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Cultural Heritage 2.0 and beyond ICLAM 2011 Rolf Källman Swedish National Heritage Board From Uluberia to Achipur   ©  Manwar Hossein
 
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[object Object]
[object Object],[object Object],[object Object],[object Object]
” We are responsible for a historical perspective and context in a society which is constantly changing.” Inger Liliequist, Director-General of the Swedish  National Heritage Board
Social media in the daily work in a public agency ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object],[object Object],[object Object],[object Object],[object Object]
Outreach
 
 
Infrastructure
Tools for user enpowerment ,[object Object],[object Object],[object Object],[object Object],[object Object]
Search Applications
Kringla
 
 
Mobile Applications
Kringla Mobile (android) Foto: Johan Carlström, CC-BY
Sökning New Delhi
Sökning New Delhi
Community
Places ” when the users tells their own stories”
 
 
 
The users
 
User empowerment
[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
Looking ahead
Global Digital as default Creative individuals Worldwide horizontal communication Augmented reality Gesturebased computing Mobile apps Semantic webb User Generated Content Social media Crowd sourcing Linked open data API
Tweetfeed from Europeana Open Culture 2010 Much more important than Europeana portal is its API EC just congratulated @europeanaeu for adoption of the Public Domain Mark developed with @creativecommons  Stefan Gradmann: Europeana should think more about what value it can add to Linked Open Data. Good!"  Open data is more important than open source If your content is not interoperable, it's not findable and if it's not findable, who cares  Gradmann: linked data only works when it is "open“. Data providers have to accept giving up control over data usage Working with wikipedia drives traffic to institutional websites. @Wittylama  “Gradmann: librarians made a mistake in the 90's, trying to catalogue the web rather than work *with* the web community
 
 
Let the collections free it´s our common  cultural heritage
www.raa.se  (select "in English") www.ksamsok.se/in-english www.kringla.nu [email_address] Thanks for your attention!
Photographs: Slide nr 1:  Manwar Hossein ”  nr 4,6  Bengt Lundberg ”  nr 8, 30, 32, 36  Lars Lundqvist ”  nr 37 Rolf Källman

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Cultural heritage 2 0 and_beyond_1.0

  • 1. Cultural Heritage 2.0 and beyond ICLAM 2011 Rolf Källman Swedish National Heritage Board From Uluberia to Achipur © Manwar Hossein
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  • 6. ” We are responsible for a historical perspective and context in a society which is constantly changing.” Inger Liliequist, Director-General of the Swedish National Heritage Board
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  • 19. Kringla Mobile (android) Foto: Johan Carlström, CC-BY
  • 23. Places ” when the users tells their own stories”
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  • 32. Global Digital as default Creative individuals Worldwide horizontal communication Augmented reality Gesturebased computing Mobile apps Semantic webb User Generated Content Social media Crowd sourcing Linked open data API
  • 33. Tweetfeed from Europeana Open Culture 2010 Much more important than Europeana portal is its API EC just congratulated @europeanaeu for adoption of the Public Domain Mark developed with @creativecommons Stefan Gradmann: Europeana should think more about what value it can add to Linked Open Data. Good!" Open data is more important than open source If your content is not interoperable, it's not findable and if it's not findable, who cares Gradmann: linked data only works when it is "open“. Data providers have to accept giving up control over data usage Working with wikipedia drives traffic to institutional websites. @Wittylama “Gradmann: librarians made a mistake in the 90's, trying to catalogue the web rather than work *with* the web community
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  • 36. Let the collections free it´s our common cultural heritage
  • 37. www.raa.se (select "in English") www.ksamsok.se/in-english www.kringla.nu [email_address] Thanks for your attention!
  • 38. Photographs: Slide nr 1: Manwar Hossein ” nr 4,6 Bengt Lundberg ” nr 8, 30, 32, 36 Lars Lundqvist ” nr 37 Rolf Källman

Hinweis der Redaktion

  1. The basis of our work is our vision, encapsulated in the motto “Thinking in time”, which represents the idea that social operators should have insight into the value of our cultural heritage and safeguard this in working towards a sustainable society. This means that respect for the cultural heritage leaves its mark on social development and contributes to long-term decision-making on the shape of the society of the future. The aim is a living cultural heritage that is preserved, used and developed so as to be of vital concern to, and accessible for, everyone.
  2. Viktigt: Vi har en ledning på RAÄ som stöttar arbetet! Först och främst, gäller det att lära av andra, att använda färdiga lösningar och se vilka beteenden som fungerar bra. Det andra är att man måste pröva för att förstå vad det innebär att släppa kontrollen, det går inte att förutse exakt vad som händer ”där ute”. Flickr Commons visar att man kan nå mål genom befintliga, fungerande communities, och därigenom undvika stora kostsamma experiment. Så hur ska vi som institutioner svara upp mot det förändrade informations- och medielandskapet? From website to webprescence
  3. Vi jobbar med att se till att mer information med bättre kvalitet kommer ut alla! Informationen och tjänsterna behöver bli lättare att hitta och lättare att använda. Yttersta målet är att få fler att engagera sig i kulturarvet. Kunskap är en förutsättning för att man ska kunna hantera kulturarvet på ett bra sätt.
  4. Några exempel på hur vi jobbar med ny teknik och nya medier.
  5. Några exempel på hur vi jobbar med ny teknik och nya medier.
  6. Några exempel på hur vi jobbar med ny teknik och nya medier.
  7. Några exempel på hur vi jobbar med ny teknik och nya medier.
  8. Några exempel på hur vi jobbar med ny teknik och nya medier.
  9. Några exempel på hur vi jobbar med ny teknik och nya medier.
  10. Nyligen: Envägskanaler För alla (för ingen) För professionella En till en Kom till oss Nu: Dialog För olika För ”alla” Alla till alla Vi kommer till dig
  11. Entusiasten hittar ganska enkelt kopplingar mellan vad Riksantikvarieämbetet förväntas göra och uppnå och Det som internet och social media kan bidra med i det arbetet. Ett viktigt argument är att RAÄ:s uppdrag att skapa arenor för delaktighet och dialog kring kulturarvet kan realiseras i ”web 2.0”-arenor. Men samtidigt har brist på internet-vana, internet-kunskap och kanske upplevelsen av en hotad yrkesidentitet väckt en annan sorts retorik:
  12. Lära av andra! Lära genom att göra! Använda befintliga arenor! Utgå från möjligheterna, inte problemen! ” Vem är vi till för?” (och våga…) Kvalitetsförbättringar Mer använda Mer synliga Attraktiva samarbetspartners Utvecklingsuppdrag Stolta medarbetare Attraktiv arbetsplats
  13. Tack så mycket!