to the heart of the brand.The Goodmans values simply synced with Return of the Rudeboy. We’ve been deadly serious about the project from the very beginning, and we’ve been amazed at the way it’s grown. It is the magnetism of the imagery that attracts people, and those who understand what we’re doing seem to feel a real affinity to it to the photographs, so we’ve definitely embraced it. You worked with Goodmans as a brand partner for your Return of the Rudeboy book, and the subsequent launch in London. What do you feel were the benefits of this collaboration? When Goodmans heard we were doing a book they expressed that they would like to be involved. As soon as we met with them, it became apparent very quickly that they weren’t just a faceless conglomerate, but actual people we could talk to. They were excited by what we were doing, and they trusted our vision and integrity. When we originally started making plans for the book launch, we felt it was important to create some kind of event – and that way the focus was on us, and Goodmans as the partner. The way we operate can appear pretty renegade, but this is purely down to our love of bringing things to life. No restrictions were placed on us, so with the notion of the book launch we were looking to squeeze out as much creativity as possible – it could have easily been the single-night-party as some would have expected, but instead we wanted it to be the catalyst for something bigger. We had heavyweight DJs playing (including Justin Robertson, Norman Jay MBE and Ashley Beadle) on the Rudeboy Sound System for two extra days after the event, along with guest speakers (including John Bradbury from The Specials). It was so much more than the launch of a coffee table book – it was an educational happening too. “The way we operate can appear pretty renegade, but this is purely down to our love of bringing things to life.” 27 The Goodmans Journal goodmans.co.uk
  • 28. ImageTitle. How did the idea for the Goodmans radio installation come to fruition? It was such a simple and organic process.They asked if we would consider making something and once again there were no restrictions or impositions – simply an invitation to be creative within a context, with Goodmans supporting us in a technical sense.This is exactly the sort of thing we like to do. We went to the Goodmans headquarters and met with their technical manager, looked over what sonics they had and began to formulate the idea. We wanted the piece to convey our message and be visually exciting as well as functional. It was a perfect way for us to make a new and exciting piece of work. Return of the Rudeboy references a bespoke, DIY aesthetic and so with that in mind, we combined 90 of the Heritage radios in two stacks of 45, to create a unique hybrid Sound System. We then worked with artist Andrew Ibi, who hand-painted all of the radios to great effect;with the finished installation resembling something reminiscent of the works of Jean Michel Basquiat, blended with Rudeboy culture and underpinned by the stereo connectivity of Goodmans. Interview Return Of The Rudeboy 28 brilliantly simple.
  • 29. Embodying our core values of innovative aesthetics, smart design and versatile performance. Contemporary goodmans.co.uk The Goodmans Journal 29
  • 30. Nod is a clock radio for the modern bedside, designed with both form and function in mind; a Digital Radio with a gentle rising alarm and twin high power USB ports to charge your devices as you sleep. Nod ContemporaryCollection brilliantly simple. 30
  • 31. Rocka is a digital radio providing superior sound alongside innovative industrial design. Enhanced audio is delivered due to detailed acoustic Rocka tuning combined with built in Digital Sound Processors, instantly activated by its unique side panel power switch. 31 The Goodmans Journal goodmans.co.uk
  • 32. Canvas is smartly designed inside and out to provide uncomplicated access to your favourite radio stations. Its simple controls and portability are paired with a considered, contemporary range of metallic finishes. Go is a splashproof and flexible portable radio that couples its rugged performance with the latest Digital Radio functionality, Bluetooth streaming and a high performance battery that can charge your phone on the move. Canvas Go ContemporaryCollection brilliantly simple. 32
  • 34. For nearly a century, our considered approach to design, innovation and simplicity has elevated us beyond the norm. And we will continue to develop products that bring the latest technology to life, adding unique details that lift the users’ experience. We believe great design shouldn’t be elitist, and we will continue to dedicate ourselves to bringing clever and distinctive products within everyone’s reach. Goodmans – brilliantly simple. Our Statement The Goodmans Journal 34 brilliantly simple.