500 anos de vídeo do YouTube são assistidos por dia no Facebook. Como podemos como Igreja Adventista fazer parte dessa explosão de vídeos na web?

2. A Explosão de Videos na Web

3. 500 years of YouTube video are
watched every day on Facebook

4. Over 800 million unique users visit
YouTube each month

5. Over 3 billion hours of video are
watched each month on YouTube

6. 72 hours of video are uploaded to
YouTube every minute

7. In 2011, YouTube had more than 1
trillion views or around 140 views
for every person on Earth

8. Over 700 YouTube videos are
shared on Twitter each minute

9. Video users will double by 2016
The number of online video users will nearly
double, from 792 million, to 1.5 billion, in
2016, according to the annual Visual
Networking Index (VNI) compiled by Cisco
Systems (Nasdaq: CSCO)

11. darkroom - later slides.

13. Apple IIe

14. Commodore Vic20

15. Commodore 64

16. Commodore Amiga 500

22. a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

23. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

24. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

25. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

26. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

27. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

28. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

29. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

30. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

31. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

32. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

33. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

34. PHOTOGRAPHY
a profound impact on the story teller themselves – it is in the telling that we are able to interrogate and deepen our understanding of our experiences and assumptions about the wo
n the story tellers’ control over the medium, choice of words (narration), pictures and music so that the process is as powerful for the story teller as the end product is to the listener

39. Editing
Frame Rates
Progressive - Interlace
h264

42. 3x

43. 10%

44. 3:00

45. 350,000,000