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COMPOSITION
The start of the creative
process



                  Composition is
                  the placement of
                  elements within
                  the restriction of
                  the frame of the
                  photograph.
Two Main Parts

 Two Main Parts
 Part One: Subject
   The main focus of the photograph
   Can be a person, place or thing
   The message of the photograph
 Part Two: Treatment
   How the subject is treated within the frame
   Technical representation
     including contrast, lighting, colors and design
      elements like texture or shape
Not in the Center, Please
              Vertical “Dead” Line




                                       Hot Spot
   Hot Spot




                                     Horizontal “Dead” Line




                                     Hot Spot
  Hot Spot
Rule of thirds
 Rule of thirds
 Placing the subject in a 1/3 of the frame
  creates visual interest.
 Asymmetry draws the viewer to the
  photograph.
   The photographer’s main objective is to keep the
    viewer looking at the photograph as long as
    possible.
Rule of thirds
Horizon
 Horizon
 The horizon should not cut the photograph
  directly in half. It should be in one of 1/3’s.
 The horizon should be parallel with the
  bottom of the frame.
 The horizon can create a line of interest that
  keeps the viewers eye moving across the
  picture.
Horizon
LINES

 LINES
 Pay attention to lines
 Horizontal lines tend to be peaceful
 Diagonal lines create a sense of action
 Consider your message and have your lines
  match it
Curved Lines
Leading Lines




                Photo Credit: National Geographic
Balance
 Object and subject do not have to be the
  same size to achieve balance.
 The goal in creating balance is to have the
  viewer’s eye travel from subject to object and
  back.
   Remember: The aim of any photograph is to keep
    the viewer looking as long as possible.
Balance
Perspective
 Try photographing the subject from different
  angles: high, low, etc.
   Take risks.
   Use a monopod to achieve high angles.
 Photographing a subject head-on is expected
  and boring to the viewer.
Perspective
Perspective




              •Notice in this picture the background is simplified.
Perspective
Color

 Color can tell a story and create interest.
 Try to capture 1-3 dominate colors.
   Less is more.
 Color can also create balance.
Color
Color
Color
Contrast
 Deep shadows and well-lit areas create
  contrast.
 Textured area next to a smooth area can also
  create contrast.
Contrast
Contrast
Contrast
Framing

 Framing uses objects to frame the subject.
 Framing draws attention to the subject.
Framing
Framing
Pattern & Texture

 Pattern consists of small shapes, lines and/or
  tonal areas that are repeated.
 Texture consists of a collection of objects or a
  small pattern that gives the viewer a sense of
  what it would feel like to the touch.
Pattern




          Texture
Light

 Light can create mood and provide contrast.
 Consider where the main light source is when
  taking a picture and use it to the
  photograph’s advantage.
 Golden Hours
   1 hour before sunset or sunrise, when the sun
    casts a golden hue.
   Ideal for pictures and portraits.
Light
Light




A high f / stop creates a sunburst effect when shooting
directly into the sun.
Light




The sun can create spots called “Solar Flare.”
Motion

 Motion can be frozen.
 Moving objects can be blurred to convey
  motion.
Motion
People
 Try to capture natural expressions.
 Focus in on the eyes.
   Aim for the flecks of light in the eyes.
 Try to stay away from creating “bleeding
  limbs”.
   When people’s limbs are cut off by the edge of the
    photograph, especially at joints i.e. elbows, wrists,
    knees, etc.
People
People
People
Background

 Background can add a sense of time and
  place
 It can also distract from the subject
 Ask yourself: Is the background needed?
   Then include it or simplify it
Background
Additional Tips
 The key to all of this is to keep an eye on
  what is going on in the frame of your photo
  and take steps to change anything that
  does not add to the message or impact of
  the photo.
 LESS IS MORE concept of getting in close
  and checking the frame for a photo that
  tells a story or sets a mood. People pictures
  are popular subjects. Look at the camera
  angles or vantage point to find one that
  gives a simple background with colors and
  objects that do not compete with the
  subject. Good expression is key to people
  shots -- look for how the mood is expressed
  -- be alert and have camera ready.

       • Look out for Mergers.
            •Can you see what’s wrong with this
            picture?
QUESTIONS?

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Composition

  • 2. The start of the creative process Composition is the placement of elements within the restriction of the frame of the photograph.
  • 3. Two Main Parts  Two Main Parts  Part One: Subject  The main focus of the photograph  Can be a person, place or thing  The message of the photograph  Part Two: Treatment  How the subject is treated within the frame  Technical representation  including contrast, lighting, colors and design elements like texture or shape
  • 4. Not in the Center, Please Vertical “Dead” Line Hot Spot Hot Spot Horizontal “Dead” Line Hot Spot Hot Spot
  • 5. Rule of thirds  Rule of thirds  Placing the subject in a 1/3 of the frame creates visual interest.  Asymmetry draws the viewer to the photograph.  The photographer’s main objective is to keep the viewer looking at the photograph as long as possible.
  • 7. Horizon  Horizon  The horizon should not cut the photograph directly in half. It should be in one of 1/3’s.  The horizon should be parallel with the bottom of the frame.  The horizon can create a line of interest that keeps the viewers eye moving across the picture.
  • 9. LINES  LINES  Pay attention to lines  Horizontal lines tend to be peaceful  Diagonal lines create a sense of action  Consider your message and have your lines match it
  • 10.
  • 12. Leading Lines Photo Credit: National Geographic
  • 13. Balance  Object and subject do not have to be the same size to achieve balance.  The goal in creating balance is to have the viewer’s eye travel from subject to object and back.  Remember: The aim of any photograph is to keep the viewer looking as long as possible.
  • 15. Perspective  Try photographing the subject from different angles: high, low, etc.  Take risks.  Use a monopod to achieve high angles.  Photographing a subject head-on is expected and boring to the viewer.
  • 17. Perspective •Notice in this picture the background is simplified.
  • 19. Color  Color can tell a story and create interest.  Try to capture 1-3 dominate colors.  Less is more.  Color can also create balance.
  • 20. Color
  • 21. Color
  • 22. Color
  • 23. Contrast  Deep shadows and well-lit areas create contrast.  Textured area next to a smooth area can also create contrast.
  • 27. Framing  Framing uses objects to frame the subject.  Framing draws attention to the subject.
  • 30. Pattern & Texture  Pattern consists of small shapes, lines and/or tonal areas that are repeated.  Texture consists of a collection of objects or a small pattern that gives the viewer a sense of what it would feel like to the touch.
  • 31. Pattern Texture
  • 32. Light  Light can create mood and provide contrast.  Consider where the main light source is when taking a picture and use it to the photograph’s advantage.  Golden Hours  1 hour before sunset or sunrise, when the sun casts a golden hue.  Ideal for pictures and portraits.
  • 33. Light
  • 34. Light A high f / stop creates a sunburst effect when shooting directly into the sun.
  • 35. Light The sun can create spots called “Solar Flare.”
  • 36. Motion  Motion can be frozen.  Moving objects can be blurred to convey motion.
  • 38. People  Try to capture natural expressions.  Focus in on the eyes.  Aim for the flecks of light in the eyes.  Try to stay away from creating “bleeding limbs”.  When people’s limbs are cut off by the edge of the photograph, especially at joints i.e. elbows, wrists, knees, etc.
  • 42. Background  Background can add a sense of time and place  It can also distract from the subject  Ask yourself: Is the background needed?  Then include it or simplify it
  • 44. Additional Tips  The key to all of this is to keep an eye on what is going on in the frame of your photo and take steps to change anything that does not add to the message or impact of the photo.  LESS IS MORE concept of getting in close and checking the frame for a photo that tells a story or sets a mood. People pictures are popular subjects. Look at the camera angles or vantage point to find one that gives a simple background with colors and objects that do not compete with the subject. Good expression is key to people shots -- look for how the mood is expressed -- be alert and have camera ready.  • Look out for Mergers. •Can you see what’s wrong with this picture?