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Real Reasons to Write
Building Learning Communities, July 2010
The “New Literacies”
Practices Toolkit


✀   Authentic Audience

✀   Multimodal Composing

✀   Interest Driven Participation

✀   “Clickable Footprint” (putting
    knowledge to work through
    digital artifacts)
Film, re-mix, podcast, blog, publish

Comment, post, collaborate

    Mash, link, media “clipping”

     Playing, uploading, sharing

    Tag, annotate, tweet, subscribe

    Favorite, bookmark, highlight
Writing “Non-Negotiables”
   Development of a unique, strong voice.
   Concise, packed, lively writing (strong, forceful language)
   Authority and ConïŹdence
   Immediate and speciïŹc examples and details
   Organization
   REAL WRITING FOR REAL AUDIENCES
    (purposeful, authentic instructional contexts)
How do we get there?
Deal with students’ emotions surrounding writing
Frequent writing opportunities paired with timely feedback
Model and teach self-regulation
Develop a strong class “community of writers
Exercise students’ writing vocabularies
“Learning to read and write is not
learning how texts stick together but
how people stick together through
literate means.”
                       - Brandt, 42, 1990.
Digital Story Videos Here (see wiki)
What is a memoir?
                         Retrospection
 “Slice of Life” Story
                           ReïŹ‚ection

                         ReïŹ‚ects what they
Student writers mirror         see.
     themselves.
                             “Creating”
                            themselves.
Steps of “Construction”
    ‱ Prewriting (i.e., “What do I have to say?)

    ‱ Artifact Search

    ‱ Storyboard Development

    ‱ Script Sharing Circle

    ‱ Script Revision

    ‱ Construction

    ‱ Screening, Viewing, and Discussion
Knowledge Transforming Writing
What is next?

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Real Reasons to Write - BLC 2010

  • 1. Real Reasons to Write Building Learning Communities, July 2010
  • 2.
  • 3. The “New Literacies” Practices Toolkit ✀ Authentic Audience ✀ Multimodal Composing ✀ Interest Driven Participation ✀ “Clickable Footprint” (putting knowledge to work through digital artifacts)
  • 4.
  • 5.
  • 6. Film, re-mix, podcast, blog, publish Comment, post, collaborate Mash, link, media “clipping” Playing, uploading, sharing Tag, annotate, tweet, subscribe Favorite, bookmark, highlight
  • 7.
  • 8. Writing “Non-Negotiables” Development of a unique, strong voice. Concise, packed, lively writing (strong, forceful language) Authority and ConïŹdence Immediate and speciïŹc examples and details Organization REAL WRITING FOR REAL AUDIENCES (purposeful, authentic instructional contexts)
  • 9. How do we get there? Deal with students’ emotions surrounding writing Frequent writing opportunities paired with timely feedback Model and teach self-regulation Develop a strong class “community of writers Exercise students’ writing vocabularies
  • 10.
  • 11.
  • 12. “Learning to read and write is not learning how texts stick together but how people stick together through literate means.” - Brandt, 42, 1990.
  • 13. Digital Story Videos Here (see wiki)
  • 14. What is a memoir? Retrospection “Slice of Life” Story ReïŹ‚ection ReïŹ‚ects what they Student writers mirror see. themselves. “Creating” themselves.
  • 15. Steps of “Construction” ‱ Prewriting (i.e., “What do I have to say?) ‱ Artifact Search ‱ Storyboard Development ‱ Script Sharing Circle ‱ Script Revision ‱ Construction ‱ Screening, Viewing, and Discussion
  • 17.
  • 18.
  • 19.
  • 20.
  • 21.
  • 22.
  • 23.

Hinweis der Redaktion

  1. Social learners become privileged in a world of rapidly changing new literacies. Independent writers. Flexible writers. Fluid writers. Engaged writers.