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Josefino Tulabing Larena Jr, AB,CPS,MPAJosefino Tulabing Larena Jr, AB,CPS,MPA
 Pre Historic times which dates some 500,00
years ago. Tabon Man ,Tabon Cave Palawan
ARAB TRADES CHINESE TRADES
ANNAMESE WARE VIETNAMESE
TANG DYNASTIES NORTHERN SUNG DYNASTY
DUYONG CAVE PALAWAN BATO CAVE SORSOGON
JAR BURIAL TRADITION
BRONZE COPPER
 Beads made of agate, carnelian ,amethyst
,rock, crystal ,sapphire
PAINTING
 the Spaniards used
paintings as religious
propaganda to spread
Catholicism throughout
the Philippines.
PAINTING
 Portrait paintings featured
the painters themselves,
Filipino jewelry, and native
furniture.
WEAVING
 Philippine weaving involves
many threads being
measured, cut, and
mounted on a wooden
platform. The threads are
dyed and weaved on a
loom
1800 WEAVER
 ANTHROPOLOGIST Dr.
Analyn Salvador-
Amores leads the
turnover of the
oldest ‘uwes,’ the
traditional Isinai
funeral blanket, to
chieftain Bayani
Laroza.
POTTERY
 Traditional pot-making in
certain areas of the
Philippines would use clay
found near the Sibalom
River. Molding the clay
required the use of wooden
paddles, and the clay had
to be kept away from
sunlight
LITERATURE
 Tanaga is a type of Filipino
poetry. Kut-kut is an art
technique used between
the 15th and 18th
centuries.
 BONTOC, IFUAGO, AND
KALINGA TRIBAL
TEXTILESWITH A VARIETY
OF SILVER AND
BRASS"LINGLINGO"
FERTILITY CHARMS
MOUNTAIN PROVINCE
 Ifugao House
 Torogan, the ancestral home of
the Maranao Sultan or Datu.
One of the richest survivors of
Philippine pre-Spanish art is
Maranao decorative art,
described by critics as graceful
and rhythmical.The floorbeams
of the houses project beyond the
walls, and the ends or panolong,
such as the decorative figure, are
carved and multicolored.
TOROGAN HOUSE
ROMAN CATHOLIC ISLAMIC MOSQUE
“ BULUL”
 SEATED IFUGAO "BULUL"
AT THE CONCLUSION
OFTHE ANNUAL
IFUGAOHARVEST
RITUAL "BULULS"
PLACED IN RICE
GRANARIES ARE
CONSIDERED
GUARDIANS OFTHE
HARVEST .
 Shown above are the most well-
known of the old designs, the
sarimanok. The figure represents a
fowl with wings, feathered tail, and
a head decorated with ornaments of
scrolled and painted motif of leaves,
spirals, and feather-like forms. It
usually stands on a fish and another
one hangs from its beak. The
wooden figure, usually perched atop
a bamboo pole, stands among
decorative flags during weddings
and other festive occasions.
SPOLIARIUM
HARVESTING RICE, FERNANDO
AMORSOLO
"LA BELLA FILIPINA"
IN THE RICE FIELD
PIONEER OF KENETIC ART IN THE
PHILIPPINES 'BROTHER OF ISIDORA'
PICNIC IN MT. AARAYAT”
COLOR OF PEACE
BENEDICTO REYES CABRERA
NATIONAL ARTIST VISUAL ARTS 2006
 Internationally renowned
painter Juvenal Sanso's 65
years in art. With his vision
of bringing his art closer to
the people and promoting
visual art
“BLACK PERIOD”
BAGUIO CITY
Director Jeremy Barns is shown here being
interviewed by the local media regarding the
Gabii sa Kabilin (Night of Heritage). Among
those he visited, he talked about the
Gotiaoco building (the century-old heritage
structure behind him), which NM manages
on behalf of the Department of Environment
and Natural Resources. NM also advises the
leasee, the Sugbu Chinese Heritage Museum
Foundation, as planning began on the
conversion of the building into a museum on
Cebuano Chinese heritage.
© National Museum of the Philippines (2014)
Art History of the Philippines
Art History of the Philippines
Art History of the Philippines

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Art History of the Philippines

  • 1. Josefino Tulabing Larena Jr, AB,CPS,MPAJosefino Tulabing Larena Jr, AB,CPS,MPA
  • 2.  Pre Historic times which dates some 500,00 years ago. Tabon Man ,Tabon Cave Palawan
  • 5. TANG DYNASTIES NORTHERN SUNG DYNASTY
  • 6. DUYONG CAVE PALAWAN BATO CAVE SORSOGON JAR BURIAL TRADITION
  • 8.  Beads made of agate, carnelian ,amethyst ,rock, crystal ,sapphire
  • 9.
  • 10. PAINTING  the Spaniards used paintings as religious propaganda to spread Catholicism throughout the Philippines.
  • 11. PAINTING  Portrait paintings featured the painters themselves, Filipino jewelry, and native furniture.
  • 12. WEAVING  Philippine weaving involves many threads being measured, cut, and mounted on a wooden platform. The threads are dyed and weaved on a loom 1800 WEAVER
  • 13.  ANTHROPOLOGIST Dr. Analyn Salvador- Amores leads the turnover of the oldest ‘uwes,’ the traditional Isinai funeral blanket, to chieftain Bayani Laroza.
  • 14. POTTERY  Traditional pot-making in certain areas of the Philippines would use clay found near the Sibalom River. Molding the clay required the use of wooden paddles, and the clay had to be kept away from sunlight
  • 15. LITERATURE  Tanaga is a type of Filipino poetry. Kut-kut is an art technique used between the 15th and 18th centuries.
  • 16.  BONTOC, IFUAGO, AND KALINGA TRIBAL TEXTILESWITH A VARIETY OF SILVER AND BRASS"LINGLINGO" FERTILITY CHARMS
  • 18.  Torogan, the ancestral home of the Maranao Sultan or Datu. One of the richest survivors of Philippine pre-Spanish art is Maranao decorative art, described by critics as graceful and rhythmical.The floorbeams of the houses project beyond the walls, and the ends or panolong, such as the decorative figure, are carved and multicolored. TOROGAN HOUSE
  • 20. “ BULUL”  SEATED IFUGAO "BULUL" AT THE CONCLUSION OFTHE ANNUAL IFUGAOHARVEST RITUAL "BULULS" PLACED IN RICE GRANARIES ARE CONSIDERED GUARDIANS OFTHE HARVEST .
  • 21.  Shown above are the most well- known of the old designs, the sarimanok. The figure represents a fowl with wings, feathered tail, and a head decorated with ornaments of scrolled and painted motif of leaves, spirals, and feather-like forms. It usually stands on a fish and another one hangs from its beak. The wooden figure, usually perched atop a bamboo pole, stands among decorative flags during weddings and other festive occasions.
  • 23.
  • 26. IN THE RICE FIELD
  • 27. PIONEER OF KENETIC ART IN THE PHILIPPINES 'BROTHER OF ISIDORA'
  • 28. PICNIC IN MT. AARAYAT”
  • 30.
  • 31.
  • 32. BENEDICTO REYES CABRERA NATIONAL ARTIST VISUAL ARTS 2006
  • 33.  Internationally renowned painter Juvenal Sanso's 65 years in art. With his vision of bringing his art closer to the people and promoting visual art “BLACK PERIOD”
  • 34.
  • 35.
  • 37.
  • 38.
  • 39. Director Jeremy Barns is shown here being interviewed by the local media regarding the Gabii sa Kabilin (Night of Heritage). Among those he visited, he talked about the Gotiaoco building (the century-old heritage structure behind him), which NM manages on behalf of the Department of Environment and Natural Resources. NM also advises the leasee, the Sugbu Chinese Heritage Museum Foundation, as planning began on the conversion of the building into a museum on Cebuano Chinese heritage. © National Museum of the Philippines (2014)