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THE ROMANTIC AGE
Romanticism
Historical and Social Background ,[object Object],[object Object],[object Object],[object Object],BRITISH SOCIETY POLITICAL REFORMS
Prosperity and confidence in 1700’s American and French revolutions disappointment in bitter and violent ends - Napoleon Industrial Revolution dirty, unorganized cities emerge huge class shift
British Society ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Historical and Social  Background
Political Reforms ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Historical and Social  Background
The French Revolution ,[object Object],[object Object],[object Object]
ENGLISH ROMANTICISM ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],Menu
Anthology of Romantic Poetry Selected Works & Analysis of ____ ____ __ ______ _________
[object Object],[object Object],Romantic  Poets Menu
[object Object],[object Object],[object Object],FIRST GENERATION Romantic Poets
William Blake ,[object Object],“The Lamb”  And “The Tyger” Menu Poets
William Blake “ To see a World in  a Grain of Sand   And a Heaven  in a Wild Flower,   Hold Infinity in the  palm of your hand   And Eternity in an hour. ” William  Blake was born in London, where he spent most of his life. His father was a successful London hosier and attracted by the doctrines of Emmanuel Swedenborg. Blake was first educated at home, chiefly by his mother. His parents encouraged him to collect prints of the Italian masters, and in 1767 sent him to Henry Pars' drawing school. From his early years, he experienced visions of angels and ghostly monks, he saw and conversed with the angel Gabriel, the Virgin Mary, and various historical figures. Independent through his life, Blake left no debts at his death on August 12, 1827. He was buried in an unmarked grave at the public cemetery of Bunhill Fields.   ,[object Object],[object Object],Back to Index Onward to Byron Analysis of“Auguries of Innocence” “Auguries of Innocence”Full Poem
The Lamb and The Tyger Blake wrote two books: “ Songs of Innocence”and “Songs of Experience”. In “The Lamb” from the  Songs of Innocence  Blake presented with an image of a gentle, benevolent, loving God. In “The Tyger” from  Songs of Experience,  God is vindictive and terrifying.
William Wordsworth I travelled among unknown men,  In lands beyond the sea; Nor England did I know till then, What love I bore to thee. 'Tis past, that melancholy dream! Nor will I quit thy shore  A second time, for still I seem To love thee more and more. Among thy mountains did I feel the joy of my desire; And she I cherished, turned the wheel, Beside an English fire. Thy mornings showed, thy nights concealed the bowers where Lucy played; And thine is too the last green field That Lucy's eyes surveyed.   ,[object Object],[object Object],William Wordsworth was born on April 7, 1770, at Cockermouth on the River Derwent, in the heart of the Lake District that would come to be immortalized in his poetry. The son of a lawyer named John Wordsworth, he was the second of five children. His father was the personal attorney of Sir James Lowther, Earl of Lonsdale, the most powerful (and perhaps the most hated) man in the area. His first formal education was at Anne Birkett's school at Penrith, where one of his classmates was his future wife Mary Hutchinson. Wordsworth died on April 13, 1850. Analysis of “I Travelled Among Unknown Men” Back to Index Go to Analysis  Index
William Wordsworth ,[object Object],I Wandered Lonely As A Cloud Menu Poets
Romanticism in Literature (cont.) ,[object Object],[object Object]
[object Object],I Wandered Lonely As A Cloud
Samuel T. Coleridge ,[object Object],The Rime of the Ancient Mariner Menu Poets
The Rime of Ancient Mariner ,[object Object]
SECOND GENERATION ,[object Object],[object Object],[object Object],Romantic Poets
George Byron ,[object Object],Don Juan Menu Poets
The Assyrian came down like the wolf on the fold, And his cohorts were gleaming in purple and gold; And the sheen of their spears was like stars on the sea, When the blue wave rolls nightly on deep Galilee. Like the leaves of the forest when Summer is green, That host with their banners at sunset were seen: Like the leaves of the forest when Autumn hath blown, That host on the morrow lay withered and strown. And there lay the rider distorted and pale, With the dew on his brow, and the rust on his mail: And the tents were all silent, the banners alone, The lances unlifted, the trumpet unblown. And the widows of Ashur are loud in their wail, And the idols are broke in the temple of Baal; And the might of the Gentile, unsmote by the sword, Hath melted like snow in the glance of the Lord!  Lord George Gordon Byron ,[object Object],[object Object],The most notorious Romantic poet and satirist. Byron was famous in his lifetime for his love affairs with women and Mediterranean boys. He created his own cult of personality, the concept of the 'Byronic hero' - a defiant, melancholy young man, brooding on some mysterious, unforgivable in his past. Byron's influence on European poetry, music, novel, opera, and painting has been immense, although the poet was widely condemned on moral grounds by his contemporaries. Back to Index Onward to Poe Analysis of  “The Destruction of Sennacherib”
Don Juan ,[object Object]
I met a traveller from an antique land Who said: Two vast and trunkless legs of stone Stand in the desert. . . Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed. And on the pedestal these words appear: "My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!" Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare . The lone and level sands far away. -  Ozymandias Percy Bysshe Shelley Percy Bysshe Shelley was an  English Romantic poet who rebelled against English politics and conservative values. Shelley was considered with his friend Lord Byron a pariah for his life style. He drew no essential distinction between poetry and politics, and his work reflected the radical ideas and revolutionary optimism of the era. Like many poets of his day, Shelley employed mythological themes and figures from Greek poetry that gave an exalted tone for his visions.  Shelley d ied July 8, 1822 . Percy Bysshe Shelley Back to Index Onward to Wordsworth Analysis of “Ozymandias”
Percy Bysshe Shelley ,[object Object],Defence of Poetry Menu Poets
Defence of Poetry ,[object Object],[object Object]
John Keats ,[object Object],Ode on a Grecian Urn Menu Poets
Ode on a Grecian Urn ,[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],Hugo and the Romanticism
Classicism  Romanticism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Romantic character ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Characteristics ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Romanticism & painting ,[object Object]
Romanticism & sculpture ,[object Object]
“ Romantic” •  From “Roman” – a poetic or prose  heroic  narrative , in late medieval literature •  Term is revived to describe a “movement” or set of shared beliefs and themes… • … growing out of late 18th and early 19th C • … and present as a continuing influence or  tendency
Four Principal Ideas •  Nature •  Equality/egalitarianism •  Imagination  • “ Sensibility”
Nature •  In Nature, Humanity is –  Inspired –  Informed –  Redeemed –  Transformed –  Idealized
Equality •  Egalitarian view of society •  The “social union” among people •  Nationalism (loyalty to “nation” v. “rulers”) •  Revolution and reform •  Humanity can be perfected
Sensibility” •  Idealism •  Intensity of emotions •  Significance of actions •  Worthiness of common person •  Humanity’s best is glorified in the –  Classical  –  Medieval
Imagination •  Power of imagination to “transport” •  Mind heals, condemns itself •  Subjective nature of truth •  Spontaneous response
Perhaps the most striking feature of the poets of the Romantic Movement is their attitude to nature.  The solitude of real nature is alien, immeasurable, inhuman; the Romantic solitude is a vision of nature which reflects the solitude of the poet. The Romantic finds everywhere in nature his own image. -Stephen Spender
The [Romantic] poet. . .loves to escape from the heat and pressure of humanity, and so from himself as a social being, and to lose himself in  the freedom of lonely places. - Joseph Warren Beach
What the Romantics beheld when they looked at life was  a radical difference between the world of appearances  and the world of reality.  What seemed important in the  world of appearances (the world as it looks to the  ordinary man, the man of “common” sense) was revealed  as unimportant or false when it was observed by the man  of true imagination. ... Thus freed from unimaginative  blindness, the Romantic saw Nature and Man in their  true light, their essential character, and in their genuine  worth. - Ernest Bernbaum
The most universal image [in Romantic poetry] is perhaps that of light, a fit symbol of spiritual illumination, of the transcendental vision, of the work of the imagination, of the ideal to which the poet aspires. - R.A. Foakes
Romanticism -  Characteristics: ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Principles of Romanticism: ,[object Object],[object Object],[object Object],[object Object],[object Object]
Romanticism was a reaction against convention: ,[object Object],[object Object],[object Object]
Romanticism asserted the power of the individual: ,[object Object],[object Object],[object Object],[object Object]
Romanticism reflected a deep appreciation of the beauties of nature: ,[object Object],[object Object],[object Object],[object Object],[object Object]
Romanticism emphasized the importance of the subjective experience: ,[object Object],[object Object],[object Object],[object Object]
Romanticism was idealistic: ,[object Object],[object Object],[object Object],[object Object],[object Object]
Philosophical Roots of  Romanticism ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Philosophical Roots of Romanticism (cont.) ,[object Object],[object Object],[object Object],[object Object]
Romanticism in the Visual Arts ,[object Object],[object Object],[object Object],[object Object]
Romanticism in Literature ,[object Object],[object Object]
Romanticism in Literature (cont.) ,[object Object]
Romanticism in Literature (cont.) ,[object Object],[object Object],[object Object],[object Object],[object Object]
BIBLIOGRAPHY ,[object Object],[object Object],Menu

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Romantic age

  • 3.
  • 4. Prosperity and confidence in 1700’s American and French revolutions disappointment in bitter and violent ends - Napoleon Industrial Revolution dirty, unorganized cities emerge huge class shift
  • 5.
  • 6.
  • 7.
  • 8.
  • 9. Anthology of Romantic Poetry Selected Works & Analysis of ____ ____ __ ______ _________
  • 10.
  • 11.
  • 12.
  • 13.
  • 14. The Lamb and The Tyger Blake wrote two books: “ Songs of Innocence”and “Songs of Experience”. In “The Lamb” from the Songs of Innocence Blake presented with an image of a gentle, benevolent, loving God. In “The Tyger” from Songs of Experience, God is vindictive and terrifying.
  • 15.
  • 16.
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.
  • 24.
  • 25. I met a traveller from an antique land Who said: Two vast and trunkless legs of stone Stand in the desert. . . Near them, on the sand, Half sunk, a shattered visage lies, whose frown, And wrinkled lip, and sneer of cold command, Tell that its sculptor well those passions read Which yet survive, stamped on these lifeless things, The hand that mocked them and the heart that fed. And on the pedestal these words appear: "My name is Ozymandias, king of kings: Look on my works, ye Mighty, and despair!" Nothing beside remains. Round the decay Of that colossal wreck, boundless and bare . The lone and level sands far away. - Ozymandias Percy Bysshe Shelley Percy Bysshe Shelley was an English Romantic poet who rebelled against English politics and conservative values. Shelley was considered with his friend Lord Byron a pariah for his life style. He drew no essential distinction between poetry and politics, and his work reflected the radical ideas and revolutionary optimism of the era. Like many poets of his day, Shelley employed mythological themes and figures from Greek poetry that gave an exalted tone for his visions. Shelley d ied July 8, 1822 . Percy Bysshe Shelley Back to Index Onward to Wordsworth Analysis of “Ozymandias”
  • 26.
  • 27.
  • 28.
  • 29.
  • 30.
  • 31.
  • 32.
  • 33.
  • 34.
  • 35.
  • 36. “ Romantic” • From “Roman” – a poetic or prose heroic narrative , in late medieval literature • Term is revived to describe a “movement” or set of shared beliefs and themes… • … growing out of late 18th and early 19th C • … and present as a continuing influence or tendency
  • 37. Four Principal Ideas • Nature • Equality/egalitarianism • Imagination • “ Sensibility”
  • 38. Nature • In Nature, Humanity is – Inspired – Informed – Redeemed – Transformed – Idealized
  • 39. Equality • Egalitarian view of society • The “social union” among people • Nationalism (loyalty to “nation” v. “rulers”) • Revolution and reform • Humanity can be perfected
  • 40. Sensibility” • Idealism • Intensity of emotions • Significance of actions • Worthiness of common person • Humanity’s best is glorified in the – Classical – Medieval
  • 41. Imagination • Power of imagination to “transport” • Mind heals, condemns itself • Subjective nature of truth • Spontaneous response
  • 42. Perhaps the most striking feature of the poets of the Romantic Movement is their attitude to nature. The solitude of real nature is alien, immeasurable, inhuman; the Romantic solitude is a vision of nature which reflects the solitude of the poet. The Romantic finds everywhere in nature his own image. -Stephen Spender
  • 43. The [Romantic] poet. . .loves to escape from the heat and pressure of humanity, and so from himself as a social being, and to lose himself in the freedom of lonely places. - Joseph Warren Beach
  • 44. What the Romantics beheld when they looked at life was a radical difference between the world of appearances and the world of reality. What seemed important in the world of appearances (the world as it looks to the ordinary man, the man of “common” sense) was revealed as unimportant or false when it was observed by the man of true imagination. ... Thus freed from unimaginative blindness, the Romantic saw Nature and Man in their true light, their essential character, and in their genuine worth. - Ernest Bernbaum
  • 45. The most universal image [in Romantic poetry] is perhaps that of light, a fit symbol of spiritual illumination, of the transcendental vision, of the work of the imagination, of the ideal to which the poet aspires. - R.A. Foakes
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