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The World Is
Too Much with
Us ♥
William Wordsworth
(7 April 1770 –
23 April 1850)

 was a major English

Romantic poet
who, with Samuel
Taylor
Coleridge, helped to
launch the Romantic
Age in English
literature with the 1798
joint publication Lyrical
The World Is Too Much With Us
BY WILLIAM WORDSWORTH

The world is too much with us; late and soon,
Getting and spending, we lay waste our
powers;—
Little we see in Nature that is ours;
We have given our hearts away, a sordid boon!
This Sea that bares her bosom to the moon;
The winds that will be howling at all hours,
And are up-gathered now like sleeping flowers;
For this, for everything, we are out of tune;
The World Is Too Much With Us
BY WILLIAM WORDSWORTH

It moves us not. Great God! I’d rather be
A Pagan suckled in a creed outworn;
So might I, standing on this pleasant lea,
Have glimpses that would make me less
forlorn;
Have sight of Proteus rising from the sea;
Or hear old Triton blow his wreathèd
horn.
FORMS
 This poem is one of the many excellent

sonnets Wordsworth wrote in the
early 1800s.
 Sonnets are fourteen-line poetic inventions
written in iambic pentameter.
FORMS
 There are several varieties of sonnets; “The

world is too much with us” takes the form of
a Petrarchan sonnet, modeled after the work
of Petrarch, an Italian poet of the early
Renaissance. A Petrarchan sonnet is divided
into two parts, an octave (the first eight lines
of the poem) and a sestet (the final six
lines).
FORMS
 The rhyme scheme of a Petrarchan sonnet is

somewhat variable; in this case, the octave
follows a rhyme scheme of ABBAABBA, and
the sestet follows a rhyme scheme of
CDCDCD. In most Petrarchan sonnets, the
octave proposes a question or an idea that
the sestet answers, comments upon, or
criticizes.
 All around him, Wordsworth sees

people who are obsessed with money
and with manmade objects. These
people are losing their powers of
divinity, and can no longer identify
with the natural world.
 This idea is encapsulated in the

famous lines:
“Getting and spending, we lay waste
our powers;
Little we see in Nature that is ours."
Wordsworth believes that we have
given our hearts (the center of
ourselves) away in exchange for
money and material wealth.
 He is disgusted at this especially

because nature is so readily
available; it almost calls to humanity.
In the end, Wordsworth decides that
he would rather be a pagan in a
complete state of disillusionment
than be out of touch with nature.
 He is happy, but this happiness is

not what the reader is meant to
feel. In actuality, the reader should
feel saddened by the
scene, because Wordsworth has
given up on humanity, choosing
instead to slip out of reality.

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William wordsworth

  • 1. The World Is Too Much with Us ♥
  • 2. William Wordsworth (7 April 1770 – 23 April 1850)  was a major English Romantic poet who, with Samuel Taylor Coleridge, helped to launch the Romantic Age in English literature with the 1798 joint publication Lyrical
  • 3. The World Is Too Much With Us BY WILLIAM WORDSWORTH The world is too much with us; late and soon, Getting and spending, we lay waste our powers;— Little we see in Nature that is ours; We have given our hearts away, a sordid boon! This Sea that bares her bosom to the moon; The winds that will be howling at all hours, And are up-gathered now like sleeping flowers; For this, for everything, we are out of tune;
  • 4. The World Is Too Much With Us BY WILLIAM WORDSWORTH It moves us not. Great God! I’d rather be A Pagan suckled in a creed outworn; So might I, standing on this pleasant lea, Have glimpses that would make me less forlorn; Have sight of Proteus rising from the sea; Or hear old Triton blow his wreathèd horn.
  • 5. FORMS  This poem is one of the many excellent sonnets Wordsworth wrote in the early 1800s.  Sonnets are fourteen-line poetic inventions written in iambic pentameter.
  • 6. FORMS  There are several varieties of sonnets; “The world is too much with us” takes the form of a Petrarchan sonnet, modeled after the work of Petrarch, an Italian poet of the early Renaissance. A Petrarchan sonnet is divided into two parts, an octave (the first eight lines of the poem) and a sestet (the final six lines).
  • 7. FORMS  The rhyme scheme of a Petrarchan sonnet is somewhat variable; in this case, the octave follows a rhyme scheme of ABBAABBA, and the sestet follows a rhyme scheme of CDCDCD. In most Petrarchan sonnets, the octave proposes a question or an idea that the sestet answers, comments upon, or criticizes.
  • 8.  All around him, Wordsworth sees people who are obsessed with money and with manmade objects. These people are losing their powers of divinity, and can no longer identify with the natural world.
  • 9.  This idea is encapsulated in the famous lines: “Getting and spending, we lay waste our powers; Little we see in Nature that is ours." Wordsworth believes that we have given our hearts (the center of ourselves) away in exchange for money and material wealth.
  • 10.  He is disgusted at this especially because nature is so readily available; it almost calls to humanity. In the end, Wordsworth decides that he would rather be a pagan in a complete state of disillusionment than be out of touch with nature.
  • 11.  He is happy, but this happiness is not what the reader is meant to feel. In actuality, the reader should feel saddened by the scene, because Wordsworth has given up on humanity, choosing instead to slip out of reality.