2. Interdisciplinary artistâïŒè·šçć„èèĄć·„äœè ïŒ:
Information Systems & Computingâ
ïŒćæ„èł çłžç”±ćé»è Š)
Graphic CommunicationâïŒèšèšïŒ
Media Cultures (ćȘé«æćïŒ
Digital Art and TechnologyâïŒæžçąŒèèĄèç§æïŒ
2004 | mobile video 1998-2008 | Creative Industries 2008 - Present
Research Area: Data and Network Culture
Tuesday, 4 June 2013
17. My Boy friend Came Back From the War (1996) by Olia Lialina
âFrames were confusing users and search engines, and drove developers
crazy. It was one of the most controversial web design features, hated by
many from the very beginning. Earlier this year it was removed from the
HTML 5 standard. So, now itâs history.â
âusers should not just use the web to publish their stories, but to make
web stories...In other words, produce stuff that is medium specific.â
- Lialina
Tuesday, 4 June 2013
20. Shredder 1.0 (1998) by Mark Napier
http://www.potatoland.org/shredder/shredder.html
âShredder appropriates the data of the web, transforming it into a parallel
web. Content become abstraction. Text becomes graphics. Information
becomes art.â - Napier
Tuesday, 4 June 2013
21. net art ćć net.art (dot in between), why?
Tuesday, 4 June 2013
22. [...] J8~g#|;Net. Art{-^s1 [...]
âActually, itâs a readymade ...â (Alexei, 1997)
Vuk Cosic, 1995
Tuesday, 4 June 2013
23. What is the aesthetics of (net)art?
Tuesday, 4 June 2013
24. What is the aesthetics of (net)art?
âthe technical is always political, that network architecture is politics â
âââââââââââââââââ-- Galloway: 2004, p.254
Tuesday, 4 June 2013
28. IV. Network Art (ç¶Č甥èèĄ)
criticizing network culture in different ways
Tuesday, 4 June 2013
29. The Sheep Market (2006) by Aaron Koblin
http://www.thesheepmarket.com/
https://www.youtube.com/watch?v=3Mmb5aSscck (1:24)
TheSheepMarket.com is a collection of 10,000 sheep made by
workers on Amazon's Mechanical Turk. (https://www.mturk.com/
mturk/welcome)
Workers were paid 0.02 ($USD) to "draw a sheep facing to the left."
Tuesday, 4 June 2013
30. Uncloud (2012) by Rui Guerra and David Jonas
http://www.intk.com/projects/uncloud
Uncloud
Tuesday, 4 June 2013
41. âCode is understood as both script and performance, Cox argues, and
is in this sense like spoken language--always ready for action.â
Tuesday, 4 June 2013
42. VI: What is live in the network?
Tuesday, 4 June 2013
43. What is the aesthetics of liveness?
âthe technical is always political, that network architecture is politics â
âââââââââââââââââ-- Galloway: 2004, p.254
Tuesday, 4 June 2013