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William Blake’s
Contrasting Pieces of
 Innocence and
    Experience
William Blake
William Blake
• an English poet, painter, and printmaker
• now considered a seminal figure in the history
  of both the poetry and visual arts of the
  Romantic Age
• produced a diverse and symbolically rich
  corpus, which embraced the imagination as
  "the body of God", or "Human existence itself“
• "glorious luminary“
• Born on 28th November 1757 in Soho in
  London
• Established engraver
THE TIGER AND THE LAMB



          ANALYSIS
TIGER, tiger, burning
         bright
 In the forests of the
         night,
What immortal hand
        or eye
   Could frame thy
  fearful symmetry?
In what distant deeps or
           skies
  Burnt the fire of thine
          eyes?
On what wings dare he
         aspire?
  What the hand dare
     seize the fire?
And what shoulder
    and what art
Could twist the sinews
    of thy heart?
And when thy heart
   began to beat,
What dread hand and
  what dread feet?
What the hammer?
  what the chain?
In what furnace was
      thy brain?
What the anvil? What
    dread grasp
Dare its deadly terrors
        clasp?
When the stars threw
  down their spears,
 And water'd heaven
     with their tears,
Did He smile His work to
           see?
Did He who made the
   lamb make thee?
Tiger, tiger, burning
         bright
In the forests of the
         night,
What immortal hand
         or eye
   Dare frame thy
  fearful symmetry?
Little Lamb, who made
          thee?
  Dost thou know who
       made thee?
Gave thee life, and bid
        thee feed,
By the stream and o'er
        the mead;
Gave thee clothing of
       delight,
        Softest
clothing, woolly, brigh
           t;
  Gave thee such a
    tender voice,
 Making all the vales
       rejoice?
Little Lamb, who made
          thee?
Dost thou know who made
           thee?
Little Lamb, I'll tell
          thee,
  Little Lamb, I'll tell
          thee.
 He is called by thy
         name,
For He calls Himself a
         Lamb.
He is meek, and He
       is mild;
He became a little
        child.
I a child, and thou
      a lamb,
 We are called by
     His name.
Little Lamb, God
    bless thee!
Little Lamb, God
    bless thee!
Structure
• six quatrains in rhymed couplets
• The meter is regular and rhythmic, its
  hammering beat suggestive of the smithy
  that is the poem's central image.
• "The Lamb" has two stanzas, each
  containing five rhymed couplets. Repetition
  in the first and last couplet of each stanza
  makes these lines into a refrain, and helps to
  give the poem its song-like quality. The
  flowing l's and soft vowel sounds contribute
  to this effect, and also suggest the bleating
  of a lamb or the lisping character of a child's
  chant.
THE TIGER                     THE LAMB
Rhyme Scheme:                Rhyme Scheme:
AA BB CC DD AA AA            AA BB CC DD EE
   EF GG FE AA               FF GG HH II JJ AA
                             BB
Syllables per Line:
                             Syllables per Line:
6, 6, 7, 8, 7, 7, 7, 7, 6,   7, 7, 7, 8; 7, 6, 7, 7;
   6;                        7, 8, 8, 7, 7, 7, 7,7 ;
   6, 6, 6, 7, 7, 7, 7, 6,   7, 8, 7, 8, 7, 7, 7, 8
   6, 6,                     Stressed Syllables:
Stressed Syllables:          Fixed- 2
Fixed- 2 (Accentual          (Accentual Meter)
   Meter)
Literary Devices
• Alliteration
“Little Lamb”
• Assonance
“Dost thou know who”
• Repetition
“Tiger, Tiger..”
• Refrain
“Little lamb who made thee”, “Little
  Lamb God bless thee”; “Tiger, Tiger
  burning bright.. .. Fearful symmetry.”
  were repeated twice, and several
  times.
• Imagery
Those presented as visual arts in his
  poems. i.e. stream,skies,hammer,fire
• Symbol
i.e. Lamb=peace/Tiger=violence
Guide Questions:

   • Do you reflect as a Lamb or as a
                  Tiger?
• How do we become a Tiger? How do we
            become a Lamb?
Unlocking the meaning of the
        Literary piece

  Two poems made significant meanings. In
   comparison of both, unifying theme was
 delivered to assess knowledge, wisdom and
conscience of individuals regarding of this very
            broad term called Life.
Characteristics

      Powerful                       Ignorant


               Proud         Meek


Tig               Fearful   Gentle              La
er                                              mb
                Killer      Innocent


        Evil                     Good
Man



       CHOICE




Good            Evil
Theoretical underpinnings
1. Structuralism
           The using of two contrasting poems with
 different illustrations leads to better understanding of
 the poems, the symbolisms where there were provoking
 of statements and questions unanswered for such
 times and the song-like quality that could be easily
 remembered.
2. Existentialism
          Humans do have free will. It is right in our
 own hands and own might as we take through the path
 on what we need or what we want. As an individual, we
 may feed either the tiger or the lamb, we may feed
 both. But the truth is we all feed on both sides. What is
 noticed is that what others think about you or what you
 let them feel. It’s still up to us for we are the masters
 of our own fate.
3. Moral-Philosophical
       What is good and what is bad are symptoms of
 our thinking. We got to realize something as we take a
 step to our direction guided by our choice. We got
 chances to make a move as we think of some
 perspectives and experiences undergone. Accompanied
 by several good or evil influences, we still stand in our
 way and walk for our path.
THEME
We are freely given privilege to
   choose which lead us to
  become GOOD and/or BAD.
Thank you for listening!
 Have a Joyous Christmas Vacation
                :”>


Tabanao, Temy U. Arana, Angelo Valentin A.

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The Tiger and The Lamb

  • 1. William Blake’s Contrasting Pieces of Innocence and Experience
  • 3. William Blake • an English poet, painter, and printmaker • now considered a seminal figure in the history of both the poetry and visual arts of the Romantic Age • produced a diverse and symbolically rich corpus, which embraced the imagination as "the body of God", or "Human existence itself“ • "glorious luminary“ • Born on 28th November 1757 in Soho in London • Established engraver
  • 4. THE TIGER AND THE LAMB ANALYSIS
  • 5. TIGER, tiger, burning bright In the forests of the night, What immortal hand or eye Could frame thy fearful symmetry?
  • 6. In what distant deeps or skies Burnt the fire of thine eyes? On what wings dare he aspire? What the hand dare seize the fire?
  • 7. And what shoulder and what art Could twist the sinews of thy heart?
  • 8. And when thy heart began to beat, What dread hand and what dread feet?
  • 9. What the hammer? what the chain? In what furnace was thy brain? What the anvil? What dread grasp Dare its deadly terrors clasp?
  • 10. When the stars threw down their spears, And water'd heaven with their tears, Did He smile His work to see? Did He who made the lamb make thee?
  • 11. Tiger, tiger, burning bright In the forests of the night, What immortal hand or eye Dare frame thy fearful symmetry?
  • 12. Little Lamb, who made thee? Dost thou know who made thee? Gave thee life, and bid thee feed, By the stream and o'er the mead;
  • 13. Gave thee clothing of delight, Softest clothing, woolly, brigh t; Gave thee such a tender voice, Making all the vales rejoice?
  • 14. Little Lamb, who made thee? Dost thou know who made thee?
  • 15. Little Lamb, I'll tell thee, Little Lamb, I'll tell thee. He is called by thy name, For He calls Himself a Lamb.
  • 16. He is meek, and He is mild; He became a little child. I a child, and thou a lamb, We are called by His name.
  • 17. Little Lamb, God bless thee! Little Lamb, God bless thee!
  • 18. Structure • six quatrains in rhymed couplets • The meter is regular and rhythmic, its hammering beat suggestive of the smithy that is the poem's central image. • "The Lamb" has two stanzas, each containing five rhymed couplets. Repetition in the first and last couplet of each stanza makes these lines into a refrain, and helps to give the poem its song-like quality. The flowing l's and soft vowel sounds contribute to this effect, and also suggest the bleating of a lamb or the lisping character of a child's chant.
  • 19. THE TIGER THE LAMB Rhyme Scheme: Rhyme Scheme: AA BB CC DD AA AA AA BB CC DD EE EF GG FE AA FF GG HH II JJ AA BB Syllables per Line: Syllables per Line: 6, 6, 7, 8, 7, 7, 7, 7, 6, 7, 7, 7, 8; 7, 6, 7, 7; 6; 7, 8, 8, 7, 7, 7, 7,7 ; 6, 6, 6, 7, 7, 7, 7, 6, 7, 8, 7, 8, 7, 7, 7, 8 6, 6, Stressed Syllables: Stressed Syllables: Fixed- 2 Fixed- 2 (Accentual (Accentual Meter) Meter)
  • 20. Literary Devices • Alliteration “Little Lamb” • Assonance “Dost thou know who” • Repetition “Tiger, Tiger..”
  • 21. • Refrain “Little lamb who made thee”, “Little Lamb God bless thee”; “Tiger, Tiger burning bright.. .. Fearful symmetry.” were repeated twice, and several times. • Imagery Those presented as visual arts in his poems. i.e. stream,skies,hammer,fire • Symbol i.e. Lamb=peace/Tiger=violence
  • 22. Guide Questions: • Do you reflect as a Lamb or as a Tiger? • How do we become a Tiger? How do we become a Lamb?
  • 23. Unlocking the meaning of the Literary piece Two poems made significant meanings. In comparison of both, unifying theme was delivered to assess knowledge, wisdom and conscience of individuals regarding of this very broad term called Life.
  • 24. Characteristics Powerful Ignorant Proud Meek Tig Fearful Gentle La er mb Killer Innocent Evil Good
  • 25. Man CHOICE Good Evil
  • 26. Theoretical underpinnings 1. Structuralism The using of two contrasting poems with different illustrations leads to better understanding of the poems, the symbolisms where there were provoking of statements and questions unanswered for such times and the song-like quality that could be easily remembered.
  • 27. 2. Existentialism Humans do have free will. It is right in our own hands and own might as we take through the path on what we need or what we want. As an individual, we may feed either the tiger or the lamb, we may feed both. But the truth is we all feed on both sides. What is noticed is that what others think about you or what you let them feel. It’s still up to us for we are the masters of our own fate. 3. Moral-Philosophical What is good and what is bad are symptoms of our thinking. We got to realize something as we take a step to our direction guided by our choice. We got chances to make a move as we think of some perspectives and experiences undergone. Accompanied by several good or evil influences, we still stand in our way and walk for our path.
  • 28. THEME We are freely given privilege to choose which lead us to become GOOD and/or BAD.
  • 29. Thank you for listening! Have a Joyous Christmas Vacation :”> Tabanao, Temy U. Arana, Angelo Valentin A.