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PASIG Webinar: Implementing
Sustainable Digital Preservation
Tuesday, October 22, 2013,
11:30am-12:30pm (EDT)
Neil Grindley

Programme Manager – Digital Infrastructure,
Digital Preservation, Curation and Archiving

Project Coordinator – A Collaboration to Clarify
the Cost of Curation (The 4C Project)

Programme Committee – Aligning National
Approaches to Digital Preservation (ANADP II)
http://www.educopia.org/events/ANADPII/program

ANADP II differs in intent and structure from
other digital preservation conferences and
meetings. Its primary purpose is not to
encourage information sharing, but rather to
foster and support sustained global networks
of influence and action.

The Action Assembly includes four main
components:
•

Panel Discussions

•

Action Sessions

•

Patio Perspectives Sessions

•

Future Opportunities for Collaboration

+ Keynote Presentations + Poster Session
http://www.educopia.org/events/ANADPII/program

The Panel Discussions ...
1. Community Alignment – What makes a community work?
2. Resource Alignment - How can we employ the resources we have available to us
most economically to achieve our digital preservation objectives?
3. Capacity Alignment - How can consistency in capacity building promote digital
curation excellence?
4. Alignment Exemplars and Current Opportunities for Collaboration
5. Future Opportunities for Collaboration
http://www.educopia.org/events/ANADPII/program

The Action Sessions ...
1. Creating a Community Driven Tools Registry
2. Applying the OAIS Framework to Distributed Digital Preservation

3. Case Studies and Quantitative Data from the 4C project
4. Towards a Cost Spectrum
5. Creating an International Education and Training Catalogue

6. Testing the Community Capacity Model Framework
7. Developing and Sharing Teaching Infrastructure
... judging by the changing
tone of conferences over
the years, the community
has come a long way.
So where are we now?
And by the way ...
what do you mean by
“the community”
Digital Asset Management / Preservation Planning
Why is your organisation interested in preserving
digital assets? Are they assets or liabilities?
What are the defining features of the digital assets
that you want to preserve?
Who will be given responsibility for digital
preservation and how can they best be supported?
When do you expect the digital assets to realise
value?
How are you going to technically organise the
preservation of the assets?

IT Specialist

Digital Preservation
Specialist

Management

Content Specialist
What might organisations need in terms of preservation services?
Sustainability is not a ‘tick-box’ exercise

Impact

Expertise

Service

Effectiveness ??

VFM ??

Funder
Activity = You do something
Objective = You aim to achieve something
Vision = You aim to change something
Benefit = You’ve helped somebody
Impact = You’ve made a difference

Activity

Objective

Project

Vision

Service

Benefit

Impact

Funder

Possibly a JISC-centric view of services and sustainability!
Ithaka S+R and the Strategic
Content Alliance (JISC)
Investigating ‘Sustainability’

Empower leadership to define the mission
and take action
Create a strong value proposition

Creatively manage costs

Cultivate diverse sources of revenue
Establish realistic goals and a system of
accountability
http://www.sr.ithaka.org/research-publications/revenue-recession-reliance-revisiting-scaithaka-sr-case-studies-sustainability
Ithaka/SCA Revenue
Models

Blue Ribbon Task Force
Common Funding Models for DP

•

Subscription

•

Internal Budgeting

•

Endowment

•

Public Funding

•

Membership

•

Voluntary Contributions

•

Author pays

•

Fees for Preservation

•

Licensing

•

Fees for Access

•

Institutional subsidy

•

Government support

•

Public/private partnerships

•

Non-profit partnerships
Blue Ribbon Task Force for Sustainable Digital
Preservation & Access

Final report (February 2010)

http://brtf.sdsc.edu/

Three principal actions are required for sustainability:
•
•
•

Articulate a compelling value proposition
Provide clear incentives to preserve in the public interest
Define roles and responsibilities among stakeholders to ensure an ongoing
and efficient flow of resources to preservation throughout the digital
lifecycle
For both service provider and service user, the attributes of the
service must be understood

Stewardship

Business Model
Ambition

Ethics

Risk

Responsibility

Appetite

Willingness

Solvency
Affordabilty

Sustainability

Value

Trust

Importance

Credibility

Awareness

Capability

Knowledge

Capacity

Judgement

Collaboration
www.4cproject.eu
Engagement

Collaboration to
Clarify the
Costs of
Curation

Tasks
• Engage stakeholders
• Raise awareness
• Organise meetings
• Promote Research & Innovation
• Build community network

Networking &
Coordination

Assessment
Tasks
• Assess cost models &
strategies
• Examine good
practice
• Analyse requirements
• Integrate components
• Produce guidance &
briefing materials
• Setup costs exchange

Events,
Workshops,
Meetings &
Reports

Enhancement
Tasks
Examine and refine related concepts
• Value
• Risk
• Benefits
• Sustainability
• Economic Reference Model

Affiliate Partners
& Stakeholders

Outputs

Reports for
General
Dissemination

Curation
Costs
Exchange

Project
Coordination
Tasks
Project meetings
Project reporting
EC liaison
Budget oversight
Outputs QA

Reports for
European
Commission

Submission
of Roadmap
to the EC
Collaboration to Clarify the Costs of Curation

What is the 4C Project hoping to
achieve?
... Or go back a step
What problem
is it trying to solve?
Collaboration to Clarify the Costs of Curation

What people were saying about the costs issue as the 4C project was coming
together ...
“There is a lack of information on the costs of digital preservation and its benefits
(both tangible and intangible) which makes it hard to put together a convincing
business case”
An Emerging Market, Planets White Paper, July 2010
“I think there is indeed interest in the digital preservation community in the question
of cost prediction, but there are many unknowns so perhaps people have just decided
it is a difficult problem and tackled simpler ones instead!”
Bill Roberts, National Archives of the Netherlands, OPF Wiki, 4 August 2011
“The bad news is that deciding what to keep and what to throw away isn't free either.
Ignoring the problem incurs the costs of keeping the data; dealing with the problem
incurs the costs of deciding what to throw away. We may be in the bad situation of
being unable to afford either to keep or to throw away the data we generate”
David Rosenthal, DSHR’s Blog, December 2012
Collaboration to Clarify the Costs of Curation

Sanity check

It is generally not a big problem for large
memory institutions (particularly national
scale libraries and archives) to make the case
for digital preservation.
But we need a wide range of organisations to
engage with digital preservation. And if it’s
not their core business, they will struggle to
make the case.
Collaboration to Clarify the Costs of Curation

Digital Curation is best done collaboratively
It’s a big and complicated task and there is wide scope for duplicated and unnecessary
effort

To work collaboratively requires a shared understanding of concepts and processes and
principles
Having a clear view of the organisational mission and a strategic understanding of the
future increasingly means knowing how you are going to handle your digital assets

Even to hand things on effectively and efficiently, some knowledge of curation is required
... and curation most effectively happens as early as possible in the digital object lifecycle
Understanding whether your digital objects really are assets or whether they are
liabilities requires some engagement with curation concepts and preservation planning
issues
Ultimately ... It’s about understanding the business case for preservation
The SPRUCE Project
http://wiki.opf-labs.org/display/SPR/Home

What are
the
components
of a
business
case?

http://wiki.dpconline.org/index.php?title=Template_for_building_a_business_case
Collaboration to Clarify the Costs of Curation

A DRAFT Economic Sustainability Reference Model (ESRM)

Brian Lavoie
(OCLC)

Chris Rusbridge
http://4cproject.eu/community-resources/outputs-and-deliverables/ms9draft-economic-sustainability-reference-model
Collaboration to Clarify the Costs of Curation

What is the point of a Reference Model?

Reality
Reference
Model

Model

New
Reality

Model
Collaboration to Clarify the Costs of Curation

Who is the ESRM aimed at?

Operational Staff
Operational Managers
Senior Managers
Funders & Investors
Collaboration to Clarify the Costs of Curation

Operational Staff
Operational Managers
Senior Managers

Perspective ...

Funders & Investors

Focusing on ...
Digital Assets

Curation as ...

Activity and
Process

Time and
Effort

Value & Benefits

Black
Box
Collaboration to Clarify the Costs of Curation

COSTS
MODEL

BENEFITS
MODEL

Digital Assets
Activity and
Process

Time and
Effort

Value & Benefits
Time and
Effort

Curation as
Black Box
Collaboration to Clarify the Costs of Curation
Operational Managers

Senior Managers

Funders & Investors

ECONOMIC MODEL

Economic
Sustainability
Reference Model

Maintaining stakeholder incentives and
the flow of resources to sustain assets

COSTS
MODEL

BENEFITS
MODEL

Digital Assets
Activity and
Process

Time and
Effort

Value & Benefits
Time and
Effort

Curation as
Black Box
Collaboration to Clarify the Costs of Curation

Components of a Sustainability Strategy
Economic lifecycle: the dynamic pattern, or sequence of events, against
which the sustainability strategy operates;
Sustainability conditions: the conditions the sustainability strategy must
address in order to achieve sustainability;
Key entities: the key elements of the economic environment – digital
assets, the curation process, and stakeholders – whose properties and
relationships shape the circumstances in which the sustainability strategy
operates;
Economic uncertainties: frictions and obstacles that may potentially act
to impede the ability of a repository to achieve economic sustainability;
the sustainability strategy must anticipate these uncertainties and if
necessary, mitigate them.
Collaboration to Clarify the Costs of Curation
Collaboration to Clarify the Costs of Curation

The ESRM as it
appears within
the 4C Report
on this topic ...

http://4cproject.eu/community-resources/outputs-and-deliverables/ms9-draft-economic-sustainability-reference-model
Collaboration to Clarify the Costs of Curation

The 4C ESRM Questionnaire (Appendix 1)

http://4cproject.eu/community-resources/outputs-and-deliverables/ms9-draft-economic-sustainability-reference-model
Please go to the community
resources section of the 4C
project website and let us
know what you think of the
outputs from the project.
The project runs until January
2015
http://4cproject.eu/community-resources
Collaboration to Clarify the Costs of Curation

COSTS

BENEFITS

INCENTIVES

SUSTAINABILITY

•

One of the big drivers for looking into the cost of preservation is to be able
to offer realistic and cost effective preservation services to others.

•

Understanding costs can support strategic planning.

•

Understanding costs can support tactical decision-making.

•

Understanding costs can provide evidence of cost-effectiveness and value.

•

Clarifying and publishing the cost of digital curation can be used to enhance
an organisation’s credibility. But this must be done along with the context of
how the costs were calculated

•

Understanding economic drivers can help to strategically align an
organisation
Budgets are hard to secure and digital preservation remains
a difficult case to argue so collaboration with like-minded
organisations and the establishment of shared services
should support the arguments and drive down the cost.

See you in Barcelona ...?
18-20 November 2013
http://www.educopia.org/events/ANADPII

Registration open until November 18th

“One of the greatest risks we run in not preserving our own digital
assets for ourselves is that we simultaneously cease to preserve
our own viability as institutions.”
K. Skinner and M. Schultz, A Guide to Distributed Digital Preservation
(Atlanta, GA: Educopia Institute, 2010)
Photo credit: Trent Strohm, FlickR

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Implementing Sustainable Digital Preservation

  • 1. PASIG Webinar: Implementing Sustainable Digital Preservation Tuesday, October 22, 2013, 11:30am-12:30pm (EDT) Neil Grindley Programme Manager – Digital Infrastructure, Digital Preservation, Curation and Archiving Project Coordinator – A Collaboration to Clarify the Cost of Curation (The 4C Project) Programme Committee – Aligning National Approaches to Digital Preservation (ANADP II)
  • 2. http://www.educopia.org/events/ANADPII/program ANADP II differs in intent and structure from other digital preservation conferences and meetings. Its primary purpose is not to encourage information sharing, but rather to foster and support sustained global networks of influence and action. The Action Assembly includes four main components: • Panel Discussions • Action Sessions • Patio Perspectives Sessions • Future Opportunities for Collaboration + Keynote Presentations + Poster Session
  • 3. http://www.educopia.org/events/ANADPII/program The Panel Discussions ... 1. Community Alignment – What makes a community work? 2. Resource Alignment - How can we employ the resources we have available to us most economically to achieve our digital preservation objectives? 3. Capacity Alignment - How can consistency in capacity building promote digital curation excellence? 4. Alignment Exemplars and Current Opportunities for Collaboration 5. Future Opportunities for Collaboration
  • 4. http://www.educopia.org/events/ANADPII/program The Action Sessions ... 1. Creating a Community Driven Tools Registry 2. Applying the OAIS Framework to Distributed Digital Preservation 3. Case Studies and Quantitative Data from the 4C project 4. Towards a Cost Spectrum 5. Creating an International Education and Training Catalogue 6. Testing the Community Capacity Model Framework 7. Developing and Sharing Teaching Infrastructure
  • 5. ... judging by the changing tone of conferences over the years, the community has come a long way. So where are we now? And by the way ... what do you mean by “the community”
  • 6. Digital Asset Management / Preservation Planning Why is your organisation interested in preserving digital assets? Are they assets or liabilities? What are the defining features of the digital assets that you want to preserve? Who will be given responsibility for digital preservation and how can they best be supported? When do you expect the digital assets to realise value? How are you going to technically organise the preservation of the assets? IT Specialist Digital Preservation Specialist Management Content Specialist
  • 7. What might organisations need in terms of preservation services?
  • 8. Sustainability is not a ‘tick-box’ exercise Impact Expertise Service Effectiveness ?? VFM ?? Funder
  • 9. Activity = You do something Objective = You aim to achieve something Vision = You aim to change something Benefit = You’ve helped somebody Impact = You’ve made a difference Activity Objective Project Vision Service Benefit Impact Funder Possibly a JISC-centric view of services and sustainability!
  • 10. Ithaka S+R and the Strategic Content Alliance (JISC) Investigating ‘Sustainability’ Empower leadership to define the mission and take action Create a strong value proposition Creatively manage costs Cultivate diverse sources of revenue Establish realistic goals and a system of accountability http://www.sr.ithaka.org/research-publications/revenue-recession-reliance-revisiting-scaithaka-sr-case-studies-sustainability
  • 11. Ithaka/SCA Revenue Models Blue Ribbon Task Force Common Funding Models for DP • Subscription • Internal Budgeting • Endowment • Public Funding • Membership • Voluntary Contributions • Author pays • Fees for Preservation • Licensing • Fees for Access • Institutional subsidy • Government support • Public/private partnerships • Non-profit partnerships
  • 12. Blue Ribbon Task Force for Sustainable Digital Preservation & Access Final report (February 2010) http://brtf.sdsc.edu/ Three principal actions are required for sustainability: • • • Articulate a compelling value proposition Provide clear incentives to preserve in the public interest Define roles and responsibilities among stakeholders to ensure an ongoing and efficient flow of resources to preservation throughout the digital lifecycle
  • 13. For both service provider and service user, the attributes of the service must be understood Stewardship Business Model Ambition Ethics Risk Responsibility Appetite Willingness Solvency Affordabilty Sustainability Value Trust Importance Credibility Awareness Capability Knowledge Capacity Judgement Collaboration
  • 15. Engagement Collaboration to Clarify the Costs of Curation Tasks • Engage stakeholders • Raise awareness • Organise meetings • Promote Research & Innovation • Build community network Networking & Coordination Assessment Tasks • Assess cost models & strategies • Examine good practice • Analyse requirements • Integrate components • Produce guidance & briefing materials • Setup costs exchange Events, Workshops, Meetings & Reports Enhancement Tasks Examine and refine related concepts • Value • Risk • Benefits • Sustainability • Economic Reference Model Affiliate Partners & Stakeholders Outputs Reports for General Dissemination Curation Costs Exchange Project Coordination Tasks Project meetings Project reporting EC liaison Budget oversight Outputs QA Reports for European Commission Submission of Roadmap to the EC
  • 16. Collaboration to Clarify the Costs of Curation What is the 4C Project hoping to achieve? ... Or go back a step What problem is it trying to solve?
  • 17. Collaboration to Clarify the Costs of Curation What people were saying about the costs issue as the 4C project was coming together ... “There is a lack of information on the costs of digital preservation and its benefits (both tangible and intangible) which makes it hard to put together a convincing business case” An Emerging Market, Planets White Paper, July 2010 “I think there is indeed interest in the digital preservation community in the question of cost prediction, but there are many unknowns so perhaps people have just decided it is a difficult problem and tackled simpler ones instead!” Bill Roberts, National Archives of the Netherlands, OPF Wiki, 4 August 2011 “The bad news is that deciding what to keep and what to throw away isn't free either. Ignoring the problem incurs the costs of keeping the data; dealing with the problem incurs the costs of deciding what to throw away. We may be in the bad situation of being unable to afford either to keep or to throw away the data we generate” David Rosenthal, DSHR’s Blog, December 2012
  • 18. Collaboration to Clarify the Costs of Curation Sanity check It is generally not a big problem for large memory institutions (particularly national scale libraries and archives) to make the case for digital preservation. But we need a wide range of organisations to engage with digital preservation. And if it’s not their core business, they will struggle to make the case.
  • 19. Collaboration to Clarify the Costs of Curation Digital Curation is best done collaboratively It’s a big and complicated task and there is wide scope for duplicated and unnecessary effort To work collaboratively requires a shared understanding of concepts and processes and principles Having a clear view of the organisational mission and a strategic understanding of the future increasingly means knowing how you are going to handle your digital assets Even to hand things on effectively and efficiently, some knowledge of curation is required ... and curation most effectively happens as early as possible in the digital object lifecycle Understanding whether your digital objects really are assets or whether they are liabilities requires some engagement with curation concepts and preservation planning issues Ultimately ... It’s about understanding the business case for preservation
  • 20. The SPRUCE Project http://wiki.opf-labs.org/display/SPR/Home What are the components of a business case? http://wiki.dpconline.org/index.php?title=Template_for_building_a_business_case
  • 21. Collaboration to Clarify the Costs of Curation A DRAFT Economic Sustainability Reference Model (ESRM) Brian Lavoie (OCLC) Chris Rusbridge http://4cproject.eu/community-resources/outputs-and-deliverables/ms9draft-economic-sustainability-reference-model
  • 22. Collaboration to Clarify the Costs of Curation What is the point of a Reference Model? Reality Reference Model Model New Reality Model
  • 23. Collaboration to Clarify the Costs of Curation Who is the ESRM aimed at? Operational Staff Operational Managers Senior Managers Funders & Investors
  • 24. Collaboration to Clarify the Costs of Curation Operational Staff Operational Managers Senior Managers Perspective ... Funders & Investors Focusing on ... Digital Assets Curation as ... Activity and Process Time and Effort Value & Benefits Black Box
  • 25. Collaboration to Clarify the Costs of Curation COSTS MODEL BENEFITS MODEL Digital Assets Activity and Process Time and Effort Value & Benefits Time and Effort Curation as Black Box
  • 26. Collaboration to Clarify the Costs of Curation Operational Managers Senior Managers Funders & Investors ECONOMIC MODEL Economic Sustainability Reference Model Maintaining stakeholder incentives and the flow of resources to sustain assets COSTS MODEL BENEFITS MODEL Digital Assets Activity and Process Time and Effort Value & Benefits Time and Effort Curation as Black Box
  • 27. Collaboration to Clarify the Costs of Curation Components of a Sustainability Strategy Economic lifecycle: the dynamic pattern, or sequence of events, against which the sustainability strategy operates; Sustainability conditions: the conditions the sustainability strategy must address in order to achieve sustainability; Key entities: the key elements of the economic environment – digital assets, the curation process, and stakeholders – whose properties and relationships shape the circumstances in which the sustainability strategy operates; Economic uncertainties: frictions and obstacles that may potentially act to impede the ability of a repository to achieve economic sustainability; the sustainability strategy must anticipate these uncertainties and if necessary, mitigate them.
  • 28. Collaboration to Clarify the Costs of Curation
  • 29. Collaboration to Clarify the Costs of Curation The ESRM as it appears within the 4C Report on this topic ... http://4cproject.eu/community-resources/outputs-and-deliverables/ms9-draft-economic-sustainability-reference-model
  • 30. Collaboration to Clarify the Costs of Curation The 4C ESRM Questionnaire (Appendix 1) http://4cproject.eu/community-resources/outputs-and-deliverables/ms9-draft-economic-sustainability-reference-model
  • 31. Please go to the community resources section of the 4C project website and let us know what you think of the outputs from the project. The project runs until January 2015 http://4cproject.eu/community-resources
  • 32. Collaboration to Clarify the Costs of Curation COSTS BENEFITS INCENTIVES SUSTAINABILITY • One of the big drivers for looking into the cost of preservation is to be able to offer realistic and cost effective preservation services to others. • Understanding costs can support strategic planning. • Understanding costs can support tactical decision-making. • Understanding costs can provide evidence of cost-effectiveness and value. • Clarifying and publishing the cost of digital curation can be used to enhance an organisation’s credibility. But this must be done along with the context of how the costs were calculated • Understanding economic drivers can help to strategically align an organisation
  • 33. Budgets are hard to secure and digital preservation remains a difficult case to argue so collaboration with like-minded organisations and the establishment of shared services should support the arguments and drive down the cost. See you in Barcelona ...? 18-20 November 2013 http://www.educopia.org/events/ANADPII Registration open until November 18th “One of the greatest risks we run in not preserving our own digital assets for ourselves is that we simultaneously cease to preserve our own viability as institutions.” K. Skinner and M. Schultz, A Guide to Distributed Digital Preservation (Atlanta, GA: Educopia Institute, 2010) Photo credit: Trent Strohm, FlickR