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THE MISSION OF THE SOCIETY FOR NEWS DESIGN is to enhance excellence
in visual journalism and communications around the world.
To that end, the Society will:
Promote the highest ethical standards in all of our crafts;
Champion visual journalism as an integral discipline;
Educate journalists on a continuing basis;
Celebrate excellence in all aspects of journalism;
Encourage innovation throughout our industry;
Provide a forum for critical review and discussion of issues;
Value our unique and diverse international and
multicultural character.
LA MISIÓN DE LA SOCIEDAD DE DISEÑO DE NOTICIAS es realzar la excelencia
en el periodismo visual y las comunicaciones alrededor del mundo.
Con ese fin, la Sociedad va a:
Promover los estándares éticos más altos en todo nuestro trabajo;
Abogar por el periodismo visual como una disciplina integral;
Educar a los periodistas de forma continua;
Destacar la excelencia en todos los aspectos del periodismo;
Incentivar la innovación en toda nuestra industria;
Proporcionar un foro para la revisión crítica y la discusión de asuntos;
Valorar nuestro carácter internacional y multicultural único y diverso.
The BesT of News DesigN™
e d i t i o n
The 2010 Creative Competition of the society for News Design
Lo Mejor del Diseño
™ La competencia creativa del 2010 de la Sociedad de Diseño de Noticias
Cover designer
Adonis Durado
Design Director
Times of Oman and Al Shabiba
Muscat Press And Publishing House
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2 | The Best of News Design | 32
An
introduction
C. Marshall Matlock
Director, SND print competitions and judging
S.I. Newhouse School of Public Communications, Syracuse University
Los periódicos no están muertos. Ése es el mensaje que se
sigue enviando a quienes trabajan en las competencias de la snd.
el comité de competición está encantado de ver que el número
de piezas participantes pasó de 10.158 en el 2009 a 10.515 en
el 2010. es esta 32a
versión, el editor del libro, Lance Johnson,
presenta los trabajos ganadores que enviaron los personales de
muchos periódicos y revistas.
también destacamos el importante rol que los medios digitales
van a tener en el futuro para presentar las noticias. por primera
vez, hemos incluido ejemplos de los ganadores de la competencia
digital de la snd.
Las palabras del presidente de la snd, steve dorsey, son
elocuentes:
“La competencia creativa anual de Lo Mejor del Diseño de Noticias
es uno de los dos principales eventos que la SND patrocina cada
año –y es uno de los esfuerzos más importantes en todo el mundo.
La competencia de impresos, que celebra este año su 32a
versión,
ha tenido por sede la Syracuse University en los últimos 22 años, por
lo que hay mucho qué agradecer a Marshall Matlock por hacer que
todo siga funcionando sobre ruedas.
“Lo Mejor del Diseño Digital fue notoriamente modernizado este
año, y además fue reubicado, por lo cual hay mucho qué agradecer
a Stephen Komives, de la SND; Ryan Sparrow, de Ball State University;
la propia escuela de periodismo de esa universidad; y un equipo
incondicional de voluntarios.
“Ambas competencias otorgan un premio en la categoría Lo Mejor
Diseñado del Mundo™ y estamos felices de incluir, por primera vez,
lo más destacado de la competencia digital junto con los premios
anuales de impresos.A medida que nuestros porvenires se vuelven
más entrelazados digitalmente, la SND va a continuar manteniendo
su misión principal: Realzar la comunicación en todo el mundo a
través de la excelencia en el periodismo visual, sin importar su
plataforma.”
Además de los ejemplos de los ganadores digitales, hemos
incluido los ganadores de los cuatro premios entregados a las
piezas impresas del año 2010, que representan “lo mejor de lo
mejor” del diseño de noticias.
Los premios de la evaluación general son los siguientes:
Premio de excelencia — este premio se entrega a trabajos
que son realmente excelentes más allá de la destreza técnica
o estética. corresponde que los jueces honren piezas
sobresalientes por asuntos tales como tomar riesgos e innovar,
aunque no lo logren 100% en todos los aspectos. Los jueces son
exigentes, pero justos.
Medalla de plata — este premio se da a trabajos que van más
allá de la excelencia. el dominio técnico de la medalla de plata
expande los límites del medio. estas piezas deberían brillar.
Medalla de oro — este premio se otorga a trabajos que definen
el estado del arte. estas piezas deberían expandir los límites de la
creatividad y debería ser casi imposible encontrar algo deficiente
en ellas.
Reconocimiento Especial de los Jueces — este honor
lo entrega un grupo de jueces, o todos ellos, a trabajos
sobresalientes en un aspecto en particular no necesariamente
reconocido por las características del premio de excelencia o de
las medallas de plata u oro. se ha dado este reconocimiento por
asuntos tales como el uso de la fotografía, los infográficos o la
tipografía a lo largo de una serie de trabajos. esta serie puede ser
un periódico en particular, una sección o más de una, realizado
tanto por un individuo como por todo el personal de la redacción.
este premio especial no reemplaza a ninguno de excelencia,
ni las medallas de plata u oro, y debería ser considerado como
adjunto.
Lo que viene a continuación en este libro es un testamento de
las miles de piezas recibidas de todo el mundo y, lo que es aun
más importante, de los millones de lectores que se benefician
del cuidado y la atención al detalle de quienes diseñan sus
periódicos.
espero que el contenido de esta 32a
versión de Lo mejor del
diseño de noticias™ sirva para inspirarnos a ir tras desafíos y
proyectos aun más grandes para la 33a
versión y el futuro.
neWspApers Are not deAd.that’s the message that
continues to be delivered to those who work with the society
for news design competitions.the competition committee is
delighted to see the number of entries increase from 10,158
in 2009 to 10,515 for year 2010. in this 32nd edition, book
editor Lance Johnson presents the winning work entered by
newspapers and magazines staffs.
We also recognize the important role digital media will play
in getting news to the public in the future. For the first time,
we have included examples from the winners of snd’s digital
competition.
snd president steve dorsey says it best:
“The annual Best of News Design Creative Competition is one of
the two biggest events the Society sponsors every year — and one
of its most inspiring efforts worldwide.The print competition, in its
32nd year, has been hosted the last 22 years at Syracuse University,
with much thanks to Marshall Matlock for making things continue
to run smoothly.
“The Best of Digital Design was heavily revamped this year and
relocated, with much thanks to SND’s Stephen Komives, Ball State’s
Ryan Sparrow, the Ball State School of Journalism, and a hard-core
team of volunteers.
“Both competitions award aWorld’s Best-Designed™ category.
We’re very excited to include, for the first time ever, highlights
from the Digital competition alongside the annual print awards.As
all of our futures become more digitally linked, SND will continue
to uphold its core mission — to enhance communication around
the world through excellence in visual journalism — no matter the
platform.”
Besides examples of the digital winners, we have included the
winners of the four awards given to print entries for the year
2010.they represent the “best of the best” in news design.
the awards in the general judging are:
Award of Excellence — this award is granted for work that is
truly excellent, beyond mere technical or aesthetic competency.
it is appropriate for judges to honor entries for such things as
being daring and innovative if the entry is outstanding, but less
than 100 percent in every respect. Judges were tough, but fair.
Silver Medal — this award is granted for work that goes
beyond excellence.the technical proficiency of the silver
medal stretches the limits of the medium.these entries should
shine.
Gold Medal — this award is granted for work that defines the
state of the art.this entry should stretch the limits of creativity.
it should be nearly impossible to find anything deficient in a
Gold-winning entry
Judges’ Special Recognition — this honor is awarded by a
team of judges, or by all judges, for work that is outstanding in
a particular respect not necessarily singled out by the Award of
excellence, silver or Gold awards structure.this recognition has
been granted for such things as the use of photography, the use
of information graphics and the use of typography throughout a
body of work.this body of work may be a particular publication,
section or sections by an individual or staff.the special
recognition does not supplant any Awards of excellence or
silver or Gold awards and should be seen as an adjunct.
What follows in this book is a testament to the thousands of
entries received from around the world and, more importantly,
the millions of readers who benefit from the care and attention
to detail of the designers and their publications.
Hopefully, the content displayed in this 32nd edition of the Best
of news design™ will serve to inspire us to greater challenges
and grander undertakings for the 33rd edition and the many
years ahead.
Una
introducción
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society for News desigN 3
society for News desigN
Marshall Matlock, Competition Committee Director
Stephen Komives, SND Executive Director
Shamus Walker, Audit & Entry Director
Becky Pendergast, 32nd Edition Print Coordinator
Ryan Sparrow, Digital Coordinator
Lance Johnson, The Best of News Design™ Editor
Cristóbal Edwards, Spanish Translator
32nd
editioN fAciLitAtors
contents / contenidos
Melissa Angle, SND education/training director and A-1 designer,
The Atlanta Journal-Constitution, Atlanta, Ga.
Tim Ball, designer,TheWashington Post,Washington, D.C.
Rich Boudet, sports designer,The SeattleTimes, Seattle,Wash.
Audrey Burian, SND entry auditor, S.I. Newhouse School of Public
Communications, Syracuse University, Syracuse, N.Y.
Steve Cavendish, designer and reporter ChicagoTribune, Chicago,
Ill.
Vince Chiaramonte, assistant design editor,The Buffalo News,
Buffalo, N.Y.
Jason Chiu, design editor,The Globe and Mail,Toronto, ON, and SND
Canada director
Josh Crutchmer, senior designer for news and projects at the
Minneapolis Star-Tribune, Minneapolis, Minn.
Steve Dorsey, SND president and vice president for research and
development, Detroit Free Press, Detroit, Mich.
Joe Greco, corporate design director, GateHouse Media, Downers
Grove, Ill.
Gayle Grin, managing editor for visuals, National Post,Toronto, ON,
Canada
Lance Johnson, 32nd edition editor,The Best of News Design,
Waterford, Conn.
Stephen Komives, SND executive director, Orlando, Fla.
David Kordalski, assistant managing editor for visuals,The Plain
Dealer, Cleveland, Ohio
Lily Lu, director, JMSC Shanghai Centre, Hong Kong University, Hong
Kong, China
Marshall Matlock, SND print competition and judging director,
professor emeritus, S.I. Newhouse School of Public Communications,
Syracuse University, Syracuse, N.Y.
Jim Michalowski, adjunct professor, Southeast Center for
Photographic Studies, Daytona Beach, Fla
Tim Parks, deputy news and design director, OmahaWorld-Herald,
Omaha, Neb.
Tiffany Pease, design director, San Jose Mercury News, San Jose,
Calif.
Becky Pendergast, 32nd edition coordinator,The Chronicle of
Higher Education,Washington, D.C.
Denise M. Reagan, SND Foundation president and assistant man-
aging editor for visuals,The FloridaTimes-Union, Jacksonville, Fla.
Claire Regan, associate managing editor, Staten Island Advance,
Staten Island, N.Y.
Darren Sanefski, assistant professor, S.I. Newhouse School of Public
Communications, Syracuse University, Syracuse, N.Y.
Susan Santoro, SND print competition assistant, Society for News
Design, Jamestown, R.I.
Colin Smith, presentation editor,The Salt LakeTribune, Salt Lake
City, Utah
Randy Stano, professor of practice in journalism, University of
Miami, Coral Gables, Fla.
Lee Steele, SND region 1 director and design editor, Connecticut
Post, Bridgeport, Conn.
Claudia Strong, adjunct news design professor, S.I. Newhouse
School of Public Communications, Syracuse University, Syracuse, N.Y.
Shraddha Swaroop, designer, Los AngelesTimes, Los Angeles, Calif.
Michael Tribble, SND region 4 director and design and graphics
director,The Plain Dealer, Cleveland, Ohio.
Lila Victoria, advertising artist, Staten Island Advance, Staten Island,
N.Y.
Shamus Walker, SND print competition audit and entry director,
Syracuse University, Syracuse, N.Y.
Paul Wallen, design director, HuntsvilleTimes, Huntsville, Ala.
Michael Whitley, assistant managing editor, Los AngelesTimes, Los
Angeles, Calif.
Andrea Zagata, sports designer,The Detroit News, Detroit, Mich.
Syracuse University Students: Chris Azar,YooJung Hong, Karen
Hor, Kuan Luo, David Miller, Julissa Montalvo,Tim Olsen, Joanna
Penalva, Andrew Petrie, Luis Rendon, Kaitlin Santanna, Kathryn Story,
Kayeong Suh, AshliTruchon, AllisonWerner.
7
15
27
69
81
119
165
227
243
249
269
worLd’s
Best-desigNed™
NewspAper
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MedAL wiNNers
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News
VisUALs
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Los periÓdicos
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MÚLtipLes
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4 | The Best of News Design | 32
Meet
the
judges
Todd Bayha isthe
assistantartdirectoratThe
ColumbusDispatch.Since
1996,hehasworkedasa
news,sportsandfeatures
designerandingraphicsand
illustration.
Todd Bayha esel
subdirectordeartedeldiario
TheColumbusDispatch,
deOhio.Desde1996ha
trabajadocomodiseñador
denoticias,deportesy
reportajes,ytambiénseha
dedicadoalosgráficosyla
ilustración.
conoce
a
los
jueces
WORLD’S BEST
Heidi de Laubenfels
Sara Quinn
Haika Hinze
Svetlana Maximchenko
Carl Neustaedter
LONGFORM
Mike Rice
Jonathan Boho
Dee Dee D’Asaro
Alfredo Triviño
Michael Stanaland
GRAPHICS
Jamie Baylis
Kevin Poortinga
Will Sullivan
Rickard Frank
Michael Donlan
NEWS
Val Hoeppner
Todd Bayha
John Wile
Dennis Varney
Tomaso Capuano
FEATURES
Troy Cummings
Andrea Levy
Tian Chi
Greg Klee
Christine Long
GENERALIST
Todd Stewart
Jamie Baylis isartand
graphicsdirectoratCQRoll
Call.Shehasworkedat
variousnewspapersand
magazinesasajournalist
formorethan25years,
includingasaneditor,writer
andgraphicdesigner.She
nowmanagesateamof10
designers.
Jamie Baylisesdirectora
dearteygráficosdel
periódicoCQRollCallyestá
acargodeunequipode10
diseñadores.Durante25
años,sehadesempeñado
comoperiodista,editora,
redactoraydiseñadorade
gráficosenvariosdiarios
yrevistas.reportajes,y
tambiénsehadedicadoalos
gráficosylailustración.
Jonathan Bohoisthe
artdirectorforMetromix
IndianapolisMagazine,
analternativeweekly
publicationownedbyThe
IndianapolisStar.Before
comingtoIndiana,Jonathan
wasthesportspresentation
editorfortheSouthFlorida
Sun-SentinelinFort
Lauderdale,Fla.,andwas
designdirectoratScripps
HowardNewsServicein
Washington,D.C.
Jonathan Boho esel
directordeartedeMetromix
IndianapolisMagazine,
unsemanarioalternativo
cuyodueñoeseldiario
TheIndianapolisStar.
Anteriormente,Jonathan
fueeleditordepresentación
dedeportesdelSouth
FloridaSun-Sentinel,de
FortLauderdale,Florida,y
fuedirectordediseñodela
agenciainformativaScripps
HowardNewsService,de
Washington,EstadosUnidos.
Tomaso Capuano is
creativedirectorforTheWall
StreetJournal.Hepreviously
workedatTheTimesandThe
FinancialTimesinLondon,
specializinginlaunches
andredesignsforprintand
Web.Healsohas worked
extensivelyinmagazines.
Tomaso Capuano
esdirectorcreativode
TheWallStreetJournal.
Anteriormentetrabajóen
losdiarioslondinenses
TheTimesyTheFinancial
Times,yseespecializóen
lanzamientosyrediseños
tantodeimpresoscomo
sitiosweb.Tambiéntiene
unavastaexperienciaen
revistas.
TianChiisthedesigneditor
forChinaDaily,thelargest
English-languagenewspaper
inChina.HejoinedChina
Dailyin1999,firstasa
designerat21stCentury,a
student-orientedpublication
ofChinaDaily.Hecameto
themainpaperinadvance
ofthe2008BeijingOlympics.
Inadditiontosports,he
hasdesignedforfeatures
andnewsbeforebeing
promotedtodesigneditor
inMarch2010whenChina
Dailylauncheditsredesign.
Thispastyear,hisworkwas
awardedthetopprizein
China’sNationalJournalism
Awards.
TianChieseleditorde
diseñodelChinaDaily,el
diarioeninglésdemayor
circulaciónenChina.
Comenzóatrabajarahíen
1999comodiseñadorde
21stCentury(SigloXXI),un
periódicodelChinaDaily
paraestudiantes.Enel
2008,antesdelosJuegos
OlímpicosdeBeijing,se
cambióaldiarioprincipal
ydiseñódeportes,noticias
yreportajes.Enmarzo
del2010,cuandoelChina
Dailylanzósurediseño,se
convirtióeneditordediseño.
Elañopasado,sutrabajo
recibióelgalardónprincipal
enlospremiosnacionalesde
periodismodeChina.
Troy Cummingsworked
intheartdepartmentsof
TheTimesofNorthwest
IndianaandTheChicago
Tribunebeforebecominga
full-timefreelancerin2000.
Henowfocusesoneditorial
illustrationandchildren’s
publishingandnoodles
aroundwithanimation
whenhehastime.
Troy Cummings
sedesempeñóenlos
departamentosdeartede
TheTimesofNorthwest
IndianayelChicagoTribune
antesdededicarseatrabajar
100%comofreelance(por
cuentapropia)enelaño
2000.Ahoraestáenfocado
enilustracióneditorialy
publicacionesparaniños,
ydetantoentantorealiza
proyectosdeanimación.
Dee Dee D’Asaroisprint
designchiefatTheAtlanta
Journal-Constitution,
leadinganagileteamof
designers.Asasenioreditor
forprint/visualsin2008,she
helpedlaunchanextensive
redesignofthenewspaper.
ShehasworkedinFlorida
andGeorgiainallaspectsof
visualjournalism,including
design,editing,graphics
anddigital.
Dee Dee D’Asaroesjefa
dediseñodeldiarioThe
AtlantaJournal-Constitution,
dondedirigeunágilequipo
dediseñadores.Como
editoraprincipaldeimpresos
yelementosvisuales,en
el2008ayudóarealizarel
granrediseñodeldiario.
Sehadesempeñadoen
FloridayGeorgiaentodos
losaspectosdelperiodismo
visual,incluyendoeldiseño,
laedición,losgráficosyel
ámbitodigital.
Heidi de Laubenfels is
deputymanagingeditorat
TheSeattleTimes,where
shefocusesonhelping
newspaperstransform
themselvesintofinancially
thriving,multimedianews
organizations.Since1986
shehasworkedinvarious
newsroomroles,including
managingvisuals,andleda
SeattleTimesredesign.She
hasservedasacompetition
judgeforSND,NPPA,APME,
POYiandMcClatchy.
Heidi de Laubenfels es
subeditoraadministrativa
deTheSeattleTimes,donde
sededicaaayudaralos
periódicosatransformarse
enorganizaciones
multimedialesquetienen
prósperosresultados
financieros.Desde1986
hadesempeñadovarios
rolesenlasaladenoticias,
comoestaracargodelos
elementosvisuales,ydirigió
unodelosrediseñosdel
diario.Hasidojuezade
competenciasdeperiodismo
deSND,NPPA,APME,POYiy
McClatchy.
Michael Donlanhasbeen
agraphicseditoratGannett
newspapersformorethana
decade.Hecurrentlyworks
atTheNews-PressinFort
Myers,Fla.
Michael Donlanhasido
editordegráficosdelos
diariosGannettpormásde
unadécada.Actualmente
trabajaenTheNews-Press,
enFortMyers,Florida.
Rickard Frank iseditor-
in-chiefforSweden’s
southernmostnewspaper,
TrelleborgsAllehanda.
Beforethathewasa
designeratSvenska
Dagbladet.Heisaformer
designconsultantand
owneroftheeditorial
designstudioNordström&
Frank.Hehasworkedwitha
numberofSweden’smajor
newspapers,including
SvenskaDagbladet,Dagens
IndustryandSydsvenskan.
Hespecializesinnews
graphicsandisthecreator
oftheconceptEditorial
Toolbox.Heisamultiple
award-winneratSND,SND/S
andSND-E.
Rickard Frank eseditor
jefedelperiódicomás
australdeSuecia,el
TrelleborgsAllehanda.
Anteriormentefuediseñador
deldiarionacionalsueco
SvenskaDagbladet.Es
propietariodelestudiode
diseñoeditorialNordström
&Frankycomoconsultor
dediseñohatrabajado
convariosperiódicos
suecos,comoSvenska
Dagbladet,DagensIndustri
Sydsvenskan.Seespecializa
eninfografíanoticiosa
ycreóelconceptode
EditorialToolbox(cajade
herramientaseditoriales).
Haganadomuchospremios
delaSND,SNDescandinava
ySND-E.
Haika Hinze isartdirector
fortheGermanweekly
DIEZEIT.Shebeganthere
asadesignerin1997and
assistedintherelaunchof
thepaper,ledbydesigner
MarioGarcia.Shereturned
toDIEZEITasartdirector
in2005afterastintasart
directorforthemagazine
Zeitpunkte.
Haika Hinzeesdirectora
deartedelsemanario
alemánDieZeit.Comenzó
ahícomodiseñadoraen
1997,yluegocooperóconel
relanzamientodelperiódico
dirigidoeldiseñadorMario
García.RegresóaDieZeit
comodirectoradearte
en2005,despuésdeuna
temporadacomodirectora
deartedelarevista
Zeitpunkte.
ValHoeppnerisdirectorof
educationfortheFreedom
ForumDiversityInstitute.
Sheoverseesinstructionfor
FreedomForumNewMedia
Training,servingjournalism
professionals,educatorsand
students.ValisanAssociated
PressPhotoManagersboard
memberandamember
oftheNativeAmerican
JournalistsAssociation.She
hasspent20yearsworking
innewspapers,includingThe
IndianapolisStar,whereshe
wasthemultimediadirector.
ValHoeppneresdirectora
deeducacióndelinstituto
dediversidaddelFreedom
Forum.Supervisala
instrucciónenelprograma
decapacitacióndeesa
instituciónsobrenuevos
mediosparaperiodistas
profesionales,educadoresy
estudiantes.Valespartedel
directoriodeAssociatedPress
PhotoManagers(gerentesde
fotografíadelaagenciade
noticiasAP)yesintegrante
delaNativeAmerican
JournalistsAssociation
(AsociacióndePeriodistas
IndígenasdeAméricadel
Norte).Durante20añosha
trabajadoenvariosdiarios,
comoTheIndianapolisStar,
dondellegóaserladirectora
demultimedia.
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society for News desigN 5
Greg Klee isthedeputy
designdirectoroftheBoston
Globe.Beforecomingtothe
Globe,hewasanartdirector
atBostonMagazineand
PhiladelphiaMagazine.His
workhasbeenrecognized
numeroustimesbySND
aswellastheSocietyof
PublicationDesigners.
Greg Klee eselsubdirector
dediseñodeldiarioBoston
Globe.Anteriormentefue
directordeartedeBoston
MagazineyPhiladelphia
Magazine.Sutrabajoha
recibidomuchospremios
delaSNDylaSociedad
deDiseñadoresde
Publicaciones,SPD.
Andrea Levyisan
illustrator/photographer
forThePlainDealerin
Cleveland,Ohio.Herwork
continuestobreaknew
groundinvisualjournalism,
elicitingawiderangeof
reflectiononanysubject,
bothwhimsicaland
profound.Shehasbeen
recognizedbycountless
professionalsocieties,
includingthreegoldmedals
fromtheSocietyforNews
Design.
Andrea Levy esilustradora
yfotógrafadeThePlain
Dealer,deCleveland,Ohio.
Sutrabajosigueabriendo
fronterasenelperiodismo
visual,provocandouna
ampliareflexiónsobre
cualquiertema,sea
juguetónoprofundo.Ha
recibidopremiosdemuchas
agrupacionesprofesionales,
incluyendotresmedallasde
orodelaSND.
Christine Longstartedher
journalismcareeratTheSan
GabrielValleyNewspaper
GroupinSouthernCalifornia
in1996.Shehasspent
thelastsevenyearsatThe
CharlotteObserverandis
thecreativedirectorforthe
paper’smagazinedivision.
Christine Long comenzó
sucarreraperiodísticaen
1996,enTheSanGabriel
ValleyNewspaperGroup,
delazonasurdeCalifornia.
Hapasadolosúltimos
sieteañosenTheCharlotte
Observer,dondehoyes
ladirectoracreativadela
revistadeeseperiódico.
Svetlana Maximchenko
ofMoscow,Russia,is
editor-in-chiefatAkziaMass
MediaandSND’sregional
directorforRussia.Sheis
oneofthefoundersofAkzia
Newspaper,servingaseditor
sinceits2001debut.Akzia
wonWorld’sBest-Designed™
awardtwoyearsinarow
(2007, 2008)and25awards
attheRussianNewspaper
DesignCompetition(2003-
2009).Shehasbeenco-chair
oftheRussiannewspaper
designcompetitionand
NewsDesignConference
since2004.Shebecame
anSNDregionaldirectorin
June2008.
Svetlana Maximchenko,
deMoscú,Rusia,eseditora
jefadeAkziaMassMedia
yladirectoraregionalde
laSNDparaRusiadesde
el2008.Esunadelas
fundadorasdelperiódico
Akziayhasidoeditora
desdesudebutenel2001.
AkziaganóelpremioEl
MejorDiseñodelMundo™
enel2007yel2008,y
obtuvo25premiosenla
competenciadediseñode
periódicosrusosentreel
2003yel2009.También
hasidocodirectorade
esacompetenciaydela
conferenciadediseñode
noticiasdesdeel2004.
Kevin Poortinga is
thegeneralmanagerof
GannettDigital’sproduct
developmentteam,which
championsuserexperience
improvementsacrossall
Gannettpropertiesand
products.Beforecorporate
life,Kevinheldseveralprint
anddigitalvisualleadership
rolesinnewsrooms,
includingTheIndianapolis
StarandTheTimesof
NorthwestIndiana.
Kevin Poortinga esel
gerentegeneraldelequipo
dedesarrollodeproductos
deGannettDigital,que
abogapordesarrollosde
experienciadeusoen
todoslosmediosdela
compañíamedialGannett.
Antesdededicarseal
mundocorporativo,Kevin
tuvovariospuestosde
liderazgoeneláreavisualde
impresosyonline,comoThe
IndianapolisStaryTheTimes
ofNorthwestIndiana.
MikeRiceisvisualteam
leader/designandgraphics
fortheArizonaDailyStar
inTucson,Ariz.Beforethat,
hewasthefeaturesdesign
teamleaderforTheTimesof
NorthwestIndiana.Hewas
appointedSND’s31stedition
coordinatorbyitsdirector
intheannualBestofNews
Designcompetition.
MikeRicedirigeelárea
dediseñoeinfográficosdel
equipovisualdelArizona
DailyStar,deTucson,
Arizona.Anteriormente,fue
ellíderdelequipodediseño
dereportajesdeTheTimes
ofNorthwestIndiana.El
directordelacompetencia
anualLoMejordelDiseño
deNoticiaslonombró
coordinadordela31ªversión
delacompetenciadediseño
denoticiasdelaSND.
SaraQuinnteachesvisual
journalism,leadershipand
multimedia.Sheleads
Poynter’scollegefellowship
anditspartnershipswith
universities.Quinndirected
Poynter’srecentnewspaper
EyeTrackstudyandonline
readinghabits,whichhelps
journalistsdeterminethe
bestformsforstorytelling.
Beforejoiningthefacultyin
2003,shespentnearly20
yearsworkinginnewspaper
newsrooms.Shehasedited
anddesignedmagazines,
websites,booksand
newspapers.
SaraQuinnenseña
periodismovisual,liderazgo
ymultimediaenelPoynter
desdeel2003.Estáacargo
delprogramadefellowship
(becas)ylasalianzascon
universidadesdeesecentro
deestudiosmedialesy
capacitaciónprofesionalpara
periodistas.Estuvoacargo
delrecienteestudioEyeTrack
dehábitosdelecturade
periódicosyweb,quebusca
ayudaralosperiodistas
adeterminarlasmejores
formasderelatodenoticias.
Anteriormentepasó20años
enlassalasdenoticiasde
variosperiódicos.Haeditado
yrediseñadodiarios,revistas,
sitioswebylibros.
Michael Stanaland
isthecreativeservices
directoratWashington
BusinessJournalanda
veterantabloidnewspaper
designeratAmericanCity
BusinessJournals,adivision
ofAdvancePublications.
Michaelhasmorethan
17yearsofindustryand
consultingexperience,
andmostrecentlyhelped
redesigntheRollCalldaily
newspaperforCQRollCall
Group.
Michael Stanaland
eseldirectordeservicios
creativosdelWashington
BusinessJournalyun
experimentadodiseñador
detabloidesdeAmerican
CityBusinessJournals,
unadivisióndeAdvance
Publications.Michael
cuentaconmásde17
añosdeexperienciaenla
industriaycomoconsultor,
yrecientementeayudóa
rediseñareldiarioRollCall,
delCQRollCallGroup.
Todd Stewartisdesign,
graphicsandmultimedia
editorattheOrlando
SentinelinOrlando,Fla.
Hisvisualjournalism
odysseyhastakenhimfrom
KansasStateUniversity
toSpringfield,Ill.,toSan
Antonio,Texas,andthento
Florida.Hisdesign,graphics
andmultimediaworkhave
beenrecognizedbySND.
Todd Stewarteseditor
dediseño,gráficosy
multimediadelOrlando
Sentinel,deOrlando,Florida.
Suodiseaenperiodismo
visuallohallevadode
KansasStateUniversitya
Springfield,Illinois;San
Antonio,Texas;yluegoa
Florida.LaSNDhapremiado
sutrabajoendiseño,
infografíaymultimedia.
Will Sullivanisa2011
DonaldW.Reynolds
JournalismFellowatthe
UniversityofMissouri,where
heisresearchingmobileand
tabletnewsdevelopment.
Will Sullivan esfellow
(becario)delacátedra
DonaldW.Reynoldsdela
UniversityofMissourien
el2011,enlacualestá
dedicadoainvestigarel
desarrollodelasnoticiasen
aparatosportátilesytablets.
Alfredo Triviñois
creativeprojectsdirector
atNewsInternational
(NewsCorporation)in
Londonwhereheleads
theprocessofvisualizing
andshowcasinginnovative
productsfromprint
newspapersormagazinesto
mobileapps.Hisvisionhelps
toinformthinkingabout
thewiderdigitalstrategyat
NewsCorp.Hehasrecently
beeninstrumentalinthe
creationofTimes+andthe
newpaid-forwebsitesfor
TheTimesandTheSunday
Times,aswellasinthe
conceptualizationoftheir
iPadapps.
Alfredo Triviñoesdirector
creativodeproyectosde
NewsInternational(News
Corporation)enLondres.
Lideraelprocesode
visualizaciónymuestrade
productosinnovadorestanto
paraperiódicosimpresos
comopararevistasy
aplicacionesparateléfonos
celulares,yparticipaenel
desarrollodeunaamplia
estrategiadigitaldeNews
Corp.Recientementefue
clavetantoenlacreaciónde
Times+ylosnuevossitios
webdepagodeTheTimesy
TheSundayTimes,comoen
laconceptualizacióndesus
aplicacionesparaeliPad.
DennisVarneyisthe
leadsportsdesignerforthe
LexingtonHerald-Leaderin
Lexington,Ky.AKentucky
nativeandWesternKentucky
Universitygraduate,he
alsohasworkedattheSt.
LouisPost-Dispatch(St.
Louis,Mo.)andTheTimesof
NorthwestIndiana.Hewas
appointedSND’s30thedition
coordinatorbyitsdirector
intheannualBestofNews
Designcompetitionand
hasbeenafacilitatoratthe
judgingforeightyears.
DennisVarneyesel
diseñadorprincipalde
deportesdelLexington
Herald-Leader,deKentucky.
Provenientedeeseestado
ygraduadoporWestern
KentuckyUniversity,también
sehadesempeñadoen
losperiódicosSt.Louis
Post-Dispatch(deSanLuis,
EstadosUnidos)yTheTimes
ofNorthwestIndiana.Fue
nombradocoordinadordela
30ªversióndelacompetición
dediseñodenoticiasdela
SNDenlacompetenciaanual
deLoMejordelDiseñode
Noticiasyhasidoasistente
voluntariodelcertamen
duranteochoaños.
Jon Wileistheseniornews
designerforTheWashington
Post.Hedesignsthefront
pageandoverseesthe
designofthenational,
foreign,financialandmetro
sections.Jonhasbeena
memberofSNDforadecade
andhasservedasaregional
director.Hisworkhasbeen
recognizedinthelastfive
editionsofTheBestofNews
Design.
Jon Wile eseldiseñador
jefedenoticiasdeThe
WashingtonPost.Está
acargodeldiseñode
laprimerapáginayde
supervisareldiseñodelas
seccionesdelpaís,elmundo,
lasfinanzasylaciudad.
Jonhasidointegrantede
laSNDporunadécadayha
sidodirectorregional.Su
trabajohasidopremiadoen
lasúltimascincoversiones
deLoMejordelDiseñode
Noticias.
CarlNeustaedteris
deputymanagingeditorfor
featuresanddesignatthe
OttawaCitizeninCanada’s
capital.Previously,hewas
designdirectoratCanada’s
largestdaily,theToronto
StarinToronto,Ontario,
Canada,anddeputydesign
directorattheGlobeand
Mail,alsoinToronto.Hehas
beeninvolvedinnumerous
redesigns,hasapassion
forinformationdesignand
graphicsandmostrecently
ledhisnewsroom’scomputer
systemreplacementproject.
CarlNeustaedteres
subeditoradministrativode
reportajesydiseñodeldiario
OttawaCitizen,delacapital
canadiense. Anteriormente
fuedirectordediseñodel
diarioconmayorcirculación
enCanadá,elTorontoStar,
ysubdirectordediseño
deldiarioGlobeandMail,
tambiéndeToronto.Ha
participadoenvarios
rediseños,esunapasionado
deldiseñodeinformacióny
losgráficos,yrecientemente
lideróelproyectode
reemplazodelsistemade
computacióndesusalade
noticias.
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6 | The Best of News Design | 32
what the judges were looking for ... Lo que buscaban los jueces
Features:
How to do your best work (and win an SND award):
1. Good is not great.
2. Craftsmanship counts.
3. Communicate without cliché.
4. think. think again. think about your readers.
5. Details. Details. Details.
6. Plan.
7. Collaborate.
8. Push yourself.
9. Less is still more.
10. Surprise us.
Long form:
Deep emotion. Strong concept. Sense of community. Solid
typography. Consistency. these are the things that make up an
award-winning entry. our few award winners surprised, evoked
strong emotions and connected readers with the stories in an
intimate and interactive way. Good, clean technique is no longer
enough, and we wished we had seen more papers take risks and
embrace stronger concepts.
News:
the most outstanding entries we saw surprised, engaged and
presented the news in a fresh way. they successfully fused the
elements of design and served their readers’ curiosity.
We were pleased to see such impressive work, despite diminishing
resources throughout the industry.Winning entries overcame this
obstacle and continued to show an attention to detail and a mastery
of craft.
Photos:
Images must be visceral and technically flawless. Craft isn’t enough
and thoroughness isn’t enough. Great photos grab, engage and
retain readers. many entries used wide, establishing shots, yet
many that won were intimate and in your face.
Small newspapers:
With a dedication to doing more with less, the efficiency and
ingenuity of small newspapers lend hope to an industry in
transition.Winning entries tackled the tough issues in their
communities by speaking directly to readers. For winning
publications, even the smallest detail mattered. It’s not about size or
print quality; it’s about heart, dedication and intelligence.
Declaración sobre los reportajes:
Cómo hacer su mejor trabajo (y ganar un
premio de la SND):
1. Que esté bien hecho no necesariamente
significa que sea muy bueno.
2. La destreza importa.
3. Comuniquen sin caer en clichés.
4. Piensen. Piensen de nuevo. Piensen en sus
lectores.
5. Los detalles son muy importantes.
6. Planifiquen.
7. exíjanse.
7. Colaboren.
8. exíjanse.
9. menos sigue siendo más.
10. Sorpréndannos.
Gran formato:
emociones profundas, conceptos potentes,
sentido de comunidad, tipografía sólida
y consistencia: Una pieza ganadora está
compuesta por todo eso. Los escasos
ganadores de la competencia sorprendieron,
evocaron emociones fuertes y conectaron a
los lectores con los relatos de forma íntima e
interactiva.Ya no basta una técnica buena y
limpia. Nos hubiera gustado ver más diarios
arriesgados y que adoptan conceptos más
potentes.
Noticias:
Las piezas competidoras más sobresalientes que vimos dieron
sorpresas, captaron y presentaron las noticias de forma fresca.
Fusionaron los elementos del diseño con éxito y satisfacieron la
curiosidad de sus lectores. Nos agradó ver trabajos impresionantes
pese a la decreciente disponibilidad de recursos en la industria
medial. Las piezas ganadoras sortearon esos obstáculos y
siguieron prestando atención al detalle y demostraron maestría en
el oficio.
Fotografia:
Las imágenes deben ser viscerales y técnicamente impecables.
No basta el oficio ni la meticulosidad. Las grandes fotos atrapan,
captan y retienen a los lectores. muchas piezas competidoras eran
de planos amplios y generales, aunque muchas de las ganadoras
eran íntimas y desafiantes.
Periódicos de baja circulación:
Con una dedicación a hacer más con menos, la eficiencia e
ingenio de los diarios pequeños le da esperanza a una industria
en transición. Las piezas ganadoras abordaron los asuntos
complicados en sus comunidades al hablarle de forma directa a
los lectores. Para las publicaciones ganadoras, incluso los detalles
más mínimos fueron de importancia. No es un asunto de tamaño o
calidad de impresión; es de corazón, dedicación e inteligencia.
Graphics:
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WORLD’S
BEST DESIGNED
WORLD’S
BEST DESIGNED
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World’s best-designed 7
World’s best-designed 7
World’s best-designed 7
lo mejor diseñado del mundo
World’s Best-designed™
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8 | The Best of News Design | 32
(Text)
i — Oeiras, Portugal
WHAT WE RECOGNIZED IN THIS
YEAR’S WINNER WAS ITS FRESH, unique
approach to this challenge.“i” can
inspire visual journalists and publishers
anywhere in the world to rethink their
models and revise or create new ones
that best serve their audiences.They
may look nothing like “i.” It won’t —
and shouldn’t — represent everyone’s
approach.
i
Oeiras, Portugal
iStaff
World’s Best-Designed™ Daily 24,999 and under
LO QUE DESTACAMOS EN EL GANADOR
DE ESTE AÑO FUE JUSTAMENTE SU
ENFOQUE FRESCO y original para
lograr este desafío.“i” puede inspirar a
periodistas visuales y directores de todo
el mundo a repensar sus modelos y a
revisar o crear unos nuevos que mejor
sirvan a sus púbicos. Es posible que no
se parezcan en nada a “i”. De hecho, no
va a representar el enfoque de todos, ni
debería hacerlo.
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World’s best-designed 13
i — Oeiras, Portugal
Overview of World’s Best-Designed Category
IT’S UNUSUAL FOR THIS COMPETITION TO RESULT IN JUST
ONE WINNER, AND OF COURSE NO SINGLE PUBLICATION
CAN EMBODY EVERY QUALITY THAT ALL OTHERS SHOULD
EMULATE.
In taking a broad look at this year’s entries, we are compelled
to acknowledge the huge volume of great work that’s out there.
Newspapers around the globe offer so much inspiration.
In fact, looking through the range of entries, it was striking how
much of the world actually was represented in a competition for
the World’s Best. Of course, huge parts of the globe – India and
Africa chief among them – were missing. But before us were a
United Nations of languages, formats, styles and voices. Entries
came from not just North America and Europe but from China,
the Middle East, Latin America and Russia. How inspiring and
thrilling, to swim in such diverse visual traditions and standards.
The variety came through even when all were covering the same
story, such as Haiti’s earthquake disaster.
Whether they were colorful, sports-crazy tabloids or
broadsheets with long political commentaries, the best papers
served their societies by reflecting their character through their
visual voice. And they did it with consistency and conviction
from cover to cover.
It’s clear that everywhere journalists are putting great thought
and effort into making the most of what print has to offer: a
beautiful, immersive experience that leaves the reader feeling
smarter.
More and more, publications are putting color on every page,
and are even investing in higher-quality paper and production
quality. Newspapers came in a wide range of shapes and sizes,
from compact tabloids to extra-wide broadsheets to hybrid
multi-section publications that deftly mixed formats, including
glossy magazines.We witnessed examples of great care with
modular advertising that maintained the visual elegance of both
the advertiser and the publication.
Entrants artfully balanced predictability and surprise, solemnity
and fun.
It was especially encouraging to see an ongoing commitment
to illustration and informational graphics, the latter of which
continue to evolve into more sophisticated formats as we
face an ever-growing glut of data. Double trucks dazzled with
elaborate charts and drawings.Tiny, efficient charts brought
an element of surprise and sophistication to corners. Online
data visualizations seem to have influenced the presentation
of data in print, and while we did see some excesses, much
original thinking and experimentation brought data and other
information to life.
Several papers presented hybrids of text, photos and graphics
— visual storyboards, really — that sought to explain complex
information and processes in accessible and clever ways. Artists
are breaking down the walls of each of the individual genres
they draw on.
Use of typography was remarkably sophisticated across the
board.The collective standard has risen over the years to the
point that fundamental problems are few and far between.We
see Chinese newspapers refining their typographical approach.
What will the rest of the world learn from their efforts?
Amid all our positive observations, we became concerned about
the state of photojournalism in the pages we saw.We missed
emotional photographs. Glossy magazines and newsprint pages
with vast, luxurious expanses of space were largely devoid of
powerful photojournalism.
The lack of strong, documentary images puzzled us.We
wondered if this has something to do with reduced investment.
The industry has lost so many positions for picture editors and
others, and yet great photographs can’t be made without time,
care and commitment. Perhaps in places where the work is
being done, print space to showcase it is no longer available.
Having had the luxury of seeing hundreds of papers in the last
few days, we’d like to raise a red flag on this issue. It’s one of
print’s great powers to enable users to savor moments captured
in the best photos. How can we recapture and deliver this value
to readers?
As publishers’ portfolios broaden to include a variety of digital
offerings, the most successful will continue to experiment and
invest in the qualities that make print publications special:
their ability to capture a moment in time and invite us to
ponder it on our own terms; the way they engage our senses
and dazzle us with beauty, emotion and intelligence; their
portability, utility and capacity to both relax and stimulate their
readers. Sometimes, the publications that did this the best were
the smallest.There’s much for all to learn from the nimble,
experimental newspapers that are gaining fame for their
innovation.
What we recognized in this year’s winner was its fresh, unique
approach to this challenge.“i” can inspire visual journalists and
publishers anywhere in the world to rethink their models and
revise or create new ones that best serve their audiences.They
may look nothing like “i.” It won’t — and shouldn’t — represent
everyone’s approach.
We hope the message from this year’s competition is one of
encouragement and inspiration.We laud the creativity and
tenacity that are required for a newspaper to find its own voice
and express it with conviction and excellence, no matter the
size of the staff or access to other resources.These times dare
us all to animate our colleagues’ talents, and to bring focused
expression to our communities’ voice.
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14 | The Best of News Design | 32
i — Oeiras, Portugal
Visión general de la categoría Lo mejor diseñado del mundo
ES POCO USUAL QUE EN ESTA COMPETENCIA SÓLO HAYA UN
GANADOR,Y EVIDENTEMENTE NINGÚN PERIÓDICO PODRÍA
ENCARNAR TODASY CADA UNA DE LAS CUALIDADES QUE
LOS DEMÁS DIARIOS DEBERÍAN IMITAR.
Una vista panorámica de las piezas participantes de este
año revela que debemos reconocer la enorme cantidad de
excelentes trabajos que hay. Los diarios de todo el mundo
ofrecen mucho para inspirarse.
De hecho, al mirar la variedad de piezas fue asombroso
que buena parte del mundo estuviera representado en la
competencia de Lo mejor diseñado del mundo. Eso sí, grandes
áreas del mundo –India y África, principalmente– estuvieron
ausentes. Pero delante de nosotros se desplegaban unas
Naciones Unidas de idiomas, formatos, estilos y voces. Las
piezas no sólo provenían de América del Norte y Europa, sino
también de China, el Medio Oriente, América Latina y Rusia.
Cuán inspirador y excitante fue nadar en esa diversidad de
tradiciones y estándares visuales. La variead incluso se reflejó
cuando todos cubrían lo mismo, como el desastre del terremoto
de Haití.
Fueran coloridos tabloides locos por el deporte o estándares
con largos comentarios políticos, los mejores periódicos
sirvieron a sus públicos al reflejar sus caracteres a través de
su voz visual. Lo hicieron con consistencia y convicción, de
la portada o tapa a la página final. Queda claro que en todas
partes, los periodistas dedican mucho pensamiento y esfuerzo
para aprovechar lo mejor de lo que las imprentas pueden
ofrecer: Una experiencia bella e inmersiva que deja al lector
sintiéndose más inteligente.
Cada vez más, los periódicos están usando color en cada
página, e incluso están invirtiendo tanto en papel como en una
producción de mayor calidad. Los diarios vienen en una amplia
gama de formas y tamaños, desde tabloides compactos hasta
estándares extra anchos, e híbridos de múltiples secciones que
mezclan formatos con destreza, incluyendo revistas de papel
satinado. Fuimos testigos de ejemplos de gran cuidado con la
publicidad modular, que mantuvo la elegancia visual tanto del
avisador como del periódico.
Los participantes de la competencia equilibraron con gracia
la predictibilidad con la sorpresa, y la solemnidad con la
diversión. Fue especialmente alentador ver un continuo
compromiso con la ilustración y la infografía. Esta última
continúa desarrollándose en formatos más sofisticados a
medida que enfrentamos una creciente saturación de datos.
Las páginas dobles deslumbraron con elaborados gráficos y
dibujos. Gráficos pequeños y eficientes produjeron un elemento
de sorpresa y sofisticación en las esquinas de las páginas. Las
visualizaciones de datos en Internet parecen haber influenciado
la presentación de datos en los impresos, y aunque vimos
algunos excesos, una buena dosis de pensamiento original
y experimentación le dieron vida a los datos y otros tipos de
información.
Varios periódicos presentaron híbridos de texto, fotografía y
gráficos –guiones gráficos, de hecho– que buscaron presentar
información y procesos de alta complejidad de varias formas
accesibles y astutas. Los artistas están derribando los muros de
cada uno de los géneros individuales a que echan mano. El uso
de la tipografía fue extraordinariamente sofisticado en todas
partes. El estándar colectivo se ha incrementado a lo largo de
los años, a tal punto, que los problemas fundamentales son cada
vez más escasos.Vemos que hay diarios chinos que refinan sus
enfoques tipográficos y nos preguntamos qué podría aprender
el resto del mundo de esos esfuerzos.
Junto con nuestras observaciones positivas, nos quedamos
preocupados por el estado del fotoperiodismo en las páginas
que evaluamos. Echamos de menos las fotos emotivas. Los
grandes y lujosos espacios en las páginas de las revistas de
papel brillante y los diarios casi no traían fotoperiodismo
poderoso.
La falta de imágenes documentales poderosas nos intrigó. Nos
preguntamos si esto tiene relación con la menor inversión en
los diarios. La industria mediática ha perdido muchos puestos
de trabajo de editores fotográficos y demás, y, sin embargo,
no es posible lograr grandes fotografías sin dedicarles tiempo,
cuidado y esmero.Tal vez en los lugares donde se realiza ese
trabajo ya no hay espacio impreso disponible para mostrar esas
imágenes.
Luego de tener el lujo de ver cientos de diarios en los últimos
días, nos gustaría hacer un llamado de atención en este aspecto.
Uno de los grandes poderes de la prensa es permitir que el
público pueda saborear los momentos captados en las mejores
fotos. ¿Cómo podemos volver a capturar y ofrecer este valor a
los lectores?
A medida que los portafolios de las casas editoras se amplían
para incluir una variedad de ofertas digitales, las más exitosas
seguirán adelante con la experimentación y la inversión
en las cualidades que hacen que la prensa sea especial: Su
habilidad para capturar un momento en el tiempo e invitarnos
a reflexionar al respecto en nuestros propios términos; la forma
en que atrae nuestros sentidos y nos deslumbra con la belleza,
emoción e inteligencia; y lo portátil, útil y capaz que es para
relajar y estimular a los lectores. A veces, los periódicos que
lo lograron fueron los de menor circulación. Hay mucho por
aprender de los diarios ágiles y experimentales que están
haciéndose famosos por su innovación.
Esperamos que el mensaje de la competencia de este año sea
de ánimo e inspiración. Celebramos la creatividad y tenacidad
necesarias para que un periódico encuentre su propia voz y la
exprese con convicción y excelencia, sin importar el tamaño
de su planta laboral o disponibilidad de recursos. Los tiempos
actuales nos desafían a todos a animar los talentos de nuestros
colegas y a darle una expresión enfocada a la voz de nuestras
comunidades.
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JSR
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(Text)
World’s best-designed 15
reconocimiento especial de los jueces
Judges’ special recognition
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JSR (overall)
Throughout these pages they created unique and
appropriate forms expertly suited for what they were
trying to convey.This is especially seen with their use
of circles. In graphics, circles are the new squares. For
humans, circles are the most natural shape, the one we
have the most comfortable relationship with.This paper
takes advantage of that, using the shape to make dense
information more approachable.
RECONOCIMIENTO ESPECIAL DE LOS JUECES (REJ) (GENERAL)
En todas estas páginas, se crearon formas originales y
apropiadas que lograron con perfección lo que se trató
de expresar. Esto es especialmente evidente en el uso de
los círculos. En los gráficos, los círculos son los nuevos
cuadrados. Para los humanos, los círculos son la forma más
natural, con la cual se tiene la relación más cómoda. Este
diario lo aprovechó al usar esa forma para hacer que una
información densa sea más abordable.
THE WASHINGTON POST
Washington, D.C.
TheWashingtonPostStaff;LauraStanton, Graphic Artist; KarenYourish, Graphic Editor; GeneThorp, Cartographer;
MaryKateCannistra, Cartographer; NathanielVaughnKelso, Cartographer; DanKeating, Database Editor; ChrisCanipe,
Graphic Artist; AlbertoCuadra, Graphics Artist; ToddLindeman, Graphics Artist; BonnieBerkowitz, Graphics Editor; Wilson
Andrews, Graphics Artist; PattersonClark, Graphics Artist; LarisKarklis, Cartographer; BrennaMaloney, Graphics Artist
JSR (OvERAll)
Information Graphics/Portfolios Non-Breaking Feature (Staff) 175,000 and Over
SIlvER
Information Graphics/Portfolios Non-Breaking or Feature (Individual)
175,000 and Over
AWARdS Of ExcEllENcE
Information Graphics/Portfolios Non-Breaking Feature (Staff) 175,000
Information Graphics/Portfolios Planned news/Extended Coverage (Staff) 175,000 and Over
SILvER
Cutting across many topics, it’s extremely well done.
You could trust this individual to interpret and simplify
anything.You get the sense you could throw the most
complex matter at this person and know you’ll receive
clarity on the page. And you appreciate the technique and
range of styles that really make this portfolio stand out.
PLATA
Abarca muchos temas y está extremadamente bien hecho.
Se podría confiar en este individuo para interpretar y
simplificar cualquier cosa. Da la impresión de que se le
podría encargar el tema más complejo y seguro que se
recibiría claridad en la página. Se agradece la técnica
y la gama de estilos que realmente hacen destacar este
portafolio.
The Washington Post
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The Washington Post
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The Washington Post
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Times of Oman
JSR
(for art direction in service to the reader)
These pages feature a range of illustrations
from lighthearted to serious, but all of them
are consistently sophisticated and elegant.The
packages are bold without sacrificing information
and execute a high level of typography without
hindering readability.We would love to get this
paper every day.
REJ
(por la dirección de arte al servicio del lector)
Estas páginas contienen una gama de
ilustraciones desde las livianas de espíritu hasta
las serias, pero todas son consistentemente
sofisticadas y elegantes. Los paquetes
informativos son audaces sin sacrificar
información y logran un alto nivel en la tipografía
sin afectar la lecturabilidad. Nos encantaría
recibir este diario todos los días.
Times of oman
Muscat, Oman
EssaAlZedjali, Chairman (MPPH); AhmedEssaAlZedjali, Editor-in-Chief; AdonisDurado, Design Director;
WaleedRabin, Designer; WinieAriany, Illustrator; GregoryFernandez, Designer; SrinivasaRaoRedravuthu, Designer;
LucilleR.Umali, Illustrator
JsR (oveRall)
News Design/Page(s) Business/Broadsheet 49,999 and Under
awaRds of excellence
News Design/Page(s) Business/Broadsheet 49,999 and Under
News Design/Page(s)Business/Broadsheet 49,999 and Under
News Design/Page(s)Business/Broadsheet 49,999 and Under
News Design/Page(s) Business/Broadsheet 49,999 and Under
Portfolio/Page Designer Combination 49,999 and Under
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REJ
(por la ilustración y dirección de arte)
¡Guau! ¡De qué gran forma este diario
ha adoptado la ilustración y la dirección
de arte! Tantas de estas secciones eran
atractivas y excepcionales. Cada una es
diferente y todas calzan juntas pese a
la diferencia en los estilos ilustrativos.
Relatan historias con ilustraciones de
tal forma que sería difícil o imposible
de lograr con fotografías, y además las
cuentan de forma totalmente novedosa. El
enfoque consistente y muy exitoso hace
que este diario se vea muy rico.
ORO
Esto tiene muchos aspectos efectistas y
provoca fuertes reacciones emocionales.
La belleza atrae la atención y luego el
tema repele. Se siente el contenido en un
nivel profundo. Da vergüenza observarlo,
pero luego uno se siente forzado a
investigar toda la gama. No es exagerado
ni sobreexplotado, ya que demuestra
moderación dentro de la profundidad de
lo truculento. Esto trasciende el nivel de
la ilustración y se convierte en arte. Es
algo que nunca se ha visto antes. Si no
ganaba oro, ¿entonces qué?
JSR
(for illustration and art direction)
Wow! Has this publication embraced
illustration and art direction! So many
of these sections were striking and
unique. Every one is different, but they
all fit together despite the difference
in illustration styles.They tell stories
with illustrations that would be difficult
or impossible to do with photos, and
they tell them in a completely different
way.The consistent, highly successful
approach makes the publication look
very rich.
GOld
This has so many things going for it. It
elicits strong emotional reactions.The
beauty draws you in, then the subject
matter repulses you.You feel the content
on a deep level.You feel shameful for
looking at it, but you cannot look away.
Any one of the individual illustrations will
draw you in, then you’re compelled to
investigate the entire range. It isn’t over
the top and exploited; it shows restraint,
within the depth of the gruesomeness.
This transcends the level of illustration
and becomes art. It is something you have
never seen before. If it isn’t gold, what is?
la PResse
Montréal, Canada
BenoîtGiguère, Assistant Managing Editor/Art Director; GenevièveDinel, Deputy Art Director; AlexandreRoy, Illustrator; LaPresseStaff
JsR and Gold
Illustration Multiple
awaRd of excellence
Special NewsTopics Editor’s Choice: Local/Regional
La Presse
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The BosTon GloBe
Boston, Mass.
WardSutton, Illustrator; MarjoriePritchard, Op-Ed Page Editor
JsR and silveR
Illustration Single Lead Color
REJ
(por el humor)
Esta es la ejecución de la parodia llevada
al nivel más alto.Ya hemos visto páginas
de historietas, pero la voz y el humor en
éstas es para morirse de la risa. Funciona
en dos niveles: es fiel tanto con cada
historieta (incluso hasta alcanzar la vieja
pendiente en Dilbert) como con el tema.
Es completamente perfecto.
JSR
(for humor)
It’s the execution of parody taken to the
highest level.We’ve seen comics pages
before, but the voice and humor here are
just hysterical. It comes on two levels —
it’s true to each comic (right down to the
old gradient in Dilbert) and true to the
topic. It is pitch-perfect.
The Boston Globe
SilvER
Imagine the joy if you just stumbled onto
this page. It’s brilliant, a huge surprise. It
gets better and better the more time you
spend with it.There’s plenty of fake funny
out there.This is really funny.
Plata
Uno se puede imaginar la felicidad de
tropezarse con esta página. Es genial
y una gran sorpresa. Mejora aun más a
medida de que se le presta más tiempo.
Hay mucho de humor fingido en esta
pieza. Es realmente divertido.
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JSR
(for use of infographics)
They use many different genres and styles, but they all feel like they
belong to the same publication. From simple to more complex, there
is a richness that runs through all the graphics.You feel like you can
understand the graphics even if you can’t read the language.
REJ
(por el uso de infográficos)
Se usan varios géneros y estilos,
pero se siente que todos pertenecen
a la misma revista. Desde el más
simple hasta el más complejo, hay
una cierta riqueza que recorre todos
los gráficos. Da la impresión de que
se pueden entender los gráficos aun
cuando no se pueda leer el idioma.
suPeRinTeRessanTe
Sao Paulo, Brazil
GabrielGianordoli, Designer; Sattu, Illustrator
awaRd of excellence and JsR
Magazines Inside Features Magazine Page Design
Superinteressante
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Superinteressante
Judges’special recognition 23
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The CommerCial appeal
Memphis,Tenn.
AlanSpearman, Photojournalist; KimColeman, Art Director;
LindseyTurner,Assistant Art Director; JohnSale,
Assistant Managing Editor/Visuals
JSr and award of exCellenCe
Photography/Single Photos Spot News
JSR
(for courage in front-page photo play, pushing
the community standard and knowing when
to break the rules)
It was probably tough to get this image
on the front page. So many times we
over-think what can run on A-1 because
it might be disturbing or graphic. It takes
courage and conviction to make this
decision knowing that some people will
be disturbed. But perhaps they wanted
people to be disturbed and to prompt
some changes in the community.
REJ
(por el coraje en el uso de una fotografía de portada o tapa, alzando el estándar
de la comunidad, y por saber cuándo romper las reglas)
Probablemente fue difícil lograr que
esta imagen fuera en la primera página.
Muchas veces se piensa demasiado en
qué poner en la A1 porque podría ser
muy perturbador o explícito. Requiere
coraje y convicción tomar esta decisión
sabiendo que algunas personas se van
a sentir perturbadas. Pero tal vez se
quería provocar a esa gente para motivar
cambios en la comunidad.
The Commercial Appeal
i
Oeiras, Portugal
NickMrozowski, Art Director; PedroFernandes, Design Editor; AnaSoares,
Design Coordinator; iStaff
JSr (overall)
News Design/Page(s)Inside Page/Compact 49,999 and Under
awardS of exCellenCe
News Design/Page(s)Inside Page/Compact 49,999 and Under
News Design/Page(s)Inside Page/Compact 49,999 and Under
News Design/Page(s)Inside Page/Compact 49,999 and Under
JSR
(for intelligent solutions)
These pages show how a publication can create a destination that readers
would look forward to. Each one shows ingenious solutions for topics
we all have to cover.The style is consistent and recognizable, but the
designers show great flexibility within that framework through skilled use
of illustration, graphics and photography.
REJ
(por soluciones inteligentes)
Estas tres páginas muestran de qué forma un impreso
puede generar un destino que los lectores pueden
desear. Cada uno muestra soluciones ingeniosas
para temas que todos debemos cubrir. El estilo es
consistente y reconocible, pero los diseñadores
demuestran una gran flexibilidad dentro de ese
marco a través de un hábil uso de la ilustración, los
gráficos y la fotografía.
i
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SilvER and JSR
(for split-second timing and the courage to be in a dangerous situation)
This photographer put himself in true danger.This chaotic and
intense situation makes you feel afraid for the person who is
being held at knifepoint.You’re seeing the action from an intimate
perspective — the photographer is right in the thick of it.The
harsh reality is something we don’t normally see this close up,
unless it is staged for a movie.The exposure is not perfect, but
whose would be? This photo represents the state of the art for
spot news photography.
Este fotógrafo se expuso al verdadero peligro. Esta situación
caótica e intensa produce miedo por la persona a punta
de navaja. Se ve la acción desde una perspectiva íntima
y el fotógrafo está justo ahí. La dura realidad es algo que
normalmente no vemos tan de cerca, excepto cuando se actúa
en una película. La exposición no es perfecta, ¿pero acaso
alguien podría lograrla? Esta foto representa el estado del arte
de la fotografía de últimas noticias.
Toronto Star
ToronTo STar
Toronto, Canada
LucasOleniuk, Photographer
JSr and Silver
Photography/Single Photos Spot News
Plata and REJ
(por una sincronización perfecta y la valentía de estar en una situación de peligro)
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JSR
(for innovative, risk-taking approaches)
The variety, elegance and originality of the
approaches pull you in.These are beautiful,
stunningly different graphic styles. It conveys deep
information, stretches the limits and introduces new
ways to create graphics. It’s like graphics porn.
SilvER
It’s beautiful, and the perfect application of a
radial-line axis. It offers a concise economic and
demographic snapshot of Germany. It’s rare to see
a graphic try to explain so much in such a small
space, and do it so beautifully.
REJ
(por enfoques innovadores y atrevidos)
La variedad, elegancia y originalidad de los
enfoques atrae la atención. Se trata de estilos
gráficos bellos e impresionantemente diferentes que
transmiten información profunda, y que extienden
los límites y presentan nuevas formas de creación de
gráficos. Es como una pornografía de infográficos.
Plata
Es hermoso y la perfecta aplicación de un eje de
líneas radiales para ofrecer una instantánea concisa
sobre la economía y demografía alemana. Es poco
común ver un gráfico que explique tanto en tan poco
espacio, y que lo haga de forma tan bella.
in GraphiCS
Berlin, Germany
JanSchwochow, Creative Director;
KatharinaSchwochow, Infographics Editor
JSr and Silver
Information Graphics Charting 49,999
and Under
In Graphics
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GOLD &
SILVER
GOLD &
SILVER
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(Text)
medallas de oro y plata
MEDAL WINNERS
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Liaoning Daily
GOLD
THIS IS AN EXERCISE IN HOW TO DESIGN.The
illustrations are amazing, showcasing the state of the
art in layout, illustration and tonal and color palettes.
There’s nothing to fault; they’ve gone through every stage
and thought hard about it. On even the small touches of
typography and the small map, the tonal qualities are
elegant and considered. Nothing shouts. Every element
frames the illustration and gives it movement.That’s a
tiger of an art director. It’s crazy good.
SILVER
INCREDIBLE.THE ILLUSTRATIONS work on many levels.
It’s not overly complicated. It challenges the traditional
way we look at collectible sections.The gold colors work
on one level, the black and white on another.There’s
incredible consistency throughout, but it doesn’t feel
one-note.The moment we saw this, we thought,“Wow!
It’s fantastic!” It’s so well put together, so well printed,
exciting, inviting and thoughtful.
ORO
ESTO ES TODO UN EJERCICIO DE DISEÑO. Las
ilustraciones son asombrosas y muestran el estado del
arte en diagramación, ilustración, y de paletas de tono
y color. No hay nada hecho de forma exagerada; han
revisado con cuidado cada paso. Incluso en los pequeños
toques de tipografía y el pequeño mapa, las cualidades
tonales son elegantes y consideradas. Nada grita; cada
elemento enmarca la ilustración y le da movimiento.
El director de arte es todo un tigre. Esto es realmente
bueno.
PLATA
INCREÍBLE. LAS ILUSTRACIONES funcionan en varios
niveles, pero el todo no es muy complicado. Desafía
la forma tradicional en que miramos las secciones
coleccionables. Los tonos dorados funcionan en un nivel,
y los negros y blancos en otro. Hay una gran consistencia
a lo largo de todo, pero no se siente plano. Cuando
vimos esto, pensamos “¡Guau, fantástico!” Está muy
bien ensamblado e impreso. Es excitante, tentador y
considerado.
Liaoning DaiLy
Liaoning, China
DanZhang, Visual Designer; WenfengSui, Visual Designer;
SunGang, Editor-in-Chief; ZhangQingjun, DirectorofVision
goLD
Entertainment Broadsheet 50,000-174,999
SiLver
Special Coverage Section Pages, Inside Page or Spread
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The SeaTTLe TimeS
Seattle,Wash.
JohnLok, Photographer
SiLver
Photography/Multiple Photos Series/Project or Story
SILVER
THIS GOES BEYOND SPORTS — it’s
Olympic.They let the images lead the
design.There’s a lot of energy and drama
to each photo. Each is very colorful and
they function perfectly as a set.The
Olympics is a subject so overshot that it’s
hard to stand out but this really rises to
the occasion.
PLATA
ESTO VA MÁS ALLÁ DE LO DEPORTIVO;
es olímpico. Se permite que las imágenes
guien el diseño. Hay mucha energía,
dramatismo y color en cada foto, y
funcionan muy bien como grupo. Los
Juegos Olímpicos son un tema tan
fotografiado que es difícil destacarse,
pero aquí sí se logra.
The Seattle Times
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El Mundo Magazine
oro
REVISAMOS MUCHA COBERTURA DEL
CAMPEONATO MUNDIAL DE FÚTBOL, pero ésta era
especial, principalmente porque logró salirse de
los obvios clichés del fútbol. No hay sólo jugadores
vestidos con sus camisetas. El tema de tapa de la
revista reúne a los mejores jugadores de toda España
y muestra sus atractivos retratos junto con fotos del
duro castigo a que someten sus pies. Los jugadores
se ven en un estado de intimidad y de cierta
vulnerabilidad. Cada par de pies revela detalles con
riqueza, como marcas de calcetines, cicatrices y uñas
maltratadas. La decisión de mostrar las cabezas y los
pies al mismo tamaño lleva el diseño más allá de la
norma. El ritmo de cada doble página no se siente
repetitivo debido a la variedad de las expresiones y
los perfiles. Cada doble página incluye 20 preguntas
al deportista y datos interesantes, como su número de
calzado.
PLATA
No se esperaría nunca ver este enfoque en la tapa de
una revista: Los pies son feos y se ven las venas, las
marcas de los calcetines y las uñas maltratadas. Esta
portada dice mucho, no sólo sobre el jugador sino
sobre el país y el fútbol, y lo hace sin ningún tipo de
parafernalia deportiva.
GoLD
WE SAW A LOT OF WORLD CUP COVERAGE, but this
was unique, mostly because it managed to escape all
the expected soccer clichés.This isn’t simply more
soccer players in jerseys.The magazine cover story
gathers the best players throughout Spain for beautiful
head portraits matched with pictures that show the
punishment they have put their feet through.We see
the players in an intimate and slightly vulnerable
state. Each set of feet reveals rich detail, such as sock
impressions, scars and battered toenails.The decision
to play the heads and feet at the same size pushes the
design beyond the norm.The rhythm of each spread
does not feel repetitious because of the variety of the
expressions and profiles. Each spread features 20
questions with the athlete as well as fun breakouts,
such as his shoe size.
SILVEr
YOU’D NEVER EXPECT TO SEE this approach on a
magazine cover; the feet are ugly and exposed with
veins, sock marks and battered toenails.This cover
says so much, not just about the player but also about
the country and soccer — and it does it without any
kind of sports paraphernalia.
El Mundo MagazinE
Madrid, Spain
RodrigoSánchez, Design Director; MáriaGonzález, Art Director; JavierSanz, Designer; AdrianaRodriguez, Designer;
FranciscoAlarcos, Designer; RubénViqué, Designer; ChemaLonesa, Photographer
gold
Magazines Features Magazine Cover Story Design
SilvEr
Magazines Cover Design
award of ExcEllEncE
Magazines Special Sections
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El Mundo Magazine
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SILVER
ALL THE IMAGES OFFER
SOPHISTICATION and a great
representation of the culture and
area. It’s just terrific photography,
using great light, a variety of
compositions and lenses. A wide
variety of emotions are represented.
It’s a peek inside lives we ordinarily
don’t get to see.
PLATA
TODAS LAS IMÁGENES entregan
sofisticación y una gran
representación de la cultura y el
área. Es una estupenda fotografía
que usa una gran luz, y una variedad
de composiciones y lentes para
representar una gran gama de
emociones. Es un vistazo dentro de
vidas que corrientemente no nos
toca mirar.
The naTionaL
Abu Dhabi, United Arab Emirates
TanyaHabjovqa, Photographer; KerriAbrams, Designer; ClintMcLean, Photo Editor
SiLver
Photography/Multiple Photos Project Page or Spread
The National
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SILVER
THE PHOTOGRAPHER ADDED A
TREMENDOUS AMOUNT TO THIS
PACKAGE.The way he composed the
pictures showed he saw the subject
matter in a different light.The angles from
which photos were shot and the subjects
themselves are all so compelling and
unexpected. It’s a great domestic story; a
rare find.
PLATA
EL FOTÓGRAFO CONTRIBUYÓ
MUCHÍSIMO A ESTE PAQUETE
INFORMATIVO. La forma en que compuso
las fotos demuestra que vio el tema bajo
una luz diferente.Tanto los ángulos desde
los cuales las fotos fueron tomadas como
los mismos sujetos son irresistibles e
inesperados. Es un gran tema de alcance
nacional; todo un hallazgo.
The Virginian-Pilot
The virginian-PiLoT
Norfolk,Va.
PrestonGannaway, Staff Photographer; BillKelley, Advance Planning Photo Editor;
LuisVilches, Designer; RandallGreenwell, Director/Photography; PaulNelson,
Director/Presentation; RobertSuhay, Assistant Director/Presentation
SiLver
Photography/Multiple Photos Project Page or Spread
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Los AngeLes Times
Los Angeles, Calif.
SteveStroud, Deputy Managing Editor; KelliSullivan, Deputy Design Director; CarolynCole,
Photographer; BarbaraDavidson, Photographer; MarkBoster, Photographer; KirkMcKoy,
Photographer; WallySkalij, Photographer; RickLoomis, Photographer; JayClendenin, Photographer
DanSantos, Designer; MarkYemma, Designer; GerardBabb, Designer; RickCollins, Designer;
WilliamSheehan, Designer; MichaelWhitley, Assistant Managing Editor
siLver
Photography/Multiple Photos Series/Project or Story
siLver
Photography/Multiple Photos Portfolio/Team or Staff
AwArds of exceLLence
Special NewsTopics Natural Disasters
Photography/Multiple Photos Project Page or Spread
Special Coverage/Single subject
Photography/Multiple Photos Project Page or Spread
Silver
This captures a broad range of emotion
within a tragedy.They made an effort
to highlight the best photos of the day
and to create strong complements. It
comes across as very complete reporting.
There are very public moments — you
can almost hear what’s going on in some
photos — and then some very quiet
ones that tell a different story.There are
some unexpected images in here: a man
shoving corpses into a truck, for example.
You might hear that things like this are
going on, but when you actually see it, it
hits you in an unimaginable way.
Plata
Esto captura un amplio rango de
emociones al interior de una tragedia. Se
hizo un esfuerzo por destacar las mejores
fotos del día y crear complementos
fuertes, lo que resulta ser un reporteo
muy completo. Hay momentos muy
públicos –casi se puede escuchar lo que
está ocurriendo en algunas fotos–, y otros
muy silenciosos que cuentan otra historia.
Hay imágenes inesperadas también:
Un hombre que pone cadáveres en un
camión, por ejemplo. Se podría escuchar
que este tipo de cosas está ocurriendo,
pero cuando se ven en realidad, golpea
de forma inimaginable.
Los Angeles Times
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Los Angeles Times
Plata
Un tratamiento tipográfico como éste sería difícil de lograr, pero
éste es técnicamente muy sólido. Está tan bien hecho que hace
volar el aviso publicitario. Las paralelas dan justo en el blanco
–no hay nada que un hincha deportivo pueda criticar. Es puro
ingenio y desafía la convención de que toda página deportiva
debe llevar fotos.
Silver
A type treatment like this is so hard to pull off, and this one is
technically very sound. It’s so well done it blows the ad away.
The parallels are spot on — not one thing a sports fan can argue
with. It defies convention — clever sports page that doesn’t have
a single sports photo on it.
Los AngeLes Times
Los Angeles, Calif.
DerekSimmons, Deputy Design Director; MichaelWhitley, Assistant Managing Editor
siLver
News Design/Page(s)Sports/Broadsheet 175,000 and Over
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PoLiTiken
Copenhagen, Denmark
SørenNyeland, Design Editor; Anne-MetteSvane, Editor-in-Chief; JesperFriis, PS Editor;
ClausPaaske, Copy Editor; ChristinaRadaic, Page Designer; JonathanBjerg-Møller, Photographer
SiLver
News Design/Page(s) Other Broadsheet 50,000-174,999
SiLver
Photography/Multiple Photos Project Page or Spread
SiLver
Photography/Single Photos General News (Planned)
SILVER
THIS STUNNING PIECE OF
PHOTOJOURNALISM makes for a
cover that stops you in your tracks.
Although you can’t see the face, you feel
great empathy for this human being.
Great restraint was used to keep from
competing with the strong photo.The
image tells a story that you intuitively
understand, even before reading the
headline.
THE IMAGE IS SO FLAWLESS, so striking,
that it makes you keep looking even
though it is tough to do so.The angle
accentuates how flat on the ground the
subject is, but it is respectful and doesn’t
feel as though it’s invasive. It’s done with
sensitivity.
THIS OFFERS A GRIPPING SNAPSHOT of
humanity and suffering, from complex
to simple images carrying the same
power. It takes you from the solitary to the
masses.With just four images, you grasp
a complete sense of place.The large
photo is one to study. It contains so much
that you want to understand what’s at play
to create that moment.
PLATA
ESTA SENSACIONAL PIEZA DE
FOTOPERIODISMO es digna de una
portada o tapa que hace que uno se
detenga en seco frente a ella. Aunque
no se le puede ver la cara, se siente
gran empatía por esta persona. Se usó
moderación para evitar que compita con
la potente foto. La imagen cuenta una
historia que se entiende intuitivamente,
incluso antes de leer el título.
LA IMAGEN ES TAN PERFECTA e
impresionante que hace fijar la vista en
ella aunque resulte difícil hacerlo. El
ángulo acentúa lo extendido en el suelo
que está el hombre, pero es respetuoso
y no se siente como si fuera invasivo. La
foto está tomada con sensibilidad.
ESTO OFRECE UNA APASIONANTE FOTO
INSTANTÁNEA de la humanidad y el
sufrimiento, desde imágenes complejas
a simples que transmiten el mismo
impacto. Con apenas cuatro imágenes,
se capta una completa sensación del
lugar. La foto grande es digna de estudio,
porque contiene tanto que uno querría
comprender lo que está en juego para
generar ese momento.
Politiken
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naTionaL PoST
Toronto, Canada
RichardJohnson, Illustrator; JoeHood, Page One Editor; AnneMarieOwens,
Managing Editor/News; StephenMeurice, Editor-in-Chief; GayleGrin, Managing Editor/
Design and Graphics
SiLver
Miscellaneous
SILVER
THIS IS ONE OF THE MOST IMPRESSIVE EXAMPLES of
incorporating data into an image, and it was done on
deadline.When you realize each dot represents a person,
it makes you very sad. If a newspaper can move people,
it’s doing its job. It’s a great combination of illustration and
infographic.
PLATA
ESTE ES UNO DE LOS EJEMPLOS MÁS ADMIRABLES de uso
de datos en una imagen, y fue realizado contra el plazo de
entrega. Da gran tristeza darse cuenta de que cada punto
representa una persona. Si un periódico puede conmover a
la gente, significa que está cumpliendo con su deber. Esto es
una gran combinación de ilustración e infografía.
National Post
Politiken
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ST. LouiS PoST-DiSPaTch
St. Louis, Mo.
ChrisLee, Photographer; CameronHollway, Prep Editor; SantiagoC.Ayulo,
Presentation Editor
SiLver
Photography/Multiple Photos Series/Project or Story
awarD of exceLLence
Special Coverage Single Section,With Ads
SILVER
MANY PAPERS DO AN ALL-AREA TEAMS
SECTION, but this one is terrifically
executed.The illustrations are an
exaggeration of athletic ability, but
beautiful. So much coordination had to go
into this.They did it well on every front.
The photos, illustrations and design are
excellent.There is no weak point.
PLATA
MUCHOS PERIÓDICOS PUBLICAN UNA SECCIÓN integrada por todos los
equipos, pero ésta está increíblemente bien realizada. Las ilustraciones
son una exageración de la destreza atlética, pero son hermosas. Se
necesitó mucha coordinación para hacer esto y se logró en todo aspecto.
Las fotos, las ilustraciones y el diseño son excelentes. No hay ningún
punto débil.
St. Louis Post-Dispatch
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The virginian-PiLoT
Norfolk,Va.
PrestonGannaway, Staff Photographer; BillKelley, Advance Planning Photo Editor; LuisVilches, Designer;
RandallGreenwell, Director/Photography; PaulNelson, Director/Presentation; LoriKelley,
Assistant Director/Presentation
SiLver
Photography/Multiple Photos Project Page or Spread
SILVER
IT’S SEAMLESS — one incredible image after another. Every image is
flawless.The research that went into this, and the individual craft. How
many outtakes must there have been? It’s expertly done in real time, and
a lot went into matching up what’s going on with the image.They pulled
it off in expert fashion.We would have loved to witness the planning
behind this and to have seen how they kept ramping it up.
PLATA
ES PERFECTA: una tras otra, cada imagen es impecable. La investigación
que requirió esto y la maestría individual son excelentes. ¿Cuántas
tomas se habrán descartado? Está hecho a la perfección y en tiempo
real, y hubo dedicación al emparejar lo que está pasando con la imagen
correspondiente. Hubiera sido un gusto ser testigo de cómo se planificó
esto y observar la forma en que se fue aumentando.
The Virginian-Pilot
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LoS angeLeS TimeS
Los Angeles, Calif.
RobertGauthier, Photographer; GeorgeWilhelm, Photo Editor; CalvinHom, Photo Editor; Derek
Simmons, Deputy Design Director; TimHubbard, Senior Designer; MollyBedford, Designer; Bret
Edgar, Designer; MichaelWhitley, Assistant Managing Editor
SiLver
Photography/Multiple Photos Individual Portfolio
awarDS of exceLLence
Photography/Multiple Photos Series/Project or Story
Photography/Single Photos Sports
Special Coverage Multiple Sections,With ads
SILVER
THIS COLLECTION CAPTURES THE VIBRANCY
OF THE EVENTS — all the images are alive.
Dying, winning, losing, the big crowd:The
Olympics is captured in its entirety.There are
great images of the individual events with an
amazing sense of timing.This covers not just the
events, but also the moments. For one person to
do all this is a feat in itself.
PLATA
ESTA COLECCIÓN CAPTURA LA VITALIDAD
DE LAS COMPETENCIAS, ya que todas las
imágenes están vivas. Morir, ganar, perder,
la gran masa: Se captan los Juegos Olímpicos
completamente. Son grandiosas imágenes de
los eventos individuales con un impresionante
sentido del ritmo. Esto cubre no sólo las
competencias, sino también los momentos. Que
una persona haya hecho todo esto es toda una
hazaña.
Los Angeles Times
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Los AngeLes Times
Los Angeles, Calif.
MaryCooney, Deputy Photo Editor; BarbaraDavidson, Photographer; ColinCrawford,
Deputy Managing Editor; KelliSullivan, Deputy Design Director; MichaelWhitley,
Assistant Managing Editor
siLver
Photography/Multiple Photos Series/Project Or Story
AwArds of exceLLence
Special NewsTopics Editor’s Choice/Local/Regional
News Design/Page(s)Inside Page/Broadsheet 175,000 and Over
Photography/Multiple Photos Project Page or Spread
Portfolio/Page Designer News 175,000 and Over
Silver
YOU GO FROM ONE GRIPPING IMAGE
TO THE NEXT. It’s so powerful that you
almost have to resist shutting down.The
way they pace it is interesting — the
inside really explodes. I like the series,
you could have had a series of images of
just funerals and hospitals, but they really
did their research and pushed to make
each story different and to find just the
right subjects for these stories.
Plata
SE PASA DE UNA IMAGEN APASIONANTE
A OTRA. Es tan impactante que casi hay
que resistir detenerla. La forma que toma
el ritmo es interesante, porque el interior
realmente explota. La serie gusta, porque
se pudo tener varias series de imágenes
de funerales y hospitales, pero se ve que
se hizo una buena investigación para que
cada relato fuera único y para encontrar
los sujetos precisos de cada uno.
Los Angeles Times
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LoS angeLeS TimeS
Los Angeles, Calif.
CarolynCole, Photographer; BarbaraDavidson, Photographer; MarkBoster,
Photographer; KirkMcKoy, Photographer; WallySkalij, Photographer;
RickLoomis, Photographer; JayClendenin, Photographer
SiLver
Photography/Multiple Photos Portfolio/Team or Staff
SILVER
WE SEE A LOT OF VENUES HERE.
It’s not that they did just one thing
well. Here’s a broad spectrum of
places and stories, from completely
different subject matters and parts
of the world.Yes, they’re travel
photos, but they’re gorgeous travel
photos.There’s a high level of work
across the board. It says,“We can
do anything.”
PLATA
AQUÍ SE VEN MUCHOS LUGARES.
No se trata de que lograron hacer
sólo una cosa bien. Aquí hay un
amplio espectro de lugares e
historias de temas y partes del
mundo completamente diferentes.
Es cierto que son fotos de viajes,
pero son magníficas fotos de viajes.
Se aprecia un alto nivel de trabajo
en todo sentido, tanto, que es como
si dijera:“Somos capaces de hacer
cualquier cosa”.
Los Angeles Times
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LaS vegaS Sun
Henderson, Nev.
LeilaNavidi, Photographer; KristinDonaldson, Director/Photography; RachelPerkins, Creative Director
SiLver
Photography/Multiple Photos Page design
SILVER
A SUPER SIMPLE HEADLINE kicks off this package and
takes it in a different direction.There’s a timeliness, with so
many falling into poverty and fathers not around because
of the war or the economy. Readers are more likely to make
a connection to these images now than they would have
perhaps four or five years ago. It resonates.
PLATA
UN TÍTULO MUY SENCILLO da inicio a este paquete
informativo y luego lo lleva en otra dirección. Es oportuno
dado que muchos han caído en la pobreza mientras
los padres están ausentes debido a la guerra o la mala
economía. Es más probable que los lectores se conecten
con estas imágenes ahora que, tal vez, hace cuatro o cinco
años. Es resonante.
Las Vegas Sun
The waShingTon PoST
Washington, D.C.
ToddLindeman, Artist; DavidFallis, Reporter; BrennaMaloney, Graphics Editor
SiLver
Information Graphics Charting 175,000 and Over
PLATA
TENÍA QUE SER UN GRÁFICO DEBIDO A LA INFORMACIÓN
INCREÍBLEMENTE ÚTIL E IMPERIOSA. Es muy limpio, comunica
con claridad y usa bien el color y el contraste. Está realizado a la
perfección, es compacto e impecable, contiene reporteo original
y excelente información. Impacta en todo. Hoy en día hay tanto
interés por darle forma diferente a la interpretación de datos
que se ve a muchos que tratan de forzar la información de una
determinada forma. Este gráfico ES la forma de esta información.
SILVER
INCREDIBLY USEFUL AND COMPELLING INFORMATION, AND
IT HAD TO BE A GRAPHIC. It’s very clean, communicates clearly
and uses color and contrast well. It is perfectly executed, compact
and flawless, contains original reporting and great information.
It fires on all fronts.There’s so much passion now for interpreting
data into different shapes — you see lots of people trying to force
information into a certain shape.With this graphic, this IS the
shape of this information.
The Washington Post
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PoLiTiken
Copenhagen, Denmark
PeterHoveOlesen, Photographer
SiLver
Photography/Multiple Photos Individual Portfolio
awarD of exceLLence
Photography/Single Photos Spot News
SILVER
THIS WORK IS REALLY EXCITING AND
SHAKESYOU UP A BIT. It’s smart and
well seen with variety.There are no
clichés, just smart symbols. It’s just
brilliant. It’s shot in a very different style,
with restrained, serious formalism.The
size gives it more impact. But scale, in
combination with typography, is part of
what makes this work.
PLATA
ESTE TRABAJO ES REALMENTE
FASCINANTEY LOGRA CONMOCIONAR.
Es inteligente y se ve bien con variedad.
No hay clichés, sino sólo símbolos
inteligentes. Es simplemente genial. Está
fotografiado en un estilo muy diferente,
con un formalismo moderado y serio. El
tamaño le da más impacto. Sin embargo,
lo que en parte hace que funcione es la
escala en combinación con la tipografía.
Politiken
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(Text)
The Plain Dealer
Cleveland, Ohio
EmmetSmith, Deputy Design Director/News; MichaelTribble, Design and Graphics Director;
JoshuaGunter, Photographer; DavidKordalski, Assistant Managing Editor/Visuals;
DebraAdamsSimmons, Managing Editor; SusanGoldberg, Editor
Silver
News Design/Page(s)A-Section/Broadsheet 175,000 and Over
awarDS of excellence
Special Coverage/Sections Cover Only
Portfolio/Page Designer Sports 175,000 and Over
Silver
THE CONCEPT IS SO AMAZING, SO
SIMPLE, AND SO BALLSY — it completely
captured the mood of Cleveland when
LeBron James left the Cavaliers. It’s not
angry; it’s a classy kiss-off that packs an
emotional wallop.This pushes what can
be done on A-1, and you don’t see this
from a major American metro newspaper
every day. Up close you can see that the
focus is a bit soft and the crop is a bit
weird, but the power of the message more
than overcomes the technical problems.
PlATA
EL CONCEPTO ES TAN SORPRENDENTE,
SIMPLEY CORAJUDO que captó el ánimo
de Cleveland cuando LeBron James se
fue del equipo de béisbol Cavaliers. No
expresa rabia, sino que es un rechazo
con clase que contiene un fuerte golpe
emocional. Esta pieza va más allá de lo
que se puede hacer en la primera página,
algo que no se ve todos los días en un
diario norteamericano importante. De
cerca se nota que el enfoque es un poco
suave y que el recorte es un poco extraño,
pero el poder del mensaje supera con
creces esos problemas técnicos.
The Plain Dealer
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al Bayan newSPaPer
Dubai, United Arab Emirates
LuisChumpitaz, Infographics Director; GermánFernandez, Infographics Editor;
LizRamos-Prado, Infographics Editor; MohamedSaif, Senior Reporter; KarinAricoche,
Data Processor; DavidMaced, Data Processor; AsmaAli,Translator; WilliamNavarra,
3-D Renderer; AhmedAlHammadi, Executive Director; DahenShaeen, Editor-in-Chief; Ali
Shandoor, Managing Editor
Silver
Information Graphics Non-Breaking News/Feature 50,000-174,999
awarDS of excellence
Miscellaneous
Information Graphics Non-Breaking News/Feature 50,000-174,999
Science/Technology Broadsheet 50,000-174,999
News Design/Page(s)Sports/Broadsheet 50,000-174,999
PlATA
LOS FANÁTICOS DE LA FÓRMULA 1
AGRADECERÁN la pulida representación
que expresa la pasión por un deporte
en particular y la ejecución de la escala
con estilo. Hay mucha información, pero
una vez que se ha establecido el sistema
gráfico en la primera página, se vuelve
muy fácil comprender el lenguaje a
lo largo de todas las páginas. Hay una
tremenda edición y coordinación para
componerlo.
Silver
THE F1 CROWD WILL APPRECIATE the
slickness of these in the expression of
a passion for a particular sport and a
sharp execution of scale.There’s a ton
of information, but once the charting
system is established on the first page,
it becomes very easy to understand
the language across the pages.There’s
tremendous editing and coordination
going on to put together such a tight and
consistent set.
Al Bayan Newspaper
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(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf
(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf

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(Best of Newspaper Design) Society for News Design-The Best of News Design-Rockport Publishers (2011).pdf

  • 2. ® (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:1 (Ray) 001-006_25605.indd 1 6/10/11 2:16 PM THE MISSION OF THE SOCIETY FOR NEWS DESIGN is to enhance excellence in visual journalism and communications around the world. To that end, the Society will: Promote the highest ethical standards in all of our crafts; Champion visual journalism as an integral discipline; Educate journalists on a continuing basis; Celebrate excellence in all aspects of journalism; Encourage innovation throughout our industry; Provide a forum for critical review and discussion of issues; Value our unique and diverse international and multicultural character. LA MISIÓN DE LA SOCIEDAD DE DISEÑO DE NOTICIAS es realzar la excelencia en el periodismo visual y las comunicaciones alrededor del mundo. Con ese fin, la Sociedad va a: Promover los estándares éticos más altos en todo nuestro trabajo; Abogar por el periodismo visual como una disciplina integral; Educar a los periodistas de forma continua; Destacar la excelencia en todos los aspectos del periodismo; Incentivar la innovación en toda nuestra industria; Proporcionar un foro para la revisión crítica y la discusión de asuntos; Valorar nuestro carácter internacional y multicultural único y diverso. The BesT of News DesigN™ e d i t i o n The 2010 Creative Competition of the society for News Design Lo Mejor del Diseño ™ La competencia creativa del 2010 de la Sociedad de Diseño de Noticias Cover designer Adonis Durado Design Director Times of Oman and Al Shabiba Muscat Press And Publishing House (Text) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:1 (Ray) 001-006_25605.indd 1 6/10/11 2:16 PM (RP PB Edn)
  • 3. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:2 (Ray) 001-006_25605.indd 2 6/10/11 2:16 PM (Text) 2 | The Best of News Design | 32 An introduction C. Marshall Matlock Director, SND print competitions and judging S.I. Newhouse School of Public Communications, Syracuse University Los periódicos no están muertos. Ése es el mensaje que se sigue enviando a quienes trabajan en las competencias de la snd. el comité de competición está encantado de ver que el número de piezas participantes pasó de 10.158 en el 2009 a 10.515 en el 2010. es esta 32a versión, el editor del libro, Lance Johnson, presenta los trabajos ganadores que enviaron los personales de muchos periódicos y revistas. también destacamos el importante rol que los medios digitales van a tener en el futuro para presentar las noticias. por primera vez, hemos incluido ejemplos de los ganadores de la competencia digital de la snd. Las palabras del presidente de la snd, steve dorsey, son elocuentes: “La competencia creativa anual de Lo Mejor del Diseño de Noticias es uno de los dos principales eventos que la SND patrocina cada año –y es uno de los esfuerzos más importantes en todo el mundo. La competencia de impresos, que celebra este año su 32a versión, ha tenido por sede la Syracuse University en los últimos 22 años, por lo que hay mucho qué agradecer a Marshall Matlock por hacer que todo siga funcionando sobre ruedas. “Lo Mejor del Diseño Digital fue notoriamente modernizado este año, y además fue reubicado, por lo cual hay mucho qué agradecer a Stephen Komives, de la SND; Ryan Sparrow, de Ball State University; la propia escuela de periodismo de esa universidad; y un equipo incondicional de voluntarios. “Ambas competencias otorgan un premio en la categoría Lo Mejor Diseñado del Mundo™ y estamos felices de incluir, por primera vez, lo más destacado de la competencia digital junto con los premios anuales de impresos.A medida que nuestros porvenires se vuelven más entrelazados digitalmente, la SND va a continuar manteniendo su misión principal: Realzar la comunicación en todo el mundo a través de la excelencia en el periodismo visual, sin importar su plataforma.” Además de los ejemplos de los ganadores digitales, hemos incluido los ganadores de los cuatro premios entregados a las piezas impresas del año 2010, que representan “lo mejor de lo mejor” del diseño de noticias. Los premios de la evaluación general son los siguientes: Premio de excelencia — este premio se entrega a trabajos que son realmente excelentes más allá de la destreza técnica o estética. corresponde que los jueces honren piezas sobresalientes por asuntos tales como tomar riesgos e innovar, aunque no lo logren 100% en todos los aspectos. Los jueces son exigentes, pero justos. Medalla de plata — este premio se da a trabajos que van más allá de la excelencia. el dominio técnico de la medalla de plata expande los límites del medio. estas piezas deberían brillar. Medalla de oro — este premio se otorga a trabajos que definen el estado del arte. estas piezas deberían expandir los límites de la creatividad y debería ser casi imposible encontrar algo deficiente en ellas. Reconocimiento Especial de los Jueces — este honor lo entrega un grupo de jueces, o todos ellos, a trabajos sobresalientes en un aspecto en particular no necesariamente reconocido por las características del premio de excelencia o de las medallas de plata u oro. se ha dado este reconocimiento por asuntos tales como el uso de la fotografía, los infográficos o la tipografía a lo largo de una serie de trabajos. esta serie puede ser un periódico en particular, una sección o más de una, realizado tanto por un individuo como por todo el personal de la redacción. este premio especial no reemplaza a ninguno de excelencia, ni las medallas de plata u oro, y debería ser considerado como adjunto. Lo que viene a continuación en este libro es un testamento de las miles de piezas recibidas de todo el mundo y, lo que es aun más importante, de los millones de lectores que se benefician del cuidado y la atención al detalle de quienes diseñan sus periódicos. espero que el contenido de esta 32a versión de Lo mejor del diseño de noticias™ sirva para inspirarnos a ir tras desafíos y proyectos aun más grandes para la 33a versión y el futuro. neWspApers Are not deAd.that’s the message that continues to be delivered to those who work with the society for news design competitions.the competition committee is delighted to see the number of entries increase from 10,158 in 2009 to 10,515 for year 2010. in this 32nd edition, book editor Lance Johnson presents the winning work entered by newspapers and magazines staffs. We also recognize the important role digital media will play in getting news to the public in the future. For the first time, we have included examples from the winners of snd’s digital competition. snd president steve dorsey says it best: “The annual Best of News Design Creative Competition is one of the two biggest events the Society sponsors every year — and one of its most inspiring efforts worldwide.The print competition, in its 32nd year, has been hosted the last 22 years at Syracuse University, with much thanks to Marshall Matlock for making things continue to run smoothly. “The Best of Digital Design was heavily revamped this year and relocated, with much thanks to SND’s Stephen Komives, Ball State’s Ryan Sparrow, the Ball State School of Journalism, and a hard-core team of volunteers. “Both competitions award aWorld’s Best-Designed™ category. We’re very excited to include, for the first time ever, highlights from the Digital competition alongside the annual print awards.As all of our futures become more digitally linked, SND will continue to uphold its core mission — to enhance communication around the world through excellence in visual journalism — no matter the platform.” Besides examples of the digital winners, we have included the winners of the four awards given to print entries for the year 2010.they represent the “best of the best” in news design. the awards in the general judging are: Award of Excellence — this award is granted for work that is truly excellent, beyond mere technical or aesthetic competency. it is appropriate for judges to honor entries for such things as being daring and innovative if the entry is outstanding, but less than 100 percent in every respect. Judges were tough, but fair. Silver Medal — this award is granted for work that goes beyond excellence.the technical proficiency of the silver medal stretches the limits of the medium.these entries should shine. Gold Medal — this award is granted for work that defines the state of the art.this entry should stretch the limits of creativity. it should be nearly impossible to find anything deficient in a Gold-winning entry Judges’ Special Recognition — this honor is awarded by a team of judges, or by all judges, for work that is outstanding in a particular respect not necessarily singled out by the Award of excellence, silver or Gold awards structure.this recognition has been granted for such things as the use of photography, the use of information graphics and the use of typography throughout a body of work.this body of work may be a particular publication, section or sections by an individual or staff.the special recognition does not supplant any Awards of excellence or silver or Gold awards and should be seen as an adjunct. What follows in this book is a testament to the thousands of entries received from around the world and, more importantly, the millions of readers who benefit from the care and attention to detail of the designers and their publications. Hopefully, the content displayed in this 32nd edition of the Best of news design™ will serve to inspire us to greater challenges and grander undertakings for the 33rd edition and the many years ahead. Una introducción (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:2 001-006_C63618.indd 2 6/27/11 2:30 PM
  • 5. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:3 (Ray) 001-006_25605.indd 3 6/10/11 2:16 PM (Text) society for News desigN 3 society for News desigN Marshall Matlock, Competition Committee Director Stephen Komives, SND Executive Director Shamus Walker, Audit & Entry Director Becky Pendergast, 32nd Edition Print Coordinator Ryan Sparrow, Digital Coordinator Lance Johnson, The Best of News Design™ Editor Cristóbal Edwards, Spanish Translator 32nd editioN fAciLitAtors contents / contenidos Melissa Angle, SND education/training director and A-1 designer, The Atlanta Journal-Constitution, Atlanta, Ga. Tim Ball, designer,TheWashington Post,Washington, D.C. Rich Boudet, sports designer,The SeattleTimes, Seattle,Wash. Audrey Burian, SND entry auditor, S.I. Newhouse School of Public Communications, Syracuse University, Syracuse, N.Y. Steve Cavendish, designer and reporter ChicagoTribune, Chicago, Ill. Vince Chiaramonte, assistant design editor,The Buffalo News, Buffalo, N.Y. Jason Chiu, design editor,The Globe and Mail,Toronto, ON, and SND Canada director Josh Crutchmer, senior designer for news and projects at the Minneapolis Star-Tribune, Minneapolis, Minn. Steve Dorsey, SND president and vice president for research and development, Detroit Free Press, Detroit, Mich. Joe Greco, corporate design director, GateHouse Media, Downers Grove, Ill. Gayle Grin, managing editor for visuals, National Post,Toronto, ON, Canada Lance Johnson, 32nd edition editor,The Best of News Design, Waterford, Conn. Stephen Komives, SND executive director, Orlando, Fla. David Kordalski, assistant managing editor for visuals,The Plain Dealer, Cleveland, Ohio Lily Lu, director, JMSC Shanghai Centre, Hong Kong University, Hong Kong, China Marshall Matlock, SND print competition and judging director, professor emeritus, S.I. Newhouse School of Public Communications, Syracuse University, Syracuse, N.Y. Jim Michalowski, adjunct professor, Southeast Center for Photographic Studies, Daytona Beach, Fla Tim Parks, deputy news and design director, OmahaWorld-Herald, Omaha, Neb. Tiffany Pease, design director, San Jose Mercury News, San Jose, Calif. Becky Pendergast, 32nd edition coordinator,The Chronicle of Higher Education,Washington, D.C. Denise M. Reagan, SND Foundation president and assistant man- aging editor for visuals,The FloridaTimes-Union, Jacksonville, Fla. Claire Regan, associate managing editor, Staten Island Advance, Staten Island, N.Y. Darren Sanefski, assistant professor, S.I. Newhouse School of Public Communications, Syracuse University, Syracuse, N.Y. Susan Santoro, SND print competition assistant, Society for News Design, Jamestown, R.I. Colin Smith, presentation editor,The Salt LakeTribune, Salt Lake City, Utah Randy Stano, professor of practice in journalism, University of Miami, Coral Gables, Fla. Lee Steele, SND region 1 director and design editor, Connecticut Post, Bridgeport, Conn. Claudia Strong, adjunct news design professor, S.I. Newhouse School of Public Communications, Syracuse University, Syracuse, N.Y. Shraddha Swaroop, designer, Los AngelesTimes, Los Angeles, Calif. Michael Tribble, SND region 4 director and design and graphics director,The Plain Dealer, Cleveland, Ohio. Lila Victoria, advertising artist, Staten Island Advance, Staten Island, N.Y. Shamus Walker, SND print competition audit and entry director, Syracuse University, Syracuse, N.Y. Paul Wallen, design director, HuntsvilleTimes, Huntsville, Ala. Michael Whitley, assistant managing editor, Los AngelesTimes, Los Angeles, Calif. Andrea Zagata, sports designer,The Detroit News, Detroit, Mich. Syracuse University Students: Chris Azar,YooJung Hong, Karen Hor, Kuan Luo, David Miller, Julissa Montalvo,Tim Olsen, Joanna Penalva, Andrew Petrie, Luis Rendon, Kaitlin Santanna, Kathryn Story, Kayeong Suh, AshliTruchon, AllisonWerner. 7 15 27 69 81 119 165 227 243 249 269 worLd’s Best-desigNed™ NewspAper goLd ANd siLVer MedAL wiNNers JUdges’ speciAL recogNitioN MULtipLe wiNNers News VisUALs speciAL coVerAge portfoLios redesigNs digitAL AwArds iNdex feAtUres & MAgAZiNes Los periÓdicos MeJor diseÑAdos deL MUNdo™ recoNociMieNto especiAL de Los JUeces gANAdores MÚLtipLes NoticiAs VisUALes coBertUrA especiAL portAfoLios rediseÑos preMios de iNterNet ÍNdice reportAJes y reVistAs MedALLAs de oro y pLAtA 215 (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:3 001-006_C63618.indd 3 6/27/11 2:30 PM
  • 6. (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:4 001-006_C63618.indd 4 6/27/11 5:07 PM (Text) 4 | The Best of News Design | 32 Meet the judges Todd Bayha isthe assistantartdirectoratThe ColumbusDispatch.Since 1996,hehasworkedasa news,sportsandfeatures designerandingraphicsand illustration. Todd Bayha esel subdirectordeartedeldiario TheColumbusDispatch, deOhio.Desde1996ha trabajadocomodiseñador denoticias,deportesy reportajes,ytambiénseha dedicadoalosgráficosyla ilustración. conoce a los jueces WORLD’S BEST Heidi de Laubenfels Sara Quinn Haika Hinze Svetlana Maximchenko Carl Neustaedter LONGFORM Mike Rice Jonathan Boho Dee Dee D’Asaro Alfredo Triviño Michael Stanaland GRAPHICS Jamie Baylis Kevin Poortinga Will Sullivan Rickard Frank Michael Donlan NEWS Val Hoeppner Todd Bayha John Wile Dennis Varney Tomaso Capuano FEATURES Troy Cummings Andrea Levy Tian Chi Greg Klee Christine Long GENERALIST Todd Stewart Jamie Baylis isartand graphicsdirectoratCQRoll Call.Shehasworkedat variousnewspapersand magazinesasajournalist formorethan25years, includingasaneditor,writer andgraphicdesigner.She nowmanagesateamof10 designers. Jamie Baylisesdirectora dearteygráficosdel periódicoCQRollCallyestá acargodeunequipode10 diseñadores.Durante25 años,sehadesempeñado comoperiodista,editora, redactoraydiseñadorade gráficosenvariosdiarios yrevistas.reportajes,y tambiénsehadedicadoalos gráficosylailustración. Jonathan Bohoisthe artdirectorforMetromix IndianapolisMagazine, analternativeweekly publicationownedbyThe IndianapolisStar.Before comingtoIndiana,Jonathan wasthesportspresentation editorfortheSouthFlorida Sun-SentinelinFort Lauderdale,Fla.,andwas designdirectoratScripps HowardNewsServicein Washington,D.C. Jonathan Boho esel directordeartedeMetromix IndianapolisMagazine, unsemanarioalternativo cuyodueñoeseldiario TheIndianapolisStar. Anteriormente,Jonathan fueeleditordepresentación dedeportesdelSouth FloridaSun-Sentinel,de FortLauderdale,Florida,y fuedirectordediseñodela agenciainformativaScripps HowardNewsService,de Washington,EstadosUnidos. Tomaso Capuano is creativedirectorforTheWall StreetJournal.Hepreviously workedatTheTimesandThe FinancialTimesinLondon, specializinginlaunches andredesignsforprintand Web.Healsohas worked extensivelyinmagazines. Tomaso Capuano esdirectorcreativode TheWallStreetJournal. Anteriormentetrabajóen losdiarioslondinenses TheTimesyTheFinancial Times,yseespecializóen lanzamientosyrediseños tantodeimpresoscomo sitiosweb.Tambiéntiene unavastaexperienciaen revistas. TianChiisthedesigneditor forChinaDaily,thelargest English-languagenewspaper inChina.HejoinedChina Dailyin1999,firstasa designerat21stCentury,a student-orientedpublication ofChinaDaily.Hecameto themainpaperinadvance ofthe2008BeijingOlympics. Inadditiontosports,he hasdesignedforfeatures andnewsbeforebeing promotedtodesigneditor inMarch2010whenChina Dailylauncheditsredesign. Thispastyear,hisworkwas awardedthetopprizein China’sNationalJournalism Awards. TianChieseleditorde diseñodelChinaDaily,el diarioeninglésdemayor circulaciónenChina. Comenzóatrabajarahíen 1999comodiseñadorde 21stCentury(SigloXXI),un periódicodelChinaDaily paraestudiantes.Enel 2008,antesdelosJuegos OlímpicosdeBeijing,se cambióaldiarioprincipal ydiseñódeportes,noticias yreportajes.Enmarzo del2010,cuandoelChina Dailylanzósurediseño,se convirtióeneditordediseño. Elañopasado,sutrabajo recibióelgalardónprincipal enlospremiosnacionalesde periodismodeChina. Troy Cummingsworked intheartdepartmentsof TheTimesofNorthwest IndianaandTheChicago Tribunebeforebecominga full-timefreelancerin2000. Henowfocusesoneditorial illustrationandchildren’s publishingandnoodles aroundwithanimation whenhehastime. Troy Cummings sedesempeñóenlos departamentosdeartede TheTimesofNorthwest IndianayelChicagoTribune antesdededicarseatrabajar 100%comofreelance(por cuentapropia)enelaño 2000.Ahoraestáenfocado enilustracióneditorialy publicacionesparaniños, ydetantoentantorealiza proyectosdeanimación. Dee Dee D’Asaroisprint designchiefatTheAtlanta Journal-Constitution, leadinganagileteamof designers.Asasenioreditor forprint/visualsin2008,she helpedlaunchanextensive redesignofthenewspaper. ShehasworkedinFlorida andGeorgiainallaspectsof visualjournalism,including design,editing,graphics anddigital. Dee Dee D’Asaroesjefa dediseñodeldiarioThe AtlantaJournal-Constitution, dondedirigeunágilequipo dediseñadores.Como editoraprincipaldeimpresos yelementosvisuales,en el2008ayudóarealizarel granrediseñodeldiario. Sehadesempeñadoen FloridayGeorgiaentodos losaspectosdelperiodismo visual,incluyendoeldiseño, laedición,losgráficosyel ámbitodigital. Heidi de Laubenfels is deputymanagingeditorat TheSeattleTimes,where shefocusesonhelping newspaperstransform themselvesintofinancially thriving,multimedianews organizations.Since1986 shehasworkedinvarious newsroomroles,including managingvisuals,andleda SeattleTimesredesign.She hasservedasacompetition judgeforSND,NPPA,APME, POYiandMcClatchy. Heidi de Laubenfels es subeditoraadministrativa deTheSeattleTimes,donde sededicaaayudaralos periódicosatransformarse enorganizaciones multimedialesquetienen prósperosresultados financieros.Desde1986 hadesempeñadovarios rolesenlasaladenoticias, comoestaracargodelos elementosvisuales,ydirigió unodelosrediseñosdel diario.Hasidojuezade competenciasdeperiodismo deSND,NPPA,APME,POYiy McClatchy. Michael Donlanhasbeen agraphicseditoratGannett newspapersformorethana decade.Hecurrentlyworks atTheNews-PressinFort Myers,Fla. Michael Donlanhasido editordegráficosdelos diariosGannettpormásde unadécada.Actualmente trabajaenTheNews-Press, enFortMyers,Florida. Rickard Frank iseditor- in-chiefforSweden’s southernmostnewspaper, TrelleborgsAllehanda. Beforethathewasa designeratSvenska Dagbladet.Heisaformer designconsultantand owneroftheeditorial designstudioNordström& Frank.Hehasworkedwitha numberofSweden’smajor newspapers,including SvenskaDagbladet,Dagens IndustryandSydsvenskan. Hespecializesinnews graphicsandisthecreator oftheconceptEditorial Toolbox.Heisamultiple award-winneratSND,SND/S andSND-E. Rickard Frank eseditor jefedelperiódicomás australdeSuecia,el TrelleborgsAllehanda. Anteriormentefuediseñador deldiarionacionalsueco SvenskaDagbladet.Es propietariodelestudiode diseñoeditorialNordström &Frankycomoconsultor dediseñohatrabajado convariosperiódicos suecos,comoSvenska Dagbladet,DagensIndustri Sydsvenskan.Seespecializa eninfografíanoticiosa ycreóelconceptode EditorialToolbox(cajade herramientaseditoriales). Haganadomuchospremios delaSND,SNDescandinava ySND-E. Haika Hinze isartdirector fortheGermanweekly DIEZEIT.Shebeganthere asadesignerin1997and assistedintherelaunchof thepaper,ledbydesigner MarioGarcia.Shereturned toDIEZEITasartdirector in2005afterastintasart directorforthemagazine Zeitpunkte. Haika Hinzeesdirectora deartedelsemanario alemánDieZeit.Comenzó ahícomodiseñadoraen 1997,yluegocooperóconel relanzamientodelperiódico dirigidoeldiseñadorMario García.RegresóaDieZeit comodirectoradearte en2005,despuésdeuna temporadacomodirectora deartedelarevista Zeitpunkte. ValHoeppnerisdirectorof educationfortheFreedom ForumDiversityInstitute. Sheoverseesinstructionfor FreedomForumNewMedia Training,servingjournalism professionals,educatorsand students.ValisanAssociated PressPhotoManagersboard memberandamember oftheNativeAmerican JournalistsAssociation.She hasspent20yearsworking innewspapers,includingThe IndianapolisStar,whereshe wasthemultimediadirector. ValHoeppneresdirectora deeducacióndelinstituto dediversidaddelFreedom Forum.Supervisala instrucciónenelprograma decapacitacióndeesa instituciónsobrenuevos mediosparaperiodistas profesionales,educadoresy estudiantes.Valespartedel directoriodeAssociatedPress PhotoManagers(gerentesde fotografíadelaagenciade noticiasAP)yesintegrante delaNativeAmerican JournalistsAssociation (AsociacióndePeriodistas IndígenasdeAméricadel Norte).Durante20añosha trabajadoenvariosdiarios, comoTheIndianapolisStar, dondellegóaserladirectora demultimedia. (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:4 001-006_C63618.indd 4 6/27/11 2:30 PM
  • 7. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:5 (Ray) 001-006_C63618.indd 5 6/27/11 2:59 PM (Text) society for News desigN 5 Greg Klee isthedeputy designdirectoroftheBoston Globe.Beforecomingtothe Globe,hewasanartdirector atBostonMagazineand PhiladelphiaMagazine.His workhasbeenrecognized numeroustimesbySND aswellastheSocietyof PublicationDesigners. Greg Klee eselsubdirector dediseñodeldiarioBoston Globe.Anteriormentefue directordeartedeBoston MagazineyPhiladelphia Magazine.Sutrabajoha recibidomuchospremios delaSNDylaSociedad deDiseñadoresde Publicaciones,SPD. Andrea Levyisan illustrator/photographer forThePlainDealerin Cleveland,Ohio.Herwork continuestobreaknew groundinvisualjournalism, elicitingawiderangeof reflectiononanysubject, bothwhimsicaland profound.Shehasbeen recognizedbycountless professionalsocieties, includingthreegoldmedals fromtheSocietyforNews Design. Andrea Levy esilustradora yfotógrafadeThePlain Dealer,deCleveland,Ohio. Sutrabajosigueabriendo fronterasenelperiodismo visual,provocandouna ampliareflexiónsobre cualquiertema,sea juguetónoprofundo.Ha recibidopremiosdemuchas agrupacionesprofesionales, incluyendotresmedallasde orodelaSND. Christine Longstartedher journalismcareeratTheSan GabrielValleyNewspaper GroupinSouthernCalifornia in1996.Shehasspent thelastsevenyearsatThe CharlotteObserverandis thecreativedirectorforthe paper’smagazinedivision. Christine Long comenzó sucarreraperiodísticaen 1996,enTheSanGabriel ValleyNewspaperGroup, delazonasurdeCalifornia. Hapasadolosúltimos sieteañosenTheCharlotte Observer,dondehoyes ladirectoracreativadela revistadeeseperiódico. Svetlana Maximchenko ofMoscow,Russia,is editor-in-chiefatAkziaMass MediaandSND’sregional directorforRussia.Sheis oneofthefoundersofAkzia Newspaper,servingaseditor sinceits2001debut.Akzia wonWorld’sBest-Designed™ awardtwoyearsinarow (2007, 2008)and25awards attheRussianNewspaper DesignCompetition(2003- 2009).Shehasbeenco-chair oftheRussiannewspaper designcompetitionand NewsDesignConference since2004.Shebecame anSNDregionaldirectorin June2008. Svetlana Maximchenko, deMoscú,Rusia,eseditora jefadeAkziaMassMedia yladirectoraregionalde laSNDparaRusiadesde el2008.Esunadelas fundadorasdelperiódico Akziayhasidoeditora desdesudebutenel2001. AkziaganóelpremioEl MejorDiseñodelMundo™ enel2007yel2008,y obtuvo25premiosenla competenciadediseñode periódicosrusosentreel 2003yel2009.También hasidocodirectorade esacompetenciaydela conferenciadediseñode noticiasdesdeel2004. Kevin Poortinga is thegeneralmanagerof GannettDigital’sproduct developmentteam,which championsuserexperience improvementsacrossall Gannettpropertiesand products.Beforecorporate life,Kevinheldseveralprint anddigitalvisualleadership rolesinnewsrooms, includingTheIndianapolis StarandTheTimesof NorthwestIndiana. Kevin Poortinga esel gerentegeneraldelequipo dedesarrollodeproductos deGannettDigital,que abogapordesarrollosde experienciadeusoen todoslosmediosdela compañíamedialGannett. Antesdededicarseal mundocorporativo,Kevin tuvovariospuestosde liderazgoeneláreavisualde impresosyonline,comoThe IndianapolisStaryTheTimes ofNorthwestIndiana. MikeRiceisvisualteam leader/designandgraphics fortheArizonaDailyStar inTucson,Ariz.Beforethat, hewasthefeaturesdesign teamleaderforTheTimesof NorthwestIndiana.Hewas appointedSND’s31stedition coordinatorbyitsdirector intheannualBestofNews Designcompetition. MikeRicedirigeelárea dediseñoeinfográficosdel equipovisualdelArizona DailyStar,deTucson, Arizona.Anteriormente,fue ellíderdelequipodediseño dereportajesdeTheTimes ofNorthwestIndiana.El directordelacompetencia anualLoMejordelDiseño deNoticiaslonombró coordinadordela31ªversión delacompetenciadediseño denoticiasdelaSND. SaraQuinnteachesvisual journalism,leadershipand multimedia.Sheleads Poynter’scollegefellowship anditspartnershipswith universities.Quinndirected Poynter’srecentnewspaper EyeTrackstudyandonline readinghabits,whichhelps journalistsdeterminethe bestformsforstorytelling. Beforejoiningthefacultyin 2003,shespentnearly20 yearsworkinginnewspaper newsrooms.Shehasedited anddesignedmagazines, websites,booksand newspapers. SaraQuinnenseña periodismovisual,liderazgo ymultimediaenelPoynter desdeel2003.Estáacargo delprogramadefellowship (becas)ylasalianzascon universidadesdeesecentro deestudiosmedialesy capacitaciónprofesionalpara periodistas.Estuvoacargo delrecienteestudioEyeTrack dehábitosdelecturade periódicosyweb,quebusca ayudaralosperiodistas adeterminarlasmejores formasderelatodenoticias. Anteriormentepasó20años enlassalasdenoticiasde variosperiódicos.Haeditado yrediseñadodiarios,revistas, sitioswebylibros. Michael Stanaland isthecreativeservices directoratWashington BusinessJournalanda veterantabloidnewspaper designeratAmericanCity BusinessJournals,adivision ofAdvancePublications. Michaelhasmorethan 17yearsofindustryand consultingexperience, andmostrecentlyhelped redesigntheRollCalldaily newspaperforCQRollCall Group. Michael Stanaland eseldirectordeservicios creativosdelWashington BusinessJournalyun experimentadodiseñador detabloidesdeAmerican CityBusinessJournals, unadivisióndeAdvance Publications.Michael cuentaconmásde17 añosdeexperienciaenla industriaycomoconsultor, yrecientementeayudóa rediseñareldiarioRollCall, delCQRollCallGroup. Todd Stewartisdesign, graphicsandmultimedia editorattheOrlando SentinelinOrlando,Fla. Hisvisualjournalism odysseyhastakenhimfrom KansasStateUniversity toSpringfield,Ill.,toSan Antonio,Texas,andthento Florida.Hisdesign,graphics andmultimediaworkhave beenrecognizedbySND. Todd Stewarteseditor dediseño,gráficosy multimediadelOrlando Sentinel,deOrlando,Florida. Suodiseaenperiodismo visuallohallevadode KansasStateUniversitya Springfield,Illinois;San Antonio,Texas;yluegoa Florida.LaSNDhapremiado sutrabajoendiseño, infografíaymultimedia. Will Sullivanisa2011 DonaldW.Reynolds JournalismFellowatthe UniversityofMissouri,where heisresearchingmobileand tabletnewsdevelopment. Will Sullivan esfellow (becario)delacátedra DonaldW.Reynoldsdela UniversityofMissourien el2011,enlacualestá dedicadoainvestigarel desarrollodelasnoticiasen aparatosportátilesytablets. Alfredo Triviñois creativeprojectsdirector atNewsInternational (NewsCorporation)in Londonwhereheleads theprocessofvisualizing andshowcasinginnovative productsfromprint newspapersormagazinesto mobileapps.Hisvisionhelps toinformthinkingabout thewiderdigitalstrategyat NewsCorp.Hehasrecently beeninstrumentalinthe creationofTimes+andthe newpaid-forwebsitesfor TheTimesandTheSunday Times,aswellasinthe conceptualizationoftheir iPadapps. Alfredo Triviñoesdirector creativodeproyectosde NewsInternational(News Corporation)enLondres. Lideraelprocesode visualizaciónymuestrade productosinnovadorestanto paraperiódicosimpresos comopararevistasy aplicacionesparateléfonos celulares,yparticipaenel desarrollodeunaamplia estrategiadigitaldeNews Corp.Recientementefue clavetantoenlacreaciónde Times+ylosnuevossitios webdepagodeTheTimesy TheSundayTimes,comoen laconceptualizacióndesus aplicacionesparaeliPad. DennisVarneyisthe leadsportsdesignerforthe LexingtonHerald-Leaderin Lexington,Ky.AKentucky nativeandWesternKentucky Universitygraduate,he alsohasworkedattheSt. LouisPost-Dispatch(St. Louis,Mo.)andTheTimesof NorthwestIndiana.Hewas appointedSND’s30thedition coordinatorbyitsdirector intheannualBestofNews Designcompetitionand hasbeenafacilitatoratthe judgingforeightyears. DennisVarneyesel diseñadorprincipalde deportesdelLexington Herald-Leader,deKentucky. Provenientedeeseestado ygraduadoporWestern KentuckyUniversity,también sehadesempeñadoen losperiódicosSt.Louis Post-Dispatch(deSanLuis, EstadosUnidos)yTheTimes ofNorthwestIndiana.Fue nombradocoordinadordela 30ªversióndelacompetición dediseñodenoticiasdela SNDenlacompetenciaanual deLoMejordelDiseñode Noticiasyhasidoasistente voluntariodelcertamen duranteochoaños. Jon Wileistheseniornews designerforTheWashington Post.Hedesignsthefront pageandoverseesthe designofthenational, foreign,financialandmetro sections.Jonhasbeena memberofSNDforadecade andhasservedasaregional director.Hisworkhasbeen recognizedinthelastfive editionsofTheBestofNews Design. Jon Wile eseldiseñador jefedenoticiasdeThe WashingtonPost.Está acargodeldiseñode laprimerapáginayde supervisareldiseñodelas seccionesdelpaís,elmundo, lasfinanzasylaciudad. Jonhasidointegrantede laSNDporunadécadayha sidodirectorregional.Su trabajohasidopremiadoen lasúltimascincoversiones deLoMejordelDiseñode Noticias. CarlNeustaedteris deputymanagingeditorfor featuresanddesignatthe OttawaCitizeninCanada’s capital.Previously,hewas designdirectoratCanada’s largestdaily,theToronto StarinToronto,Ontario, Canada,anddeputydesign directorattheGlobeand Mail,alsoinToronto.Hehas beeninvolvedinnumerous redesigns,hasapassion forinformationdesignand graphicsandmostrecently ledhisnewsroom’scomputer systemreplacementproject. CarlNeustaedteres subeditoradministrativode reportajesydiseñodeldiario OttawaCitizen,delacapital canadiense. Anteriormente fuedirectordediseñodel diarioconmayorcirculación enCanadá,elTorontoStar, ysubdirectordediseño deldiarioGlobeandMail, tambiéndeToronto.Ha participadoenvarios rediseños,esunapasionado deldiseñodeinformacióny losgráficos,yrecientemente lideróelproyectode reemplazodelsistemade computacióndesusalade noticias. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:5 (Ray) 001-006_C63618.indd 5 7/1/11 8:09 AM
  • 8. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:6 (Ray) 001-006_25605.indd 6 6/10/11 2:16 PM (Text) 6 | The Best of News Design | 32 what the judges were looking for ... Lo que buscaban los jueces Features: How to do your best work (and win an SND award): 1. Good is not great. 2. Craftsmanship counts. 3. Communicate without cliché. 4. think. think again. think about your readers. 5. Details. Details. Details. 6. Plan. 7. Collaborate. 8. Push yourself. 9. Less is still more. 10. Surprise us. Long form: Deep emotion. Strong concept. Sense of community. Solid typography. Consistency. these are the things that make up an award-winning entry. our few award winners surprised, evoked strong emotions and connected readers with the stories in an intimate and interactive way. Good, clean technique is no longer enough, and we wished we had seen more papers take risks and embrace stronger concepts. News: the most outstanding entries we saw surprised, engaged and presented the news in a fresh way. they successfully fused the elements of design and served their readers’ curiosity. We were pleased to see such impressive work, despite diminishing resources throughout the industry.Winning entries overcame this obstacle and continued to show an attention to detail and a mastery of craft. Photos: Images must be visceral and technically flawless. Craft isn’t enough and thoroughness isn’t enough. Great photos grab, engage and retain readers. many entries used wide, establishing shots, yet many that won were intimate and in your face. Small newspapers: With a dedication to doing more with less, the efficiency and ingenuity of small newspapers lend hope to an industry in transition.Winning entries tackled the tough issues in their communities by speaking directly to readers. For winning publications, even the smallest detail mattered. It’s not about size or print quality; it’s about heart, dedication and intelligence. Declaración sobre los reportajes: Cómo hacer su mejor trabajo (y ganar un premio de la SND): 1. Que esté bien hecho no necesariamente significa que sea muy bueno. 2. La destreza importa. 3. Comuniquen sin caer en clichés. 4. Piensen. Piensen de nuevo. Piensen en sus lectores. 5. Los detalles son muy importantes. 6. Planifiquen. 7. exíjanse. 7. Colaboren. 8. exíjanse. 9. menos sigue siendo más. 10. Sorpréndannos. Gran formato: emociones profundas, conceptos potentes, sentido de comunidad, tipografía sólida y consistencia: Una pieza ganadora está compuesta por todo eso. Los escasos ganadores de la competencia sorprendieron, evocaron emociones fuertes y conectaron a los lectores con los relatos de forma íntima e interactiva.Ya no basta una técnica buena y limpia. Nos hubiera gustado ver más diarios arriesgados y que adoptan conceptos más potentes. Noticias: Las piezas competidoras más sobresalientes que vimos dieron sorpresas, captaron y presentaron las noticias de forma fresca. Fusionaron los elementos del diseño con éxito y satisfacieron la curiosidad de sus lectores. Nos agradó ver trabajos impresionantes pese a la decreciente disponibilidad de recursos en la industria medial. Las piezas ganadoras sortearon esos obstáculos y siguieron prestando atención al detalle y demostraron maestría en el oficio. Fotografia: Las imágenes deben ser viscerales y técnicamente impecables. No basta el oficio ni la meticulosidad. Las grandes fotos atrapan, captan y retienen a los lectores. muchas piezas competidoras eran de planos amplios y generales, aunque muchas de las ganadoras eran íntimas y desafiantes. Periódicos de baja circulación: Con una dedicación a hacer más con menos, la eficiencia e ingenio de los diarios pequeños le da esperanza a una industria en transición. Las piezas ganadoras abordaron los asuntos complicados en sus comunidades al hablarle de forma directa a los lectores. Para las publicaciones ganadoras, incluso los detalles más mínimos fueron de importancia. No es un asunto de tamaño o calidad de impresión; es de corazón, dedicación e inteligencia. Graphics: (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:6 (Ray) 001-006_25605.indd 6 6/10/11 2:16 PM
  • 9. WORLD’S BEST DESIGNED WORLD’S BEST DESIGNED (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:7 007-014_C63618.indd 7 6/27/11 2:31 PM (Text) World’s best-designed 7 World’s best-designed 7 World’s best-designed 7 lo mejor diseñado del mundo World’s Best-designed™ (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:7 007-014_C63618.indd 7 6/27/11 2:31 PM
  • 10. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:8 (Ray) 007-014_25605.indd 8 6/10/11 2:23 PM 8 | The Best of News Design | 32 (Text) i — Oeiras, Portugal WHAT WE RECOGNIZED IN THIS YEAR’S WINNER WAS ITS FRESH, unique approach to this challenge.“i” can inspire visual journalists and publishers anywhere in the world to rethink their models and revise or create new ones that best serve their audiences.They may look nothing like “i.” It won’t — and shouldn’t — represent everyone’s approach. i Oeiras, Portugal iStaff World’s Best-Designed™ Daily 24,999 and under LO QUE DESTACAMOS EN EL GANADOR DE ESTE AÑO FUE JUSTAMENTE SU ENFOQUE FRESCO y original para lograr este desafío.“i” puede inspirar a periodistas visuales y directores de todo el mundo a repensar sus modelos y a revisar o crear unos nuevos que mejor sirvan a sus púbicos. Es posible que no se parezcan en nada a “i”. De hecho, no va a representar el enfoque de todos, ni debería hacerlo. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:8 (Ray) 007-014_25605.indd 8 6/10/11 2:19 PM
  • 11. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:9 (Ray) 007-014_25605.indd 9 6/10/11 2:23 PM (Text) World’s best-designed 9 i — Oeiras, Portugal (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:9 (Ray) 007-014_25605.indd 9 6/10/11 2:19 PM
  • 12. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:10 (Ray) 007-014_25605.indd 10 6/10/11 2:24 PM (Text) 10 | The Best of News Design | 32 i — Oeiras, Portugal (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:10 (Ray) 007-014_25605.indd 10 6/10/11 2:19 PM
  • 13. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:11 (Ray) 007-014_25605.indd 11 6/10/11 2:24 PM (Text) World’s best-designed 11 i — Oeiras, Portugal (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:11 (Ray) 007-014_25605.indd 11 6/10/11 2:19 PM
  • 14. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:12 (Ray) 007-014_25605.indd 12 6/10/11 2:24 PM (Text) 12 | The Best of News Design | 32 i — Oeiras, Portugal (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:12 (Ray) 007-014_25605.indd 12 6/10/11 2:19 PM
  • 15. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:13 (Ray) 007-014_25605.indd 13 6/10/11 2:24 PM (Text) World’s best-designed 13 i — Oeiras, Portugal Overview of World’s Best-Designed Category IT’S UNUSUAL FOR THIS COMPETITION TO RESULT IN JUST ONE WINNER, AND OF COURSE NO SINGLE PUBLICATION CAN EMBODY EVERY QUALITY THAT ALL OTHERS SHOULD EMULATE. In taking a broad look at this year’s entries, we are compelled to acknowledge the huge volume of great work that’s out there. Newspapers around the globe offer so much inspiration. In fact, looking through the range of entries, it was striking how much of the world actually was represented in a competition for the World’s Best. Of course, huge parts of the globe – India and Africa chief among them – were missing. But before us were a United Nations of languages, formats, styles and voices. Entries came from not just North America and Europe but from China, the Middle East, Latin America and Russia. How inspiring and thrilling, to swim in such diverse visual traditions and standards. The variety came through even when all were covering the same story, such as Haiti’s earthquake disaster. Whether they were colorful, sports-crazy tabloids or broadsheets with long political commentaries, the best papers served their societies by reflecting their character through their visual voice. And they did it with consistency and conviction from cover to cover. It’s clear that everywhere journalists are putting great thought and effort into making the most of what print has to offer: a beautiful, immersive experience that leaves the reader feeling smarter. More and more, publications are putting color on every page, and are even investing in higher-quality paper and production quality. Newspapers came in a wide range of shapes and sizes, from compact tabloids to extra-wide broadsheets to hybrid multi-section publications that deftly mixed formats, including glossy magazines.We witnessed examples of great care with modular advertising that maintained the visual elegance of both the advertiser and the publication. Entrants artfully balanced predictability and surprise, solemnity and fun. It was especially encouraging to see an ongoing commitment to illustration and informational graphics, the latter of which continue to evolve into more sophisticated formats as we face an ever-growing glut of data. Double trucks dazzled with elaborate charts and drawings.Tiny, efficient charts brought an element of surprise and sophistication to corners. Online data visualizations seem to have influenced the presentation of data in print, and while we did see some excesses, much original thinking and experimentation brought data and other information to life. Several papers presented hybrids of text, photos and graphics — visual storyboards, really — that sought to explain complex information and processes in accessible and clever ways. Artists are breaking down the walls of each of the individual genres they draw on. Use of typography was remarkably sophisticated across the board.The collective standard has risen over the years to the point that fundamental problems are few and far between.We see Chinese newspapers refining their typographical approach. What will the rest of the world learn from their efforts? Amid all our positive observations, we became concerned about the state of photojournalism in the pages we saw.We missed emotional photographs. Glossy magazines and newsprint pages with vast, luxurious expanses of space were largely devoid of powerful photojournalism. The lack of strong, documentary images puzzled us.We wondered if this has something to do with reduced investment. The industry has lost so many positions for picture editors and others, and yet great photographs can’t be made without time, care and commitment. Perhaps in places where the work is being done, print space to showcase it is no longer available. Having had the luxury of seeing hundreds of papers in the last few days, we’d like to raise a red flag on this issue. It’s one of print’s great powers to enable users to savor moments captured in the best photos. How can we recapture and deliver this value to readers? As publishers’ portfolios broaden to include a variety of digital offerings, the most successful will continue to experiment and invest in the qualities that make print publications special: their ability to capture a moment in time and invite us to ponder it on our own terms; the way they engage our senses and dazzle us with beauty, emotion and intelligence; their portability, utility and capacity to both relax and stimulate their readers. Sometimes, the publications that did this the best were the smallest.There’s much for all to learn from the nimble, experimental newspapers that are gaining fame for their innovation. What we recognized in this year’s winner was its fresh, unique approach to this challenge.“i” can inspire visual journalists and publishers anywhere in the world to rethink their models and revise or create new ones that best serve their audiences.They may look nothing like “i.” It won’t — and shouldn’t — represent everyone’s approach. We hope the message from this year’s competition is one of encouragement and inspiration.We laud the creativity and tenacity that are required for a newspaper to find its own voice and express it with conviction and excellence, no matter the size of the staff or access to other resources.These times dare us all to animate our colleagues’ talents, and to bring focused expression to our communities’ voice. (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:13 007-014_C63618.indd 13 6/27/11 2:31 PM
  • 16. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:14 (Ray) 007-014_25605.indd 14 6/10/11 2:24 PM (Text) 14 | The Best of News Design | 32 i — Oeiras, Portugal Visión general de la categoría Lo mejor diseñado del mundo ES POCO USUAL QUE EN ESTA COMPETENCIA SÓLO HAYA UN GANADOR,Y EVIDENTEMENTE NINGÚN PERIÓDICO PODRÍA ENCARNAR TODASY CADA UNA DE LAS CUALIDADES QUE LOS DEMÁS DIARIOS DEBERÍAN IMITAR. Una vista panorámica de las piezas participantes de este año revela que debemos reconocer la enorme cantidad de excelentes trabajos que hay. Los diarios de todo el mundo ofrecen mucho para inspirarse. De hecho, al mirar la variedad de piezas fue asombroso que buena parte del mundo estuviera representado en la competencia de Lo mejor diseñado del mundo. Eso sí, grandes áreas del mundo –India y África, principalmente– estuvieron ausentes. Pero delante de nosotros se desplegaban unas Naciones Unidas de idiomas, formatos, estilos y voces. Las piezas no sólo provenían de América del Norte y Europa, sino también de China, el Medio Oriente, América Latina y Rusia. Cuán inspirador y excitante fue nadar en esa diversidad de tradiciones y estándares visuales. La variead incluso se reflejó cuando todos cubrían lo mismo, como el desastre del terremoto de Haití. Fueran coloridos tabloides locos por el deporte o estándares con largos comentarios políticos, los mejores periódicos sirvieron a sus públicos al reflejar sus caracteres a través de su voz visual. Lo hicieron con consistencia y convicción, de la portada o tapa a la página final. Queda claro que en todas partes, los periodistas dedican mucho pensamiento y esfuerzo para aprovechar lo mejor de lo que las imprentas pueden ofrecer: Una experiencia bella e inmersiva que deja al lector sintiéndose más inteligente. Cada vez más, los periódicos están usando color en cada página, e incluso están invirtiendo tanto en papel como en una producción de mayor calidad. Los diarios vienen en una amplia gama de formas y tamaños, desde tabloides compactos hasta estándares extra anchos, e híbridos de múltiples secciones que mezclan formatos con destreza, incluyendo revistas de papel satinado. Fuimos testigos de ejemplos de gran cuidado con la publicidad modular, que mantuvo la elegancia visual tanto del avisador como del periódico. Los participantes de la competencia equilibraron con gracia la predictibilidad con la sorpresa, y la solemnidad con la diversión. Fue especialmente alentador ver un continuo compromiso con la ilustración y la infografía. Esta última continúa desarrollándose en formatos más sofisticados a medida que enfrentamos una creciente saturación de datos. Las páginas dobles deslumbraron con elaborados gráficos y dibujos. Gráficos pequeños y eficientes produjeron un elemento de sorpresa y sofisticación en las esquinas de las páginas. Las visualizaciones de datos en Internet parecen haber influenciado la presentación de datos en los impresos, y aunque vimos algunos excesos, una buena dosis de pensamiento original y experimentación le dieron vida a los datos y otros tipos de información. Varios periódicos presentaron híbridos de texto, fotografía y gráficos –guiones gráficos, de hecho– que buscaron presentar información y procesos de alta complejidad de varias formas accesibles y astutas. Los artistas están derribando los muros de cada uno de los géneros individuales a que echan mano. El uso de la tipografía fue extraordinariamente sofisticado en todas partes. El estándar colectivo se ha incrementado a lo largo de los años, a tal punto, que los problemas fundamentales son cada vez más escasos.Vemos que hay diarios chinos que refinan sus enfoques tipográficos y nos preguntamos qué podría aprender el resto del mundo de esos esfuerzos. Junto con nuestras observaciones positivas, nos quedamos preocupados por el estado del fotoperiodismo en las páginas que evaluamos. Echamos de menos las fotos emotivas. Los grandes y lujosos espacios en las páginas de las revistas de papel brillante y los diarios casi no traían fotoperiodismo poderoso. La falta de imágenes documentales poderosas nos intrigó. Nos preguntamos si esto tiene relación con la menor inversión en los diarios. La industria mediática ha perdido muchos puestos de trabajo de editores fotográficos y demás, y, sin embargo, no es posible lograr grandes fotografías sin dedicarles tiempo, cuidado y esmero.Tal vez en los lugares donde se realiza ese trabajo ya no hay espacio impreso disponible para mostrar esas imágenes. Luego de tener el lujo de ver cientos de diarios en los últimos días, nos gustaría hacer un llamado de atención en este aspecto. Uno de los grandes poderes de la prensa es permitir que el público pueda saborear los momentos captados en las mejores fotos. ¿Cómo podemos volver a capturar y ofrecer este valor a los lectores? A medida que los portafolios de las casas editoras se amplían para incluir una variedad de ofertas digitales, las más exitosas seguirán adelante con la experimentación y la inversión en las cualidades que hacen que la prensa sea especial: Su habilidad para capturar un momento en el tiempo e invitarnos a reflexionar al respecto en nuestros propios términos; la forma en que atrae nuestros sentidos y nos deslumbra con la belleza, emoción e inteligencia; y lo portátil, útil y capaz que es para relajar y estimular a los lectores. A veces, los periódicos que lo lograron fueron los de menor circulación. Hay mucho por aprender de los diarios ágiles y experimentales que están haciéndose famosos por su innovación. Esperamos que el mensaje de la competencia de este año sea de ánimo e inspiración. Celebramos la creatividad y tenacidad necesarias para que un periódico encuentre su propia voz y la exprese con convicción y excelencia, sin importar el tamaño de su planta laboral o disponibilidad de recursos. Los tiempos actuales nos desafían a todos a animar los talentos de nuestros colegas y a darle una expresión enfocada a la voz de nuestras comunidades. (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:14 007-014_C63618.indd 14 6/27/11 2:31 PM
  • 17. JSR JSR (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:15 015-026_C63618.indd 15 6/27/11 3:03 PM Judges’special recognition 15 (Text) World’s best-designed 15 reconocimiento especial de los jueces Judges’ special recognition (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:15 015-026_C63618.indd 15 6/27/11 3:03 PM
  • 18. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 16 6/10/11 2:33 PM #175 Dtp:204 Page:16 16 | The Best of News Design | 32 (Text) JSR (overall) Throughout these pages they created unique and appropriate forms expertly suited for what they were trying to convey.This is especially seen with their use of circles. In graphics, circles are the new squares. For humans, circles are the most natural shape, the one we have the most comfortable relationship with.This paper takes advantage of that, using the shape to make dense information more approachable. RECONOCIMIENTO ESPECIAL DE LOS JUECES (REJ) (GENERAL) En todas estas páginas, se crearon formas originales y apropiadas que lograron con perfección lo que se trató de expresar. Esto es especialmente evidente en el uso de los círculos. En los gráficos, los círculos son los nuevos cuadrados. Para los humanos, los círculos son la forma más natural, con la cual se tiene la relación más cómoda. Este diario lo aprovechó al usar esa forma para hacer que una información densa sea más abordable. THE WASHINGTON POST Washington, D.C. TheWashingtonPostStaff;LauraStanton, Graphic Artist; KarenYourish, Graphic Editor; GeneThorp, Cartographer; MaryKateCannistra, Cartographer; NathanielVaughnKelso, Cartographer; DanKeating, Database Editor; ChrisCanipe, Graphic Artist; AlbertoCuadra, Graphics Artist; ToddLindeman, Graphics Artist; BonnieBerkowitz, Graphics Editor; Wilson Andrews, Graphics Artist; PattersonClark, Graphics Artist; LarisKarklis, Cartographer; BrennaMaloney, Graphics Artist JSR (OvERAll) Information Graphics/Portfolios Non-Breaking Feature (Staff) 175,000 and Over SIlvER Information Graphics/Portfolios Non-Breaking or Feature (Individual) 175,000 and Over AWARdS Of ExcEllENcE Information Graphics/Portfolios Non-Breaking Feature (Staff) 175,000 Information Graphics/Portfolios Planned news/Extended Coverage (Staff) 175,000 and Over SILvER Cutting across many topics, it’s extremely well done. You could trust this individual to interpret and simplify anything.You get the sense you could throw the most complex matter at this person and know you’ll receive clarity on the page. And you appreciate the technique and range of styles that really make this portfolio stand out. PLATA Abarca muchos temas y está extremadamente bien hecho. Se podría confiar en este individuo para interpretar y simplificar cualquier cosa. Da la impresión de que se le podría encargar el tema más complejo y seguro que se recibiría claridad en la página. Se agradece la técnica y la gama de estilos que realmente hacen destacar este portafolio. The Washington Post (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:16 015-026_C63618.indd 16 6/27/11 2:32 PM
  • 19. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 17 6/10/11 2:33 PM #175 Dtp:204 Page:17 Judges’special recognition 17 (Text) The Washington Post (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 17 6/10/11 2:33 PM #175 Dtp:204 Page:17
  • 20. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 18 6/10/11 2:33 PM #175 Dtp:204 Page:18 18 | The Best of News Design | 32 (Text) The Washington Post (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 18 6/10/11 2:33 PM #175 Dtp:204 Page:18
  • 21. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 19 6/10/11 2:33 PM #175 Dtp:204 Page:19 Judges’special recognition 19 (Text) Times of Oman JSR (for art direction in service to the reader) These pages feature a range of illustrations from lighthearted to serious, but all of them are consistently sophisticated and elegant.The packages are bold without sacrificing information and execute a high level of typography without hindering readability.We would love to get this paper every day. REJ (por la dirección de arte al servicio del lector) Estas páginas contienen una gama de ilustraciones desde las livianas de espíritu hasta las serias, pero todas son consistentemente sofisticadas y elegantes. Los paquetes informativos son audaces sin sacrificar información y logran un alto nivel en la tipografía sin afectar la lecturabilidad. Nos encantaría recibir este diario todos los días. Times of oman Muscat, Oman EssaAlZedjali, Chairman (MPPH); AhmedEssaAlZedjali, Editor-in-Chief; AdonisDurado, Design Director; WaleedRabin, Designer; WinieAriany, Illustrator; GregoryFernandez, Designer; SrinivasaRaoRedravuthu, Designer; LucilleR.Umali, Illustrator JsR (oveRall) News Design/Page(s) Business/Broadsheet 49,999 and Under awaRds of excellence News Design/Page(s) Business/Broadsheet 49,999 and Under News Design/Page(s)Business/Broadsheet 49,999 and Under News Design/Page(s)Business/Broadsheet 49,999 and Under News Design/Page(s) Business/Broadsheet 49,999 and Under Portfolio/Page Designer Combination 49,999 and Under (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:19 015-026_C63618.indd 19 6/27/11 2:32 PM
  • 22. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 20 6/10/11 2:33 PM #175 Dtp:204 Page:20 20 | The Best of News Design | 32 (Text) REJ (por la ilustración y dirección de arte) ¡Guau! ¡De qué gran forma este diario ha adoptado la ilustración y la dirección de arte! Tantas de estas secciones eran atractivas y excepcionales. Cada una es diferente y todas calzan juntas pese a la diferencia en los estilos ilustrativos. Relatan historias con ilustraciones de tal forma que sería difícil o imposible de lograr con fotografías, y además las cuentan de forma totalmente novedosa. El enfoque consistente y muy exitoso hace que este diario se vea muy rico. ORO Esto tiene muchos aspectos efectistas y provoca fuertes reacciones emocionales. La belleza atrae la atención y luego el tema repele. Se siente el contenido en un nivel profundo. Da vergüenza observarlo, pero luego uno se siente forzado a investigar toda la gama. No es exagerado ni sobreexplotado, ya que demuestra moderación dentro de la profundidad de lo truculento. Esto trasciende el nivel de la ilustración y se convierte en arte. Es algo que nunca se ha visto antes. Si no ganaba oro, ¿entonces qué? JSR (for illustration and art direction) Wow! Has this publication embraced illustration and art direction! So many of these sections were striking and unique. Every one is different, but they all fit together despite the difference in illustration styles.They tell stories with illustrations that would be difficult or impossible to do with photos, and they tell them in a completely different way.The consistent, highly successful approach makes the publication look very rich. GOld This has so many things going for it. It elicits strong emotional reactions.The beauty draws you in, then the subject matter repulses you.You feel the content on a deep level.You feel shameful for looking at it, but you cannot look away. Any one of the individual illustrations will draw you in, then you’re compelled to investigate the entire range. It isn’t over the top and exploited; it shows restraint, within the depth of the gruesomeness. This transcends the level of illustration and becomes art. It is something you have never seen before. If it isn’t gold, what is? la PResse Montréal, Canada BenoîtGiguère, Assistant Managing Editor/Art Director; GenevièveDinel, Deputy Art Director; AlexandreRoy, Illustrator; LaPresseStaff JsR and Gold Illustration Multiple awaRd of excellence Special NewsTopics Editor’s Choice: Local/Regional La Presse (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:20 015-026_C63618.indd 20 6/27/11 2:32 PM
  • 23. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 21 6/10/11 2:33 PM #175 Dtp:204 Page:21 Judges’special recognition 21 (Text) The BosTon GloBe Boston, Mass. WardSutton, Illustrator; MarjoriePritchard, Op-Ed Page Editor JsR and silveR Illustration Single Lead Color REJ (por el humor) Esta es la ejecución de la parodia llevada al nivel más alto.Ya hemos visto páginas de historietas, pero la voz y el humor en éstas es para morirse de la risa. Funciona en dos niveles: es fiel tanto con cada historieta (incluso hasta alcanzar la vieja pendiente en Dilbert) como con el tema. Es completamente perfecto. JSR (for humor) It’s the execution of parody taken to the highest level.We’ve seen comics pages before, but the voice and humor here are just hysterical. It comes on two levels — it’s true to each comic (right down to the old gradient in Dilbert) and true to the topic. It is pitch-perfect. The Boston Globe SilvER Imagine the joy if you just stumbled onto this page. It’s brilliant, a huge surprise. It gets better and better the more time you spend with it.There’s plenty of fake funny out there.This is really funny. Plata Uno se puede imaginar la felicidad de tropezarse con esta página. Es genial y una gran sorpresa. Mejora aun más a medida de que se le presta más tiempo. Hay mucho de humor fingido en esta pieza. Es realmente divertido. (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:21 015-026_C63618.indd 21 6/27/11 2:32 PM
  • 24. 015-026_25605.indd 22 6/10/11 2:34 PM (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:22 (Ray) JSR (for use of infographics) They use many different genres and styles, but they all feel like they belong to the same publication. From simple to more complex, there is a richness that runs through all the graphics.You feel like you can understand the graphics even if you can’t read the language. REJ (por el uso de infográficos) Se usan varios géneros y estilos, pero se siente que todos pertenecen a la misma revista. Desde el más simple hasta el más complejo, hay una cierta riqueza que recorre todos los gráficos. Da la impresión de que se pueden entender los gráficos aun cuando no se pueda leer el idioma. suPeRinTeRessanTe Sao Paulo, Brazil GabrielGianordoli, Designer; Sattu, Illustrator awaRd of excellence and JsR Magazines Inside Features Magazine Page Design Superinteressante 22 | The Best of News Design | 32 (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:22 015-026_C63618.indd 22 6/27/11 2:32 PM
  • 25. 015-026_25605.indd 23 6/10/11 2:34 PM (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:23 (Ray) Superinteressante Judges’special recognition 23 015-026_25605.indd 23 6/10/11 2:33 PM (Text) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:23 (Ray)
  • 26. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 24 6/10/11 2:34 PM #175 Dtp:204 Page:24 24 | The Best of News Design | 32 (Text) The CommerCial appeal Memphis,Tenn. AlanSpearman, Photojournalist; KimColeman, Art Director; LindseyTurner,Assistant Art Director; JohnSale, Assistant Managing Editor/Visuals JSr and award of exCellenCe Photography/Single Photos Spot News JSR (for courage in front-page photo play, pushing the community standard and knowing when to break the rules) It was probably tough to get this image on the front page. So many times we over-think what can run on A-1 because it might be disturbing or graphic. It takes courage and conviction to make this decision knowing that some people will be disturbed. But perhaps they wanted people to be disturbed and to prompt some changes in the community. REJ (por el coraje en el uso de una fotografía de portada o tapa, alzando el estándar de la comunidad, y por saber cuándo romper las reglas) Probablemente fue difícil lograr que esta imagen fuera en la primera página. Muchas veces se piensa demasiado en qué poner en la A1 porque podría ser muy perturbador o explícito. Requiere coraje y convicción tomar esta decisión sabiendo que algunas personas se van a sentir perturbadas. Pero tal vez se quería provocar a esa gente para motivar cambios en la comunidad. The Commercial Appeal i Oeiras, Portugal NickMrozowski, Art Director; PedroFernandes, Design Editor; AnaSoares, Design Coordinator; iStaff JSr (overall) News Design/Page(s)Inside Page/Compact 49,999 and Under awardS of exCellenCe News Design/Page(s)Inside Page/Compact 49,999 and Under News Design/Page(s)Inside Page/Compact 49,999 and Under News Design/Page(s)Inside Page/Compact 49,999 and Under JSR (for intelligent solutions) These pages show how a publication can create a destination that readers would look forward to. Each one shows ingenious solutions for topics we all have to cover.The style is consistent and recognizable, but the designers show great flexibility within that framework through skilled use of illustration, graphics and photography. REJ (por soluciones inteligentes) Estas tres páginas muestran de qué forma un impreso puede generar un destino que los lectores pueden desear. Cada uno muestra soluciones ingeniosas para temas que todos debemos cubrir. El estilo es consistente y reconocible, pero los diseñadores demuestran una gran flexibilidad dentro de ese marco a través de un hábil uso de la ilustración, los gráficos y la fotografía. i (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:24 015-026_C63618.indd 24 6/27/11 2:32 PM
  • 27. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 25 6/10/11 2:34 PM #175 Dtp:204 Page:25 Judges’special recognition 25 (Text) SilvER and JSR (for split-second timing and the courage to be in a dangerous situation) This photographer put himself in true danger.This chaotic and intense situation makes you feel afraid for the person who is being held at knifepoint.You’re seeing the action from an intimate perspective — the photographer is right in the thick of it.The harsh reality is something we don’t normally see this close up, unless it is staged for a movie.The exposure is not perfect, but whose would be? This photo represents the state of the art for spot news photography. Este fotógrafo se expuso al verdadero peligro. Esta situación caótica e intensa produce miedo por la persona a punta de navaja. Se ve la acción desde una perspectiva íntima y el fotógrafo está justo ahí. La dura realidad es algo que normalmente no vemos tan de cerca, excepto cuando se actúa en una película. La exposición no es perfecta, ¿pero acaso alguien podría lograrla? Esta foto representa el estado del arte de la fotografía de últimas noticias. Toronto Star ToronTo STar Toronto, Canada LucasOleniuk, Photographer JSr and Silver Photography/Single Photos Spot News Plata and REJ (por una sincronización perfecta y la valentía de estar en una situación de peligro) (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:25 015-026_C63618.indd 25 6/27/11 2:32 PM
  • 28. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 (Ray) 015-026_25605.indd 26 6/10/11 2:34 PM #175 Dtp:204 Page:26 26 | The Best of News Design | 32 (Text) JSR (for innovative, risk-taking approaches) The variety, elegance and originality of the approaches pull you in.These are beautiful, stunningly different graphic styles. It conveys deep information, stretches the limits and introduces new ways to create graphics. It’s like graphics porn. SilvER It’s beautiful, and the perfect application of a radial-line axis. It offers a concise economic and demographic snapshot of Germany. It’s rare to see a graphic try to explain so much in such a small space, and do it so beautifully. REJ (por enfoques innovadores y atrevidos) La variedad, elegancia y originalidad de los enfoques atrae la atención. Se trata de estilos gráficos bellos e impresionantemente diferentes que transmiten información profunda, y que extienden los límites y presentan nuevas formas de creación de gráficos. Es como una pornografía de infográficos. Plata Es hermoso y la perfecta aplicación de un eje de líneas radiales para ofrecer una instantánea concisa sobre la economía y demografía alemana. Es poco común ver un gráfico que explique tanto en tan poco espacio, y que lo haga de forma tan bella. in GraphiCS Berlin, Germany JanSchwochow, Creative Director; KatharinaSchwochow, Infographics Editor JSr and Silver Information Graphics Charting 49,999 and Under In Graphics (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:26 015-026_C63618.indd 26 6/27/11 2:32 PM
  • 29. GOLD & SILVER GOLD & SILVER (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:27 027-068_C63618.indd 27 6/27/11 2:33 PM Print medal winners 27 (Text) medallas de oro y plata MEDAL WINNERS (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:27 027-068_C63618.indd 27 6/27/11 2:33 PM
  • 30. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:28 (Ray) 027-068_25605.indd 28 6/10/11 4:08 PM 28 | The Best of News Design | 32 (Text) Liaoning Daily GOLD THIS IS AN EXERCISE IN HOW TO DESIGN.The illustrations are amazing, showcasing the state of the art in layout, illustration and tonal and color palettes. There’s nothing to fault; they’ve gone through every stage and thought hard about it. On even the small touches of typography and the small map, the tonal qualities are elegant and considered. Nothing shouts. Every element frames the illustration and gives it movement.That’s a tiger of an art director. It’s crazy good. SILVER INCREDIBLE.THE ILLUSTRATIONS work on many levels. It’s not overly complicated. It challenges the traditional way we look at collectible sections.The gold colors work on one level, the black and white on another.There’s incredible consistency throughout, but it doesn’t feel one-note.The moment we saw this, we thought,“Wow! It’s fantastic!” It’s so well put together, so well printed, exciting, inviting and thoughtful. ORO ESTO ES TODO UN EJERCICIO DE DISEÑO. Las ilustraciones son asombrosas y muestran el estado del arte en diagramación, ilustración, y de paletas de tono y color. No hay nada hecho de forma exagerada; han revisado con cuidado cada paso. Incluso en los pequeños toques de tipografía y el pequeño mapa, las cualidades tonales son elegantes y consideradas. Nada grita; cada elemento enmarca la ilustración y le da movimiento. El director de arte es todo un tigre. Esto es realmente bueno. PLATA INCREÍBLE. LAS ILUSTRACIONES funcionan en varios niveles, pero el todo no es muy complicado. Desafía la forma tradicional en que miramos las secciones coleccionables. Los tonos dorados funcionan en un nivel, y los negros y blancos en otro. Hay una gran consistencia a lo largo de todo, pero no se siente plano. Cuando vimos esto, pensamos “¡Guau, fantástico!” Está muy bien ensamblado e impreso. Es excitante, tentador y considerado. Liaoning DaiLy Liaoning, China DanZhang, Visual Designer; WenfengSui, Visual Designer; SunGang, Editor-in-Chief; ZhangQingjun, DirectorofVision goLD Entertainment Broadsheet 50,000-174,999 SiLver Special Coverage Section Pages, Inside Page or Spread (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:28 027-068_C63618.indd 28 6/27/11 2:34 PM
  • 31. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:29 (Ray) 027-068_25605.indd 29 6/10/11 4:08 PM Print medal winners 29 (Text) The SeaTTLe TimeS Seattle,Wash. JohnLok, Photographer SiLver Photography/Multiple Photos Series/Project or Story SILVER THIS GOES BEYOND SPORTS — it’s Olympic.They let the images lead the design.There’s a lot of energy and drama to each photo. Each is very colorful and they function perfectly as a set.The Olympics is a subject so overshot that it’s hard to stand out but this really rises to the occasion. PLATA ESTO VA MÁS ALLÁ DE LO DEPORTIVO; es olímpico. Se permite que las imágenes guien el diseño. Hay mucha energía, dramatismo y color en cada foto, y funcionan muy bien como grupo. Los Juegos Olímpicos son un tema tan fotografiado que es difícil destacarse, pero aquí sí se logra. The Seattle Times (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:29 (Ray) 027-068_25605.indd 29 6/10/11 5:37 PM
  • 32. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:30 (Ray) 027-068_25605.indd 30 6/10/11 4:08 PM 30 | The Best of News Design | 32 (Text) El Mundo Magazine oro REVISAMOS MUCHA COBERTURA DEL CAMPEONATO MUNDIAL DE FÚTBOL, pero ésta era especial, principalmente porque logró salirse de los obvios clichés del fútbol. No hay sólo jugadores vestidos con sus camisetas. El tema de tapa de la revista reúne a los mejores jugadores de toda España y muestra sus atractivos retratos junto con fotos del duro castigo a que someten sus pies. Los jugadores se ven en un estado de intimidad y de cierta vulnerabilidad. Cada par de pies revela detalles con riqueza, como marcas de calcetines, cicatrices y uñas maltratadas. La decisión de mostrar las cabezas y los pies al mismo tamaño lleva el diseño más allá de la norma. El ritmo de cada doble página no se siente repetitivo debido a la variedad de las expresiones y los perfiles. Cada doble página incluye 20 preguntas al deportista y datos interesantes, como su número de calzado. PLATA No se esperaría nunca ver este enfoque en la tapa de una revista: Los pies son feos y se ven las venas, las marcas de los calcetines y las uñas maltratadas. Esta portada dice mucho, no sólo sobre el jugador sino sobre el país y el fútbol, y lo hace sin ningún tipo de parafernalia deportiva. GoLD WE SAW A LOT OF WORLD CUP COVERAGE, but this was unique, mostly because it managed to escape all the expected soccer clichés.This isn’t simply more soccer players in jerseys.The magazine cover story gathers the best players throughout Spain for beautiful head portraits matched with pictures that show the punishment they have put their feet through.We see the players in an intimate and slightly vulnerable state. Each set of feet reveals rich detail, such as sock impressions, scars and battered toenails.The decision to play the heads and feet at the same size pushes the design beyond the norm.The rhythm of each spread does not feel repetitious because of the variety of the expressions and profiles. Each spread features 20 questions with the athlete as well as fun breakouts, such as his shoe size. SILVEr YOU’D NEVER EXPECT TO SEE this approach on a magazine cover; the feet are ugly and exposed with veins, sock marks and battered toenails.This cover says so much, not just about the player but also about the country and soccer — and it does it without any kind of sports paraphernalia. El Mundo MagazinE Madrid, Spain RodrigoSánchez, Design Director; MáriaGonzález, Art Director; JavierSanz, Designer; AdrianaRodriguez, Designer; FranciscoAlarcos, Designer; RubénViqué, Designer; ChemaLonesa, Photographer gold Magazines Features Magazine Cover Story Design SilvEr Magazines Cover Design award of ExcEllEncE Magazines Special Sections (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:30 027-068_C63618.indd 30 6/27/11 2:34 PM
  • 33. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:31 (Ray) 027-068_25605.indd 31 6/10/11 4:09 PM Print medal winners 31 (Text) El Mundo Magazine (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:31 (Ray) 027-068_25605.indd 31 6/10/11 5:37 PM
  • 34. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:32 (Ray) 027-068_25605.indd 32 6/10/11 4:09 PM 32 | The Best of News Design | 32 (Text) SILVER ALL THE IMAGES OFFER SOPHISTICATION and a great representation of the culture and area. It’s just terrific photography, using great light, a variety of compositions and lenses. A wide variety of emotions are represented. It’s a peek inside lives we ordinarily don’t get to see. PLATA TODAS LAS IMÁGENES entregan sofisticación y una gran representación de la cultura y el área. Es una estupenda fotografía que usa una gran luz, y una variedad de composiciones y lentes para representar una gran gama de emociones. Es un vistazo dentro de vidas que corrientemente no nos toca mirar. The naTionaL Abu Dhabi, United Arab Emirates TanyaHabjovqa, Photographer; KerriAbrams, Designer; ClintMcLean, Photo Editor SiLver Photography/Multiple Photos Project Page or Spread The National (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:32 (Ray) 027-068_25605.indd 32 6/10/11 5:37 PM
  • 35. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:33 (Ray) 027-068_25605.indd 33 6/10/11 4:09 PM Print medal winners 33 (Text) SILVER THE PHOTOGRAPHER ADDED A TREMENDOUS AMOUNT TO THIS PACKAGE.The way he composed the pictures showed he saw the subject matter in a different light.The angles from which photos were shot and the subjects themselves are all so compelling and unexpected. It’s a great domestic story; a rare find. PLATA EL FOTÓGRAFO CONTRIBUYÓ MUCHÍSIMO A ESTE PAQUETE INFORMATIVO. La forma en que compuso las fotos demuestra que vio el tema bajo una luz diferente.Tanto los ángulos desde los cuales las fotos fueron tomadas como los mismos sujetos son irresistibles e inesperados. Es un gran tema de alcance nacional; todo un hallazgo. The Virginian-Pilot The virginian-PiLoT Norfolk,Va. PrestonGannaway, Staff Photographer; BillKelley, Advance Planning Photo Editor; LuisVilches, Designer; RandallGreenwell, Director/Photography; PaulNelson, Director/Presentation; RobertSuhay, Assistant Director/Presentation SiLver Photography/Multiple Photos Project Page or Spread (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:33 (Ray) 027-068_25605.indd 33 6/10/11 5:37 PM
  • 36. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:34 (Ray) 027-068_25605.indd 34 6/10/11 4:09 PM 34 | The Best of News Design | 32 (Text) Los AngeLes Times Los Angeles, Calif. SteveStroud, Deputy Managing Editor; KelliSullivan, Deputy Design Director; CarolynCole, Photographer; BarbaraDavidson, Photographer; MarkBoster, Photographer; KirkMcKoy, Photographer; WallySkalij, Photographer; RickLoomis, Photographer; JayClendenin, Photographer DanSantos, Designer; MarkYemma, Designer; GerardBabb, Designer; RickCollins, Designer; WilliamSheehan, Designer; MichaelWhitley, Assistant Managing Editor siLver Photography/Multiple Photos Series/Project or Story siLver Photography/Multiple Photos Portfolio/Team or Staff AwArds of exceLLence Special NewsTopics Natural Disasters Photography/Multiple Photos Project Page or Spread Special Coverage/Single subject Photography/Multiple Photos Project Page or Spread Silver This captures a broad range of emotion within a tragedy.They made an effort to highlight the best photos of the day and to create strong complements. It comes across as very complete reporting. There are very public moments — you can almost hear what’s going on in some photos — and then some very quiet ones that tell a different story.There are some unexpected images in here: a man shoving corpses into a truck, for example. You might hear that things like this are going on, but when you actually see it, it hits you in an unimaginable way. Plata Esto captura un amplio rango de emociones al interior de una tragedia. Se hizo un esfuerzo por destacar las mejores fotos del día y crear complementos fuertes, lo que resulta ser un reporteo muy completo. Hay momentos muy públicos –casi se puede escuchar lo que está ocurriendo en algunas fotos–, y otros muy silenciosos que cuentan otra historia. Hay imágenes inesperadas también: Un hombre que pone cadáveres en un camión, por ejemplo. Se podría escuchar que este tipo de cosas está ocurriendo, pero cuando se ven en realidad, golpea de forma inimaginable. Los Angeles Times (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:34 027-068_C63618.indd 34 6/27/11 2:34 PM
  • 37. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:35 (Ray) 027-068_25605.indd 35 6/10/11 4:09 PM Print medal winners 35 (Text) Los Angeles Times Plata Un tratamiento tipográfico como éste sería difícil de lograr, pero éste es técnicamente muy sólido. Está tan bien hecho que hace volar el aviso publicitario. Las paralelas dan justo en el blanco –no hay nada que un hincha deportivo pueda criticar. Es puro ingenio y desafía la convención de que toda página deportiva debe llevar fotos. Silver A type treatment like this is so hard to pull off, and this one is technically very sound. It’s so well done it blows the ad away. The parallels are spot on — not one thing a sports fan can argue with. It defies convention — clever sports page that doesn’t have a single sports photo on it. Los AngeLes Times Los Angeles, Calif. DerekSimmons, Deputy Design Director; MichaelWhitley, Assistant Managing Editor siLver News Design/Page(s)Sports/Broadsheet 175,000 and Over (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:35 027-068_C63618.indd 35 6/27/11 2:34 PM
  • 38. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:36 (Ray) 027-068_25605.indd 36 6/10/11 4:09 PM 36 | The Best of News Design | 32 (Text) PoLiTiken Copenhagen, Denmark SørenNyeland, Design Editor; Anne-MetteSvane, Editor-in-Chief; JesperFriis, PS Editor; ClausPaaske, Copy Editor; ChristinaRadaic, Page Designer; JonathanBjerg-Møller, Photographer SiLver News Design/Page(s) Other Broadsheet 50,000-174,999 SiLver Photography/Multiple Photos Project Page or Spread SiLver Photography/Single Photos General News (Planned) SILVER THIS STUNNING PIECE OF PHOTOJOURNALISM makes for a cover that stops you in your tracks. Although you can’t see the face, you feel great empathy for this human being. Great restraint was used to keep from competing with the strong photo.The image tells a story that you intuitively understand, even before reading the headline. THE IMAGE IS SO FLAWLESS, so striking, that it makes you keep looking even though it is tough to do so.The angle accentuates how flat on the ground the subject is, but it is respectful and doesn’t feel as though it’s invasive. It’s done with sensitivity. THIS OFFERS A GRIPPING SNAPSHOT of humanity and suffering, from complex to simple images carrying the same power. It takes you from the solitary to the masses.With just four images, you grasp a complete sense of place.The large photo is one to study. It contains so much that you want to understand what’s at play to create that moment. PLATA ESTA SENSACIONAL PIEZA DE FOTOPERIODISMO es digna de una portada o tapa que hace que uno se detenga en seco frente a ella. Aunque no se le puede ver la cara, se siente gran empatía por esta persona. Se usó moderación para evitar que compita con la potente foto. La imagen cuenta una historia que se entiende intuitivamente, incluso antes de leer el título. LA IMAGEN ES TAN PERFECTA e impresionante que hace fijar la vista en ella aunque resulte difícil hacerlo. El ángulo acentúa lo extendido en el suelo que está el hombre, pero es respetuoso y no se siente como si fuera invasivo. La foto está tomada con sensibilidad. ESTO OFRECE UNA APASIONANTE FOTO INSTANTÁNEA de la humanidad y el sufrimiento, desde imágenes complejas a simples que transmiten el mismo impacto. Con apenas cuatro imágenes, se capta una completa sensación del lugar. La foto grande es digna de estudio, porque contiene tanto que uno querría comprender lo que está en juego para generar ese momento. Politiken (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:36 (Ray) 027-068_25605.indd 36 6/10/11 5:37 PM
  • 39. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:37 (Ray) 027-068_25605.indd 37 6/10/11 5:32 PM Print medal winners 37 (Text) naTionaL PoST Toronto, Canada RichardJohnson, Illustrator; JoeHood, Page One Editor; AnneMarieOwens, Managing Editor/News; StephenMeurice, Editor-in-Chief; GayleGrin, Managing Editor/ Design and Graphics SiLver Miscellaneous SILVER THIS IS ONE OF THE MOST IMPRESSIVE EXAMPLES of incorporating data into an image, and it was done on deadline.When you realize each dot represents a person, it makes you very sad. If a newspaper can move people, it’s doing its job. It’s a great combination of illustration and infographic. PLATA ESTE ES UNO DE LOS EJEMPLOS MÁS ADMIRABLES de uso de datos en una imagen, y fue realizado contra el plazo de entrega. Da gran tristeza darse cuenta de que cada punto representa una persona. Si un periódico puede conmover a la gente, significa que está cumpliendo con su deber. Esto es una gran combinación de ilustración e infografía. National Post Politiken (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:37 (Ray) 027-068_25605.indd 37 6/10/11 5:37 PM
  • 40. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:38 (Ray) 027-068_25605.indd 38 6/10/11 4:09 PM 38 | The Best of News Design | 32 (Text) ST. LouiS PoST-DiSPaTch St. Louis, Mo. ChrisLee, Photographer; CameronHollway, Prep Editor; SantiagoC.Ayulo, Presentation Editor SiLver Photography/Multiple Photos Series/Project or Story awarD of exceLLence Special Coverage Single Section,With Ads SILVER MANY PAPERS DO AN ALL-AREA TEAMS SECTION, but this one is terrifically executed.The illustrations are an exaggeration of athletic ability, but beautiful. So much coordination had to go into this.They did it well on every front. The photos, illustrations and design are excellent.There is no weak point. PLATA MUCHOS PERIÓDICOS PUBLICAN UNA SECCIÓN integrada por todos los equipos, pero ésta está increíblemente bien realizada. Las ilustraciones son una exageración de la destreza atlética, pero son hermosas. Se necesitó mucha coordinación para hacer esto y se logró en todo aspecto. Las fotos, las ilustraciones y el diseño son excelentes. No hay ningún punto débil. St. Louis Post-Dispatch (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:38 (Ray) 027-068_25605.indd 38 6/10/11 5:37 PM
  • 41. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:39 (Ray) 027-068_25605.indd 39 6/10/11 4:09 PM Print medal winners 39 (Text) The virginian-PiLoT Norfolk,Va. PrestonGannaway, Staff Photographer; BillKelley, Advance Planning Photo Editor; LuisVilches, Designer; RandallGreenwell, Director/Photography; PaulNelson, Director/Presentation; LoriKelley, Assistant Director/Presentation SiLver Photography/Multiple Photos Project Page or Spread SILVER IT’S SEAMLESS — one incredible image after another. Every image is flawless.The research that went into this, and the individual craft. How many outtakes must there have been? It’s expertly done in real time, and a lot went into matching up what’s going on with the image.They pulled it off in expert fashion.We would have loved to witness the planning behind this and to have seen how they kept ramping it up. PLATA ES PERFECTA: una tras otra, cada imagen es impecable. La investigación que requirió esto y la maestría individual son excelentes. ¿Cuántas tomas se habrán descartado? Está hecho a la perfección y en tiempo real, y hubo dedicación al emparejar lo que está pasando con la imagen correspondiente. Hubiera sido un gusto ser testigo de cómo se planificó esto y observar la forma en que se fue aumentando. The Virginian-Pilot (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:39 (Ray) 027-068_25605.indd 39 6/10/11 5:37 PM
  • 42. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:40 (Ray) 027-068_25605.indd 40 6/10/11 4:09 PM 40 | The Best of News Design | 32 (Text) LoS angeLeS TimeS Los Angeles, Calif. RobertGauthier, Photographer; GeorgeWilhelm, Photo Editor; CalvinHom, Photo Editor; Derek Simmons, Deputy Design Director; TimHubbard, Senior Designer; MollyBedford, Designer; Bret Edgar, Designer; MichaelWhitley, Assistant Managing Editor SiLver Photography/Multiple Photos Individual Portfolio awarDS of exceLLence Photography/Multiple Photos Series/Project or Story Photography/Single Photos Sports Special Coverage Multiple Sections,With ads SILVER THIS COLLECTION CAPTURES THE VIBRANCY OF THE EVENTS — all the images are alive. Dying, winning, losing, the big crowd:The Olympics is captured in its entirety.There are great images of the individual events with an amazing sense of timing.This covers not just the events, but also the moments. For one person to do all this is a feat in itself. PLATA ESTA COLECCIÓN CAPTURA LA VITALIDAD DE LAS COMPETENCIAS, ya que todas las imágenes están vivas. Morir, ganar, perder, la gran masa: Se captan los Juegos Olímpicos completamente. Son grandiosas imágenes de los eventos individuales con un impresionante sentido del ritmo. Esto cubre no sólo las competencias, sino también los momentos. Que una persona haya hecho todo esto es toda una hazaña. Los Angeles Times (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:40 (Ray) 027-068_25605.indd 40 6/10/11 5:37 PM
  • 43. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:41 (Ray) 027-068_25605.indd 41 6/10/11 4:10 PM Print medal winners 41 (Text) Los AngeLes Times Los Angeles, Calif. MaryCooney, Deputy Photo Editor; BarbaraDavidson, Photographer; ColinCrawford, Deputy Managing Editor; KelliSullivan, Deputy Design Director; MichaelWhitley, Assistant Managing Editor siLver Photography/Multiple Photos Series/Project Or Story AwArds of exceLLence Special NewsTopics Editor’s Choice/Local/Regional News Design/Page(s)Inside Page/Broadsheet 175,000 and Over Photography/Multiple Photos Project Page or Spread Portfolio/Page Designer News 175,000 and Over Silver YOU GO FROM ONE GRIPPING IMAGE TO THE NEXT. It’s so powerful that you almost have to resist shutting down.The way they pace it is interesting — the inside really explodes. I like the series, you could have had a series of images of just funerals and hospitals, but they really did their research and pushed to make each story different and to find just the right subjects for these stories. Plata SE PASA DE UNA IMAGEN APASIONANTE A OTRA. Es tan impactante que casi hay que resistir detenerla. La forma que toma el ritmo es interesante, porque el interior realmente explota. La serie gusta, porque se pudo tener varias series de imágenes de funerales y hospitales, pero se ve que se hizo una buena investigación para que cada relato fuera único y para encontrar los sujetos precisos de cada uno. Los Angeles Times (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:41 027-068_C63618.indd 41 6/27/11 2:34 PM
  • 44. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:42 (Ray) 027-068_25605.indd 42 6/10/11 4:10 PM 42 | The Best of News Design | 32 (Text) LoS angeLeS TimeS Los Angeles, Calif. CarolynCole, Photographer; BarbaraDavidson, Photographer; MarkBoster, Photographer; KirkMcKoy, Photographer; WallySkalij, Photographer; RickLoomis, Photographer; JayClendenin, Photographer SiLver Photography/Multiple Photos Portfolio/Team or Staff SILVER WE SEE A LOT OF VENUES HERE. It’s not that they did just one thing well. Here’s a broad spectrum of places and stories, from completely different subject matters and parts of the world.Yes, they’re travel photos, but they’re gorgeous travel photos.There’s a high level of work across the board. It says,“We can do anything.” PLATA AQUÍ SE VEN MUCHOS LUGARES. No se trata de que lograron hacer sólo una cosa bien. Aquí hay un amplio espectro de lugares e historias de temas y partes del mundo completamente diferentes. Es cierto que son fotos de viajes, pero son magníficas fotos de viajes. Se aprecia un alto nivel de trabajo en todo sentido, tanto, que es como si dijera:“Somos capaces de hacer cualquier cosa”. Los Angeles Times (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:42 (Ray) 027-068_25605.indd 42 6/10/11 5:37 PM
  • 45. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:43 (Ray) 027-068_25605.indd 43 6/10/11 4:10 PM Print medal winners 43 (Text) LaS vegaS Sun Henderson, Nev. LeilaNavidi, Photographer; KristinDonaldson, Director/Photography; RachelPerkins, Creative Director SiLver Photography/Multiple Photos Page design SILVER A SUPER SIMPLE HEADLINE kicks off this package and takes it in a different direction.There’s a timeliness, with so many falling into poverty and fathers not around because of the war or the economy. Readers are more likely to make a connection to these images now than they would have perhaps four or five years ago. It resonates. PLATA UN TÍTULO MUY SENCILLO da inicio a este paquete informativo y luego lo lleva en otra dirección. Es oportuno dado que muchos han caído en la pobreza mientras los padres están ausentes debido a la guerra o la mala economía. Es más probable que los lectores se conecten con estas imágenes ahora que, tal vez, hace cuatro o cinco años. Es resonante. Las Vegas Sun The waShingTon PoST Washington, D.C. ToddLindeman, Artist; DavidFallis, Reporter; BrennaMaloney, Graphics Editor SiLver Information Graphics Charting 175,000 and Over PLATA TENÍA QUE SER UN GRÁFICO DEBIDO A LA INFORMACIÓN INCREÍBLEMENTE ÚTIL E IMPERIOSA. Es muy limpio, comunica con claridad y usa bien el color y el contraste. Está realizado a la perfección, es compacto e impecable, contiene reporteo original y excelente información. Impacta en todo. Hoy en día hay tanto interés por darle forma diferente a la interpretación de datos que se ve a muchos que tratan de forzar la información de una determinada forma. Este gráfico ES la forma de esta información. SILVER INCREDIBLY USEFUL AND COMPELLING INFORMATION, AND IT HAD TO BE A GRAPHIC. It’s very clean, communicates clearly and uses color and contrast well. It is perfectly executed, compact and flawless, contains original reporting and great information. It fires on all fronts.There’s so much passion now for interpreting data into different shapes — you see lots of people trying to force information into a certain shape.With this graphic, this IS the shape of this information. The Washington Post (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:43 (Ray) 027-068_25605.indd 43 6/10/11 5:37 PM
  • 46. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:44 (Ray) 027-068_25605.indd 44 6/10/11 4:10 PM 44 | The Best of News Design | 32 (Text) PoLiTiken Copenhagen, Denmark PeterHoveOlesen, Photographer SiLver Photography/Multiple Photos Individual Portfolio awarD of exceLLence Photography/Single Photos Spot News SILVER THIS WORK IS REALLY EXCITING AND SHAKESYOU UP A BIT. It’s smart and well seen with variety.There are no clichés, just smart symbols. It’s just brilliant. It’s shot in a very different style, with restrained, serious formalism.The size gives it more impact. But scale, in combination with typography, is part of what makes this work. PLATA ESTE TRABAJO ES REALMENTE FASCINANTEY LOGRA CONMOCIONAR. Es inteligente y se ve bien con variedad. No hay clichés, sino sólo símbolos inteligentes. Es simplemente genial. Está fotografiado en un estilo muy diferente, con un formalismo moderado y serio. El tamaño le da más impacto. Sin embargo, lo que en parte hace que funcione es la escala en combinación con la tipografía. Politiken (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:44 (Ray) 027-068_25605.indd 44 6/10/11 5:37 PM
  • 47. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:45 (Ray) 027-068_25605.indd 45 6/10/11 4:10 PM Print medal winners 45 (Text) The Plain Dealer Cleveland, Ohio EmmetSmith, Deputy Design Director/News; MichaelTribble, Design and Graphics Director; JoshuaGunter, Photographer; DavidKordalski, Assistant Managing Editor/Visuals; DebraAdamsSimmons, Managing Editor; SusanGoldberg, Editor Silver News Design/Page(s)A-Section/Broadsheet 175,000 and Over awarDS of excellence Special Coverage/Sections Cover Only Portfolio/Page Designer Sports 175,000 and Over Silver THE CONCEPT IS SO AMAZING, SO SIMPLE, AND SO BALLSY — it completely captured the mood of Cleveland when LeBron James left the Cavaliers. It’s not angry; it’s a classy kiss-off that packs an emotional wallop.This pushes what can be done on A-1, and you don’t see this from a major American metro newspaper every day. Up close you can see that the focus is a bit soft and the crop is a bit weird, but the power of the message more than overcomes the technical problems. PlATA EL CONCEPTO ES TAN SORPRENDENTE, SIMPLEY CORAJUDO que captó el ánimo de Cleveland cuando LeBron James se fue del equipo de béisbol Cavaliers. No expresa rabia, sino que es un rechazo con clase que contiene un fuerte golpe emocional. Esta pieza va más allá de lo que se puede hacer en la primera página, algo que no se ve todos los días en un diario norteamericano importante. De cerca se nota que el enfoque es un poco suave y que el recorte es un poco extraño, pero el poder del mensaje supera con creces esos problemas técnicos. The Plain Dealer (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:45 027-068_C63618.indd 45 6/27/11 2:34 PM
  • 48. (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 #175 Dtp:204 Page:46 (Ray) 027-068_25605.indd 46 6/10/11 4:10 PM 46 | The Best of News Design | 32 (Text) al Bayan newSPaPer Dubai, United Arab Emirates LuisChumpitaz, Infographics Director; GermánFernandez, Infographics Editor; LizRamos-Prado, Infographics Editor; MohamedSaif, Senior Reporter; KarinAricoche, Data Processor; DavidMaced, Data Processor; AsmaAli,Translator; WilliamNavarra, 3-D Renderer; AhmedAlHammadi, Executive Director; DahenShaeen, Editor-in-Chief; Ali Shandoor, Managing Editor Silver Information Graphics Non-Breaking News/Feature 50,000-174,999 awarDS of excellence Miscellaneous Information Graphics Non-Breaking News/Feature 50,000-174,999 Science/Technology Broadsheet 50,000-174,999 News Design/Page(s)Sports/Broadsheet 50,000-174,999 PlATA LOS FANÁTICOS DE LA FÓRMULA 1 AGRADECERÁN la pulida representación que expresa la pasión por un deporte en particular y la ejecución de la escala con estilo. Hay mucha información, pero una vez que se ha establecido el sistema gráfico en la primera página, se vuelve muy fácil comprender el lenguaje a lo largo de todas las páginas. Hay una tremenda edición y coordinación para componerlo. Silver THE F1 CROWD WILL APPRECIATE the slickness of these in the expression of a passion for a particular sport and a sharp execution of scale.There’s a ton of information, but once the charting system is established on the first page, it becomes very easy to understand the language across the pages.There’s tremendous editing and coordination going on to put together such a tight and consistent set. Al Bayan Newspaper (Ray) (Fogra 39) Job:06-25398/25605 Title:RP-Socrety of News Design Vol 32 06-C63618 #175 Dtp:204 Page:46 027-068_C63618.indd 46 6/27/11 2:34 PM