6. Sound.
• Explores the perception of elongated time
through swelling, layered sonic structures,
reflected and reinforced within a contained
space.
• Electronic and live instrumentation
• Graphic equalizer controls visual rendering
• Tech: Ableton Live, mixer, microphone array
Wednesday, November 23, 2011
7. Sound.
• Original audio production
• Synthesis of electronic and live
performance
• Ambient, transitory, ephemeral
Wednesday, November 23, 2011
8. Surface.
• A withdrawal from perceptual time; an
undulating, rippling plane upon which
visuals a projected, surrounded by
enveloping sounds.
• Dynamic kinetic surface
• Reuben Margolin-inspired
Wednesday, November 23, 2011
10. Summary.
• Light and sound are derived and described in wave
forms, and the physical form of a wave is hypnotic,
repetitious, and appealing to the right-hemisphere of
the brain (which effectively turns off our perceptual
acknowledgement of time, allowing us to focus on
form, shape, line, light, etc. in creative/visual
activities).
• Swell attempts to describe and manipulate this
sensation through the use of visuals, sounds and
surfaces combined, to pull you into an aesthetic
world.
Wednesday, November 23, 2011