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Chapter 12 Byzantium Gardner’s Art Through the Ages, 12e
Europe and the Byzantine Empire ca. 1000
Goals ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Figure 12-2  ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS, aerial view of Hagia Sophia (looking north), Constantinople (Istanbul), Turkey, 532–537.
Figure 12-3  ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS, plan ( top ) and restored cutaway view ( bottom ) of Hagia Sophia, Constantinople (Istanbul), Turkey, 532-537 (John Burge).
Figure 12-4  ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS, interior of Hagia Sophia (looking southwest), Constantinople (Istanbul), Turkey, 532–537.
Figure 12-5  Dome on pendentives  (left ) and on squinches ( right ).
Figure 12-6  Aerial view of San Vitale (looking northwest), Ravenna, Italy, 526–547.
Figure 12-7   Plan of San Vitale, Ravenna, Italy, 526–547.
Figure 12-8  Interior of San Vitale (looking from the apse into the choir), Ravenna, Italy, 526–547.
Figure 12-9  Choir and apse of San Vitale with mosaic of Christ between two angels, Saint Vitalis, and Bishop Ecclesius, Ravenna, Italy, 526–547.
Byzantine Mosaics ,[object Object],[object Object]
Figure 12-10  Justinian, Bishop Maximianus, and attendants, mosaic on the north wall of the apse, San Vitale, Ravenna, Italy, ca. 547.
Figure 12-11  Theodora and attendants, mosaic on the south wall of the apse, San Vitale, Ravenna, Italy, ca. 547.
Figure 12-18  Virgin (Theotokos) and Child between Saints Theodore and George, icon, sixth or early seventh century. Encaustic on wood, 2’ 3” X 1’ 7 3/8”. Monastery of Saint Catherine, Mount Sinai, Egypt.
Art of the Middle Byzantine Period ,[object Object],[object Object],[object Object]
Figure 12-1  Christ as Pantokrator, dome mosaic in the Church of the Dormition, Daphni, Greece, ca. 1090–1100.
Figure 12-23  Crucifixion, mosaic in the Church of the Dormition, Daphni, Greece, ca. 1090–1100.
Figure 12-25  Pantokrator, Theotokos and Child, angels, and saints, apse mosaic in the cathedral at Monreale, (Sicily) Italy, ca. 1180–1190.
Byzantine Luxury ,[object Object]
Figure 12-28  David composing the Psalms, folio 1 verso of the  Paris Psalter , ca. 950–970. Tempera on vellum, 1’ 2 1/8” X 10 1/4”. Bibliothèque Nationale, Paris.
Figure 12-29  Virgin (Theotokos) and Child, icon ( Vladimir Virgin ), late 11th to early 12th century. Tempera on wood, original panel 2’ 6 1/2” X 1’ 9”. Tretyakov Gallery, Moscow.
12.3  Late Byzantine ,[object Object],[object Object],[object Object]
Figure 12-31  Christ as Savior of Souls, icon from the church of Saint Clement, Ohrid, Macedonia, early 14th century. Tempera, linen, and silver on wood, 3’ 1/4” X 2’ 2 1/2”. Icon Gallery of Saint Clement, Ohrid.
Figure 12-32  Annunciation, reverse of two-sided icon from Saint Clement, Ohrid, Macedonia, early 14th century. Tempera and linen on wood, 3’ 1/4” X 2’ 2 3/4”. Icon gallery of Saint Clement, Ohrid.
Discussion Questions ,[object Object],[object Object],[object Object]

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Chapter12

  • 1. Chapter 12 Byzantium Gardner’s Art Through the Ages, 12e
  • 2. Europe and the Byzantine Empire ca. 1000
  • 3.
  • 4. Figure 12-2 ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS, aerial view of Hagia Sophia (looking north), Constantinople (Istanbul), Turkey, 532–537.
  • 5. Figure 12-3 ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS, plan ( top ) and restored cutaway view ( bottom ) of Hagia Sophia, Constantinople (Istanbul), Turkey, 532-537 (John Burge).
  • 6. Figure 12-4 ANTHEMIUS OF TRALLES and ISIDORUS OF MILETUS, interior of Hagia Sophia (looking southwest), Constantinople (Istanbul), Turkey, 532–537.
  • 7. Figure 12-5 Dome on pendentives (left ) and on squinches ( right ).
  • 8. Figure 12-6 Aerial view of San Vitale (looking northwest), Ravenna, Italy, 526–547.
  • 9. Figure 12-7 Plan of San Vitale, Ravenna, Italy, 526–547.
  • 10. Figure 12-8 Interior of San Vitale (looking from the apse into the choir), Ravenna, Italy, 526–547.
  • 11. Figure 12-9 Choir and apse of San Vitale with mosaic of Christ between two angels, Saint Vitalis, and Bishop Ecclesius, Ravenna, Italy, 526–547.
  • 12.
  • 13. Figure 12-10 Justinian, Bishop Maximianus, and attendants, mosaic on the north wall of the apse, San Vitale, Ravenna, Italy, ca. 547.
  • 14. Figure 12-11 Theodora and attendants, mosaic on the south wall of the apse, San Vitale, Ravenna, Italy, ca. 547.
  • 15. Figure 12-18 Virgin (Theotokos) and Child between Saints Theodore and George, icon, sixth or early seventh century. Encaustic on wood, 2’ 3” X 1’ 7 3/8”. Monastery of Saint Catherine, Mount Sinai, Egypt.
  • 16.
  • 17. Figure 12-1 Christ as Pantokrator, dome mosaic in the Church of the Dormition, Daphni, Greece, ca. 1090–1100.
  • 18. Figure 12-23 Crucifixion, mosaic in the Church of the Dormition, Daphni, Greece, ca. 1090–1100.
  • 19. Figure 12-25 Pantokrator, Theotokos and Child, angels, and saints, apse mosaic in the cathedral at Monreale, (Sicily) Italy, ca. 1180–1190.
  • 20.
  • 21. Figure 12-28 David composing the Psalms, folio 1 verso of the Paris Psalter , ca. 950–970. Tempera on vellum, 1’ 2 1/8” X 10 1/4”. Bibliothèque Nationale, Paris.
  • 22. Figure 12-29 Virgin (Theotokos) and Child, icon ( Vladimir Virgin ), late 11th to early 12th century. Tempera on wood, original panel 2’ 6 1/2” X 1’ 9”. Tretyakov Gallery, Moscow.
  • 23.
  • 24. Figure 12-31 Christ as Savior of Souls, icon from the church of Saint Clement, Ohrid, Macedonia, early 14th century. Tempera, linen, and silver on wood, 3’ 1/4” X 2’ 2 1/2”. Icon Gallery of Saint Clement, Ohrid.
  • 25. Figure 12-32 Annunciation, reverse of two-sided icon from Saint Clement, Ohrid, Macedonia, early 14th century. Tempera and linen on wood, 3’ 1/4” X 2’ 2 3/4”. Icon gallery of Saint Clement, Ohrid.
  • 26.