The document provides an overview of classical Greek art from 480-323 BCE, known as the Early Classical, High Classical, and Late Classical periods. It discusses important sculptures, architectural works, and artistic styles that developed during this time, including the Kritios Boy, works by Polykleitos and Lysippos, and major buildings on the Acropolis like the Parthenon and Erechtheion.
23. The Classical Acropolis Parthenon Picture Gallery Propylaia Statue of Athena Promachos Erechtheion Temple of Athena Nike Panathenaic Procession
24. The Classical Acropolis Parthenon Picture Gallery Propylaia Statue of Athena Promachos Erechtheion Temple of Athena Nike Panathenaic Procession
25.
26. *Propylaion: Monumental entrance to a sacred space or citadel Mnesikles. Propylaia (view from the east and northeast). Acropolis, Athens. 437-432 BCE.
27. Mnesikles. Propylaia (view from the east and northeast). Acropolis, Athens. 437-432 BCE.
28. The Classical Acropolis Parthenon Picture Gallery Propylaia Statue of Athena Promachos Erechtheion Temple of Athena Nike Panathenaic Procession
37. Lapith and Centaur Metope, Parthenon, Acropolis, Athens, High Classical, 450-430 BCE
38. Lapith and Centaur Metope, Parthenon, Acropolis, Athens, High Classical, 450-430 BCE
39. â Old Menâ Frieze, Parthenon, Acropolis, Athens, High Classical, 450-430 BCE Riders Frieze, Parthenon, Acropolis, Athens, High Classical, 450-430 BCE
40. Birth of Athena, East Pediment, Parthenon, Acropolis, Athens, High Classical, 450-430 BCE Contest between Athena and Poseidon, West Pediment, Parthenon, Acropolis, Athens, High Classical, 450-430 BCE
51. Cult Statue of Athena (Reconstruction), Parthenon, Acropolis, Athens, c. 5 th Century CE
52. a b Cult Statue of Athena (Reconstruction), Parthenon, Acropolis, Athens, c. 5 th Century CE
53. The Canon of Polykleitos Polykleitos, Doryphoros (Spear Bearer), Roman Copy from Greek Original, High Classical c. 5 th Century CE
54. â but beauty, he thinks, does not reside in the proper proportion of the elements but in the proper proportion of the parts, such as for example that of finger to finger and all these to the palm and base of hand, of those to the forearm, of the forearm to the upper arm and of everything to everything else, just as described in the Canon of Polykleitos. For having taught us in that work all the proportions of the body, Polykleitos supported his treatise with a work of art, making a statue according to the tenets of the treatise and calling it, like the treatise itself, the Canon. So then, all philosophers and doctors accept that beauty resides in the due proportion of the parts of the body.â
58. Contrapposto Pythagorean Table of Opposites Finite Infinite Odd Even One Many Right Left Rest Motion Straight Crooked Light Darkness Good Evil Square Oblong
59. The Canon of Lysippos Lysippos, Apoxyomenos (The Scraper), Roman Copy of a Greek Original, Late Classical, 4 th century CE
This is Nereas, demon of the watery element who was continually changing shape. It's portrayed here as a winged, three bodied demon with a serpent's tail on the right extremity of the same pediment at left. Each of the three demons holds a symbol in its hands, water, fire and a bird (a symbol of air).