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Putting Down the Book
Why storytelling can be an effective tool in the teaching
                        of English

                     Kevin Walker

                    10th March 2010

           CEP “Luisa Revuelta” de Córdoba




                             
So, who am I?




            
     
     
     
     
     
The Three Dolls
Listen out for the English word used in the story
  that best fits these:-

   A person under the rule of a monarch or
    government. ____
   Someone who gives considered thought to a
    situation and then gives a recommendation.
    __________
   A jester or clown. ________
   An unexpected development in the plot of a
    story. _______


                          
Why stories?
   Stories help with the meanings of language 
    and not just the study of language
   Stories give the experience of a river of 
    flowing and sustained language use, as 
    opposed to conversational turn taking in which 
    the learner experiences only short bursts of 
    language
   Stories are captivating and personal and will 
    “grab” children.
                           
Reading a story is good. You don’t have to learn 
 them, you are sure that the English is correct 
 and you are using the author’s choice of 
 words.

Telling allows us to adapt the story to the 
 listeners and gives us opportunities to mime 
 actions and words more readily, use artefacts 
 and make contact with the listeners
                         
Eric Maddern….“It has also been observed 
 that the act of storytelling raises the 
 language level of the storyteller. As a 
 result storytellers display a confidence 
 and power that is not present in their 
 other uses of language. Storytelling is 
 therefore an effective way of improving 
 oral fluency. It is good for teachers and 
 children.”

                      
Choosing a Story

To begin with use short 
 stories….well known or from life.




                 
A good story should include:­
 An inviting beginning that gets straight into 
  the action.
 A clear and well developed plot.

 A problem, dilemma or conflict that comes in 

  early and creates suspense.
 A few believable, though perhaps unusual, 

  characters.
 Plenty of action building to a climax.
                         
 Incidents related in word pictures that evoke 
  vivid images in the listener’s mind
 An edge of excitement, which can include many

  emotions, fear or sadness.
 Pleasing sounds, repeated phrases and rhythms 

  which can involve the audience.
 An ending­ perhaps surprising­ which resolves 

  the story in a satisfying way.

                        
The most important criterion is 
    that you like the story and want 
    to tell it.



                    
Where to tell stories and what 
               stories.




                    
 For enjoyment




                   
 Workbooks




               
 Curriculum areas




                
 Art




         
 Religious 

    education




                 
 History




             
 Science




             
 Mathematics




                 
 Geography




               
 Computer 

    Studies




               
 Social Skills




                   
 Real life




               
Becoming a teller of stories.
   Be yourself; tell in your own style. As there are 
    many styles of teaching, so there are many styles 
    of telling.

   Don’t learn the story word for word. However, 
    for some stories, there may be key phrases, 
    rhymes and good descriptions that you may have 
    to learn.


                             
   It takes time to make a story your own but you 
    will get quicker at this. Some people learn a 
    story best visualizing it as a series of moving 
    pictures in their imaginations. Others listen to 
    the story on a recording and concentrate on the 
    sound and rhythm of the language. Others 
    might like to write the story down, sometimes 
    in a simple outline. All these methods have 
    their value and can, of course, be used in 
    combination.
                            
   Grasping the plot. Obviously the first step is to read the 
    story several times. Decide on what you like about the 
    story that you want to convey to your audience – its 
    humour, sense of wonder, magical strangeness, the way it 
    moves you, its beauty or wisdom. Language teachers 
    must not destroy the story or the student’s 
    engagement in the storytelling and listening by an 
    over enthusiasm for the language teaching potential 
    of the story! Become familiar with its basic construction, 
    how it builds to a climax and resolves in the ending.


                                
   Seeing the story. Get to know the people and 
    settings of the story by imagining them in as 
    much detail as possible. This can be done by 
    closing your eyes and visualizing a scene from 
    the story, using all the senses to make it alive 
    and real. For characters, notice the clothes, the 
    way they move, their facial expressions and 
    the way they talk. Only when you can see the 
    story vividly yourself can you make your 
    audience see it.
                            
   Timing. You will become aware of what 
    words to emphasize, where to pause, where to 
    speed up and slow down. Don’t be afraid to 
    pause.

   Practicing the story and playing with the voice. 
    It is good to try out the story out loud, to 
    yourself, a friend or record it and listen. Play 
    with your voice using different volumes, pitch, 
    breathing and speed.
                           
   Movement and gestures. When telling a story 
    you will probably find yourself making 
    gestures. Painting hand pictures in the air can 
    add considerably to the enjoyment of the story 
    and the understanding of the vocabulary – but 
    beware of being distracting. Some storytellers 
    move their bodies a great deal in their telling 
    to add drama, others are very still, and both 
    can be effective.


                           
   Objects and sounds. Sometimes objects can 
    add interest and understanding to a story. 
    Music and sounds can be effective too but 
    these can also be a distraction to language 
    learners.




                           
You have to think of three things to 
  make your telling of a story to 
language learners more effective:­




                   
   Before……your readiness.

   When to tell….as an 
    introduction/consolidation/conclusion?

   Vocabulary


                          
   During……checking for understanding.




                      
 After……..follow­up.




                  
To be continued…




            
Children as Tellers

    Eric Maddern…..”It has also been observed 
    that the act of storytelling raises the language 
    level of the storyteller. As a result storytellers 
    display a confidence and power that is not 
    present in their other uses of language. 
    Storytelling is therefore an effective way of 
    improving oral fluency. It is good for teachers 
    and children.”
                             
Audience
    The students need some reason for telling their stories:­

   Each other

   Younger children

   “TV” or theatre

   An event



                                   
Well known stories
   Re­telling a story

   Re­setting a story

   Telling the story from a different view…a 
    character in the story/someone watching the 
    story.

                          
 Activities to encourage story 

                making.




                    
 Puppets




             
 Bags and boxes




                
     
 Masks




           
 Hats and clothes




                 
 Bag of artefacts




                  
 Finishing a story




                 
     
Useful addresses
   Email: storyteller125@hotmail.com
    Kevin Walker

 www.cuentacuentos.eu
International storytelling site based in Spain.

 www.SfS.org.uk
The Society for Storytelling …..a British site.

 www.story-lovers.com
Story Lovers World …(scroll down to “SOS
  
   searching for stories”)
                          
Useful addresses
 www.timshepperd.co.uk
A personal site but good for resources.

   www.mythfolklore.net

www.surlalunefairytales.com
1660 fairy tales.




                                
…and they all lived happily ever after…



                The End
                        

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Putting Down The Book

  • 1. Putting Down the Book Why storytelling can be an effective tool in the teaching of English Kevin Walker 10th March 2010 CEP “Luisa Revuelta” de Córdoba    
  • 3.    
  • 4.    
  • 5.    
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  • 7.    
  • 8. The Three Dolls Listen out for the English word used in the story that best fits these:-  A person under the rule of a monarch or government. ____  Someone who gives considered thought to a situation and then gives a recommendation. __________  A jester or clown. ________  An unexpected development in the plot of a story. _______    
  • 9. Why stories?  Stories help with the meanings of language  and not just the study of language  Stories give the experience of a river of  flowing and sustained language use, as  opposed to conversational turn taking in which  the learner experiences only short bursts of  language  Stories are captivating and personal and will  “grab” children.    
  • 10. Reading a story is good. You don’t have to learn  them, you are sure that the English is correct  and you are using the author’s choice of  words. Telling allows us to adapt the story to the  listeners and gives us opportunities to mime  actions and words more readily, use artefacts  and make contact with the listeners    
  • 11. Eric Maddern….“It has also been observed  that the act of storytelling raises the  language level of the storyteller. As a  result storytellers display a confidence  and power that is not present in their  other uses of language. Storytelling is  therefore an effective way of improving  oral fluency. It is good for teachers and  children.”    
  • 13. A good story should include:­  An inviting beginning that gets straight into  the action.  A clear and well developed plot.  A problem, dilemma or conflict that comes in  early and creates suspense.  A few believable, though perhaps unusual,  characters.  Plenty of action building to a climax.    
  • 14.  Incidents related in word pictures that evoke  vivid images in the listener’s mind  An edge of excitement, which can include many emotions, fear or sadness.  Pleasing sounds, repeated phrases and rhythms  which can involve the audience.  An ending­ perhaps surprising­ which resolves  the story in a satisfying way.    
  • 15. The most important criterion is  that you like the story and want  to tell it.    
  • 21.  Religious  education    
  • 26.  Computer  Studies    
  • 29. Becoming a teller of stories.  Be yourself; tell in your own style. As there are  many styles of teaching, so there are many styles  of telling.  Don’t learn the story word for word. However,  for some stories, there may be key phrases,  rhymes and good descriptions that you may have  to learn.    
  • 30. It takes time to make a story your own but you  will get quicker at this. Some people learn a  story best visualizing it as a series of moving  pictures in their imaginations. Others listen to  the story on a recording and concentrate on the  sound and rhythm of the language. Others  might like to write the story down, sometimes  in a simple outline. All these methods have  their value and can, of course, be used in  combination.    
  • 31. Grasping the plot. Obviously the first step is to read the  story several times. Decide on what you like about the  story that you want to convey to your audience – its  humour, sense of wonder, magical strangeness, the way it  moves you, its beauty or wisdom. Language teachers  must not destroy the story or the student’s  engagement in the storytelling and listening by an  over enthusiasm for the language teaching potential  of the story! Become familiar with its basic construction,  how it builds to a climax and resolves in the ending.    
  • 32. Seeing the story. Get to know the people and  settings of the story by imagining them in as  much detail as possible. This can be done by  closing your eyes and visualizing a scene from  the story, using all the senses to make it alive  and real. For characters, notice the clothes, the  way they move, their facial expressions and  the way they talk. Only when you can see the  story vividly yourself can you make your  audience see it.    
  • 33. Timing. You will become aware of what  words to emphasize, where to pause, where to  speed up and slow down. Don’t be afraid to  pause.  Practicing the story and playing with the voice.  It is good to try out the story out loud, to  yourself, a friend or record it and listen. Play  with your voice using different volumes, pitch,  breathing and speed.    
  • 34. Movement and gestures. When telling a story  you will probably find yourself making  gestures. Painting hand pictures in the air can  add considerably to the enjoyment of the story  and the understanding of the vocabulary – but  beware of being distracting. Some storytellers  move their bodies a great deal in their telling  to add drama, others are very still, and both  can be effective.    
  • 35. Objects and sounds. Sometimes objects can  add interest and understanding to a story.  Music and sounds can be effective too but  these can also be a distraction to language  learners.    
  • 37. Before……your readiness.  When to tell….as an  introduction/consolidation/conclusion?  Vocabulary    
  • 38. During……checking for understanding.    
  • 41. Children as Tellers Eric Maddern…..”It has also been observed  that the act of storytelling raises the language  level of the storyteller. As a result storytellers  display a confidence and power that is not  present in their other uses of language.  Storytelling is therefore an effective way of  improving oral fluency. It is good for teachers  and children.”    
  • 42. Audience The students need some reason for telling their stories:­  Each other  Younger children  “TV” or theatre  An event    
  • 43. Well known stories  Re­telling a story  Re­setting a story  Telling the story from a different view…a  character in the story/someone watching the  story.    
  • 47.    
  • 52.    
  • 53. Useful addresses  Email: storyteller125@hotmail.com Kevin Walker  www.cuentacuentos.eu International storytelling site based in Spain.  www.SfS.org.uk The Society for Storytelling …..a British site.  www.story-lovers.com Story Lovers World …(scroll down to “SOS   searching for stories”)  
  • 54. Useful addresses  www.timshepperd.co.uk A personal site but good for resources.  www.mythfolklore.net www.surlalunefairytales.com 1660 fairy tales.