This document provides an overview of a PhD thesis that examines three novels by Indian author Amitav Ghosh from a deconstructionist perspective. The thesis includes chapters that [1] introduce Ghosh and deconstructionism, [2] define deconstructionist principles, [3] analyze Ghosh's narrative style, [4] discuss the themes of migration and identity in The Circle of Reason, [5] link The Shadow Lines to ideas of national and cultural identity, and [6] examine the themes of diaspora and cultural displacement in The Glass Palace. The concluding chapter summarizes the analysis of how Ghosh's writings adhere to deconstructionist concepts of multiple meanings and binaries.