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Miseen scene  sound
sound is invisible but a powerful tool for generating meaning aural not visual but can provoke an equally powerful response in the viewer What sound film memories do you have?
Sound in film analysis divides into two Diegetic Sound ,[object Object]
diegetic sound can be heard by the characters in the filmExamples radio sound, speech, traffic noises, weather, doors closing etc Non- diegetic Sound ,[object Object]
non- diegetic sound cannot be heard by the characters in the filmExamples voice- over, soundtrack Diegetic and non-diegetic sound are often used together to generate a particular response in the viewer
Jaws non- diegetic sound ,[object Object]
first shots underwater
shark not seen but its presence is implied by the soundtrack
the score uses a series of low , repeated notes in order to illustrate the relentless threatening nature of the shark
the notes continue to build tension and anxiety for the viewer, no resolutionTHE NON- DIEGETIC SOUND IN THIS SEQUENCE ESTABLISHES THE TONE, ATMOSPHERE, GENRE AND THE MAIN THREAT WITHIN THE FILM.
Rear Window- diegetic sound the first sounds we hear are what Jeffries can hear: voices, jazz music, traffic sounds.  We hear these as Jeffries would hear them, the diegetic sound has a muffled echoing quality Jeffries is detached  from the life going on around him and in a bored frame of mind. The diegetic sound helps to establish this.

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Sound and Meaning

  • 1. Miseen scene sound
  • 2. sound is invisible but a powerful tool for generating meaning aural not visual but can provoke an equally powerful response in the viewer What sound film memories do you have?
  • 3.
  • 4.
  • 5. non- diegetic sound cannot be heard by the characters in the filmExamples voice- over, soundtrack Diegetic and non-diegetic sound are often used together to generate a particular response in the viewer
  • 6.
  • 7.
  • 9. shark not seen but its presence is implied by the soundtrack
  • 10. the score uses a series of low , repeated notes in order to illustrate the relentless threatening nature of the shark
  • 11. the notes continue to build tension and anxiety for the viewer, no resolutionTHE NON- DIEGETIC SOUND IN THIS SEQUENCE ESTABLISHES THE TONE, ATMOSPHERE, GENRE AND THE MAIN THREAT WITHIN THE FILM.
  • 12.
  • 13. Rear Window- diegetic sound the first sounds we hear are what Jeffries can hear: voices, jazz music, traffic sounds. We hear these as Jeffries would hear them, the diegetic sound has a muffled echoing quality Jeffries is detached from the life going on around him and in a bored frame of mind. The diegetic sound helps to establish this.
  • 14.
  • 15. genre
  • 17.
  • 19. character regularly have a piece of music attached to them- called a character theme
  • 21. a character can be signalled by playing their theme when not on screen
  • 22. Aural motifs( not music but repeated sounds)
  • 23. A character’s nervous state of mind could be conveyed through non- diegetic sound( clattering of noise flinching)
  • 24.
  • 25. screams, knife slashes, howling wind, screeching doors?
  • 26. Composers can even become associated with a type of film- EnnioMorricone/ Gregorian chantslisten to these two tracks, guess the genre
  • 27.
  • 28. sound & setting safe or not? contemporary or past? country? wind , leaves, stringed music, windows blowing open and shut in the wind= ???? slaves being shouted at, whips cracking, swords clanking water lapping ?????? listen to these two soundtracks and work out the setting
  • 29. sound & narrative non diegetic voice overs sound bridge- connect two scenes, carries on from one scene into the other http://www.youtube.com/watch?v=qPOcR087uxM&feature=related