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Lecture transcript :The gaze in historical context: All right, so we're continuing our discussion of film noir, but we're really thinking about it in relation to Laura Mulvey's discussion of the gaze. So I've assigned this piece, "Visual Pleasure and Narrative Cinema," because it is probably the most influential work in critical cinema studies that's been published in an academic context. If you look up "Visual Pleasure and Narrative Cinema," you'll see that it was cited tens of thousands of times since it was first published in the journal Screen in 1975. So it's an older piece, but it's very representative of the ways that ideas in film theory that have a certain theoretical construct around them can sort of make their way into popular discourse. So we're going to think about whether we agree with her take on the gaze and whether it still applies to the ways that film form works today. And we'll also look at some examples of feminist filmmakers from the period that she was writing in who tried to really combat these ideas around the gaze and experiment with what feminist film form could really look like. So when the article had its 30th and 40th anniversaries, there were retrospectives which you can find online if you're interested. There were a lot of articles published in places like The Chronicle of Higher Education, as well as the Screen journal that it was originally published in, as well as in popular media commemorating the impact of "Visual Pleasure and Narrative Cinema." And even now the idea of the gaze has been a part of popular culture and discussions of film. So you can see here, it's been talked about in relation to Magic Mike, in relation to tropes of television. And if you look up male gaze in YouTube, you'll actually see hundreds and hundreds of compilations of clips that are organized around the male gaze, the idea of the male gaze in film. So it's had some staying power. As I mentioned, the article came out in a journal called Screen, which was a really influential journal in the 1970s when film studies as a discipline was really making its way into the Academy, and thinking about ways to unify analysis of film form with some of the more philosophical theoretical ideas that were coming out of critical theory, in particular in Europe. And so Mulvey published her piece in a journal called Screen. And she was very influenced by psychoanalytic theory, which was de rigueur at the time. So if you're a psychoanalytic theorist, you'll have to sort of stay with me, because I think these ideas are a little bit controversial now. And certainly a lot of people have published responses to this article that take issue with many aspects of it, but I still think it's useful, so we'll just move through it. So if you're a psychoanalytic theorist, you take as your starting point that the world is underlined with these deep psychological structures that were studied first by Freud and then revised by Lacan. These structures surface in liter ...

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Paper Writing Service - HelpWriting.net 👈 ✅ Quality You get an original and high-quality paper based on extensive research. The completed work will be correctly formatted, referenced and tailored to your level of study. ✅ Confidentiality We value your privacy. We do not disclose your personal information to any third party without your consent. Your payment data is also safely handled as you process the payment through a secured and verified payment processor. ✅ Originality Every single order we deliver is written from scratch according to your instructions. We have zero tolerance for plagiarism, so all completed papers are unique and checked for plagiarism using a leading plagiarism detector. ✅ On-time delivery We strive to deliver quality custom written papers before the deadline. That's why you don't have to worry about missing the deadline for submitting your assignment. ✅ Free revisions You can ask to revise your paper as many times as you need until you're completely satisfied with the result. Provide notes about what needs to be changed, and we'll change it right away. ✅ 24/7 Support From answering simple questions to solving any possible issues, we're always here to help you in chat and on the phone. We've got you covered at any time, day or night. Hollywood Film Analysis The classic Hollywood movie was dominated by a misogynistic view of sex and gender. The Hollywood film rose rapidly as one of the highest earning industries in America in the early twentieth century. As a result of the traditional patriarchal society of the era it was the men who owned the studios, the men who wrote the scripts, the men who worked behind the scenes, and the men who held the leading roles that dominated the industry. In this paper, I will discuss in brief my experience in viewing the short film by Tracy Moffatt (2003). Second, examine the feminist theories of Mulvey (1975) that provide a psychoanalysis of the male gaze and how these views of sex and gender were placed in the movie. Finally, I will provide a counter...show more content...The criteria of this theory examined how women s roles were perceived, were they passive or active, did they receive adequate screen time and were their roles stereotypical of the female genre, did the roles reinforce sexism . In addition, in its infancy, this theory examined the meaning of the text and what affects they had on the audience and the primary focus on the male gaze and spectatorship . Moreover, Laura Mulvey s essay, Visual Pleasure and Narrative Cinema (1975), Mulvey applied the psychoanalysis theories of Sigmund Freud and Jacques Lacan and combined them with feminist theory to analyse the woman s role in film. Mulvey argues that women play roles that are passive and women are only used as a visual pleasure to accompany the male actor , that is to say, the woman s role is to highlight the patriarchal order of the male, hence the woman is objectified and exploited . According to Mul

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