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Workshop
         Guidelines for Writing



         Sarah Bay-Cheng
         Trebor Scholz



Creative Commons Attribution-NonCommercial-ShareAlike 2.0



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http://tinyurl.com/33lwo6

                        3
Recommended Books

  A Pocket Style Manual
  Daine Hacker

  On Writing Well
  William K. Zinsser

  The Elements of Style
  William Strunk and
  E.B. White



                          4
download this presentation:
http://molodiez.org/rules_for_writing.pdf
                                            5
6
Who is writing?
                  Voice, Perspective
Artist, Social Scientist, Film Theorist, Anthropologist




                                                          7
•Be clear. Clear writing comes from clear thinking.
           • Avoid complicated words.
          • Specificity will raise interest.




                                                      8
What is at stake in your project?




                                    9
How do I get better at writing?

   Know the rules of writing and learn when to break
   them. Establish a schedule for writing and stick to it.
   Write regularly. Practice, practice, practice.
                          Q: What is a good time to write?
                          A: The same time.

     Read good writers.



                                                             10
11
Writing Process
             Plan
    Rough Draft (Content)
Rewrite (Argument, Consistency)
   Rewrite (Sentence Level)




                                  12
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In your opening sentences, give readers some
background information about the issue you have
chosen to debate; as you do this, establish your own
credibility by showing that you are knowledgeable and
fair-minded.


At the end of your first paragraph, state your thesis—
your own stand on the debatable issue. Provide your
intellectual background.




                                                         14
Build common ground with readers who may disagree
with your position on the issue.


Attempt to refute opposing arguments—or at least to
explain why they are less weighty than your own
arguments.




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• An argumentative paper will have a strong claim for
which you can imagine an intelligent opposition.

• Define your central terms and stick to your definitions.

• You should support your claims with quotations from
other texts. Take a stand on the issue and defend your
position to a general audience of intelligent but skeptical
readers. Evaluate a source carefully before deciding to
use it. Anticipate objections to your thesis.




                                                              19
Research

             Literature Review
                Evaluating sources
                  online: author, date
                     online vs. print
                     peer-reviewed

                       limit scope
                  Create a bibliography



http://credibility.stanford.edu/resources.html
                                                 20
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Evaluating Sources
Web search engines often amass vast results, from
memos to scholarly documents. Many of the resulting
items will be peripheral or useless for your research

Source. Author/producer is identifiable. Author/producer
has expertise on the subject as indicated on a credentials
page. You may need to trace back in the URL (Internet
address) to view a page in a higher directory with
background information sponsor/location of the site is
appropriate to the material as shown in the URL.



                                                             22
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Content Accuracy
Don't take the information presented at face value
Look for
   point of view
   evidence of bias

Source of the information should be clearly stated,
whether original or borrowed from elsewhere

Prefer sources with named authors; do not rely heavily
on unsigned articles or anonymous Web site material.



                                                         24
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Cut. Find the essence.
Put it away for a day or two.
Look it over and cut again.


                                29
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Pay equal attention to the first and last sentence.
The perfect ending should take your readers
slightly by surprise and yet seem right.




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People judge you based
on your communication skills.




                                http://tinyurl.com/yo3scl
                                                            33
Titles
 Every essay or report you ever write should have a
title, and that title should give prospective readers a
sense not only of your topic, but also of your thesis.
  College-level papers are ideally essays that create
their own context, and not private correspondences
   between students and their professors. The title
         should be centered on the first page.




                                                          34
• Enforce a unity of pronoun (e.g., first person),
           unity of tense and mood.




                                                     35
Quotation Marks vs. Apostrophes
 Never substitute an apostrophe, <’>, for a quotation
  mark, <”>, and never use a quotation mark unless
       you’re really quoting. Students often use
      apostrophes when they are paraphrasing a
 stereotypical view, or use apostrophes for what are
 often called “scare quotes”—an indication that one
   is quoting an opinion which one does not really
believe. Don’t make this mistake. The only time you
  should use apostrophes to indicate a quotation is
     when you find yourself needing to present a
            quotation within a quotation:


                                                        36
Whom, Whose
With whom did Alan go out last night?
With whom do you think you’re speaking to?
Whom you know counts more than what you
know.




                                             37
Lists
The breakfast menu included ham and eggs, pancakes,
omelets, and french toast.


              Aspiration
           an hour
           an honorary degree

           a hint
           a hospital, a hotel




                                                      38
Avoid using passive constructions whenever
   possible. You all should know what a passive
          construction looks like by now:

“A compositional error was committed”; as opposed
    to “Johnny committed several compositional
 errors.” Passive constructions conceal questions of
 agency, precisely the questions with which critical
      essays should be most concerned. Passive
constructions most frequently appear when a writer
                    is generalizing.



                                                       39
http://tinyurl.com/3adfmq

                            40
Semicolon
Samantha went to the store. She forgot to buy milk.

 OR

Samantha went to the store; she forgot to buy milk.

 NOT

Samantha went to the store, she forgot to buy milk.




                                                      41
i.e. versus e.g.


i.e.                             e.g.
quot;I.e.quot; stands simply for quot;that   quot;E.g.quot; means quot;for example.quot;
isquot;
quot;I.e.quot; is used in place of quot;in   It is used in expressions
other words,quot; or quot;it/that is.quot;   similar to quot;including,quot; when
It specifies or makes more       you are not intending to list
clear.                           everything that is being
                                 discussed.


                                                                 42
Respect the difference between hyphens, <->, and
dashes, <-->. They mean very different things. When
 you wish to use a dash, type the hyphen key twice.




                                                      43
He versus him
Do not assume that humanity can be universally
 described by the male pronouns. If you feel you
 must use pronouns in the abstract (i.e., not for a
     specific person), do not use “he” and “him”
    exclusively. There are a number of stylistic
substitutions you can use. You can use “him/her,”
  “s/he,” or, “him or her.” You may also alternate
       pronouns from one usage to the next.




                                                      44
However
Fine
The roads were almost impassable. However, we at last
succeeded in reaching the camp.

Better
The roads were almost impassable. At last, however, we
succeeded in reaching the camp.




                                                         45
You should avoid presenting quotations as
  independent sentences, unless you are block
quoting. Introduce a quotation, and then set it off
            with a comma or a colon.

 Ellipses, < . . . >, are unnecessary at the beginning
 or end of quotations—it is assumed that you are
excerpting when you quote. Use ellipses when you
                   interrupt a quotation.




                                                         46
The word “this” is not a pronoun: it cannot be used
       as the subject of a sentence without an
   accompanying noun or noun-phrase. The only
 exception to this rule is when “this” is immediately
followed by a verb of being. “This is a case in point.”
   But, for your purposes, it is better to avoid the
                 impulse altogether.




                                                          47
The punctuating of quotations. Periods and
commas, in American convention always go inside
quotation marks; colons and semi-colons go outside
 (if you use a book published in Britain you’ll find
  that different conventions pertain). Consider the
                   sentence below:
 In Eliot’s view, poetry cannot be written without a
sufficiently developed “historical sense,” a sense he
     finds “indispensable to any one who would
    continue to be a poet beyond his twenty-fifth
               year” (Selected Essays, 4).


                                                        48
Its and It’s.
The possessive for a non-gendered object is “its.”
For example, “When opening the peanut butter, I
 lost its cap.” The contraction for “it is” is “it’s.”




                                                         49
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Online Research Tools




                        51
http://www.bibme.org/
                        52
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http://www.citationmachine.net/




                                  57
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Sarah Bay-Cheng          Trebor Scholz
  baycheng@buffalo.edu      trebor@thing.net




                                               63
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Writing Workshop

  • 1. Workshop Guidelines for Writing Sarah Bay-Cheng Trebor Scholz Creative Commons Attribution-NonCommercial-ShareAlike 2.0 1
  • 2. 2
  • 4. Recommended Books A Pocket Style Manual Daine Hacker On Writing Well William K. Zinsser The Elements of Style William Strunk and E.B. White 4
  • 6. 6
  • 7. Who is writing? Voice, Perspective Artist, Social Scientist, Film Theorist, Anthropologist 7
  • 8. •Be clear. Clear writing comes from clear thinking. • Avoid complicated words. • Specificity will raise interest. 8
  • 9. What is at stake in your project? 9
  • 10. How do I get better at writing? Know the rules of writing and learn when to break them. Establish a schedule for writing and stick to it. Write regularly. Practice, practice, practice. Q: What is a good time to write? A: The same time. Read good writers. 10
  • 11. 11
  • 12. Writing Process Plan Rough Draft (Content) Rewrite (Argument, Consistency) Rewrite (Sentence Level) 12
  • 13. 13
  • 14. In your opening sentences, give readers some background information about the issue you have chosen to debate; as you do this, establish your own credibility by showing that you are knowledgeable and fair-minded. At the end of your first paragraph, state your thesis— your own stand on the debatable issue. Provide your intellectual background. 14
  • 15. Build common ground with readers who may disagree with your position on the issue. Attempt to refute opposing arguments—or at least to explain why they are less weighty than your own arguments. 15
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  • 19. • An argumentative paper will have a strong claim for which you can imagine an intelligent opposition. • Define your central terms and stick to your definitions. • You should support your claims with quotations from other texts. Take a stand on the issue and defend your position to a general audience of intelligent but skeptical readers. Evaluate a source carefully before deciding to use it. Anticipate objections to your thesis. 19
  • 20. Research Literature Review Evaluating sources online: author, date online vs. print peer-reviewed limit scope Create a bibliography http://credibility.stanford.edu/resources.html 20
  • 21. 21
  • 22. Evaluating Sources Web search engines often amass vast results, from memos to scholarly documents. Many of the resulting items will be peripheral or useless for your research Source. Author/producer is identifiable. Author/producer has expertise on the subject as indicated on a credentials page. You may need to trace back in the URL (Internet address) to view a page in a higher directory with background information sponsor/location of the site is appropriate to the material as shown in the URL. 22
  • 23. 23
  • 24. Content Accuracy Don't take the information presented at face value Look for point of view evidence of bias Source of the information should be clearly stated, whether original or borrowed from elsewhere Prefer sources with named authors; do not rely heavily on unsigned articles or anonymous Web site material. 24
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  • 29. Cut. Find the essence. Put it away for a day or two. Look it over and cut again. 29
  • 30. 30
  • 31. Pay equal attention to the first and last sentence. The perfect ending should take your readers slightly by surprise and yet seem right. 31
  • 32. 32
  • 33. People judge you based on your communication skills. http://tinyurl.com/yo3scl 33
  • 34. Titles Every essay or report you ever write should have a title, and that title should give prospective readers a sense not only of your topic, but also of your thesis. College-level papers are ideally essays that create their own context, and not private correspondences between students and their professors. The title should be centered on the first page. 34
  • 35. • Enforce a unity of pronoun (e.g., first person), unity of tense and mood. 35
  • 36. Quotation Marks vs. Apostrophes Never substitute an apostrophe, <’>, for a quotation mark, <”>, and never use a quotation mark unless you’re really quoting. Students often use apostrophes when they are paraphrasing a stereotypical view, or use apostrophes for what are often called “scare quotes”—an indication that one is quoting an opinion which one does not really believe. Don’t make this mistake. The only time you should use apostrophes to indicate a quotation is when you find yourself needing to present a quotation within a quotation: 36
  • 37. Whom, Whose With whom did Alan go out last night? With whom do you think you’re speaking to? Whom you know counts more than what you know. 37
  • 38. Lists The breakfast menu included ham and eggs, pancakes, omelets, and french toast. Aspiration an hour an honorary degree a hint a hospital, a hotel 38
  • 39. Avoid using passive constructions whenever possible. You all should know what a passive construction looks like by now: “A compositional error was committed”; as opposed to “Johnny committed several compositional errors.” Passive constructions conceal questions of agency, precisely the questions with which critical essays should be most concerned. Passive constructions most frequently appear when a writer is generalizing. 39
  • 41. Semicolon Samantha went to the store. She forgot to buy milk. OR Samantha went to the store; she forgot to buy milk. NOT Samantha went to the store, she forgot to buy milk. 41
  • 42. i.e. versus e.g. i.e. e.g. quot;I.e.quot; stands simply for quot;that quot;E.g.quot; means quot;for example.quot; isquot; quot;I.e.quot; is used in place of quot;in It is used in expressions other words,quot; or quot;it/that is.quot; similar to quot;including,quot; when It specifies or makes more you are not intending to list clear. everything that is being discussed. 42
  • 43. Respect the difference between hyphens, <->, and dashes, <-->. They mean very different things. When you wish to use a dash, type the hyphen key twice. 43
  • 44. He versus him Do not assume that humanity can be universally described by the male pronouns. If you feel you must use pronouns in the abstract (i.e., not for a specific person), do not use “he” and “him” exclusively. There are a number of stylistic substitutions you can use. You can use “him/her,” “s/he,” or, “him or her.” You may also alternate pronouns from one usage to the next. 44
  • 45. However Fine The roads were almost impassable. However, we at last succeeded in reaching the camp. Better The roads were almost impassable. At last, however, we succeeded in reaching the camp. 45
  • 46. You should avoid presenting quotations as independent sentences, unless you are block quoting. Introduce a quotation, and then set it off with a comma or a colon. Ellipses, < . . . >, are unnecessary at the beginning or end of quotations—it is assumed that you are excerpting when you quote. Use ellipses when you interrupt a quotation. 46
  • 47. The word “this” is not a pronoun: it cannot be used as the subject of a sentence without an accompanying noun or noun-phrase. The only exception to this rule is when “this” is immediately followed by a verb of being. “This is a case in point.” But, for your purposes, it is better to avoid the impulse altogether. 47
  • 48. The punctuating of quotations. Periods and commas, in American convention always go inside quotation marks; colons and semi-colons go outside (if you use a book published in Britain you’ll find that different conventions pertain). Consider the sentence below: In Eliot’s view, poetry cannot be written without a sufficiently developed “historical sense,” a sense he finds “indispensable to any one who would continue to be a poet beyond his twenty-fifth year” (Selected Essays, 4). 48
  • 49. Its and It’s. The possessive for a non-gendered object is “its.” For example, “When opening the peanut butter, I lost its cap.” The contraction for “it is” is “it’s.” 49
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  • 63. Sarah Bay-Cheng Trebor Scholz baycheng@buffalo.edu trebor@thing.net 63
  • 64. 64