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Playing Dress-Up: Costumes, roleplay and imagination Janine Fron (art)n Tracy Fullerton USC  School of Cinematic Arts Jacquelyn Ford Morie USC Institute for Creative Technologies Celia Pearce Georgia Institute of  Technology Ludica
What is Ludica? ,[object Object],[object Object],[object Object],[object Object]
Dress-Up: Overview ,[object Object],[object Object],[object Object]
Dress-Up & “Classic” Game Studies ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],Ludus vs. Paidia
Mimicry ,[object Object],[object Object]
[object Object],[object Object],[object Object],Mimicry
What is Dress-Up? ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Modes of Digital Dress-Up ,[object Object],Identity/Roleplay
Dress-Up Mechanics
Armor/Instrumental ,[object Object],[object Object],[object Object]
Acquiring/Trying Clothes ,[object Object],[object Object],[object Object]
Fashion Design/Creation ,[object Object],[object Object],[object Object],[object Object]
Fashion Design/Creation ,[object Object]
Fashion Design/Creation ,[object Object],Hoop skirt hoverpacks Skirt made from pants
Twinking/Gifting/Trading ,[object Object],[object Object],[object Object],[object Object],[object Object],Public “twinking” in  There.com
Childhood & Adult Play/Ritual
To be myself…I need the illumination of other people’s eyes, and therefore cannot be entirely sure what is my self. -- Bernard from Virginia Woolf’s  The Waves
Real-World Costume Play ,[object Object],[object Object],[object Object]
Real-World Costume Play ,[object Object],Japanese women engaging in “cosplay”
Real-World Costume Play
Kimberly Miller ,[object Object],[object Object],[object Object],( Gender Comparisons within Reenactment Costume,  1998 )
Reenactment Renaissance Faire denizens (Courtesy of Pendragon Costumes)
Kimberly Miller ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],( Dress-Up: Private and Secret Self-Expression  1997)
Fantastic Socialization The Labyrinth of Jareth, Fantasy Masquerade Ball, Los Angeles, June 2006
Ritual ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Ritual Burning Man
Digital Dress-Up
T.L. Taylor “Multiple Pleasures” (2003) ,[object Object],[object Object],[object Object],[object Object],[object Object],In games like  EverQuest  and  World of Warcraft  (right) status is indicated not only by the type of clothing but by its amount. Level 1 Warrior Decked out Level 60 player
Playing with (and Against) Gender
Trouble with Gender Representation Examples of “Kombat Lingerie”
Gender Extremes ,[object Object],[object Object],[object Object],[object Object]
Constructing Gender ,[object Object],— Virginia Woolf ,  Orlando , 1928, p. 132 Gender is always a doing, though not a doing by a subject who might be said to preexist the deed…There is no gender identity behind the expressions of gender; that identity is performatively constituted by the very 'expressions' that are said to be its results.  — Judith Butler 1990,  Gender Trouble , p.25
Gender swapping ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Conclusions ,[object Object],[object Object],[object Object],[object Object],[object Object]
Women in Games     Newport Wales  April 2007 [email_address]

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