1. Japanese Art
Mollie Farrell, Catie Clark, & Mary Spodnick

2. History:
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Evidence of humans in Japan as early as 30,000 years ago
First people of Japan called the Jomon (11,000-400 BCE)
Pottery being made and used starting around 10,000 BCE
Agriculture emerged around 5,000 BCE
They remained mainly hunter-gatherers util 500 BCE
Yayoi period began around 400 BCE, and is marked as the establishment of Japan as an agricultural nation
Spurred on by waves of immigrants from Korea that brought with them their government and societal structure
The Kofun period began in 300 CE and marks the beginning and solidification of more complex centralized
government and social order
Asuka period began in 552 CE with the emergence of new forms of philosophy, medicine, food, clothing,
agriculture, city planning, and art -- much of it imported from Korea and China
A writing system and Buddhism were also introduced in the late sixth century, and developed alongside the
nation’s native religion, Shinto
The Nara period, beginning in 645, is characterized by the founding of Japan’s first imperial capital
During the Heian period (794-1185), Japan began to absorb and transform the Chinese and Korean influences it
had been bombarded with for centuries, while also severing political ties in favor of self-reliance
It was during this time that literature became popular in Japan, as writing simplified and literacy became more
widespread (particularly among women, who began writing stories, including the first novel, The Tale of Genji)
The Kamakura period (1185-1392) was a time of turmoil, as warring clans grew stronger and began to oppose
the capital
Pure Land Buddhism becomes most popular religion, that promised the faithful a life in paradise -- comforting in
troubled times

3. History (cont.)
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Muromachi period (1392-1573) is named for the district in Kyoto that the Ashikaga family took the shogunate
headquarters to after they successfully took control of it
Power of emperor gone, nation under control of warring samurai
During the Momoyama period (1568-1615), clan battles increasing in size and frequency
Three leaders emerged
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Oda Nobunaga - removed the Ashikaga family from the central position of power
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Toyotomi Hideyoshi - became singular ruler of Japan following Nobunaga’s assassination
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Tokugawa Ieyasu - established his shogunate as the ruling clan of Japan
The Edo period (1615-1868) is characterized by peace and prosperity at the cost of of a strict and oppressive
government
Society divided into 4 classes:
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Samurias
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Farmers
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Artisans
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Merchants
Meiji period (1868-1900s) is marked by a sudden influx of influence from the Western world
Ernest Fenollosa encouraged artists to stay traditional
As the Modern period (1900s through today) came upon Japan, the push to become an industrialized nation
increased

4. Key Ideas
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Japanese Art Before 1392
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Pottery important not only functionally but as a creative art
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Major influences from Korea and China
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Small to life-sized sculpture, mostly practical and religious
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Joined-wood sculpture - pieces of sculpture cares from separate blocks of wood to hasten drying
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Large, symmetrical architecture
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Buddhist symbols popular:
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Lotus flower - spiritual purity
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Lotus throne - nirvana
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Wheel - Chakra, the various states of existence
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Shinto art reflects the idea that kami (deities) exist in extraordinary examples of ordinary things
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Paintings were mostly ink on long scrolls of silk, depict historical events
Japanese Art After 1392
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Ink painting
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Violent times = dark paintings
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BIG palaces, covered in gold leaf
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Tea ceremonies
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More color in paintings - Rimpa School (artists with similar tastes rather than similar training)
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Woodblock painting - drawings carved into wood and printed onto paper, could be produced on grand
scale
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Artists retaining tradition while surrounded by Western influence

5. Artistic Life:
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Before 1392
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Most early pottery is thought to have been created by women, similarly to other pre-historic societies
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Most paintings are religious and unsigned
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Large-scale architecture often commissioned by families of power to serve the Emperor or to become
temples
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Master sculptors appear in the 10th century and begin creating larger sculptures for temples and other
religious sites
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Calligraphy practiced by court women, produced poems, prose, and diaries
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Much of the sculpture work, particular busts and portraits, were done by traveling monks who sang as
they processed through the countryside
After 1392
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By the 16th century monks, much like Western clergymen, were painting illuminated manuscripts -- and
giving them away
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More refined art, created by famous master painters, was bought by the upper class
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Oda Nobunaga encouraged and patronized the fine arts in order to bring back the feeling of peaceful
times
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Toyotomi Hideyoshi considered the creation of art and culture a vital part of his rule
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Artisans mostly lower-middle class
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Edo period brought around more wealth so that almost everyone could afford to buy art from master
artists

6. The
Great
Wave
Katsushika
Hokusai.
Polychrome
woodblock print
on paper.
c. 1831.
Edo period.
Located in
Honolulu
Academy of Arts
in Honolulu,
Hawaii

7. The Great wave (cont.)
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one of thirty-six in a series called Thirty-Six views of Mt. Fugi. Most famous from the series is
The Great Wave
Utagawa Hiroshige was one of two main figures in Japanese landscape illustration (second
being Katsushika Hokusai, creator of Fifty-Three Stations of the Tokaido)
18th/19th century woodblock prints invaluable in Japan at the time. Considered “souvenirs” copies printed out endlessly and sold to everyday people
Prints like these end up in Europe and America, highly appreciated - prints like The Great Wave
spark Japonisme style in Western art
Regarding The Great Wave painting itself:
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Large wave frames Mt. Fuji in background, resembles slope+peak to the wave + it’s foam
Similar color scheme ties everything together - emphasizes further comparison of Mt. Fuji and
wave, emphasizes powerlessness of people against the wave.. Color of waves swallows
everything in the painting, just as the wave is about to swallow its victims
A view from a chaotic perspective of Mt. Fuji. Impending disaster area - huge wave about to
crash onto boat + people in it

8. In
comparison
to a
Western
work
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Saint Matthew from the Book of Lindisfarne - good example of a common
Medieval painting (religious theme, biblical writer)
Both are examples of common 2D art of the time
Bold, solid colors, drastic shading (very little gradients)
Great wave is woodblock print, Saint Matthew is illuminated Manuscript
Woodblock prints not valued in their time, illuminated manuscripts highly
valued
painting of St. Matthew has religious significance (glorifies Christianity, St.
Matthew, the Word of God etc), Great Wave glorifies nature/landscapes of
Earth
(Great Wave Cont.)

9. Bull and Puppy
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Nagasawa Rosetsu. ink and gold wash on paper. 18th century CE. Edo period.
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In comparison to She-Wolf (from Roman and Etruscan Art):
-both large, beastly animals protecting smaller, happier creatures
-She-wolf is much more detailed than bull, which is simply-shaded
-She-Wolf meant to convey story of a legend, Bull and Puppy meant to invoke
amusement
Elegant screens like these painted for
the appeal of merchants, who liked to
show their wealth
Rosetsu = student of Maruyama Okyo,
who reformed Japanese paintings by
introducing Maruyama-Shijo style, a
style of realism through shading and
concrete subject matter
This is an example of a painting in
Maruyama-Shijo style with Rosetsu’s
humorous twist
Enormous bull does not fit in frame,
overpowers tiny, happy puppy
puppy is white so its small frame
stands out against huge bull
Rosetsu able to make professional,
expensive-looking work enjoyable and
lighthearted, pleasing to all.

10. Artist: monk named Ikkyu. Muromachi period. mid-15th century. Ink on paper. Located in Daitoku-ji, Kyoto.
Calligraphy Couplet
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Zen, originally intended to separate a monk from culture, was now
tainted and overtaken by desire for success. Modern day’s “Zen”
monks incorporated as government leaders, teachers, leaders of
merchant missions
Ikkyu upset with this, hated “false Zen”. Zen calligraphy such as this
resulted
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Ikkyu’s calligraphy known for its intense, spontaneous spirit
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Read’s “Abjure evil, practice only the good” - Buddhist couplet
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Starts out carefully at the top, progressively gets messier and more
frantic toward the end. Shows the passion in Ikkyu progress and
intensify as he works
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Shows the distinct power and intensity of Zen

11. Calligraphy Couplet vs.
Chi-Rho-Iota page (Book of Kells, Medieval art)
-Both are elegant and meaningful
calligraphy
-Calligraphy couplet = ideal representation
of Zen Buddhism, Book of Kells = ideal
representation of Medieval Christianity
-Chi-Rho-Iota page = ink on vellum,
Calligraphy Couplet = ink on paper. Vellum
full of material worth, paper not so much.
Emphasizes Zen detachment and
Medieval attachment to “goods”
- Chi-Rho-Iota page extremely detailed,
time consuming, glorified. Calligraphy
couplet simple, easy, relaxed
-both created by monks for religious
reasons

12. Horyu-Ju Temple

13. Horyu-Ji Temple
-Oldest wooden temple in the world
-From the Asuka period
-Made in 607 by Prince Shotoku but rebuilt
after a fire in 670
-Prince Shotoku ruled Japan as a regent and
became the most influential early proponent
of Buddhism
-Visitors are surprised at its modest size
-Consists of a rectangular courtyard surrounded
by covered corridors
-Within the compound there are only two buildings
-The kondo or golden hall
-A five story pagoda
-The kondo is filled with Buddhist images and used for
worship and ceremonies
-The pagoda is used a reliquary and is not entered
-Other building lie outside the main compound including an outer gate,
a lecture hall, a repository for sacred texts, a belfry, and dormitories for monks

14. Horyu-Ji Temple vs St. Gall Plan

15. Similarities
-The lives revolved around prayer
-Lived inside the church
-Lived inside the temple
-Both buildings included a main place
to worship with dormitories to the side
Differences
-St Gall was a monastery
-Horyu-Ji was a temple
-The Monks at Horyu-Ji lived outside of
the main buildings. Dorms were outside
the walls of compound
-The monks at St. Gall lived inside the
church

16. Haniwa Sculptures

17. Haniwa Sculptures
-Kofun Period- 6th century CE
-Buried with the dead
-Served as a link between the world of the dead, over which
they were
placed, and the world of the living, where they were seen
-The first haniwas were cylinders used for ceremonial offerings
-Gradually, they started to become living creatures (birds,
horses, people)
-People of various sexes, professions, and classes
-Left unglazed to reveal clay bodies
-Artists explored simple and bold form
-They were never symmetrical, unequal arms, off center eye
slits, irregular bodies
-This symbolizes / flaunts a peculiar life and individuality

18. Haniwa Sculptures vs Kouros / Kore

19. Similarities
Differences
-Used as Funerary objects
-Kouros / Kore were life like
-Kore / Kouros were placed on top of a
grave
-They were also usually life sized
-Haniwa sculptures were buried with the
dead
-Kouros / kore were mostly realistic
-Both funerary objects
-Both types of sculpture show individuality
-Haniwa sculptures were usually around 3 ft tall
-Showed abs, muscle, realistic proportions

20. Fun Fact!
The “Gyroids” in Animal Crossing were based off of Haniwa sculptures

21. Glossary
Kami- deities
Jataka Tales- stories about former lives of the
Buddha
The Sutras- Buddhist sacred texts
Mandalas- cosmic diagrams of the universe that
portray the deities in schematic order
Daimyo- a lord to which samurai were loyal to
Fusuma- paper covered sliding doors
Raku- a hand-built, low-fired ceramic developed
especially for use in tea ceremony