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GENRE - Lacey’s Repertoire of
Elements
Lacey considers the 'repertoire of elements' that work in
combination to suggest a media text belongs to a
particular genre or mix of genres.

He provides a useful framework to follow when analysing
genre. Lacey breaks a text down into these five areas to
identify the elements in each:
    Setting

    Character

    Narrative

    Iconography

    Style


Lacey does not see genres as fixed but as dynamic and       Nick Lacey
changing over time.
GENRE - Lacey’s Repertoire of
Elements
   Narrative: This refers to the story structure
    as well as the specific narrative devices,
    which genres employ (car chases, gunfights,
    weddings, etc.).

   Characters: Narrative is usually developed
    through characters and their functions (hero,
    villain etc). Some characters are so closely
    associated with a genre that they become
    generic types. For example, in horror movies,
    the ‘final girl,’ who maintains her personal
    dignity, usually defeats the psychopath.
                                                    Nick Lacey
GENRE - Lacey’s Repertoire of
Elements
   Setting: Some genres have a distinct
    location but this can be subject to change, for
    example horror films have moved from the
    gothic to the suburban. Genres can also be
    associated with time periods like the gangster
    films set during prohibition in America but
    successful films have updated this.

   Iconography: Films contain visual and audio
    images, which become instantly recognisable
    and associated with the genre. Eg: Gangster
    films feature the iconic ‘Tommy’ gun spraying
    bullets in the hands of a man in a sharp suit
    usually standing on the running board of a
    car.                                              Nick Lacey
GENRE - Lacey’s Repertoire of
Elements
   Style: Iconography refers to the objects but
    style describes the way they are presented.
    Camera angles, editing, lighting and the use
    of colour all contribute to the style of a film.

Now analyse your production work using
Lacey’s theoretical framework:
 What elements can you identify that establish
  a particular genre? (Go through the 5 areas)
 Are there overlapping/mixed genres?

 Is it difficult to categorise your work by
  genre?
 Do you challenge genre conventions?                  Nick Lacey
Genre is about repetition & difference –
    Stephen Neale

  Particular features which are characteristic of
   a genre are not normally unique to it; it is
   their relative prominence, combination and
   functions which are distinctive (Neale, 1980)
 ‘Genres are instances of repetition and

   difference‘ (Neale, 1980)
 ‘Difference is absolutely essential to the

   economy of genre' (Neale, 1980) - Mere            Stephen Neale
   repetition would not attract an audience.
Now apply this to your own work - What
elements can be seen as repetition of genre
conventions and what can be seen as
difference?

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Genre theorists

  • 1. GENRE - Lacey’s Repertoire of Elements Lacey considers the 'repertoire of elements' that work in combination to suggest a media text belongs to a particular genre or mix of genres. He provides a useful framework to follow when analysing genre. Lacey breaks a text down into these five areas to identify the elements in each:  Setting  Character  Narrative  Iconography  Style Lacey does not see genres as fixed but as dynamic and Nick Lacey changing over time.
  • 2. GENRE - Lacey’s Repertoire of Elements  Narrative: This refers to the story structure as well as the specific narrative devices, which genres employ (car chases, gunfights, weddings, etc.).  Characters: Narrative is usually developed through characters and their functions (hero, villain etc). Some characters are so closely associated with a genre that they become generic types. For example, in horror movies, the ‘final girl,’ who maintains her personal dignity, usually defeats the psychopath. Nick Lacey
  • 3. GENRE - Lacey’s Repertoire of Elements  Setting: Some genres have a distinct location but this can be subject to change, for example horror films have moved from the gothic to the suburban. Genres can also be associated with time periods like the gangster films set during prohibition in America but successful films have updated this.  Iconography: Films contain visual and audio images, which become instantly recognisable and associated with the genre. Eg: Gangster films feature the iconic ‘Tommy’ gun spraying bullets in the hands of a man in a sharp suit usually standing on the running board of a car. Nick Lacey
  • 4. GENRE - Lacey’s Repertoire of Elements  Style: Iconography refers to the objects but style describes the way they are presented. Camera angles, editing, lighting and the use of colour all contribute to the style of a film. Now analyse your production work using Lacey’s theoretical framework:  What elements can you identify that establish a particular genre? (Go through the 5 areas)  Are there overlapping/mixed genres?  Is it difficult to categorise your work by genre?  Do you challenge genre conventions? Nick Lacey
  • 5. Genre is about repetition & difference – Stephen Neale  Particular features which are characteristic of a genre are not normally unique to it; it is their relative prominence, combination and functions which are distinctive (Neale, 1980)  ‘Genres are instances of repetition and difference‘ (Neale, 1980)  ‘Difference is absolutely essential to the economy of genre' (Neale, 1980) - Mere Stephen Neale repetition would not attract an audience. Now apply this to your own work - What elements can be seen as repetition of genre conventions and what can be seen as difference?