The king's speech true nature, every scene is like breathing

1. "The King's Speech": true nature, every
scene is like breathing
If you say "social networking" is the current "zeitgeist" of beach-goers - interpersonal
virtualization, then the "King's Speech" is a timeless traditional values. Trust, equality, honor,
courage, courtesy, that sort of vocabulary, like some kind of fibers, entangled with each other. To
mainstream values, the "King's Speech" even more "theme." "The New York Observer" full-time
critic Rex Reed wrote, "as an epic film," The King's Speech "has not been flashy court drama
invasion. Ingenious dramatic structure, amazing visual composition, director Tom · Hopper's
directing skill so that each scene is real, natural, like breathing. "
Interestingly, the two films are biographical character of daily life, the latent buried in a "new era"
of the unwinding of the page. "The Social Network" reflects the modern sense of insecurity, it
seems, only a lawsuit, we can sort out the interaction between right and wrong. Physical world
(relative to the virtual world) relationships, being collapsed. This point, Nolan's "Inception" has
made adequate explanation. In contrast, "The King's Speech", the film's opening will be broadcast
live through a red light, a metaphor of the media era. King's phrase, "We have become an actor,"
For this is the best interpretation of the footnote. Half of the film, the king is through the Nazi
political propaganda films, witnessed Hitler's eloquence.
According to Kristin Thompson "Drama quartering",Pretty Little Liars Seasons 1-2 DVD the
whole film can be precisely divided into four sections: organizational part, explain the main
characters, as well as a brief unsuccessful Bertie training. Development component, complex
social relationships between the characters. Climax and end of the paragraph, the paragraph, open
since former Prime Minister Bertie's admonition against Baldwin - "the biggest challenge for you,
is coming." Results, Bertie fluently completed this greatest test - "The King's Speech."
Addressed audiovisual grammar, "The King's Speech" In addition to its "classic Hollywood
narration rule", the jump axis clips, and spatial scheduling is also "The King's Speech" compare
the color of the place. One up is a movie clip jump axis (four empty Lens) - microphone. "I
believe the microphone will naturally lead you to speak fluent", this standard English joke,
became the whole film lubricant. Results, Bertie and not because of the presence of a microphone
fluent speech, but through his language therapists Lionel Logue between you come to me and
make progress. Similarly, a large number, Bertie and Lionel Logue are used in a dialogue scene
jump axis. As a result, the performance between the two at loggerheads; Secondly, they
demonstrate that belong to a different class status.
Speaking of class status, we have to mention the film's spatial scheduling. Directed by Tom
Hopper with his own words, he deliberately Bertie spatial processing into the background behind
the "negative space" (negative space). Specifically, a lot of close-ups involving Bertie, depth of
field which is Lionel Logue's consulting room of the 30 Rock Season 7 DVD big empty walls. The
original, in order to make the whole film a more cinematic, shooting the film in before Tom

2. Hopper deliberately looked a French film "Man Against the World" and Wong Kar-wai's "2046."
Tom Hopper, said his priorities through these films composition, density, props, and video to
create atmosphere.