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Camera Movements
   Pan
    – Left – right
   Tilt
    – Up – down
   Truck
    – Left – right
   Dolly
    – In - out
Camera Movements
   Pedestal
    – Up – down
   Crane
    – Up – down
   Zoom (unnatural)
    – In - out
Camera Movements
   Zoom in
    – Brings subject to viewer
   Dolly in
    – Brings viewer to subject
   Zoom out
    – Pushes subject away from viewer
   Dolly out
    – Pushes viewer away from subject
Basic shots
   ELS               Head shot
   LS                Head & shoulders
   MS                Full shot
   CU                Over the shoulder
   ECU
   2-Shot
   3-Shot
Point of View
 Objective
 Subjective
 Audience
Lens selection
   Normal lens         Depth of field
   Telephoto           Rack focus
   Wide-angle          Follow focus
                        Focus fade
Depth of field
   Depth of field increases
     + amount of available light
     + F/stop number (- aperture size)
     - focal length of lens
     + distance from camera to subject
Depth of field
   Depth of field decreases
     - amount of available light
     - F/stop number (+ aperture size)
     + focal length of lens
     - distance from camera to subject
Composition
 Balance
 Rule of thirds
 Headroom
 Lookspace
Production team
 Producer
 Director
 Scriptwriter
 Videographer (Shooter)
 Audio/video engineer
 Lighting director
 Editor
Directing
 Shooting script
 Choose locations
 Rehearse and direct actors
 Select shots
 Tell everyone else
Directing
 Shooting schedule
 Shooting script
 Actors
    –   Schedules
    –   Flexibility
    –   Rehearse
    –   Be practical – precise
    –   Encourage
Directing
 The director is the one person responsible
  for the creative decisions during shooting.
 Learn to recognize the point beyond which
  a performance will not improve.

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camera movements directing

  • 1. Camera Movements  Pan – Left – right  Tilt – Up – down  Truck – Left – right  Dolly – In - out
  • 2. Camera Movements  Pedestal – Up – down  Crane – Up – down  Zoom (unnatural) – In - out
  • 3. Camera Movements  Zoom in – Brings subject to viewer  Dolly in – Brings viewer to subject  Zoom out – Pushes subject away from viewer  Dolly out – Pushes viewer away from subject
  • 4. Basic shots  ELS  Head shot  LS  Head & shoulders  MS  Full shot  CU  Over the shoulder  ECU  2-Shot  3-Shot
  • 5. Point of View  Objective  Subjective  Audience
  • 6. Lens selection  Normal lens  Depth of field  Telephoto  Rack focus  Wide-angle  Follow focus  Focus fade
  • 7. Depth of field  Depth of field increases  + amount of available light  + F/stop number (- aperture size)  - focal length of lens  + distance from camera to subject
  • 8. Depth of field  Depth of field decreases  - amount of available light  - F/stop number (+ aperture size)  + focal length of lens  - distance from camera to subject
  • 9. Composition  Balance  Rule of thirds  Headroom  Lookspace
  • 10. Production team  Producer  Director  Scriptwriter  Videographer (Shooter)  Audio/video engineer  Lighting director  Editor
  • 11. Directing  Shooting script  Choose locations  Rehearse and direct actors  Select shots  Tell everyone else
  • 12. Directing  Shooting schedule  Shooting script  Actors – Schedules – Flexibility – Rehearse – Be practical – precise – Encourage
  • 13. Directing  The director is the one person responsible for the creative decisions during shooting.  Learn to recognize the point beyond which a performance will not improve.