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Narrative Pacing
A Presentation by J. Everett Hale




L/O/G/O
Pacing


 What is Narrative Pacing?

 • The speed at which an author tells a story;
   the movement from one point or section to
   another.

 • The rate at which a story moves.
Scenes and Interludes


 • When you think about a scene in a novel,
   the first thing that comes to mind is a fast-
   paced action sequence.

 • Interludes are the slower parts in between
   the scenes when the character reacts
   emotionally to whatever has just
   happened.
Scenes and Interludes


 • Scenes in a novel should actually read
   slowly, and interludes should happen
   more quickly.

 • Scenes, broadly speaking, contain all of
   the novel's interesting and exciting and
   dramatic material. It makes sense,
   therefore, that the readers won't want them
   to be over with too quickly.
Controlling the Pace


  Showing                Showing
     vs.                   vs.
   Telling                Really
                         Showing




  There are two ways to control the pace in a
  narrative: Showing vs. Telling and Showing vs.
  Really Showing
Showing vs. Telling



 • Showing means writing fiction in such a
   way that everything is described in vivid,
   sensory detail.

 • Telling is flat and factual. It states
   something but doesn't demonstrate it.
Showing vs. Really Showing
 • While telling usually takes place in a few
   words, showing can take up as little or as
   much space as you want. How much space
   you allow it to take up depends on the
   event's importance in the narrative, and
   whether you want the readers to skip
   through it relatively quickly or to linger over
   it for much longer.

 • How much you show can make the
   difference between a chapter being ten
   pages long or fifty pages long.
Linking Devices
 Use theme and motifs to connect the major
 acts of the book and provide propulsion
 forward in the plot.

 • Story links help the readers make sense of
   what’s going on by reminding them of the
   goal and journey.

 • They leave a scene unresolved, urging the
   readers to read on to provide closure.
Sequencing


 Pacing, as a technique, is “carried” by
 individual scenes, and often requires
 preparation to get the reader anticipating
 what’s to come.

 • Scene sequencing (a sequence of scenes
   presented as a mini-story, rising to a
   turning point) can increase the pace.
Propulsion



 • Anything that “pulls” the reader into the
   next scene or makes her speculate about
   the future will quicken the pacing.

 • Make the reader ask a question in one
   scene and then postpone the answer for
   another scene.
Fast is Not the Only Pace



 You can vary the pacing of scenes in
 different parts of the book for different
 purposes.

 • Slow down to create suspense

 • Speed up to simulate urgency
Beats




 A beat is a segment of narration that tells the
 reader what's happening in a scene, gives
 them a good fix on the setting, and helps
 manage the perceived passage of time in a
 story.
Beats in Scripting



 • The term, “beat” comes from playscripts
   and screenplays.

 • In scripts, when the playwright wrote a
   “beat”, it meant that he wanted the actor to
   pause a moment before speaking the next
   line.
Beats in Fiction



 • Use beats in your scenes when you need a
   character to pause a moment before going
   on to the next action.

 • Beats can be used when a character would
   take a moment to absorb the impact of
   something that has just happened.
Beats Manage Pacing


 • Beats—their presence or absence, and
   their length, long or short—are the
   playback knobs of your story.

 • The longer the beat, the longer the pause.

 • More text in a beat means more time has
   elapsed in silence.
Beats in Action Scenes

 • As you get closer and closer to the
   climactic moment, use shorter and shorter
   paragraphs.

 • Long paragraphs = lazy summer
   afternoons.

 • Short paragraphs = urgency and
   quickness.
Resolution

 • The end of the scene is crucial for pacing.

 • Don’t end a scene on a resolution (except
   perhaps the last scene in a book), but on
   some issue that won’t resolve until at least
   the next scene.

 • If the scene ending is too “complete,” add
   some tiny question or doubt at the end.
Works Cited
Chapman, Harvey. "How To Write a Narrative With Pace." Novel-Writing-
Help.com. Novel-Writing-Help.com. Web. 9 March 2013.
http://www.novel-writing-help.com/how-to-write-a-narrative.html

Chapman, Harvey. "Writing a Narrative by Showing and Telling." Novel-Writing-
Help.com. Novel-Writing-Help.com. Web. 9 March 2013.
http://www.novel-writing-help.com/writing-a-narrative.html

Gerke, Jeff. "Fiction Writing Tips." WhereTheMapEnds. Marcher Lord Press. Web. 9
March 2013.
http://www.wherethemapends.com/writerstools/writers_tools_pages/tip_of_the_week--31-
40.htm

Rasley, Alicia. "Top Ten Pacing Tips." Romance University. WordPress, 28 February
2012. Web. 9 March 2013.
http://romanceuniversity.org/2012/02/28/top-ten-pacing-tips-by-alicia-rasley/

 L/O/G/O

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John pacing presentation

  • 1. Narrative Pacing A Presentation by J. Everett Hale L/O/G/O
  • 2. Pacing What is Narrative Pacing? • The speed at which an author tells a story; the movement from one point or section to another. • The rate at which a story moves.
  • 3. Scenes and Interludes • When you think about a scene in a novel, the first thing that comes to mind is a fast- paced action sequence. • Interludes are the slower parts in between the scenes when the character reacts emotionally to whatever has just happened.
  • 4. Scenes and Interludes • Scenes in a novel should actually read slowly, and interludes should happen more quickly. • Scenes, broadly speaking, contain all of the novel's interesting and exciting and dramatic material. It makes sense, therefore, that the readers won't want them to be over with too quickly.
  • 5. Controlling the Pace Showing Showing vs. vs. Telling Really Showing There are two ways to control the pace in a narrative: Showing vs. Telling and Showing vs. Really Showing
  • 6. Showing vs. Telling • Showing means writing fiction in such a way that everything is described in vivid, sensory detail. • Telling is flat and factual. It states something but doesn't demonstrate it.
  • 7. Showing vs. Really Showing • While telling usually takes place in a few words, showing can take up as little or as much space as you want. How much space you allow it to take up depends on the event's importance in the narrative, and whether you want the readers to skip through it relatively quickly or to linger over it for much longer. • How much you show can make the difference between a chapter being ten pages long or fifty pages long.
  • 8. Linking Devices Use theme and motifs to connect the major acts of the book and provide propulsion forward in the plot. • Story links help the readers make sense of what’s going on by reminding them of the goal and journey. • They leave a scene unresolved, urging the readers to read on to provide closure.
  • 9. Sequencing Pacing, as a technique, is “carried” by individual scenes, and often requires preparation to get the reader anticipating what’s to come. • Scene sequencing (a sequence of scenes presented as a mini-story, rising to a turning point) can increase the pace.
  • 10. Propulsion • Anything that “pulls” the reader into the next scene or makes her speculate about the future will quicken the pacing. • Make the reader ask a question in one scene and then postpone the answer for another scene.
  • 11. Fast is Not the Only Pace You can vary the pacing of scenes in different parts of the book for different purposes. • Slow down to create suspense • Speed up to simulate urgency
  • 12. Beats A beat is a segment of narration that tells the reader what's happening in a scene, gives them a good fix on the setting, and helps manage the perceived passage of time in a story.
  • 13. Beats in Scripting • The term, “beat” comes from playscripts and screenplays. • In scripts, when the playwright wrote a “beat”, it meant that he wanted the actor to pause a moment before speaking the next line.
  • 14. Beats in Fiction • Use beats in your scenes when you need a character to pause a moment before going on to the next action. • Beats can be used when a character would take a moment to absorb the impact of something that has just happened.
  • 15. Beats Manage Pacing • Beats—their presence or absence, and their length, long or short—are the playback knobs of your story. • The longer the beat, the longer the pause. • More text in a beat means more time has elapsed in silence.
  • 16. Beats in Action Scenes • As you get closer and closer to the climactic moment, use shorter and shorter paragraphs. • Long paragraphs = lazy summer afternoons. • Short paragraphs = urgency and quickness.
  • 17. Resolution • The end of the scene is crucial for pacing. • Don’t end a scene on a resolution (except perhaps the last scene in a book), but on some issue that won’t resolve until at least the next scene. • If the scene ending is too “complete,” add some tiny question or doubt at the end.
  • 18. Works Cited Chapman, Harvey. "How To Write a Narrative With Pace." Novel-Writing- Help.com. Novel-Writing-Help.com. Web. 9 March 2013. http://www.novel-writing-help.com/how-to-write-a-narrative.html Chapman, Harvey. "Writing a Narrative by Showing and Telling." Novel-Writing- Help.com. Novel-Writing-Help.com. Web. 9 March 2013. http://www.novel-writing-help.com/writing-a-narrative.html Gerke, Jeff. "Fiction Writing Tips." WhereTheMapEnds. Marcher Lord Press. Web. 9 March 2013. http://www.wherethemapends.com/writerstools/writers_tools_pages/tip_of_the_week--31- 40.htm Rasley, Alicia. "Top Ten Pacing Tips." Romance University. WordPress, 28 February 2012. Web. 9 March 2013. http://romanceuniversity.org/2012/02/28/top-ten-pacing-tips-by-alicia-rasley/ L/O/G/O