SlideShare ist ein Scribd-Unternehmen logo
1 von 27
The Knight’s
    Tale


   Canterbury Tales
   British Literature
I. Elements to observe in “The
          Knight’s Tale”
 “joy follows sorrow” – the idea that life is truly a balance
  of good and bad, positive and negative

 Fate – the idea that some higher power is in control of
  human characters

 Courtly love – love as physical pain

 “Chivalry” – The Code of Knights

 “Competition and Rivalry” – among men
II. Symbols
 Symbols are objects, characters, figures,
  and colors used to represent abstract ideas
  or concepts
  – Springtime
  – Clothing
  – Red and White; Green
  – Animals – Wrathful Lion, Tiger, Wild Boars
  – Blood
III. Courtly love
 Conception of nobly and chivalrously
  expressing love and admiration
 Secret and between members of the
  nobility
 Not between husband and wife
 Balance between desire and spirituality
 “lady on a pedestal”
Courtly love
 Illicit and morally elevating, passionate
  and disciplined, humiliating and exalting,
  human and transcendent.
 Idolization
 The lover accepts the independence of his
  mistress and tries to make himself worthy
  of her by acting bravely and honorably and
  by doing whatever deeds she may desire.
The object of attraction may be a married
woman; and the goal was not always
physical pleasure.

Marriage and love not a sin, but elevating.
The woman had POWER – she enabled
spiritual and moral growth.
IV. Stages of Courtly Love:
 Attraction to the lady, usually via
  eyes/glance
 Worship of the lady from afar
 Declaration of passionate devotion
 Virtuous rejection by the lady
 Renewed wooing with oaths of virtue and
  eternal fealty
Stages of Courtly Love
 Moans of approaching death from
  unsatisfied desire (and other physical
  manifestations of lovesickness)
 Heroic deeds of valor which win the lady's
  heart
 Consummation of the secret love
 Endless adventures and subterfuges
  avoiding detection
V. Image of Women
 Emily
  * the gazed object
  * a prize to men
 The Theban women & the court
  women
  * pleaders
Trial By Battle
 trial by battle was when two nobles fought,
  usually until one of them died.
 the winner was assumed innocent because God
  would only protect an innocent person
 only noblemen had the right to trial by battle
 noblewomen could choose any champion to
  fight on her behalf
 trial by ordeal and trial by battle were
  common ways of deciding if a person was
  innocent or guilty but were outlawed later in
  the Middle Ages
Plot Summary
 Theseus’s returning from Amazon
 Discovery of Arcite and Palamon
 Courtly love to Emily
 Escape of the two imprisoned
  knights
 The encounter of Arcite and Palamon
 A just duel between the two
  knights
 The final destiny of the knights
Courtly Love
 Having quarrels
  * Arcite: “yours is no more than a religious
    felling: mine is real love, love of human
    being.” (p.89)
  * Arcite: :”Love is a mighter law, upon my
   soul, than any made by any mortal rule.”
   (p.89)
 Arcite’s modified name -- Philostrato
 Palamon’s escape
 Fighting in the wood
 Competing in the arena
 Arcite’s contribution to love
God’s Power v.s. Human Will
 Human being’s will
  * praying to gods for fulfilling their
   wishes
  Palamon  Venus, praying for winning
              Emily
  Emily  Diana, praying for keeping her
          virginity
  Arcite  Mars, praying for achieving
          victory in the duel
* succeeding in pleading to save lives
  Theban women  husbands
  Pirithous  Arcite
  Court women  Arcite and Palamon

 God’s Power
 * holding power over human being’s
  destiny

 * quarreling over the winner
  The dispute between Venus and Mars
Questions
 Who is in the worse situation,
 Arcite
  or Palamon?
  * Arcite, who is free, but will never
 see his beloved.
  * Palamon, will see his lover
 everyday, but is
   imprisoned
* Death with good-name is the most
   honorable
     Theseus: “And, certainly, a man gains most honor in
dying in his excellence and flower, when he is sure of his
good name; then he has done no shame to his friend, or to
himself. And his friend ought to be happier for his death
when his breath is given up with honor, then when his name
is faded with age; for then his prowess is all forgotten.”
                                                  (p.191)



Do Now: What is Theseus’ message to Palamon and Emily
in this excerpt of his final speech?
 Each of the final events in the story is
  punctuated by great pageantry.

 What was a simple duel between Arcite
  and Palamon becomes a gala event with
  the construction of a massive coliseum for
  two armies to wage war on one another.

 Intervention of the gods for the two nobles.
Part IVAnalysis
 The Knight's Tale adheres to traditional
  values of chivalric, knightly honor in
  which there are strict codes of behavior
  which one must follow.

 As the Knight sees it, by dying in honor,
  we should be glad for those who so die.
Theme
 The main theme of the tale is the instability
  of human life—joy and suffering are never
  far apart from one another, and nobody is
  safe from disaster.
 When one person’s fortunes are up,
  another person’s are down.
 Characters are always subject to dramatic
  reversals of fortune.

 Theseus argues that excessive mourning
  over disaster is inappropriate.

 Suggests that some kind of moral order
  underlies the apparently random mishaps
  and disasters of the narrative.
 The moral questions the tale poses seem
  more important than the qualities of the
  individual characters.

 “What is this world? What does man ask
    to have?”
(p. 175, line 1919) – Arcite’s speech before
  he dies.
 Characters exist only to be moved by the
  events of the story: to be imprisoned and
  set free whenever the plot demands, or to
  fall in love at first sight when it is
  dramatically convenient.

 Even the characters acknowledge their lack
  of free will within the story – by praying to
  each god in Part III.
Theseus’ final speech…
 eloquently relates the events we have
  witnessed to a predestined view of the
  universe and of man’s place within its
  order.
 The statements he makes are sober and
  realistic.
  – “Look at the oak … all these things have an
    end” (p.189).
  – “In the case of man and woman … all go that
    same way” (189).
  – “It is wisdom to accept willingly what we may
    not avoid” (190).
Paganism
 All this represents a Pagan philosophy,
  rather than a Christian outlook.
 This is a tale of Pagan times that we have
  been following.
 The ways of life resume their course after
  we die (Nature).
Emily’s marriage to Palamon
 Theseus prepares to make one joy out of
  two sorrows in the process of marrying
  Emily to Palamon.

 The tale ends on a note of fulfilled
  happiness as the Knight invokes the
  blessing of the pilgrims in the form of a
  solemn and appropriate final ‘Amen’.
Closing Question:
 Does the concept of destiny change in
  the end of the Knight’s tale? How
  does it change?
Questions
 Who is in the worse situation, Arcite
  or Palamon?
  * Arcite, who is free, but will never see his beloved.
  * Palamon, will see his lover everyday, but is
    imprisoned
 Does the concept of destiny change in the

  end of the Knight’s tale? How does it
  change?

Weitere ähnliche Inhalte

Was ist angesagt?

Theme of marriage in pride and prejudice
Theme of marriage in pride and prejudiceTheme of marriage in pride and prejudice
Theme of marriage in pride and prejudiceikramullah147
 
Puritanism in ‘the scarlet letter’ and
Puritanism in ‘the scarlet letter’ andPuritanism in ‘the scarlet letter’ and
Puritanism in ‘the scarlet letter’ andKomal Shahedadpuri
 
Analysis of the poem, my last duchess in the psycho analytical framework
Analysis of the poem, my last duchess in the psycho analytical frameworkAnalysis of the poem, my last duchess in the psycho analytical framework
Analysis of the poem, my last duchess in the psycho analytical frameworkDayamani Surya
 
Paul’s oedipus complex in sons and lovers
Paul’s oedipus complex in sons and loversPaul’s oedipus complex in sons and lovers
Paul’s oedipus complex in sons and loversAbdo Zejem
 
Christopher marlowe
Christopher marloweChristopher marlowe
Christopher marloweRanjanvelari
 
Rape of the Lock as A Social Satire
Rape of the Lock as A Social Satire Rape of the Lock as A Social Satire
Rape of the Lock as A Social Satire Mah Noor
 
Plot is the soul of tragedy
Plot is the soul of tragedyPlot is the soul of tragedy
Plot is the soul of tragedyshitalitalia
 
Chance & fate in thomas hardy
Chance & fate in thomas hardyChance & fate in thomas hardy
Chance & fate in thomas hardypatelkavita
 
Aristotle's Concept regarding Plot
Aristotle's Concept regarding PlotAristotle's Concept regarding Plot
Aristotle's Concept regarding PlotHafsahZafar
 
Mathew Arnold Study of Poetry
Mathew Arnold  Study of PoetryMathew Arnold  Study of Poetry
Mathew Arnold Study of PoetryNutan Erathi
 
Sons and Lovers an an Auto Biographical Novel
Sons and Lovers an an Auto Biographical NovelSons and Lovers an an Auto Biographical Novel
Sons and Lovers an an Auto Biographical NovelYasir Aslam
 
The rape of the lock
The rape of the lockThe rape of the lock
The rape of the lockMaryam Bibi
 
Introduction to d.h lawrence sons and lovers
Introduction to d.h lawrence sons and loversIntroduction to d.h lawrence sons and lovers
Introduction to d.h lawrence sons and loversLiterature Guide
 
3 canterbury tales characters
3   canterbury tales characters3   canterbury tales characters
3 canterbury tales charactersElif Güllübudak
 

Was ist angesagt? (20)

Theme of marriage in pride and prejudice
Theme of marriage in pride and prejudiceTheme of marriage in pride and prejudice
Theme of marriage in pride and prejudice
 
Puritanism in ‘the scarlet letter’ and
Puritanism in ‘the scarlet letter’ andPuritanism in ‘the scarlet letter’ and
Puritanism in ‘the scarlet letter’ and
 
Analysis of the poem, my last duchess in the psycho analytical framework
Analysis of the poem, my last duchess in the psycho analytical frameworkAnalysis of the poem, my last duchess in the psycho analytical framework
Analysis of the poem, my last duchess in the psycho analytical framework
 
Sons and lovers ppt
Sons and lovers pptSons and lovers ppt
Sons and lovers ppt
 
Paul’s oedipus complex in sons and lovers
Paul’s oedipus complex in sons and loversPaul’s oedipus complex in sons and lovers
Paul’s oedipus complex in sons and lovers
 
Christopher marlowe
Christopher marloweChristopher marlowe
Christopher marlowe
 
Rape of the Lock as A Social Satire
Rape of the Lock as A Social Satire Rape of the Lock as A Social Satire
Rape of the Lock as A Social Satire
 
My Last Duchess
My Last DuchessMy Last Duchess
My Last Duchess
 
Plot is the soul of tragedy
Plot is the soul of tragedyPlot is the soul of tragedy
Plot is the soul of tragedy
 
Chance & fate in thomas hardy
Chance & fate in thomas hardyChance & fate in thomas hardy
Chance & fate in thomas hardy
 
G . B. Shaw - Pygmalion
G . B. Shaw - PygmalionG . B. Shaw - Pygmalion
G . B. Shaw - Pygmalion
 
Aristotle's Concept regarding Plot
Aristotle's Concept regarding PlotAristotle's Concept regarding Plot
Aristotle's Concept regarding Plot
 
Dh Lawrence
Dh LawrenceDh Lawrence
Dh Lawrence
 
Mathew Arnold Study of Poetry
Mathew Arnold  Study of PoetryMathew Arnold  Study of Poetry
Mathew Arnold Study of Poetry
 
Sons and Lovers an an Auto Biographical Novel
Sons and Lovers an an Auto Biographical NovelSons and Lovers an an Auto Biographical Novel
Sons and Lovers an an Auto Biographical Novel
 
The rape of the lock
The rape of the lockThe rape of the lock
The rape of the lock
 
The Scarlet Letter
The Scarlet LetterThe Scarlet Letter
The Scarlet Letter
 
The rape of the lock
The rape of the lockThe rape of the lock
The rape of the lock
 
Introduction to d.h lawrence sons and lovers
Introduction to d.h lawrence sons and loversIntroduction to d.h lawrence sons and lovers
Introduction to d.h lawrence sons and lovers
 
3 canterbury tales characters
3   canterbury tales characters3   canterbury tales characters
3 canterbury tales characters
 

Andere mochten auch

The canterbury tales the knights tale
The canterbury tales the knights taleThe canterbury tales the knights tale
The canterbury tales the knights taleJohnny Miguel
 
Chaucer and Canterbury Tales
Chaucer and Canterbury TalesChaucer and Canterbury Tales
Chaucer and Canterbury Talesalex92sekulic
 
Chaucer’s Canterbury Tales
Chaucer’s Canterbury TalesChaucer’s Canterbury Tales
Chaucer’s Canterbury Taleskathleenhickey46
 
The Canterbury Tales
The Canterbury TalesThe Canterbury Tales
The Canterbury TalesSindi Holman
 

Andere mochten auch (6)

Canterbury tales
Canterbury talesCanterbury tales
Canterbury tales
 
The canterbury tales the knights tale
The canterbury tales the knights taleThe canterbury tales the knights tale
The canterbury tales the knights tale
 
Knights tale
Knights taleKnights tale
Knights tale
 
Chaucer and Canterbury Tales
Chaucer and Canterbury TalesChaucer and Canterbury Tales
Chaucer and Canterbury Tales
 
Chaucer’s Canterbury Tales
Chaucer’s Canterbury TalesChaucer’s Canterbury Tales
Chaucer’s Canterbury Tales
 
The Canterbury Tales
The Canterbury TalesThe Canterbury Tales
The Canterbury Tales
 

Ähnlich wie The Knight's Tale 2012

Myths handout latest
 Myths handout latest Myths handout latest
Myths handout latestjudyhubbard
 
Myths handout (pink)
 Myths handout (pink) Myths handout (pink)
Myths handout (pink)judyhubbard
 
Romancing the Gothic: Woman and the Gothic
Romancing the Gothic: Woman and the GothicRomancing the Gothic: Woman and the Gothic
Romancing the Gothic: Woman and the GothicHolly Hirst
 
1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docx
1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docx1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docx
1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docxherminaprocter
 
The Lady or the tiger ( presentation from tabriz university)
The Lady or the tiger ( presentation from tabriz university)The Lady or the tiger ( presentation from tabriz university)
The Lady or the tiger ( presentation from tabriz university)MahdiAghaei4
 
Literary criticism Epic And Tragedy
Literary criticism   Epic And TragedyLiterary criticism   Epic And Tragedy
Literary criticism Epic And TragedyJitendra Sumra
 

Ähnlich wie The Knight's Tale 2012 (11)

The Iliad
The Iliad The Iliad
The Iliad
 
Myths handout latest
 Myths handout latest Myths handout latest
Myths handout latest
 
Myths handout (pink)
 Myths handout (pink) Myths handout (pink)
Myths handout (pink)
 
Romancing the Gothic: Woman and the Gothic
Romancing the Gothic: Woman and the GothicRomancing the Gothic: Woman and the Gothic
Romancing the Gothic: Woman and the Gothic
 
1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docx
1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docx1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docx
1GENDER ROLES AS DEFINED BY HOMER’S THE ILIAD2Comment by K.docx
 
The Lady or the tiger ( presentation from tabriz university)
The Lady or the tiger ( presentation from tabriz university)The Lady or the tiger ( presentation from tabriz university)
The Lady or the tiger ( presentation from tabriz university)
 
Literary criticism Epic And Tragedy
Literary criticism   Epic And TragedyLiterary criticism   Epic And Tragedy
Literary criticism Epic And Tragedy
 
Essay On Naturalism
Essay On NaturalismEssay On Naturalism
Essay On Naturalism
 
The RAPE OF THE lOCK.pptx
The RAPE OF THE lOCK.pptxThe RAPE OF THE lOCK.pptx
The RAPE OF THE lOCK.pptx
 
The Oresteia
The OresteiaThe Oresteia
The Oresteia
 
Tragic Hero Essay
Tragic Hero EssayTragic Hero Essay
Tragic Hero Essay
 

Mehr von spinheiro79

Macbeth Act III Notes
Macbeth Act III NotesMacbeth Act III Notes
Macbeth Act III Notesspinheiro79
 
Macbeth Act II Notes
Macbeth Act II NotesMacbeth Act II Notes
Macbeth Act II Notesspinheiro79
 
Primary and Secondary Sources
Primary and Secondary SourcesPrimary and Secondary Sources
Primary and Secondary Sourcesspinheiro79
 
Macbeth act 1 notes
Macbeth act 1 notesMacbeth act 1 notes
Macbeth act 1 notesspinheiro79
 
Blog macbeth background (revised)
Blog macbeth background (revised)Blog macbeth background (revised)
Blog macbeth background (revised)spinheiro79
 
Introduction to-macbeth history ppt
Introduction to-macbeth history pptIntroduction to-macbeth history ppt
Introduction to-macbeth history pptspinheiro79
 
William Shakespeare
William ShakespeareWilliam Shakespeare
William Shakespearespinheiro79
 
Short story literary analysis criteria
Short story literary analysis criteriaShort story literary analysis criteria
Short story literary analysis criteriaspinheiro79
 
Pptliteraryanalysis
PptliteraryanalysisPptliteraryanalysis
Pptliteraryanalysisspinheiro79
 
William shakespeare authorship
William shakespeare authorshipWilliam shakespeare authorship
William shakespeare authorshipspinheiro79
 
The wife-of-bath-powerpoint
The wife-of-bath-powerpointThe wife-of-bath-powerpoint
The wife-of-bath-powerpointspinheiro79
 
The Reeve's Tale
The Reeve's TaleThe Reeve's Tale
The Reeve's Talespinheiro79
 
Ppt sir gawain-and-the-green-knight
Ppt sir gawain-and-the-green-knightPpt sir gawain-and-the-green-knight
Ppt sir gawain-and-the-green-knightspinheiro79
 

Mehr von spinheiro79 (15)

Macbeth Act III Notes
Macbeth Act III NotesMacbeth Act III Notes
Macbeth Act III Notes
 
Macbeth Act II Notes
Macbeth Act II NotesMacbeth Act II Notes
Macbeth Act II Notes
 
Primary and Secondary Sources
Primary and Secondary SourcesPrimary and Secondary Sources
Primary and Secondary Sources
 
Macbeth act 1 notes
Macbeth act 1 notesMacbeth act 1 notes
Macbeth act 1 notes
 
Blog macbeth background (revised)
Blog macbeth background (revised)Blog macbeth background (revised)
Blog macbeth background (revised)
 
Introduction to-macbeth history ppt
Introduction to-macbeth history pptIntroduction to-macbeth history ppt
Introduction to-macbeth history ppt
 
Act IV notes
Act IV notesAct IV notes
Act IV notes
 
Newswriting
NewswritingNewswriting
Newswriting
 
William Shakespeare
William ShakespeareWilliam Shakespeare
William Shakespeare
 
Short story literary analysis criteria
Short story literary analysis criteriaShort story literary analysis criteria
Short story literary analysis criteria
 
Pptliteraryanalysis
PptliteraryanalysisPptliteraryanalysis
Pptliteraryanalysis
 
William shakespeare authorship
William shakespeare authorshipWilliam shakespeare authorship
William shakespeare authorship
 
The wife-of-bath-powerpoint
The wife-of-bath-powerpointThe wife-of-bath-powerpoint
The wife-of-bath-powerpoint
 
The Reeve's Tale
The Reeve's TaleThe Reeve's Tale
The Reeve's Tale
 
Ppt sir gawain-and-the-green-knight
Ppt sir gawain-and-the-green-knightPpt sir gawain-and-the-green-knight
Ppt sir gawain-and-the-green-knight
 

The Knight's Tale 2012

  • 1. The Knight’s Tale Canterbury Tales British Literature
  • 2. I. Elements to observe in “The Knight’s Tale”  “joy follows sorrow” – the idea that life is truly a balance of good and bad, positive and negative  Fate – the idea that some higher power is in control of human characters  Courtly love – love as physical pain  “Chivalry” – The Code of Knights  “Competition and Rivalry” – among men
  • 3. II. Symbols  Symbols are objects, characters, figures, and colors used to represent abstract ideas or concepts – Springtime – Clothing – Red and White; Green – Animals – Wrathful Lion, Tiger, Wild Boars – Blood
  • 4. III. Courtly love  Conception of nobly and chivalrously expressing love and admiration  Secret and between members of the nobility  Not between husband and wife  Balance between desire and spirituality  “lady on a pedestal”
  • 5. Courtly love  Illicit and morally elevating, passionate and disciplined, humiliating and exalting, human and transcendent.  Idolization  The lover accepts the independence of his mistress and tries to make himself worthy of her by acting bravely and honorably and by doing whatever deeds she may desire.
  • 6. The object of attraction may be a married woman; and the goal was not always physical pleasure. Marriage and love not a sin, but elevating. The woman had POWER – she enabled spiritual and moral growth.
  • 7. IV. Stages of Courtly Love:  Attraction to the lady, usually via eyes/glance  Worship of the lady from afar  Declaration of passionate devotion  Virtuous rejection by the lady  Renewed wooing with oaths of virtue and eternal fealty
  • 8. Stages of Courtly Love  Moans of approaching death from unsatisfied desire (and other physical manifestations of lovesickness)  Heroic deeds of valor which win the lady's heart  Consummation of the secret love  Endless adventures and subterfuges avoiding detection
  • 9. V. Image of Women  Emily * the gazed object * a prize to men  The Theban women & the court women * pleaders
  • 10. Trial By Battle  trial by battle was when two nobles fought, usually until one of them died.  the winner was assumed innocent because God would only protect an innocent person  only noblemen had the right to trial by battle  noblewomen could choose any champion to fight on her behalf  trial by ordeal and trial by battle were common ways of deciding if a person was innocent or guilty but were outlawed later in the Middle Ages
  • 11. Plot Summary  Theseus’s returning from Amazon  Discovery of Arcite and Palamon  Courtly love to Emily  Escape of the two imprisoned knights  The encounter of Arcite and Palamon  A just duel between the two knights  The final destiny of the knights
  • 12. Courtly Love  Having quarrels * Arcite: “yours is no more than a religious felling: mine is real love, love of human being.” (p.89) * Arcite: :”Love is a mighter law, upon my soul, than any made by any mortal rule.” (p.89)  Arcite’s modified name -- Philostrato  Palamon’s escape  Fighting in the wood  Competing in the arena  Arcite’s contribution to love
  • 13. God’s Power v.s. Human Will  Human being’s will * praying to gods for fulfilling their wishes Palamon  Venus, praying for winning Emily Emily  Diana, praying for keeping her virginity Arcite  Mars, praying for achieving victory in the duel
  • 14. * succeeding in pleading to save lives Theban women  husbands Pirithous  Arcite Court women  Arcite and Palamon  God’s Power * holding power over human being’s destiny * quarreling over the winner The dispute between Venus and Mars
  • 15. Questions  Who is in the worse situation, Arcite or Palamon? * Arcite, who is free, but will never see his beloved. * Palamon, will see his lover everyday, but is imprisoned
  • 16. * Death with good-name is the most honorable Theseus: “And, certainly, a man gains most honor in dying in his excellence and flower, when he is sure of his good name; then he has done no shame to his friend, or to himself. And his friend ought to be happier for his death when his breath is given up with honor, then when his name is faded with age; for then his prowess is all forgotten.” (p.191) Do Now: What is Theseus’ message to Palamon and Emily in this excerpt of his final speech?
  • 17.  Each of the final events in the story is punctuated by great pageantry.  What was a simple duel between Arcite and Palamon becomes a gala event with the construction of a massive coliseum for two armies to wage war on one another.  Intervention of the gods for the two nobles.
  • 18. Part IVAnalysis  The Knight's Tale adheres to traditional values of chivalric, knightly honor in which there are strict codes of behavior which one must follow.  As the Knight sees it, by dying in honor, we should be glad for those who so die.
  • 19. Theme  The main theme of the tale is the instability of human life—joy and suffering are never far apart from one another, and nobody is safe from disaster.  When one person’s fortunes are up, another person’s are down.
  • 20.  Characters are always subject to dramatic reversals of fortune.  Theseus argues that excessive mourning over disaster is inappropriate.  Suggests that some kind of moral order underlies the apparently random mishaps and disasters of the narrative.
  • 21.  The moral questions the tale poses seem more important than the qualities of the individual characters.  “What is this world? What does man ask to have?” (p. 175, line 1919) – Arcite’s speech before he dies.
  • 22.  Characters exist only to be moved by the events of the story: to be imprisoned and set free whenever the plot demands, or to fall in love at first sight when it is dramatically convenient.  Even the characters acknowledge their lack of free will within the story – by praying to each god in Part III.
  • 23. Theseus’ final speech…  eloquently relates the events we have witnessed to a predestined view of the universe and of man’s place within its order.  The statements he makes are sober and realistic. – “Look at the oak … all these things have an end” (p.189). – “In the case of man and woman … all go that same way” (189). – “It is wisdom to accept willingly what we may not avoid” (190).
  • 24. Paganism  All this represents a Pagan philosophy, rather than a Christian outlook.  This is a tale of Pagan times that we have been following.  The ways of life resume their course after we die (Nature).
  • 25. Emily’s marriage to Palamon  Theseus prepares to make one joy out of two sorrows in the process of marrying Emily to Palamon.  The tale ends on a note of fulfilled happiness as the Knight invokes the blessing of the pilgrims in the form of a solemn and appropriate final ‘Amen’.
  • 26. Closing Question:  Does the concept of destiny change in the end of the Knight’s tale? How does it change?
  • 27. Questions  Who is in the worse situation, Arcite or Palamon? * Arcite, who is free, but will never see his beloved. * Palamon, will see his lover everyday, but is imprisoned  Does the concept of destiny change in the end of the Knight’s tale? How does it change?