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The Italian National Anthem




http://www.youtube.com/watch?v=A
            cI2IdHhEHE
A brief history of the anthem
• Il Canto degli Italiani (The Song of the Italians)
  is the Italian national anthem. It is best known
  among Italians as Inno di Mameli (Mameli's
  Hymn), after the author of the lyrics, or
  Fratelli d'Italia (Brothers of Italy), from its
  opening line.
• The words were written in the autumn of 1847
  in Genoa, by the then 20-year-old student and
  patriot Goffredo Mameli, in a climate of popular
  struggle for unification and independence of
  Italy which foreshadowed the war against
  Austria.
Two months later, they
were set to music in Turin
by another Genoese,
Michele Novaro. The hymn
enjoyed         widespread
popularity throughout the
period of the Risorgimento
and in the following
decades.
• After unification (1861) the official national
  anthem was the Marcia Reale, the Royal March
  (or Fanfara Reale), anthem of the royal house of
  Savoy. “Marcia Reale” remained the Italian
  national anthem until Italy became a republic in
  1946.
• In 1946 Italy became a republic, and on
  October 12, 1946, Il Canto degli Italiani was
  provisionally chosen as the country's new
  national anthem. This choice was made
  official only on November 17, 2005, almost 60
  years later.
Two anthems for one country?
• 5 years before Mameli wrote the words to his
  “Canzone deli Italiani”, Giusepper Verdi’s Nabucco
  premiered at the Scala theatre in Milano.
• Il Nabucco contained a chorus known as “Va’ pensiero”
• In the opera the Jews,
  prisoners in Babylon,
  sing the chorus.
• The public interpreted
  it as a metaphor of the
  condition of the Italian
  population “prisoner”
  of the Austrians.
Giuseppe Verdi
• The chorus became a revolutionary hymn.
• The Italians of Istria and Dalmazia which fell
  under the Austrian control adopted it as their
  national Anthem.
• Lega Nord an Italian political party wishing to
  divide Northern Italy from the South creating
  a federation of states, supported the adoption
  of the song as the Italian Anthem.
• They stated that Temistocle Solera, who wrote
  the words, did not support the republican
  solution.
• Documents show that Giuseppe Verdi was a
  republican fighting for a united nation under
  one state.
• Va pensiero is one the the songs representing
  the Italian “Risorgimento”.

• http://www.youtube.com/watch?v=e1JkhNOc
  XGo

• http://www.youtube.com/watch?v=6bt9RTM
  DvX4
The Italian flag
Il Tricolore
• The Italian Tricolor was adopted in Reggio Emilia 7 January
  1797 as flag of the Cispadan Republic.
• Why these colors?
• The flag was clearly inspired by the French flag of 1790.
Red and white were ancient colors of the city of
Milano, and green was the color of its troops.
The rebels of Lombardia and of the army known
as “Italian Legion” used the same colors during
their military campaigns.
Many volunteers from Emilia and Romagna
fought in that army against the Austrians.
This is probably the reason why the Cispadan
Republic chose the same colors for its flag.
1796-1799
• Napoleon between 1796 and1799 crushes the
  old monarchs. Jacobin Republics take their
  place: la Repubblica Ligure, la Repubblica
  Romana, la Repubblica Partenopea, la
  Repubblica Anconitana.
Italia 1799
• The republics represented the ideals of
  independence that where the spirit of the
  “Risorgimento”.
• During the wars for independence the flag
  becomes the symbol of the people, of freedom,
  and of the NATION.
• 23 March 1848 Carlo Alberto announces the
  war presenting a new flag with the royal arms
  on the “tricolore”.
• 17 March 1861 the Reign of Italy is
  proclaimed. Its flag: the “Tricolore”.
• Only in 1925 a new law officially defined the
  colors and proportions of the Italian flag.
Italian or Italians?
• The standard Italian
  language      has    a
  poetic and literary
  origin starting in the
  twelfth century, and
  the modern standard
  of the language was
  largely shaped by
  relatively      recent
  events
• However, Italian as a language used in the
  Italian Peninsula has a longer history. In fact
  the earliest surviving texts that can definitely
  be called Italian (or more accurately,
  vernacular) is a riddle called “Indovinello
  Veronese” dating back to IX
Other early written examples of
vernacular include liturgical writings
such as commentaries, notes and
instructional guides for the Jewish
festivity of Pesach.

This is an example of a mediaeval
Haggadah coming from the Greek
island of Corfu where a strong Jewish
community coming from the southern
part of Apulia had settled.

Although the alphabet is clearly
Hebrew, the language of the text is a
southern dialect today called Leccese
(from the name of the capital of the
region, Lecce). It’s a vernacular
language vey similar to Sicilian, still
spoken today.
Italy has always had a distinctive dialect for
each city.

Those dialects now have considerable
variety.

As Tuscan-derived Italian came to be used
throughout Italy, features of local speech
were naturally adopted, producing various
versions of Regional Italian.
• The most characteristic differences, for instance,
  between Roman Italian and Milanese Italian are
  the gemination of initial consonants and the
  pronunciation of stressed "e", and of "s" in some
  cases:
• e.g. va bene "all right": is pronounced [va
  ˈ ɛne] by a Roman (and by any standard-
   bˈ
  speaker, like a Florentine), [va ˈbene] by a
  Milanese (and by any speaker whose native
  dialect lies to the north of La Spezia-Rimini Line);
  a casa "at home" is [a ˈ  kˈasa for Roman and
                                  ]
  standard, [a ˈ  kaza] for Milanese and generally
  northern.
• Starting with the Renaissance Italian became
  the language used in the courts of every state in
  the peninsula. The rediscovery of Dante's De
  vulgari eloquentia and a renewed interest in
  linguistics in the sixteenth century, sparked a
  debate that raged throughout Italy concerning
  the criteria that should govern the
  establishment of a modern Italian literary and
  spoken language
Scholars divided into three factions:
1. The purists, headed by
Venetian Pietro Bembo
thought       the    Divine
Comedy not dignified
enough, because it used
elements from non-lyric
registers of the language.
2. Niccolò Machiavelli and other Florentines
preferred the version spoken by ordinary people
               in their own times
• 3. The courtiers, like Baldassare Castiglione
  and Gian Giorgio Trissino, insisted that each
  local vernacular contribute to the new
  standard
• Bembo's ideas prevailed, and the foundation
  of the Accademia della Crusca in Florence
  (1582–1583), the official legislative body of
  the Italian language, led to publication of the
  first Italian dictionary in 1612
Napoleon’s conquest turned the Italian language
into a lingua franca used not only among clerks,
nobility and functionaries in the Italian courts but
also in the bourgeoisie.
• Italian literature's first modern novel, I Promessi
  Sposi, by Alessandro Manzoni further defined the
  standard by "rinsing" his Milanese "in the waters
  of the Arno”, as he states in the Preface to his
  1840 edition.

• After unification a huge number of civil servants
  and soldiers recruited from all over the country
  introduced many more words and idioms from
  their home languages .

• Only 2.5% of Italy’s population could speak the
  Italian standardized language properly when the
  nation unified in 1861
• Many Italian dialects may be considered
  historical languages in their own right. These
  include recognized language groups such as,
  Neapolitan, Sardinian, Sicilian, Ligurian,
  Piedmontese, Venetian, and others, and
  regional variants of these languages such as
  Calabrian.

• Some minorities in Italy still speak Albanian,
  Greek, German, Ladin, and Occitan.

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The History and Meaning of Italy's National Anthem

  • 1. The Italian National Anthem http://www.youtube.com/watch?v=A cI2IdHhEHE
  • 2. A brief history of the anthem • Il Canto degli Italiani (The Song of the Italians) is the Italian national anthem. It is best known among Italians as Inno di Mameli (Mameli's Hymn), after the author of the lyrics, or Fratelli d'Italia (Brothers of Italy), from its opening line.
  • 3. • The words were written in the autumn of 1847 in Genoa, by the then 20-year-old student and patriot Goffredo Mameli, in a climate of popular struggle for unification and independence of Italy which foreshadowed the war against Austria.
  • 4. Two months later, they were set to music in Turin by another Genoese, Michele Novaro. The hymn enjoyed widespread popularity throughout the period of the Risorgimento and in the following decades.
  • 5. • After unification (1861) the official national anthem was the Marcia Reale, the Royal March (or Fanfara Reale), anthem of the royal house of Savoy. “Marcia Reale” remained the Italian national anthem until Italy became a republic in 1946.
  • 6. • In 1946 Italy became a republic, and on October 12, 1946, Il Canto degli Italiani was provisionally chosen as the country's new national anthem. This choice was made official only on November 17, 2005, almost 60 years later.
  • 7. Two anthems for one country? • 5 years before Mameli wrote the words to his “Canzone deli Italiani”, Giusepper Verdi’s Nabucco premiered at the Scala theatre in Milano. • Il Nabucco contained a chorus known as “Va’ pensiero”
  • 8. • In the opera the Jews, prisoners in Babylon, sing the chorus. • The public interpreted it as a metaphor of the condition of the Italian population “prisoner” of the Austrians.
  • 10. • The chorus became a revolutionary hymn. • The Italians of Istria and Dalmazia which fell under the Austrian control adopted it as their national Anthem.
  • 11. • Lega Nord an Italian political party wishing to divide Northern Italy from the South creating a federation of states, supported the adoption of the song as the Italian Anthem. • They stated that Temistocle Solera, who wrote the words, did not support the republican solution. • Documents show that Giuseppe Verdi was a republican fighting for a united nation under one state.
  • 12. • Va pensiero is one the the songs representing the Italian “Risorgimento”. • http://www.youtube.com/watch?v=e1JkhNOc XGo • http://www.youtube.com/watch?v=6bt9RTM DvX4
  • 14.
  • 15. Il Tricolore • The Italian Tricolor was adopted in Reggio Emilia 7 January 1797 as flag of the Cispadan Republic. • Why these colors? • The flag was clearly inspired by the French flag of 1790.
  • 16. Red and white were ancient colors of the city of Milano, and green was the color of its troops. The rebels of Lombardia and of the army known as “Italian Legion” used the same colors during their military campaigns. Many volunteers from Emilia and Romagna fought in that army against the Austrians. This is probably the reason why the Cispadan Republic chose the same colors for its flag.
  • 17. 1796-1799 • Napoleon between 1796 and1799 crushes the old monarchs. Jacobin Republics take their place: la Repubblica Ligure, la Repubblica Romana, la Repubblica Partenopea, la Repubblica Anconitana.
  • 19. • The republics represented the ideals of independence that where the spirit of the “Risorgimento”. • During the wars for independence the flag becomes the symbol of the people, of freedom, and of the NATION. • 23 March 1848 Carlo Alberto announces the war presenting a new flag with the royal arms on the “tricolore”.
  • 20.
  • 21. • 17 March 1861 the Reign of Italy is proclaimed. Its flag: the “Tricolore”. • Only in 1925 a new law officially defined the colors and proportions of the Italian flag.
  • 22. Italian or Italians? • The standard Italian language has a poetic and literary origin starting in the twelfth century, and the modern standard of the language was largely shaped by relatively recent events
  • 23. • However, Italian as a language used in the Italian Peninsula has a longer history. In fact the earliest surviving texts that can definitely be called Italian (or more accurately, vernacular) is a riddle called “Indovinello Veronese” dating back to IX
  • 24. Other early written examples of vernacular include liturgical writings such as commentaries, notes and instructional guides for the Jewish festivity of Pesach. This is an example of a mediaeval Haggadah coming from the Greek island of Corfu where a strong Jewish community coming from the southern part of Apulia had settled. Although the alphabet is clearly Hebrew, the language of the text is a southern dialect today called Leccese (from the name of the capital of the region, Lecce). It’s a vernacular language vey similar to Sicilian, still spoken today.
  • 25. Italy has always had a distinctive dialect for each city. Those dialects now have considerable variety. As Tuscan-derived Italian came to be used throughout Italy, features of local speech were naturally adopted, producing various versions of Regional Italian.
  • 26. • The most characteristic differences, for instance, between Roman Italian and Milanese Italian are the gemination of initial consonants and the pronunciation of stressed "e", and of "s" in some cases: • e.g. va bene "all right": is pronounced [va ˈ ɛne] by a Roman (and by any standard- bˈ speaker, like a Florentine), [va ˈbene] by a Milanese (and by any speaker whose native dialect lies to the north of La Spezia-Rimini Line); a casa "at home" is [a ˈ kˈasa for Roman and ] standard, [a ˈ kaza] for Milanese and generally northern.
  • 27. • Starting with the Renaissance Italian became the language used in the courts of every state in the peninsula. The rediscovery of Dante's De vulgari eloquentia and a renewed interest in linguistics in the sixteenth century, sparked a debate that raged throughout Italy concerning the criteria that should govern the establishment of a modern Italian literary and spoken language
  • 28. Scholars divided into three factions: 1. The purists, headed by Venetian Pietro Bembo thought the Divine Comedy not dignified enough, because it used elements from non-lyric registers of the language.
  • 29. 2. Niccolò Machiavelli and other Florentines preferred the version spoken by ordinary people in their own times
  • 30. • 3. The courtiers, like Baldassare Castiglione and Gian Giorgio Trissino, insisted that each local vernacular contribute to the new standard
  • 31. • Bembo's ideas prevailed, and the foundation of the Accademia della Crusca in Florence (1582–1583), the official legislative body of the Italian language, led to publication of the first Italian dictionary in 1612
  • 32. Napoleon’s conquest turned the Italian language into a lingua franca used not only among clerks, nobility and functionaries in the Italian courts but also in the bourgeoisie.
  • 33. • Italian literature's first modern novel, I Promessi Sposi, by Alessandro Manzoni further defined the standard by "rinsing" his Milanese "in the waters of the Arno”, as he states in the Preface to his 1840 edition. • After unification a huge number of civil servants and soldiers recruited from all over the country introduced many more words and idioms from their home languages . • Only 2.5% of Italy’s population could speak the Italian standardized language properly when the nation unified in 1861
  • 34.
  • 35. • Many Italian dialects may be considered historical languages in their own right. These include recognized language groups such as, Neapolitan, Sardinian, Sicilian, Ligurian, Piedmontese, Venetian, and others, and regional variants of these languages such as Calabrian. • Some minorities in Italy still speak Albanian, Greek, German, Ladin, and Occitan.