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Peer Marking Essays
• Learnzone; get mark scheme
• Read and mark essays; giving them a
  mark for all three of the areas as well as
  an overall mark (adding up the three
  marks) and some constructive criticism
Developing your Editing Analysis
Fall back on the following:
     – Pace (rhythmic relations); this can easily be linked to
       representations
     – Transitions (which are also used to create rhythmic relations)
     – Use of continuity through techniques such as:
         • shot-reverse shot: links to macro concept of audience and
           their understanding of the sequence; taking them through the
           sequence logically
         • Eye-line shot: helps the audience understand the characters
           in detail/understand their motivation
         • This may also link to ‘cause and effect’
         • Match-on action
     – The juxtaposition of shots and the meaning created/connoted
     – Graphic match/discontinuity match
     – Parallel editing (cross-cutting between scenes); this can easily
       be linked to narrative
Editing Example
• Count how many different edits there are:
Developing your Sound
               Analysis
Fall back on the following:
     – Music (non-diegetic)
        • Incidental music: adds to the emotion and rhythm to a
          drama/can help audiences understanding of characters
        • Dissonant music/sounds
        • Parallel sounds: compliments the action
     – Dialogue (diegetic)
        • Pull out quotes from dialogue to support representations
     – Sound effects (non-diegetic)
        • Foley sounds
     – Ambient sounds (diegetic)
     – Sound bridge
REPRESENTATION
                             OF AGE

                                             How is age
                                         represented in this
                                              image?


LO: To micro analyse TV drama through the representation
                         of age
Positive and negatives of
   youth and old age
YOUTH   OLD AGE
POSITIVES




NEGATIVES
YOUTH               OLD AGE
POSITIVES   Active              Wise
            Sociable            Authoritative
            Innocent            Well educated
            Strong              Freedom
            Long future ahead   Wealth
            Adventurous         Stability
            Fun

            Lazy                Weak
NEGATIVES                       Vulnerable
            Rebellious
                                Fragile
            Rude                Mentally incompetent
            Hormonal            Not in control of their own bodies
            Vulnerable          Lonely
                                Dependent
            Naiive              Boring
            Dependent           Unwilling to try new things
Age
Youth:
•   All youths believe that the police have it in for them
•   negative stereotypes as hoodie wearing criminals
•   Young people are portrayed by the media as alcoholics and drug abusers, criminals, lazy, complaining and
    aggressive
•   A common misconception for parents is that every middle school kid of this generation is conceited, gossip-ridden,
    hormone-raging and naive. This is a stereotype. The irony of labeling children with stereotypes is not just
    hypocritical, but a huge overgeneralization.



Pensioners and the elderly:
•   Pensioners stereotyped as being grumpy
•   The elderly are stereotyped as being old, frail and lonely
•   They are not wanted and a burden to their family
•   The image of old people as childlike has been with us for a long time. there was a high level of agreement that old
    people are unproductive, have to go to bed early, need a nap every day, are in the "happiest" period of their lives,
    cannot manage their own affairs, and are in their second childhood.
•   Pensioners are fed up with being stereotyped on television as grumpy Victor Meldrews or sweet little old ladies,
    according to a study.
MISE EN SCENE                   CINEMATOGRAPHY

Costume                         Close up, extreme close up/long
Lighting                        shot, mid shot, two shot, POV,
Production Design               high/low/canted angle, over the
                                shoulder,composition, framing,
Props                           rule of thirds, power points,
Performance (body               deep/shallow focus, depth of
language, facial expressions)   field, tracking, panning,
Space                           zooming, tilting, craning
SOUND                           EDITING                    How would these
                                                           represent
                                                           Superior or inferior
Sound bridge, motif, non-       Fast/slow pace,            qualities?
diegetic/diegetic,              long/short takes, fade,
ambient, instrumental,          dissolve, cut, transition,
soundtrack, tone, tempo,        180 degree rule,
dialogue, sound effects,        montage/continuity
foley                           editing, match on action,
                                eyeline match,cross
                                cutting/parallel editing,
                                simultaneous action
MISE EN SCENE         CINEMATOGRAPHY




   EDITING
                AGE       SOUND
How could age be represented
      through sound?
How could age be represented
  through mise en scene?
How could age be represented
  through cinematography
          (camera
 shot, angle, movement and
        composition)?
How could age be represented
      through editing?
Group Activity
•   You will be given a number 1-4
•   You need to sit in a groups that contain only your number
•   Your numbers refer to these technical areas

•   1 = Camera shot, angle, movement and composition
•   2 = Mise en scene
•   3 = Sound
•   4 = Editing

•   We will watch the sequence twice and you need to take notes for your focus
    areas
•   You will then discuss the notes you have written with your group and share
    and develop them, adding in any appropriate terminology and linking to any
    theory
•   You will then, as a group write one paragraph on your focus area
•   We will then join all these paragraphs together creating a living essay, and
    hopefully an exemplar one
Analyse through the four micro
  elements for REP of AGE
January paper - Section A
       TV DRAMA
Marking Criteria
   Terminology
                       Frequent and Accurate use of
         10            media terminology

   Use of Examples      Consistent evidence from the extract offered.
                         Offers frequent relevant examples from the
                         extract
         20

Analysis/Explanation    Clear analysis of how the technical
                        aspects are used to
                        construct the particular representation
         20             Understanding of the constructed
                        nature of representation
Strong Responses

Use note taking effectively and were well practiced in working under
timed conditions.
Understood the constructed nature of representation and were able
to explore this through all four micro elements
Used media terminology frequently.
 Selected the most relevant examples form the extract and analysed
how the technical aspects constructed age.
Could see the range of representations rather than ‘old’ and ‘young’
Considered whether these representation were conformed to or
subverted stereotypes

Weak Responses

Described the action rather than analysed
Focused primarily on one area and neglect others
Stray from the relevant question- discuss gender/social class etc
Were concerned with TV Drama as genre rather than focus on
representation
Use terminology rarely or inaccurately
Write a short response, intro and conclusion included
P.E.E.
• Now write a PEE for at least two points
• From your notes

• Point – your comment about the area of
  representation
e.g. Youth is represented through diegetic sound.
• Evidence – your micro element that tells us this
e.g. The dialogue is colloquial.
• Explain – link the two
e.g. This conforms to a stereotypical view of young
  teenagers, that they are rebellious in speaking their
  own language.
Editing                                      Sound
Weakest area of analysis. Some candidates Was tackled well by some but too much
making no reference at all.               focus on dialogue.

Stronger responses discussed the use 180-    Clear distinction between diegetic and
degree rule and continuity editing.          non-diegetic sound by some candidates.
 These candidates also referred to eyeline
matches, shot reverse shot, simultaneous
                                             Need to address use of music in more
action and use of ellipsis.
                                             detail-tempo, pace, sound bridges and link
Also some discussed the pace of editing to   specifically to representation.
represent age

Mise-en-scene                                Cinematography
Often very well discussed but at times too   Well handled by most with the most
much focus on this area. Some entirely       confident use of terminology in this
focused on mise-en-scene                     area.

Concentration on clothing and props but
little exploration of lighting.              Problems for some in just identifying
                                             camera shots/angle/position and not
                                             linking this to the construction of
Must link to how it constructs
                                             representation.
representation.
QUICK QUIZ
• What is the media term for realism?
  – What techniques are used in TV dramas to
    help create this?
• Sum up the typical representation of old
  age in three words
• Sum up the typical representation of youth
  in three words

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TV Drama - Age

  • 1. Peer Marking Essays • Learnzone; get mark scheme • Read and mark essays; giving them a mark for all three of the areas as well as an overall mark (adding up the three marks) and some constructive criticism
  • 2. Developing your Editing Analysis Fall back on the following: – Pace (rhythmic relations); this can easily be linked to representations – Transitions (which are also used to create rhythmic relations) – Use of continuity through techniques such as: • shot-reverse shot: links to macro concept of audience and their understanding of the sequence; taking them through the sequence logically • Eye-line shot: helps the audience understand the characters in detail/understand their motivation • This may also link to ‘cause and effect’ • Match-on action – The juxtaposition of shots and the meaning created/connoted – Graphic match/discontinuity match – Parallel editing (cross-cutting between scenes); this can easily be linked to narrative
  • 3. Editing Example • Count how many different edits there are:
  • 4. Developing your Sound Analysis Fall back on the following: – Music (non-diegetic) • Incidental music: adds to the emotion and rhythm to a drama/can help audiences understanding of characters • Dissonant music/sounds • Parallel sounds: compliments the action – Dialogue (diegetic) • Pull out quotes from dialogue to support representations – Sound effects (non-diegetic) • Foley sounds – Ambient sounds (diegetic) – Sound bridge
  • 5. REPRESENTATION OF AGE How is age represented in this image? LO: To micro analyse TV drama through the representation of age
  • 6. Positive and negatives of youth and old age
  • 7. YOUTH OLD AGE POSITIVES NEGATIVES
  • 8. YOUTH OLD AGE POSITIVES Active Wise Sociable Authoritative Innocent Well educated Strong Freedom Long future ahead Wealth Adventurous Stability Fun Lazy Weak NEGATIVES Vulnerable Rebellious Fragile Rude Mentally incompetent Hormonal Not in control of their own bodies Vulnerable Lonely Dependent Naiive Boring Dependent Unwilling to try new things
  • 9. Age Youth: • All youths believe that the police have it in for them • negative stereotypes as hoodie wearing criminals • Young people are portrayed by the media as alcoholics and drug abusers, criminals, lazy, complaining and aggressive • A common misconception for parents is that every middle school kid of this generation is conceited, gossip-ridden, hormone-raging and naive. This is a stereotype. The irony of labeling children with stereotypes is not just hypocritical, but a huge overgeneralization. Pensioners and the elderly: • Pensioners stereotyped as being grumpy • The elderly are stereotyped as being old, frail and lonely • They are not wanted and a burden to their family • The image of old people as childlike has been with us for a long time. there was a high level of agreement that old people are unproductive, have to go to bed early, need a nap every day, are in the "happiest" period of their lives, cannot manage their own affairs, and are in their second childhood. • Pensioners are fed up with being stereotyped on television as grumpy Victor Meldrews or sweet little old ladies, according to a study.
  • 10. MISE EN SCENE CINEMATOGRAPHY Costume Close up, extreme close up/long Lighting shot, mid shot, two shot, POV, Production Design high/low/canted angle, over the shoulder,composition, framing, Props rule of thirds, power points, Performance (body deep/shallow focus, depth of language, facial expressions) field, tracking, panning, Space zooming, tilting, craning SOUND EDITING How would these represent Superior or inferior Sound bridge, motif, non- Fast/slow pace, qualities? diegetic/diegetic, long/short takes, fade, ambient, instrumental, dissolve, cut, transition, soundtrack, tone, tempo, 180 degree rule, dialogue, sound effects, montage/continuity foley editing, match on action, eyeline match,cross cutting/parallel editing, simultaneous action
  • 11. MISE EN SCENE CINEMATOGRAPHY EDITING AGE SOUND
  • 12. How could age be represented through sound?
  • 13. How could age be represented through mise en scene?
  • 14. How could age be represented through cinematography (camera shot, angle, movement and composition)?
  • 15. How could age be represented through editing?
  • 16. Group Activity • You will be given a number 1-4 • You need to sit in a groups that contain only your number • Your numbers refer to these technical areas • 1 = Camera shot, angle, movement and composition • 2 = Mise en scene • 3 = Sound • 4 = Editing • We will watch the sequence twice and you need to take notes for your focus areas • You will then discuss the notes you have written with your group and share and develop them, adding in any appropriate terminology and linking to any theory • You will then, as a group write one paragraph on your focus area • We will then join all these paragraphs together creating a living essay, and hopefully an exemplar one
  • 17. Analyse through the four micro elements for REP of AGE
  • 18.
  • 19. January paper - Section A TV DRAMA
  • 20. Marking Criteria Terminology Frequent and Accurate use of 10 media terminology Use of Examples Consistent evidence from the extract offered. Offers frequent relevant examples from the extract 20 Analysis/Explanation Clear analysis of how the technical aspects are used to construct the particular representation 20 Understanding of the constructed nature of representation
  • 21. Strong Responses Use note taking effectively and were well practiced in working under timed conditions. Understood the constructed nature of representation and were able to explore this through all four micro elements Used media terminology frequently. Selected the most relevant examples form the extract and analysed how the technical aspects constructed age. Could see the range of representations rather than ‘old’ and ‘young’ Considered whether these representation were conformed to or subverted stereotypes Weak Responses Described the action rather than analysed Focused primarily on one area and neglect others Stray from the relevant question- discuss gender/social class etc Were concerned with TV Drama as genre rather than focus on representation Use terminology rarely or inaccurately Write a short response, intro and conclusion included
  • 22.
  • 23. P.E.E. • Now write a PEE for at least two points • From your notes • Point – your comment about the area of representation e.g. Youth is represented through diegetic sound. • Evidence – your micro element that tells us this e.g. The dialogue is colloquial. • Explain – link the two e.g. This conforms to a stereotypical view of young teenagers, that they are rebellious in speaking their own language.
  • 24. Editing Sound Weakest area of analysis. Some candidates Was tackled well by some but too much making no reference at all. focus on dialogue. Stronger responses discussed the use 180- Clear distinction between diegetic and degree rule and continuity editing. non-diegetic sound by some candidates. These candidates also referred to eyeline matches, shot reverse shot, simultaneous Need to address use of music in more action and use of ellipsis. detail-tempo, pace, sound bridges and link Also some discussed the pace of editing to specifically to representation. represent age Mise-en-scene Cinematography Often very well discussed but at times too Well handled by most with the most much focus on this area. Some entirely confident use of terminology in this focused on mise-en-scene area. Concentration on clothing and props but little exploration of lighting. Problems for some in just identifying camera shots/angle/position and not linking this to the construction of Must link to how it constructs representation. representation.
  • 25. QUICK QUIZ • What is the media term for realism? – What techniques are used in TV dramas to help create this? • Sum up the typical representation of old age in three words • Sum up the typical representation of youth in three words