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ACADIAN CULTURE AND
CAJUN MUSIC
BY
TRAVIS COOKE
The Father of Acadians
Samuel de Champlain was
born in 1567 in Brouage,
France. He is considered to
be the “Father of Acadians”
because he established
what is known as the first
Acadian settlement on the
North American continent,
under the French flag.
La Cadie
"La Cadie" or Acadia
was one of the first
European colonies
established in North
America. Acadia is
the area, which is
now known as Nova
Scotia, New
Brunswick, Prince
Edward Island, and
part of Maine.
Location

 The Acadians first

settled on St. Croix
Island.
 The first city
settlement was
Port Royale.
Acadians
The early French settlers
were indentured servants
from coastal France who
had endured famine,
plague, and religious wars
between Catholics and
Protestants. They called
themselves “Acadians” or
“Cadiens”.
The People

The Acadians were highly skilled craftsmen, farmers,
fishermen, and trappers who worked to build a strong
community. They were proud, hard working people.
Unlike the British they created alliances with Native
Americans and did not invade Indian hunting grounds.
Fighting Assimilation
The Acadian people had to adapt to
political changes repeatedly as their
region changed hands between the
French and British during the
Hundred Year War. The British tried
to impose its language and culture.
Along with settling Scottish and other
Protestant colonists in Acadia to
change the French-Catholic culture to
a British-Protestant one. However,
the Acadians resisted assimilation by
holding onto their own culture,
through new settlers speaking French
and increasing their numbers with
their already large families.
Le Grand Dèrangement

The Expulsion of 1755, or what is known as Le Grand Dèrangement, came about because
the British wanted to dominate the area culturally, militarily, and agriculturally without
interference from the Acadians. And also because the Acadians refused to pledge
allegiance to the King of England and join in the fight against the Native Americans who
had grown to be their allies and relatives. The Expulsion killed about half the population
of Acadians which was at about 15,000 prior to.
Acadiana

Of the survivors
and those who
escaped
expulsion the
majority made
their way down
the Mississippi
river to
Louisiana. This
began the
making of
“Acadiana” in
southern
Louisiana.
Cadien to Cajun
Cajuns (the Anglicized word
for Cadiens) in Louisiana
were hardly required to
assimilate. The Cajun society
closely knits family members
and neighbors who tend to
depend on each other.
Through this cooperation,
economic self-sufficiency,
language, and the
development of many
customs they have been able
to maintain their sense of
group identity.

Flag of Acadiana
Music Before Acadia
Cajun music goes back to
Acadia/ Nova Scotia, and to
France. Most Acadians came
from the region Poitou in
France. The music from this
area consisted of solo
unaccompanied ballads, lyric
songs with complex texts,
unaccompanied air playing
on fiddles and wind
instruments, unison group
performances of ceremonial
songs, and dance orchestras
with string and wind duos.
Acadian Music Before Exile

The earliest Acadian songs were long ballads that told
of hard life and suffering. Their music often reflected
influences from their neighbors, the Native Americans
and Scots-Irish. For example the wailing singing style
contributed by the Native Americans. As well as, the
jigs and reels adapted from the Scots-Irish.
Acadian Exile Music
Acadian exiles had no
instruments when they
came to Louisiana. So they
danced to reels á bouche,
which is Acadian for mouth
music. This is wordless
dance music made by
singing, humming, and
rhythmic clapping and
stamping.

Reels á Bouche
http://www.youtube.co
m/watch?v=K9Fy_gVV
660
Life in Louisiana
Cajun music has always been
very social music. It provided
a relief from their hard days
at work. Cajuns of all ages
and abilities participated in
music-making and dancing
since almost everyone was a
dancer or a player.
The music was an essential
part for get-togethers within
families and the community.
It was not uncommon for
people to travel 50 miles,
before cars were available, for
a Bal de Maison or Fais Dodo.

Joseph Falcon and his wife Cleoma were
one of the first to record Acadian/ Cajun
music in the 1920s.
http://acadian.info/Cleoma_Falcon_Je
_Suis_Parti_Sur_le_Grand_Chemin_T
res_Disatisfe.mp3
Bal de Maison

Bal de Maison were small
get-togethers creating a all
night dance house. They
would take place on the
front porch of a Cajun‟s
home. Or inside where
furniture would be pushed
aside to make way for a
dance floor.
Fais Dodo
In the late 1920s public
dances began appearing in
dance halls known as Fais
dodos. Fais dodo is Cajun
baby talk for “go to sleep”
as in put all the little kids
in a back bedroom or
crying room to sleep
during the party. Soon the
Fais dodo was the primary
place for hearing Cajun
music.
Instruments
Once in their new home,
Louisiana, they
continued to absorb
more from their new
neighbors the Spanish,
Germans and
Caribbeans. This
influence has created an
intercultural gumbo of
musical instruments.

Early instrumental music
was primarily violins and
French fiddles.
Instruments

The triangle or „tit fer
(meaning little iron) is a
simple rhythm
instrument that was
created out of bent metal
bars from hay or rice
rakes.
Instruments

Chemnitzer Concertina –
Accordion German immigrants
brought to America.
Cajun Accordion which was refined
from the German accordion.
Instruments

Around
1928, Cajun
bands began
using the
guitar as an
accompanim
ent to
French
fiddlers, the
triangle and
accordions.

Famous Cajun Guitarist
D.L. Menard
Instruments
The Cajun rub
board, also known
as a Frottoir, is a
musical
instrument that
came from a
chance encounter
between a Creole
musician and a
Cajun metal
craftsman. It is a
type of musical
washboard.
Instruments
In the 1930s,
Cajun musicians
began introducing
drums and electric
amplification in
their music.

The first Cajun
group to use
electric
amplification in
their music was the
Hackberry
Ramblers.

Hackberry Ramblers performing Jolie Blonde, also
known as Jole Blon, which is often called the
Cajun national anthem.
http://www.youtube.com/watch?v=A0Xyt1IStzo
The Music Continues to Evolve
The discovery of oil in Texas
and Louisiana in the 1930s
and World War II were
pivotal in exposing Cajuns to
the American culture at large.
This introduced the musical
movement known as Western
swing which had an
enormous influence on Cajun
music. They began
performing swing tunes and
incorporating the harmonica
and pedal steel guitar.
Swamp Pop
Swamp Pop came about in
the 1950s when Louisiana
teenagers had begun hearing
rock-n-roll idols like Chuck
Berry and Fats Domino on
the radio. They traded in
their fiddles and accordions
for electric guitars and
saxophones. Swamp pop is
the blending of the rock-nroll sound by their idols with
the Cajun music they heard
growing up.

http://www.youtube.com/wat
ch?v=qVOgw9FtJ1Q
Conclusion
 The Acadian people endured much discrimination and

hardship. The Acadian people tried to create their own
community on what is now known as Nova Scotia. The
Acadians eventually were exiled and forced to move. Many
Acadians settled into Louisiana and didn‟t give up on their
way of life. The Acadians continued with Their music and
even evolved it. This music became known as Cajun. The
Cajun music was important to the people. This music can be
compared to Native American Music, African American music
and many others. This just continues to show that music can
be the heart and soul of people. In my opinion Arcadian
people endured some of the toughest times any race had ever
endured. As a whole the Acadian people learned to adapt and
not give up hope. The Acadian people survived and even
thrived through history.
Works Cited












“Acadian Cajun Culture”. Acadian Genealogy. Web. November 2013.
http://www.acadian.org/acadian-cajun_hist_culture.html
“History of the Cajuns: Encyclopedia of Cajun Life; Music”. Acadian- Cajun Genealogy &
History. Web. November 2013. http://www.acadian-cajun.com/cmusic.htm
“Cajun Music Alive and Well in Louisiana”. Louisiana‟s Living Traditions. Web.
November 2013.
http://www.louisianafolklife.org/LT/Articles_Essays/creole_art_cajunmusic_aliv.html
“Introduction to Cajun, Louisiana Creole, & Zydeco Music”. Cajun, Louisiana Creole, &
Zydeco Music. Web. November 2013.
http://www.loyno.edu/~hobbs/ccz/introduction.html
“Cajun Music and Zydeco News”. Acadian.info. Web. November 2013.
http://acadian.info/CajunMusic.htm
“Frottoir History”. Zydeco Rubboards. Web. November 2013.
http://www.zydecorubboards.com/Frottoir_Story.html
“Swamp Pop History”. Swamp Pop Music Festival. Web. November 2013.
http://www.swamppopmusicfest.com/SwampPopHistory.php
“Cajun Song Structure and Arrangement”. Learning Cajun Guitar. Web. November 2013.
http://cajunzydeco.net/CajunGuitar/

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Acadian culture and cajun music

  • 1. ACADIAN CULTURE AND CAJUN MUSIC BY TRAVIS COOKE
  • 2. The Father of Acadians Samuel de Champlain was born in 1567 in Brouage, France. He is considered to be the “Father of Acadians” because he established what is known as the first Acadian settlement on the North American continent, under the French flag.
  • 3. La Cadie "La Cadie" or Acadia was one of the first European colonies established in North America. Acadia is the area, which is now known as Nova Scotia, New Brunswick, Prince Edward Island, and part of Maine.
  • 4. Location  The Acadians first settled on St. Croix Island.  The first city settlement was Port Royale.
  • 5. Acadians The early French settlers were indentured servants from coastal France who had endured famine, plague, and religious wars between Catholics and Protestants. They called themselves “Acadians” or “Cadiens”.
  • 6. The People The Acadians were highly skilled craftsmen, farmers, fishermen, and trappers who worked to build a strong community. They were proud, hard working people. Unlike the British they created alliances with Native Americans and did not invade Indian hunting grounds.
  • 7. Fighting Assimilation The Acadian people had to adapt to political changes repeatedly as their region changed hands between the French and British during the Hundred Year War. The British tried to impose its language and culture. Along with settling Scottish and other Protestant colonists in Acadia to change the French-Catholic culture to a British-Protestant one. However, the Acadians resisted assimilation by holding onto their own culture, through new settlers speaking French and increasing their numbers with their already large families.
  • 8. Le Grand Dèrangement The Expulsion of 1755, or what is known as Le Grand Dèrangement, came about because the British wanted to dominate the area culturally, militarily, and agriculturally without interference from the Acadians. And also because the Acadians refused to pledge allegiance to the King of England and join in the fight against the Native Americans who had grown to be their allies and relatives. The Expulsion killed about half the population of Acadians which was at about 15,000 prior to.
  • 9. Acadiana Of the survivors and those who escaped expulsion the majority made their way down the Mississippi river to Louisiana. This began the making of “Acadiana” in southern Louisiana.
  • 10. Cadien to Cajun Cajuns (the Anglicized word for Cadiens) in Louisiana were hardly required to assimilate. The Cajun society closely knits family members and neighbors who tend to depend on each other. Through this cooperation, economic self-sufficiency, language, and the development of many customs they have been able to maintain their sense of group identity. Flag of Acadiana
  • 11. Music Before Acadia Cajun music goes back to Acadia/ Nova Scotia, and to France. Most Acadians came from the region Poitou in France. The music from this area consisted of solo unaccompanied ballads, lyric songs with complex texts, unaccompanied air playing on fiddles and wind instruments, unison group performances of ceremonial songs, and dance orchestras with string and wind duos.
  • 12. Acadian Music Before Exile The earliest Acadian songs were long ballads that told of hard life and suffering. Their music often reflected influences from their neighbors, the Native Americans and Scots-Irish. For example the wailing singing style contributed by the Native Americans. As well as, the jigs and reels adapted from the Scots-Irish.
  • 13. Acadian Exile Music Acadian exiles had no instruments when they came to Louisiana. So they danced to reels á bouche, which is Acadian for mouth music. This is wordless dance music made by singing, humming, and rhythmic clapping and stamping. Reels á Bouche http://www.youtube.co m/watch?v=K9Fy_gVV 660
  • 14. Life in Louisiana Cajun music has always been very social music. It provided a relief from their hard days at work. Cajuns of all ages and abilities participated in music-making and dancing since almost everyone was a dancer or a player. The music was an essential part for get-togethers within families and the community. It was not uncommon for people to travel 50 miles, before cars were available, for a Bal de Maison or Fais Dodo. Joseph Falcon and his wife Cleoma were one of the first to record Acadian/ Cajun music in the 1920s. http://acadian.info/Cleoma_Falcon_Je _Suis_Parti_Sur_le_Grand_Chemin_T res_Disatisfe.mp3
  • 15. Bal de Maison Bal de Maison were small get-togethers creating a all night dance house. They would take place on the front porch of a Cajun‟s home. Or inside where furniture would be pushed aside to make way for a dance floor.
  • 16. Fais Dodo In the late 1920s public dances began appearing in dance halls known as Fais dodos. Fais dodo is Cajun baby talk for “go to sleep” as in put all the little kids in a back bedroom or crying room to sleep during the party. Soon the Fais dodo was the primary place for hearing Cajun music.
  • 17. Instruments Once in their new home, Louisiana, they continued to absorb more from their new neighbors the Spanish, Germans and Caribbeans. This influence has created an intercultural gumbo of musical instruments. Early instrumental music was primarily violins and French fiddles.
  • 18. Instruments The triangle or „tit fer (meaning little iron) is a simple rhythm instrument that was created out of bent metal bars from hay or rice rakes.
  • 19. Instruments Chemnitzer Concertina – Accordion German immigrants brought to America. Cajun Accordion which was refined from the German accordion.
  • 20. Instruments Around 1928, Cajun bands began using the guitar as an accompanim ent to French fiddlers, the triangle and accordions. Famous Cajun Guitarist D.L. Menard
  • 21. Instruments The Cajun rub board, also known as a Frottoir, is a musical instrument that came from a chance encounter between a Creole musician and a Cajun metal craftsman. It is a type of musical washboard.
  • 22. Instruments In the 1930s, Cajun musicians began introducing drums and electric amplification in their music. The first Cajun group to use electric amplification in their music was the Hackberry Ramblers. Hackberry Ramblers performing Jolie Blonde, also known as Jole Blon, which is often called the Cajun national anthem. http://www.youtube.com/watch?v=A0Xyt1IStzo
  • 23. The Music Continues to Evolve The discovery of oil in Texas and Louisiana in the 1930s and World War II were pivotal in exposing Cajuns to the American culture at large. This introduced the musical movement known as Western swing which had an enormous influence on Cajun music. They began performing swing tunes and incorporating the harmonica and pedal steel guitar.
  • 24. Swamp Pop Swamp Pop came about in the 1950s when Louisiana teenagers had begun hearing rock-n-roll idols like Chuck Berry and Fats Domino on the radio. They traded in their fiddles and accordions for electric guitars and saxophones. Swamp pop is the blending of the rock-nroll sound by their idols with the Cajun music they heard growing up. http://www.youtube.com/wat ch?v=qVOgw9FtJ1Q
  • 25. Conclusion  The Acadian people endured much discrimination and hardship. The Acadian people tried to create their own community on what is now known as Nova Scotia. The Acadians eventually were exiled and forced to move. Many Acadians settled into Louisiana and didn‟t give up on their way of life. The Acadians continued with Their music and even evolved it. This music became known as Cajun. The Cajun music was important to the people. This music can be compared to Native American Music, African American music and many others. This just continues to show that music can be the heart and soul of people. In my opinion Arcadian people endured some of the toughest times any race had ever endured. As a whole the Acadian people learned to adapt and not give up hope. The Acadian people survived and even thrived through history.
  • 26. Works Cited         “Acadian Cajun Culture”. Acadian Genealogy. Web. November 2013. http://www.acadian.org/acadian-cajun_hist_culture.html “History of the Cajuns: Encyclopedia of Cajun Life; Music”. Acadian- Cajun Genealogy & History. Web. November 2013. http://www.acadian-cajun.com/cmusic.htm “Cajun Music Alive and Well in Louisiana”. Louisiana‟s Living Traditions. Web. November 2013. http://www.louisianafolklife.org/LT/Articles_Essays/creole_art_cajunmusic_aliv.html “Introduction to Cajun, Louisiana Creole, & Zydeco Music”. Cajun, Louisiana Creole, & Zydeco Music. Web. November 2013. http://www.loyno.edu/~hobbs/ccz/introduction.html “Cajun Music and Zydeco News”. Acadian.info. Web. November 2013. http://acadian.info/CajunMusic.htm “Frottoir History”. Zydeco Rubboards. Web. November 2013. http://www.zydecorubboards.com/Frottoir_Story.html “Swamp Pop History”. Swamp Pop Music Festival. Web. November 2013. http://www.swamppopmusicfest.com/SwampPopHistory.php “Cajun Song Structure and Arrangement”. Learning Cajun Guitar. Web. November 2013. http://cajunzydeco.net/CajunGuitar/