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TRANSMEDIA STORYTELLING
Creating Engagement and Meaning for
Organizations, Brands, Education, and
               Practice
         Pamela Rutledge, PhD, MBA

                @pamelarutledge
      2012 APA Annual Convention, Orlando, Florida
                   August 2, 2012                 #apatransmedia
Pamela Rutledge, PhD, MBA
             •   Director, Media Psychology Research Center
             •   Faculty, Massachusetts School of Professional
                 Psychology and Instructor, UCIrvine Extension
             •   Blogger, Psychology Today, Positively Media
             •   Consultant & speaker: Transmedia storytelling for
                 brands, visual and data design, interactive design
                 for optimal engagement, social impact of
                 technology




ORGANIZATIONS & BRANDS
25% WATCH TV ONLINE
1 IN 4 USE YOUTUBE
53% USERS PLAY GAMES
90 MILLION IPADS BY 2015
69% MULTI-TASK MEDIA
2009: 300 MILLION
   2011: 10 BILLION
http://www.bgr.com/2012/05/09/mobile-apps-infographic-wake-up-call/
Mass Media Model: One to Many
ONE TO MANY
Network Model: Many to Many
MANY TO MANY
IT’S A WHOLE NEW WORLD
WHAT IS IT?
WHAT
• STORY
 • Unfolds across platforms
 • Each piece adds something
   unique and valuable
 • Motivates user to find others
                                   Henry Jenkins
• USERS                            Convergence Culture
 • Join at different places
 • Participate and contribute
   content
SO WHAT
Transmedia content doesn’t promote a product: it
becomes part of the product
•It starts with the story, not the brand or product
•The brand becomes part of the story’s universe
•The audience is transported into the universe by the
story
•The audience connects with the brand as a participant
and a co-creator
WHY
      Persuasion
      Audience Connection
      Financial Impact
ANCIENT PRACTICE
ANCIENT PRACTICE



     NEW TECHNOLOGY
3 ACT STRUCTURE
           2         n    Conflict



                                     Fa
                    tio




                                        llin
                 Ac




   1                                        g
                                                       3
                g




                                           Ac
               sin




                                              tio
             Ri




                                                 n
Exposition                                      Denouement/Resolve
Traditional Story Path
TRADITIONAL STORY PATH
Transmedia Content
TRANSMEDIA CONTENT
Transmedia Content
MULTIPLE PATHS
Case Study: The Three Little Pigs
CASE STUDY: 3 PIGS
                                                                                                                Wolf: Website
                                                                  Pig 1: Website

                                                                                                             Wolf: Ning Network
                                                                            Pig 1: Anime                      for Team Wolf
                                                                              Super Pig


                                Main Story Anchor: Novel                                                                    Sequels

                                        Pig 2: Twitter                       Pig 3: Cooking                          Pig 3:
                                          Dialogue                                Blog                             Cookbook

                                                                                              Pig 3: YouTube
                                                                                                                          Pig 3: Fan Page
                                                                                                  Videos

Full description at http://athinklab.com/transmedia-storytelling/case-study-example-the-three-little-pigs/
Will Barbie Take Ken Back?
 CASE STUDY: KEN & BARBIE
CASE STUDY: HAPPINESS
CASE STUDY: CELIA & CHLOE
CASE STUDY: JAY-Z
CASE STUDY: TOMS
NOW WHAT ?
   •   Branding and Marketing


       SO WHAT ?
   •   Non-Profits
   •   Advocacy Campaigns
   •   Education
   •   Corporate Training




                                #apatransmedia
Overview
OVERVIEW
• Transmedia storytelling is a way of looking at the
  world with a 360 degree view
• Stories allow the message to be heard and
  experienced
• Emotional engagement at multiple levels and to
  a wider audience
• Creates audience investment through
  participation and co-creation
Key Factors
KEY FACTORS
  •   Emotional engagement
       –   Core story with universal metaphors
       –   Opportunities for empathy & narrative transportation
       –   Clear protagonist and conflict
       –   Defined world values and rules
  •   Cognitive engagement
       –   Coherent meta-narrative
       –   Media pieces additive and consistent to story
       –   Designed gaps, mysteries, and narrative spaces
  •   Social engagement
       –   Design for participation and sharing
       –   Enable social validation and identity
  •   Technology is only a tool
  •   Respect the audience
QUESTIONS?
TRANSMEDIA STORYTELLING
    Pamela Rutledge, PhD, MBA
    pamelarutledge@gmail.com




                                #apatransmedia


  THANK YOU

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Pamela Rutledge: Transmedia Storytelling for Branding & Education

  • 1. TRANSMEDIA STORYTELLING Creating Engagement and Meaning for Organizations, Brands, Education, and Practice Pamela Rutledge, PhD, MBA @pamelarutledge 2012 APA Annual Convention, Orlando, Florida August 2, 2012 #apatransmedia
  • 2. Pamela Rutledge, PhD, MBA • Director, Media Psychology Research Center • Faculty, Massachusetts School of Professional Psychology and Instructor, UCIrvine Extension • Blogger, Psychology Today, Positively Media • Consultant & speaker: Transmedia storytelling for brands, visual and data design, interactive design for optimal engagement, social impact of technology ORGANIZATIONS & BRANDS
  • 3. 25% WATCH TV ONLINE
  • 4. 1 IN 4 USE YOUTUBE
  • 8. 2009: 300 MILLION 2011: 10 BILLION http://www.bgr.com/2012/05/09/mobile-apps-infographic-wake-up-call/
  • 9. Mass Media Model: One to Many ONE TO MANY
  • 10. Network Model: Many to Many MANY TO MANY
  • 11. IT’S A WHOLE NEW WORLD
  • 12. WHAT IS IT? WHAT • STORY • Unfolds across platforms • Each piece adds something unique and valuable • Motivates user to find others Henry Jenkins • USERS Convergence Culture • Join at different places • Participate and contribute content
  • 13. SO WHAT Transmedia content doesn’t promote a product: it becomes part of the product •It starts with the story, not the brand or product •The brand becomes part of the story’s universe •The audience is transported into the universe by the story •The audience connects with the brand as a participant and a co-creator
  • 14. WHY Persuasion Audience Connection Financial Impact
  • 16. ANCIENT PRACTICE NEW TECHNOLOGY
  • 17. 3 ACT STRUCTURE 2 n Conflict Fa tio llin Ac 1 g 3 g Ac sin tio Ri n Exposition Denouement/Resolve
  • 21. Case Study: The Three Little Pigs CASE STUDY: 3 PIGS Wolf: Website Pig 1: Website Wolf: Ning Network Pig 1: Anime for Team Wolf Super Pig Main Story Anchor: Novel Sequels Pig 2: Twitter Pig 3: Cooking Pig 3: Dialogue Blog Cookbook Pig 3: YouTube Pig 3: Fan Page Videos Full description at http://athinklab.com/transmedia-storytelling/case-study-example-the-three-little-pigs/
  • 22. Will Barbie Take Ken Back? CASE STUDY: KEN & BARBIE
  • 23.
  • 25. CASE STUDY: CELIA & CHLOE
  • 28.
  • 29. NOW WHAT ? • Branding and Marketing SO WHAT ? • Non-Profits • Advocacy Campaigns • Education • Corporate Training #apatransmedia
  • 30. Overview OVERVIEW • Transmedia storytelling is a way of looking at the world with a 360 degree view • Stories allow the message to be heard and experienced • Emotional engagement at multiple levels and to a wider audience • Creates audience investment through participation and co-creation
  • 31. Key Factors KEY FACTORS • Emotional engagement – Core story with universal metaphors – Opportunities for empathy & narrative transportation – Clear protagonist and conflict – Defined world values and rules • Cognitive engagement – Coherent meta-narrative – Media pieces additive and consistent to story – Designed gaps, mysteries, and narrative spaces • Social engagement – Design for participation and sharing – Enable social validation and identity • Technology is only a tool • Respect the audience
  • 33. TRANSMEDIA STORYTELLING Pamela Rutledge, PhD, MBA pamelarutledge@gmail.com #apatransmedia THANK YOU

Editor's Notes

  1. Oder and pattern: stories are mental models, schema, cognitive maps, narratives File cabinets in our brain context categories meaning; culturally dependent Gilligan, “Wild and Crazy Guy”, Kennedy shot, Obama elected, ipad—stories place brand in meaning
  2. http://popculturesnackshack.wordpress.com/
  3. The mass media model—what we now think of as traditional media-- is one-to-many. One message was distributed to many people. In this model, information access is wider, but still controllable. The small number of distribution channels means information is filtered by the producers.
  4. What we have now is a “mash-up” of the first two: Web 2.0 and social media have taken the power and distribution qualities of mass media and made it personal by creating peer-to-peer communication that allows for the creation and exchange of user-generated content, and produces links and connections that are dynamic and constantly changing. The new media landscape profoundly affects the ability to connect people with resources.
  5. Emerging stars: definition, code of credits producers association Wow, he’s a really smart guy. That’s freaking brilliant. What the hell am I supposed to do with it?
  6. Emerging stars: definition, code of credits producers association Wow, he’s a really smart guy. That’s freaking brilliant. What the hell am I supposed to do with it?
  7. Mini story?