1. POST PRODUCTION - SOUND/MUSIC
Sound Designer
Dialogue Editor
Sound Editor
Re-recording Mixer
Music Supervisor
Composer
Foley Artist
OTHER PRODUCTION CREW
Casting Director
Storyboard Artist
Caterers
Unit Nurse
Unit Publicist
Stills Photographer
KEY CREATIVE TEAM
Producer
Director
Screenwriter
INTERACTIVE MEDIA
Producer
Designer
Developer
Production Assistant
Studio Manager
Project Manager
Account Manager
New Business Developer
Content Strategist
SInformation Architect
Web Editor
SEO Specialist (Search Engine
Optimisation)
Programmer
Usability Specialist
PRODUCTION DEPARTMENT
Executive Producer
Line Producer
Production Manager
Production Coordinator
Production Secretary
Production Accountant
Post-production Supervisor
First Assistant Director
Second Assistant Director
Third Assistant Director
Production Assistant/Production
Runner
Script Supervisor
Stunt Coordinator
WARDROBE DEPARTMENT
Costume Designer
Costume Supervisor
Costume Standby
Art Finisher
Buyer
SCRIPT DEPARTMENT
Cutter/Fitter
Story Producer
Script Editor
Script Co-ordinator
HAIR AND MAKE-UP DEPARTMENT
Make-up Artist
Hairdresser
SOUND DEPARTMENT
Production Sound Mixer (Sound
Recordist)
Boom Operator (Boom Swinger)
LOCATION DEPARTMENT
Location Manager
Location Assistant
Location Scout
Job Roles and Departments in Film
POST PRODUCTION
Film Editor (Offline Editor for video
productions)
Assistant Editor
Online Editor (for video productions)
Colourist
Negative Cutter
VISUAL EFFECTS (VFX)
Visual Effects Supervisor
Compositor
Roto/Paint Artist
Matte Painter
GRIP DEPARTMENT
Key Grip
Best Boy (Grip)
Dolly Grip
CAMERA DEPARTMENT
Director of
Photography/Cinematographer
Camera Operator
First Assistant Camera
Second Assistant Camera
Loader
Camera Production Assistant
Digital Imaging Technician
Data Wrangler
Steadicam Operator
Motion Control Technician/Operator
Video Split/Assist Operator
ELECTRICAL DEPARTMENT
Gaffer
Best Boy (Electrical)
Lighting Technician
ART DEPARTMENT
Production Designer
Art Director
Set Designer
Illustrator
Set Decorator
Buyer
Set Dresser
Props Master
Standby Props
Props Builder
Armourer
Construction Coordinator
Construction Manager
Key Scenic
Greensman

2. POST PRODUCTION - SOUND/MUSIC
PRODUCTION DEPARTMENT
Sound Editor
A sound editor edits music over the
footage so it matches with the action
on screen.
This is a technical role as the music
would have already been pick for
them and they would just have to
make sure its in time with the
footage.
This is a post production role as the
music will be placed over footage
that has already been filmed and
edited
Their day to day duties are to take
sound clips and edit them with
footage
Their responsibilities are to cut the
music in time with whatever's on
screen, such as production wild
tracks, dialogue tracks, library
material and foley in analog or digital
form
Production Manager
A Production Manager organizes the
business, finance and employment issues
in film and television productions.
This is a managerial role as this person will
have to employ and organize people.
A Production Manager would be in charge
of how the production budget is spent and
making sure that everything runs smoothly
during filming.
The production manager must meet with
the producer and other senior production
staff to examine scripts or program ideas
Their day to day duties include drawing up
a shooting schedule and estimating cost
hiring crews and contractors, and
negotiating rates of pay
making sure that the production runs to
schedule, and reporting to the producer on
progress

3. WARDROBE DEPARTMENT
Costume Designer
A Costume Designer starts working on films at the
beginning of pre-production. They are in charge of
designing, creating, acquiring and hiring all costumes
for actors and extras.
This is a creative role as much experience and
creativity is needed to choose costumes and continue
themes.
Their day to day duties are break down scripts scene
by scene, in order to work out how many characters
are involved, and what costumes are required. They
then design to outfits for the characters thinking
carefully about colours and emotions in the costumes
Sometimes costume designers will talk with
performers about costume ideas
Costume Designers must carry out research in to the
costume styles, designs and construction methods
which are appropriate for the productions' time
period, using a number of resources including
libraries, museums and the Internet. This must be
achieved within strict budgets, and to tight schedules.
HAIR AND MAKE-UP DEPARTMENT
Make-up Artist
A make up artist works on the film
during pre-production. They will be in
charge of making sure all performers
have the right make up and hair styles.
This is a creative role as the make up
artist will have to do the make up
differently to each clients likings.
Their day to day duties involve looking
at a brief of what the production style
is and working out what kind of make
up would best suit this for the clients.
Also talking to performers and clients
about how they want to look.

4. SCRIPT DEPARTMENT
LOCATION DEPARTMENT
ELECTRICAL DEPARTMENT
Story Producer
A Script Editor provides a critical
overview of the screenwriting
process, and discusses between
the Producer or Development
Executive and the Screenwriter.
Script editors are not meant to
give any solutions for problems
they have found just to identify
them and ensure the
screenwriting idea improves and
strengthens
This is a pre-production role that
requires a lot of skill and
experience.
Their day to day duties include
taking an in depth look into
screenplays and look at the
narrative structure and report
back on how it will make the
audience feel.
Location Manager
ALocation manager is
responsible for making all
the practical arrangements
for film or
television productions taking
place outside the studio.
This is a pre-production job
as the locations must be
decided before filming takes
place.
Their day to day duties
include not just organizing
sites but also looking after
them whilst keeping to a
strict budget and time
schedule
This is a managerial job as
you will not just decide on
the sites to use but also
manage the sites whilst
there.
Gaffer
A Gaffer is the head of the
electrical
department, responsible for
the execution of the lighting
plan for a production.
This is a technical managerial
role as the person must
know all about the technical
sides of the lighting ad
electrics and also must be in
charge of how they are set
up
Their day to day duties
would include setting up all
the lighting for a set. They
will also need to know what
colours of gel to use on
cameras for making the
scene look like a sunset in
midday or be able to re
create a cars headlights.

5. CAMERA DEPARTMENT
POST PRODUCTION
Director of Photography/Cinematographer
The directory of photography (DoP) also know
as a cinematographer may be suggested by the
director to work on the set. Their job will be to
work along side many different people such as
the Gaffer for example to alter any better ideas
he has for lighting. The cinematographers job
is to give the film its own unique signature
visual style.
This job is one of the most creative jobs in the
TV and film industry, the person will need lots
of new and interesting ideas
Their day to day duties might include
discussing options with the Camera
Operator, 1st and 2nd Assistant
Camera, Camera Trainee and Grips, the
Gaffer, the Production Designer, Costume
Designer, and the Hair and Make Up
Department.
Film Editor (Offline Editor for video
productions)
A Film Editors job is to edit the recorded raw
material into a finished product suitable for
broadcasting. The material may consist of
camera footage, dialogue, sound
effects, graphics and special effects.
The Film editor may work in a team and will
work closely with the director to make sure the
end result is put together perfectly.
Film editors start work in the post production
once the production has been filmed.
This is a technical and creative role as good
knowledge of technology will be used along
side a creative

6. INTERACTIVE MEDIA
Producer
A Producers job is one of if not the most
important job in television, film and video
industries. A producer will oversee each
project from start to finish and may also be
involved in the marketing and distribution
processes.
Producers work closely with directors and
other production staff on the shoot. The
producer may also be the director making this
persons job to oversea and manage the whole
production
This job is a managerial role with a lot of
creativity needed. They will be expected to
oversea all budgeting and timing from all the
different department but also managing
everything will mean making key decisions in
creative factors of the production.

7. Sound editor Glenn Freemantle
Glenn Freemantle is now one of Great Britain's most experienced
sound designers, with over 70 films to his credit, Glenn Freemantle
began work in the cutting rooms at the age of sixteen. Over the past
30 years he has produced soundtracks for films from all over the
world, working with some of the industries best known directors. He
has worked on a huge amount of films including 'Yentl'
(1983), Legend (1985), 'Little Buddha' (1993) and 'Backbeat'
(1994), to 'Hackers (1995), 'Wing Commander' (1999) and 'The
Beach' (1999) then onto the two Bridget Jones movies in 2001 and
2004, 'Love Actually' (2003) and, in the last few years 'V for Vendetta'
(2005), '28 weeks Later' (2007), 'Sunshine' (2007), 'Golden Compass'
(2007) and 'Slumdog Millionaire' (2008). Freemantle is passionate for
sound for film, Glenn has been careful to surround himself with a
core team who can work together under his guidance to produce
world class sound in film. People who have worked with Glenn in the
past have said “working with Glenn and his team is
easy, relaxed, smooth running and very enjoyable. You'll get
everything you ask for, everything you hope for and far more
besides”
" Freemantle has come to be known in the industry the world over
for his passion for creative, inventive sound "

8. Make up artist Michael Westmore
Michael Westmore is a famous American make up artist most
well known for his work in various Star Trek productions. He
has won nine Emmy Awards and won the Academy Award for
his make up on the film Mask in 1985. He is part of the
famous Westmore family who have had four generations who
have worked as make-up artists in the Hollywood film
industry. He began his career in 1961 at Universal Studios and
has carried on doing make-up for four decades since, even
working for the CIA at one point to create disguises for spies
overseas. His grandfather George Westmore was the first
person to create a make-up department on a Hollywood
movie set. “Nobody in Hollywood consistently employs as
many make-up artists as Michael Westmore”
http://makeupmag.com/article/id/535/