information industry programming

1. BY: CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB
Information
Industry & the
laws that
BOUNDS it!

2. PROGRAMMING IN
INFORMATION
INDUSTRIES
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

3. MEDIA products such as television programs and movies,
published books and periodicals would constitute probably among
the most accepted part of what information goods can be.
CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

4. defined as goods capable
of being distributed in digital
form, have always been
CHARACTERIZED by a
distinctive cost structure:
producing the first copy is
often very expensive, but
producing subsequent
copies is very cheap.
INFORMATION GOODS
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

5. Some services, such as legal services, banking, insurance, computer
programming, data processing, testing, and market research, require
intensive and intellectual processing of information
CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

6. INFORMATION PROCESSING SERVICE

7. telephone, broadcasting and book retail industries do not
produce much information, but their core business is to
disseminate information others produced. These industries handle
predominantly information.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

8. requires research and sophisticated decision-making. These products are vital to
information-processing activities of above mentioned industries. Printing and
copying machines, measurement and recording devices of various kinds
and electronic belongs to this category
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

9. Pharmaceutical, food-processing, some apparel design, and some
other "high-tech" industries belong to this type. These products are not
exclusively for information production or sophisticated decision-
making
CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

10. industries that are not research intensive, but serve
as infrastructure for information production and
sophisticated decision-making.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

11. INTELLECTUAL PROPERTY
LAW (IPL)
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

12. A. INFORMATION
INDUSTRIES IS A RAPIDLY
GROWING PART OF
ECONOMY.
The demand for information goods
and services from consumers is
increasing.
EXAMPLE: (CONSUMER)
media including music and motion
picture, personal computers, video
game-related industries, are among
the information industries.CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

13. B. INFORMATION
INDUSTRIES ARE
CONSIDERED TO BOOST
INNOVATION AND
PRODUCTIVITY OF
OTHER INDUSTRIES.
An economy with a strong
information industry might
be a more competitive one
than others, other factors
being equal.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

14. C. BROADER SOCIAL
CHANGE.
As information becomes the
central part of our economic
activities we evolve into an
"information society", with an
increased role of mass media,
digital technologies, and other
mediated information in our
daily life, leisure activities,
social life, work, politics,
education, art, and many other
aspects of society.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

15. CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

16. is a term referring to creations of the intellect for which
a monopoly is assigned to designated owners by law
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

17. copyright, patents, and industrial
design rights; and the rights that
protect trademarks, trade dress,
and in some jurisdictions trade
secrets: all these cover music,
literature, and other artistic
works; discoveries and
inventions; and words, phrases,
symbols, and designs.
SOME COMMON TYPES OF INTELLECTUAL
PROPERTY RIGHTS (IPR) ARE:
CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

18. protects the expression of ideas in a tangible
medium.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

19. Refer to a limited duration property right
relating to an invention,
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

20. is an intellectual property right that protects the
visual design of objects that are not purely utilitarian
CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

21. A trademark, trade mark, or trade-mark is a recognizable
sign, design, or expression which identifies products or
services of a particular source from those of others,
although trademarks used to identify services are usually
called service marks
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

22. A TRADE NAME is the official name under which a
company does business. It is also known as a “doing
business as” name, assumed name, or fictitious name. A
trade name does not afford any brand name protection or
provide you with unlimited rights for the use of that
name.(NAME OF BUSINESS)
A TRADEMARK is used to protect your brand name
and can also be associated with your trade name. A
trademark can also protect symbols, logos and slogans.
Your name is one of your most valuable business assets,
so it’s worth protecting. (IDENTITY)
DISTINCTION:

23. consists of all the various elements that are used to promote
a product or service
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

24. FOR A PRODUCT, trade
dress may be the packaging,
the attendant displays, and
even the configuration of the
product itself.
FOR A SERVICE, it may be
the decor or environment in
which a service is provided
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

25. respect to trade secrets, may be a breach of
civil law or criminal law, depending on the type
of intellectual property involved, jurisdiction,
and the nature of the action
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

26. A TRADE SECRET is
a formula, practice, process, design
, instrument, pattern, commercial
method, or compilation
of information which is not
generally known or reasonably
ascertainable by others, and by
which a business can obtain an
economic advantage over
competitors or customers
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

27. A TERM USED IN A
PARTICULAR VIOLATION
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

28. I. Violation of intellectual property rights, called
"INFRINGEMENT"
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

29. reproducing, distributing, displaying or performing a work,
or to make derivative works, without permission from the
copyright holder, which is typically a publisher or other
business representing or assigned by the work's creator. It is
often called "piracy".
COPYRIGHT INFRINGEMENT
CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

30. typically is caused by using or selling a patented
invention without permission from the patent
holder.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

31. occurs when one party uses a trademark that is identical
or confusingly similar to a trademark owned by another party, in
relation to products or services which are identical or similar to
the products or services of the other party
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

32. with respect to patents, copyright, and
trademarks, and
"MISAPPROPRIATION"
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

33. IN CRIMINAL LAW:
II.
MISAPPROPRIATION is
the intentional, illegal use of
the property or funds of
another person for one's own
use or other unauthorized
purpose CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

34. WAYS TO AVOID
CHELDY SYGACO ELUMBA-PABLEO, MPA; LL

35. WAYS TO AVOID VIOLATING INTELLECTUAL
PROPERTY LAWS
If you aren’t the first to think it, do it, or create it then
do not claim you did
When in doubt cite it. It’s much better to over cite
than under cite
ALWAYS ask permission whenever possible – even if
you feel confident that you can use it still – ASK
Know the difference between copyright, patents, and
trademarks CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

36. HOW TO AVOID
COPYRIGHT INFRINGEMENT
1. Know what copyrights
protect. Copyright law protects any
original creation, and grants the holder
of the copyright exclusive control over
when, how, and by whom their work
may be copied, distributed, or
exhibited. This includes literary works,
paintings, photographs, drawings, films,
music (and its lyrics), choreography,
sculptures and many other creative
works.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

37. 2. Know what isn't
protected. Copyright law
generally does not protect the
underlying ideas of a creative
work, and it does not protect facts.
HOW TO AVOID
COPYRIGHT INFRINGEMENT
EXAMPLE: copyright doesn't prevent you from
expressing in your own words ideas and facts
found in a book or journal you read.
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

38. HOW TO AVOID
COPYRIGHT INFRINGEMENT
3. Don't confuse
copyrights, trademarks,
and other forms of
"intellectual property."
These laws originated separately,
evolved differently, cover different
activities, have different rules, and
raise different public policy issues."CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

39. HOW TO AVOID
COPYRIGHT INFRINGEMENT
4. Learn about the public
domain laws for your
jurisdiction. "Public domain" is
short-hand for
"uncopyrighted", not "publicly
distributed". A work can be out
of copyright due to age, by the
nature of authorship, or other
reasons.
CHELDY SYGACO ELUMBA-PABLEO, MPA;
LLB

40. HOW TO AVOID
“INFRINGEMENT’’
1. Don't take anything
from the Internet, or
anywhere else, because it
is almost always
copyrighted, by default.
"I found it on the Internet" is not a
defense against copyright infringement;
works on the Internet are as copyrightable
as any other kind of work. Nor is "it didn't
say it was copyrighted."CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

41. HOW TO AVOID
“INFRINGEMENT’’
2. Be creative.
If ever you wonder whether a certain
action would infringe on the copyright of
someone else, the question to ask is: is
this a creative work on my count, or am I
simply drawing from the creativity of
someone else?
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

42. 3. Don't rely on "fair use".
Called "fair dealing" in many
jurisdictions, fair use is simply a
guarantee that copyright laws do not
infringe freedom of speech and make
critical commentary impossible.
HOW TO AVOID
“INFRINGEMENT’’
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

43. 4. Be wary about writing
fiction based on other
works. It was said above
that "ideas cannot be
copyrighted". However,
fictional characters, story-
lines, and settings can be
copyrighted (insofar as
they are original).
HOW TO AVOID
“INFRINGEMENT’’
CHELDY SYGACO ELUMBA-PABLEO, MPA; LLB

44. THANK YOU FOR
READING!
CHELDHAYE