SlideShare ist ein Scribd-Unternehmen logo
1 von 23
Downloaden Sie, um offline zu lesen
Copyright ©2012 Pearson Inc.
Juan Bautista de Toledo and Juan de Herrera. The Escorial: aerial view.
1563-84.
Copyright ©2012 Pearson Inc.
Map: Spain in 1600.
Copyright ©2012 Pearson Inc.
Juan Bautista de Toledo and Juan de Herrera. The Escorial. Detail after an
anonymous 18th-century painting. 1563-84.
Copyright ©2012 Pearson Inc.
Map: The Empire of Charles V ca. 1521.
Copyright ©2012 Pearson Inc.
Palestrina presents music to Pope Julius II, Title page of Palestrina’s
Missarum liber primus (First Book of Masses), published in Rome. 1554.
Copyright ©2012 Pearson Inc.
Michelangelo. Victory, frontal view. Early 1520s.
Height: 8’ 7”.
Copyright ©2012 Pearson Inc.
Michelangelo. Victory, view from the back. Early 1520s.
Height: 8’ 7”.
Copyright ©2012 Pearson Inc.
Michelangelo. Last Judgment, Altar wall, Sistine Chapel, Vatican, Rome.
1534-41.
48' × 44’.
Copyright ©2012 Pearson Inc.
Michelangelo. Last Judgment, detail. Altar wall, Sistine Chapel, Vatican,
Rome. 1534-41.
48' × 44’.
Copyright ©2012 Pearson Inc.
Correggio. Jupiter and Io. Early 1530s.
69" × 29-1/2”.
Copyright ©2012 Pearson Inc.
Titian. The Rape of Europa. 1559-62.
5’ 9-1/4" × 7’ 8-1/4”.
Copyright ©2012 Pearson Inc.
Parmigianino. The Madonna with the Long Neck. ca. 1535.
7’ 1" × 4’ 4”.
Copyright ©2012 Pearson Inc.
Sofonisba Anguissola. Bernardino Campi painting Sofonisba Anguissola.
Late 1550s.
42-1/2" × 43”.
Copyright ©2012 Pearson Inc.
Closer Look: Bronzino's Allegory with Venus and Cupid: Chateau de
Chambord, near Blois, France. 1519-47.
Copyright ©2012 Pearson Inc.
Agnolo Bronzino. Closer Look: Bronzino's Allegory with Venus and Cupid.
1540s.
61" × 56-1/4”.
Copyright ©2012 Pearson Inc.
Lavinia Fontana. Consecration of the Virgin. 1599.
9’ 2-1/4" × 6’ 2-1/4”.
Copyright ©2012 Pearson Inc.
Giovanni Bologna (Jean de Boulogne). Rape of the Sabine Women. 1579-
83.
Height: 13’ 5-1/2”.
Copyright ©2012 Pearson Inc.
Benvenuto Cellini. Perseus. 1545-54.
Height: 10’ 6”.
Copyright ©2012 Pearson Inc.
Benvenuto Cellini. Saltcellar of Francis I. 1539-43.
9-1/4" × 13-1/8”.
Copyright ©2012 Pearson Inc.
Veronese. Feast in the House of Levi. 1573.
18' 2" × 42’.
Copyright ©2012 Pearson Inc.
El Greco (Domenico Theotokopulos). Resurrection. 1597-1604.
9’ 1/4" × 4’ 2”.
Copyright ©2012 Pearson Inc.
Felice Maria Casoni. Continuity & Change: Portrait Medal of Lavinia
Fontana. 1611.
Diameter: 2-1/2”.
Copyright ©2012 Pearson Inc.
Artemisia Gentileschi. Continuity & Change: Self-portrait as the Allegory of
Painting. 1630.
35-1/4" × 29”.

Weitere ähnliche Inhalte

Was ist angesagt?

Apple of amber, Zibellino... An unusual jewel in painting
Apple of amber, Zibellino... An unusual jewel in paintingApple of amber, Zibellino... An unusual jewel in painting
Apple of amber, Zibellino... An unusual jewel in paintingguimera
 
Michelangelo & The Sistine chapel
Michelangelo & The Sistine chapel Michelangelo & The Sistine chapel
Michelangelo & The Sistine chapel jb41771n
 
High Renaissance In Venice
High Renaissance In VeniceHigh Renaissance In Venice
High Renaissance In Venicebassmanb
 
Elizabethan Theatre Presentation
Elizabethan Theatre PresentationElizabethan Theatre Presentation
Elizabethan Theatre Presentationmkelly2013
 
1st semester review part 4
1st semester review part 41st semester review part 4
1st semester review part 4addierprice
 
Michelangelo and the Sistine Chapel
Michelangelo and the Sistine ChapelMichelangelo and the Sistine Chapel
Michelangelo and the Sistine ChapelAlex Carraway
 
Mannerism and 16thcentpainting
Mannerism and 16thcentpaintingMannerism and 16thcentpainting
Mannerism and 16thcentpaintingshannahdean
 
Hum1020 1030 shakespeare & elizabethan theatre
Hum1020 1030 shakespeare & elizabethan theatreHum1020 1030 shakespeare & elizabethan theatre
Hum1020 1030 shakespeare & elizabethan theatreProfWillAdams
 
Snow Day Lecture
Snow Day LectureSnow Day Lecture
Snow Day Lecturemzych
 
Week8 - Renaissance Part 2
Week8 - Renaissance Part 2Week8 - Renaissance Part 2
Week8 - Renaissance Part 2nateabels
 
Carpets in Renaissance painting
Carpets in Renaissance paintingCarpets in Renaissance painting
Carpets in Renaissance paintingguimera
 

Was ist angesagt? (12)

Apple of amber, Zibellino... An unusual jewel in painting
Apple of amber, Zibellino... An unusual jewel in paintingApple of amber, Zibellino... An unusual jewel in painting
Apple of amber, Zibellino... An unusual jewel in painting
 
Michelangelo & The Sistine chapel
Michelangelo & The Sistine chapel Michelangelo & The Sistine chapel
Michelangelo & The Sistine chapel
 
High Renaissance In Venice
High Renaissance In VeniceHigh Renaissance In Venice
High Renaissance In Venice
 
Elizabethan Theatre Presentation
Elizabethan Theatre PresentationElizabethan Theatre Presentation
Elizabethan Theatre Presentation
 
1st semester review part 4
1st semester review part 41st semester review part 4
1st semester review part 4
 
Michelangelo and the Sistine Chapel
Michelangelo and the Sistine ChapelMichelangelo and the Sistine Chapel
Michelangelo and the Sistine Chapel
 
Leonardo milan tour en
Leonardo milan tour enLeonardo milan tour en
Leonardo milan tour en
 
Mannerism and 16thcentpainting
Mannerism and 16thcentpaintingMannerism and 16thcentpainting
Mannerism and 16thcentpainting
 
Hum1020 1030 shakespeare & elizabethan theatre
Hum1020 1030 shakespeare & elizabethan theatreHum1020 1030 shakespeare & elizabethan theatre
Hum1020 1030 shakespeare & elizabethan theatre
 
Snow Day Lecture
Snow Day LectureSnow Day Lecture
Snow Day Lecture
 
Week8 - Renaissance Part 2
Week8 - Renaissance Part 2Week8 - Renaissance Part 2
Week8 - Renaissance Part 2
 
Carpets in Renaissance painting
Carpets in Renaissance paintingCarpets in Renaissance painting
Carpets in Renaissance painting
 

Ähnlich wie Sayre2e ch20 images_cap

Sayre2e ch15 images_cap
Sayre2e ch15 images_capSayre2e ch15 images_cap
Sayre2e ch15 images_capmsmouce
 
Sayre2e ch13 images_cap
Sayre2e ch13 images_capSayre2e ch13 images_cap
Sayre2e ch13 images_capmsmouce
 
Sayre2e ch14 images_cap
Sayre2e ch14 images_capSayre2e ch14 images_cap
Sayre2e ch14 images_capmsmouce
 
Art and the Human Experience
Art and the Human ExperienceArt and the Human Experience
Art and the Human ExperienceJames Greene
 
Sayre2e ch18 images_cap
Sayre2e ch18 images_capSayre2e ch18 images_cap
Sayre2e ch18 images_capmsmouce
 
Sayre2e ch19 images_cap
Sayre2e ch19 images_capSayre2e ch19 images_cap
Sayre2e ch19 images_capmsmouce
 
AT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptxAT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptxChristosA1
 
AT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptxAT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptxChristosA1
 
Andreea Del Castagno
Andreea Del CastagnoAndreea Del Castagno
Andreea Del Castagnoguestb032b7
 
Art Appreciation-Chapter16
Art Appreciation-Chapter16Art Appreciation-Chapter16
Art Appreciation-Chapter16alorino
 
Treball michelangelo
Treball michelangeloTreball michelangelo
Treball michelangelo98marc
 
Venice and mannerism
Venice and mannerismVenice and mannerism
Venice and mannerismNCS
 
Chapter 22 high renaissance
Chapter 22 high renaissanceChapter 22 high renaissance
Chapter 22 high renaissanceMelinda Darrow
 
Chapter 7 renaissance
Chapter 7 renaissanceChapter 7 renaissance
Chapter 7 renaissanceKaren Owens
 
National Gallery, London - Selected Masterpeices
National Gallery, London - Selected MasterpeicesNational Gallery, London - Selected Masterpeices
National Gallery, London - Selected MasterpeicesJerry Daperro
 
Prebles ArtformsAn Introduction to the Visual ArtsCHAPT.docx
Prebles ArtformsAn Introduction to the Visual ArtsCHAPT.docxPrebles ArtformsAn Introduction to the Visual ArtsCHAPT.docx
Prebles ArtformsAn Introduction to the Visual ArtsCHAPT.docxharrisonhoward80223
 

Ähnlich wie Sayre2e ch20 images_cap (20)

Sayre2e ch15 images_cap
Sayre2e ch15 images_capSayre2e ch15 images_cap
Sayre2e ch15 images_cap
 
Sayre2e ch21 images_cap
Sayre2e ch21 images_capSayre2e ch21 images_cap
Sayre2e ch21 images_cap
 
Sayre2e ch13 images_cap
Sayre2e ch13 images_capSayre2e ch13 images_cap
Sayre2e ch13 images_cap
 
Sayre2e ch14 images_cap
Sayre2e ch14 images_capSayre2e ch14 images_cap
Sayre2e ch14 images_cap
 
Art and the Human Experience
Art and the Human ExperienceArt and the Human Experience
Art and the Human Experience
 
Venetians and Mannerism
Venetians and MannerismVenetians and Mannerism
Venetians and Mannerism
 
Sayre2e ch18 images_cap
Sayre2e ch18 images_capSayre2e ch18 images_cap
Sayre2e ch18 images_cap
 
Sayre2e ch19 images_cap
Sayre2e ch19 images_capSayre2e ch19 images_cap
Sayre2e ch19 images_cap
 
AF chapter16a
AF chapter16aAF chapter16a
AF chapter16a
 
AT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptxAT 10001 Lectures 3_4 Quattrocento Italy.pptx
AT 10001 Lectures 3_4 Quattrocento Italy.pptx
 
AT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptxAT 1001_Lectures 3_4 Quattrocento.pptx
AT 1001_Lectures 3_4 Quattrocento.pptx
 
Andreea Del Castagno
Andreea Del CastagnoAndreea Del Castagno
Andreea Del Castagno
 
Andreea Del Castagno
Andreea Del CastagnoAndreea Del Castagno
Andreea Del Castagno
 
Art Appreciation-Chapter16
Art Appreciation-Chapter16Art Appreciation-Chapter16
Art Appreciation-Chapter16
 
Treball michelangelo
Treball michelangeloTreball michelangelo
Treball michelangelo
 
Venice and mannerism
Venice and mannerismVenice and mannerism
Venice and mannerism
 
Chapter 22 high renaissance
Chapter 22 high renaissanceChapter 22 high renaissance
Chapter 22 high renaissance
 
Chapter 7 renaissance
Chapter 7 renaissanceChapter 7 renaissance
Chapter 7 renaissance
 
National Gallery, London - Selected Masterpeices
National Gallery, London - Selected MasterpeicesNational Gallery, London - Selected Masterpeices
National Gallery, London - Selected Masterpeices
 
Prebles ArtformsAn Introduction to the Visual ArtsCHAPT.docx
Prebles ArtformsAn Introduction to the Visual ArtsCHAPT.docxPrebles ArtformsAn Introduction to the Visual ArtsCHAPT.docx
Prebles ArtformsAn Introduction to the Visual ArtsCHAPT.docx
 

Mehr von msmouce

Sayre2e ch17 images_cap
Sayre2e ch17 images_capSayre2e ch17 images_cap
Sayre2e ch17 images_capmsmouce
 
Sayre2e ch16 images_cap
Sayre2e ch16 images_capSayre2e ch16 images_cap
Sayre2e ch16 images_capmsmouce
 
Sayre2e ch12 images_cap
Sayre2e ch12 images_capSayre2e ch12 images_cap
Sayre2e ch12 images_capmsmouce
 
Sayre2e ch11 images_cap
Sayre2e ch11 images_capSayre2e ch11 images_cap
Sayre2e ch11 images_capmsmouce
 
Sayre2e ch10 images_cap
Sayre2e ch10 images_capSayre2e ch10 images_cap
Sayre2e ch10 images_capmsmouce
 
Sayre2e ch09 images_cap
Sayre2e ch09 images_capSayre2e ch09 images_cap
Sayre2e ch09 images_capmsmouce
 
Sayre2e ch08 images_cap
Sayre2e ch08 images_capSayre2e ch08 images_cap
Sayre2e ch08 images_capmsmouce
 
Sayre2e ch07 images_cap
Sayre2e ch07 images_capSayre2e ch07 images_cap
Sayre2e ch07 images_capmsmouce
 
Sayre2e ch06 images_cap
Sayre2e ch06 images_capSayre2e ch06 images_cap
Sayre2e ch06 images_capmsmouce
 
Sayre2e ch05 images_cap
Sayre2e ch05 images_capSayre2e ch05 images_cap
Sayre2e ch05 images_capmsmouce
 
Sayre2e ch03 images_cap
Sayre2e ch03 images_capSayre2e ch03 images_cap
Sayre2e ch03 images_capmsmouce
 
Sayre2e ch02 images_cap
Sayre2e ch02 images_capSayre2e ch02 images_cap
Sayre2e ch02 images_capmsmouce
 
Sayre2e ch01 images_cap
Sayre2e ch01 images_capSayre2e ch01 images_cap
Sayre2e ch01 images_capmsmouce
 
Sayre2e ch40 integrated_lecture_pp_ts-150681
Sayre2e ch40 integrated_lecture_pp_ts-150681Sayre2e ch40 integrated_lecture_pp_ts-150681
Sayre2e ch40 integrated_lecture_pp_ts-150681msmouce
 
Sayre2e ch39 integrated_lecture_pp_ts-150680
Sayre2e ch39 integrated_lecture_pp_ts-150680Sayre2e ch39 integrated_lecture_pp_ts-150680
Sayre2e ch39 integrated_lecture_pp_ts-150680msmouce
 
Sayre2e ch38 integrated_lecture_pp_ts-150679
Sayre2e ch38 integrated_lecture_pp_ts-150679Sayre2e ch38 integrated_lecture_pp_ts-150679
Sayre2e ch38 integrated_lecture_pp_ts-150679msmouce
 
Sayre2e ch37 integrated_lecture_pp_ts-150678
Sayre2e ch37 integrated_lecture_pp_ts-150678Sayre2e ch37 integrated_lecture_pp_ts-150678
Sayre2e ch37 integrated_lecture_pp_ts-150678msmouce
 
Sayre2e ch36 integrated_lecture_pp_ts-150677
Sayre2e ch36 integrated_lecture_pp_ts-150677Sayre2e ch36 integrated_lecture_pp_ts-150677
Sayre2e ch36 integrated_lecture_pp_ts-150677msmouce
 
Sayre2e ch35 integrated_lecture_pp_ts-150676
Sayre2e ch35 integrated_lecture_pp_ts-150676Sayre2e ch35 integrated_lecture_pp_ts-150676
Sayre2e ch35 integrated_lecture_pp_ts-150676msmouce
 
Sayre2e ch34 integrated_lecture_pp_ts-150675
Sayre2e ch34 integrated_lecture_pp_ts-150675Sayre2e ch34 integrated_lecture_pp_ts-150675
Sayre2e ch34 integrated_lecture_pp_ts-150675msmouce
 

Mehr von msmouce (20)

Sayre2e ch17 images_cap
Sayre2e ch17 images_capSayre2e ch17 images_cap
Sayre2e ch17 images_cap
 
Sayre2e ch16 images_cap
Sayre2e ch16 images_capSayre2e ch16 images_cap
Sayre2e ch16 images_cap
 
Sayre2e ch12 images_cap
Sayre2e ch12 images_capSayre2e ch12 images_cap
Sayre2e ch12 images_cap
 
Sayre2e ch11 images_cap
Sayre2e ch11 images_capSayre2e ch11 images_cap
Sayre2e ch11 images_cap
 
Sayre2e ch10 images_cap
Sayre2e ch10 images_capSayre2e ch10 images_cap
Sayre2e ch10 images_cap
 
Sayre2e ch09 images_cap
Sayre2e ch09 images_capSayre2e ch09 images_cap
Sayre2e ch09 images_cap
 
Sayre2e ch08 images_cap
Sayre2e ch08 images_capSayre2e ch08 images_cap
Sayre2e ch08 images_cap
 
Sayre2e ch07 images_cap
Sayre2e ch07 images_capSayre2e ch07 images_cap
Sayre2e ch07 images_cap
 
Sayre2e ch06 images_cap
Sayre2e ch06 images_capSayre2e ch06 images_cap
Sayre2e ch06 images_cap
 
Sayre2e ch05 images_cap
Sayre2e ch05 images_capSayre2e ch05 images_cap
Sayre2e ch05 images_cap
 
Sayre2e ch03 images_cap
Sayre2e ch03 images_capSayre2e ch03 images_cap
Sayre2e ch03 images_cap
 
Sayre2e ch02 images_cap
Sayre2e ch02 images_capSayre2e ch02 images_cap
Sayre2e ch02 images_cap
 
Sayre2e ch01 images_cap
Sayre2e ch01 images_capSayre2e ch01 images_cap
Sayre2e ch01 images_cap
 
Sayre2e ch40 integrated_lecture_pp_ts-150681
Sayre2e ch40 integrated_lecture_pp_ts-150681Sayre2e ch40 integrated_lecture_pp_ts-150681
Sayre2e ch40 integrated_lecture_pp_ts-150681
 
Sayre2e ch39 integrated_lecture_pp_ts-150680
Sayre2e ch39 integrated_lecture_pp_ts-150680Sayre2e ch39 integrated_lecture_pp_ts-150680
Sayre2e ch39 integrated_lecture_pp_ts-150680
 
Sayre2e ch38 integrated_lecture_pp_ts-150679
Sayre2e ch38 integrated_lecture_pp_ts-150679Sayre2e ch38 integrated_lecture_pp_ts-150679
Sayre2e ch38 integrated_lecture_pp_ts-150679
 
Sayre2e ch37 integrated_lecture_pp_ts-150678
Sayre2e ch37 integrated_lecture_pp_ts-150678Sayre2e ch37 integrated_lecture_pp_ts-150678
Sayre2e ch37 integrated_lecture_pp_ts-150678
 
Sayre2e ch36 integrated_lecture_pp_ts-150677
Sayre2e ch36 integrated_lecture_pp_ts-150677Sayre2e ch36 integrated_lecture_pp_ts-150677
Sayre2e ch36 integrated_lecture_pp_ts-150677
 
Sayre2e ch35 integrated_lecture_pp_ts-150676
Sayre2e ch35 integrated_lecture_pp_ts-150676Sayre2e ch35 integrated_lecture_pp_ts-150676
Sayre2e ch35 integrated_lecture_pp_ts-150676
 
Sayre2e ch34 integrated_lecture_pp_ts-150675
Sayre2e ch34 integrated_lecture_pp_ts-150675Sayre2e ch34 integrated_lecture_pp_ts-150675
Sayre2e ch34 integrated_lecture_pp_ts-150675
 

Kürzlich hochgeladen

Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...
Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...
Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...Will Schroeder
 
GenAI and AI GCC State of AI_Object Automation Inc
GenAI and AI GCC State of AI_Object Automation IncGenAI and AI GCC State of AI_Object Automation Inc
GenAI and AI GCC State of AI_Object Automation IncObject Automation
 
UiPath Studio Web workshop series - Day 7
UiPath Studio Web workshop series - Day 7UiPath Studio Web workshop series - Day 7
UiPath Studio Web workshop series - Day 7DianaGray10
 
Cybersecurity Workshop #1.pptx
Cybersecurity Workshop #1.pptxCybersecurity Workshop #1.pptx
Cybersecurity Workshop #1.pptxGDSC PJATK
 
The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...
The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...
The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...Aggregage
 
UiPath Platform: The Backend Engine Powering Your Automation - Session 1
UiPath Platform: The Backend Engine Powering Your Automation - Session 1UiPath Platform: The Backend Engine Powering Your Automation - Session 1
UiPath Platform: The Backend Engine Powering Your Automation - Session 1DianaGray10
 
AI Fame Rush Review – Virtual Influencer Creation In Just Minutes
AI Fame Rush Review – Virtual Influencer Creation In Just MinutesAI Fame Rush Review – Virtual Influencer Creation In Just Minutes
AI Fame Rush Review – Virtual Influencer Creation In Just MinutesMd Hossain Ali
 
Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...
Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...
Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...DianaGray10
 
20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf
20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf
20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdfJamie (Taka) Wang
 
UiPath Community: AI for UiPath Automation Developers
UiPath Community: AI for UiPath Automation DevelopersUiPath Community: AI for UiPath Automation Developers
UiPath Community: AI for UiPath Automation DevelopersUiPathCommunity
 
NIST Cybersecurity Framework (CSF) 2.0 Workshop
NIST Cybersecurity Framework (CSF) 2.0 WorkshopNIST Cybersecurity Framework (CSF) 2.0 Workshop
NIST Cybersecurity Framework (CSF) 2.0 WorkshopBachir Benyammi
 
Bird eye's view on Camunda open source ecosystem
Bird eye's view on Camunda open source ecosystemBird eye's view on Camunda open source ecosystem
Bird eye's view on Camunda open source ecosystemAsko Soukka
 
Comparing Sidecar-less Service Mesh from Cilium and Istio
Comparing Sidecar-less Service Mesh from Cilium and IstioComparing Sidecar-less Service Mesh from Cilium and Istio
Comparing Sidecar-less Service Mesh from Cilium and IstioChristian Posta
 
Using IESVE for Loads, Sizing and Heat Pump Modeling to Achieve Decarbonization
Using IESVE for Loads, Sizing and Heat Pump Modeling to Achieve DecarbonizationUsing IESVE for Loads, Sizing and Heat Pump Modeling to Achieve Decarbonization
Using IESVE for Loads, Sizing and Heat Pump Modeling to Achieve DecarbonizationIES VE
 
Things you didn't know you can use in your Salesforce
Things you didn't know you can use in your SalesforceThings you didn't know you can use in your Salesforce
Things you didn't know you can use in your SalesforceMartin Humpolec
 
How to Effectively Monitor SD-WAN and SASE Environments with ThousandEyes
How to Effectively Monitor SD-WAN and SASE Environments with ThousandEyesHow to Effectively Monitor SD-WAN and SASE Environments with ThousandEyes
How to Effectively Monitor SD-WAN and SASE Environments with ThousandEyesThousandEyes
 
UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...
UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...
UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...UbiTrack UK
 
Machine Learning Model Validation (Aijun Zhang 2024).pdf
Machine Learning Model Validation (Aijun Zhang 2024).pdfMachine Learning Model Validation (Aijun Zhang 2024).pdf
Machine Learning Model Validation (Aijun Zhang 2024).pdfAijun Zhang
 
Nanopower In Semiconductor Industry.pdf
Nanopower  In Semiconductor Industry.pdfNanopower  In Semiconductor Industry.pdf
Nanopower In Semiconductor Industry.pdfPedro Manuel
 
Do we need a new standard for visualizing the invisible?
Do we need a new standard for visualizing the invisible?Do we need a new standard for visualizing the invisible?
Do we need a new standard for visualizing the invisible?SANGHEE SHIN
 

Kürzlich hochgeladen (20)

Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...
Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...
Apres-Cyber - The Data Dilemma: Bridging Offensive Operations and Machine Lea...
 
GenAI and AI GCC State of AI_Object Automation Inc
GenAI and AI GCC State of AI_Object Automation IncGenAI and AI GCC State of AI_Object Automation Inc
GenAI and AI GCC State of AI_Object Automation Inc
 
UiPath Studio Web workshop series - Day 7
UiPath Studio Web workshop series - Day 7UiPath Studio Web workshop series - Day 7
UiPath Studio Web workshop series - Day 7
 
Cybersecurity Workshop #1.pptx
Cybersecurity Workshop #1.pptxCybersecurity Workshop #1.pptx
Cybersecurity Workshop #1.pptx
 
The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...
The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...
The Data Metaverse: Unpacking the Roles, Use Cases, and Tech Trends in Data a...
 
UiPath Platform: The Backend Engine Powering Your Automation - Session 1
UiPath Platform: The Backend Engine Powering Your Automation - Session 1UiPath Platform: The Backend Engine Powering Your Automation - Session 1
UiPath Platform: The Backend Engine Powering Your Automation - Session 1
 
AI Fame Rush Review – Virtual Influencer Creation In Just Minutes
AI Fame Rush Review – Virtual Influencer Creation In Just MinutesAI Fame Rush Review – Virtual Influencer Creation In Just Minutes
AI Fame Rush Review – Virtual Influencer Creation In Just Minutes
 
Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...
Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...
Connector Corner: Extending LLM automation use cases with UiPath GenAI connec...
 
20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf
20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf
20200723_insight_release_plan_v6.pdf20200723_insight_release_plan_v6.pdf
 
UiPath Community: AI for UiPath Automation Developers
UiPath Community: AI for UiPath Automation DevelopersUiPath Community: AI for UiPath Automation Developers
UiPath Community: AI for UiPath Automation Developers
 
NIST Cybersecurity Framework (CSF) 2.0 Workshop
NIST Cybersecurity Framework (CSF) 2.0 WorkshopNIST Cybersecurity Framework (CSF) 2.0 Workshop
NIST Cybersecurity Framework (CSF) 2.0 Workshop
 
Bird eye's view on Camunda open source ecosystem
Bird eye's view on Camunda open source ecosystemBird eye's view on Camunda open source ecosystem
Bird eye's view on Camunda open source ecosystem
 
Comparing Sidecar-less Service Mesh from Cilium and Istio
Comparing Sidecar-less Service Mesh from Cilium and IstioComparing Sidecar-less Service Mesh from Cilium and Istio
Comparing Sidecar-less Service Mesh from Cilium and Istio
 
Using IESVE for Loads, Sizing and Heat Pump Modeling to Achieve Decarbonization
Using IESVE for Loads, Sizing and Heat Pump Modeling to Achieve DecarbonizationUsing IESVE for Loads, Sizing and Heat Pump Modeling to Achieve Decarbonization
Using IESVE for Loads, Sizing and Heat Pump Modeling to Achieve Decarbonization
 
Things you didn't know you can use in your Salesforce
Things you didn't know you can use in your SalesforceThings you didn't know you can use in your Salesforce
Things you didn't know you can use in your Salesforce
 
How to Effectively Monitor SD-WAN and SASE Environments with ThousandEyes
How to Effectively Monitor SD-WAN and SASE Environments with ThousandEyesHow to Effectively Monitor SD-WAN and SASE Environments with ThousandEyes
How to Effectively Monitor SD-WAN and SASE Environments with ThousandEyes
 
UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...
UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...
UWB Technology for Enhanced Indoor and Outdoor Positioning in Physiological M...
 
Machine Learning Model Validation (Aijun Zhang 2024).pdf
Machine Learning Model Validation (Aijun Zhang 2024).pdfMachine Learning Model Validation (Aijun Zhang 2024).pdf
Machine Learning Model Validation (Aijun Zhang 2024).pdf
 
Nanopower In Semiconductor Industry.pdf
Nanopower  In Semiconductor Industry.pdfNanopower  In Semiconductor Industry.pdf
Nanopower In Semiconductor Industry.pdf
 
Do we need a new standard for visualizing the invisible?
Do we need a new standard for visualizing the invisible?Do we need a new standard for visualizing the invisible?
Do we need a new standard for visualizing the invisible?
 

Sayre2e ch20 images_cap

Hinweis der Redaktion

  1. Juan Bautista de Toledo and Juan de Herrera. The Escorial: aerial view. 1563-84.
  2. Map: Spain in 1600.
  3. Juan Bautista de Toledo and Juan de Herrera. The Escorial . Detail after an anonymous 18th-century painting. 1563-84.
  4. Map: The Empire of Charles V ca. 1521.
  5. Palestrina presents music to Pope Julius II , Title page of Palestrina’s Missarum liber primus (First Book of Masses), published in Rome. 1554.
  6. Michelangelo. Victory , frontal view. Early 1520s. Height: 8’ 7”.
  7. Michelangelo. Victory , view from the back. Early 1520s. Height: 8’ 7”.
  8. Michelangelo. Last Judgment , Altar wall, Sistine Chapel, Vatican, Rome. 1534-41. 48' × 44’.
  9. Michelangelo. Last Judgment , detail. Altar wall, Sistine Chapel, Vatican, Rome. 1534-41. 48' × 44’.
  10. Correggio. Jupiter and Io . Early 1530s. 69" × 29-1/2”.
  11. Titian. The Rape of Europa . 1559-62. 5’ 9-1/4" × 7’ 8-1/4”.
  12. Parmigianino. The Madonna with the Long Neck . ca. 1535. 7’ 1" × 4’ 4”.
  13. Sofonisba Anguissola. Bernardino Campi painting Sofonisba Anguissola . Late 1550s. 42-1/2" × 43”.
  14. Closer Look: Bronzino's Allegory with Venus and Cupid : Chateau de Chambord, near Blois, France. 1519-47.
  15. Agnolo Bronzino. Closer Look: Bronzino's Allegory with Venus and Cupid . 1540s. 61" × 56-1/4”.
  16. Lavinia Fontana. Consecration of the Virgin . 1599. 9’ 2-1/4" × 6’ 2-1/4”.
  17. Giovanni Bologna (Jean de Boulogne). Rape of the Sabine Women . 1579-83. Height: 13’ 5-1/2”.
  18. Benvenuto Cellini. Perseus . 1545-54. Height: 10’ 6”.
  19. Benvenuto Cellini. Saltcellar of Francis I . 1539-43. 9-1/4" × 13-1/8”.
  20. Veronese. Feast in the House of Levi . 1573. 18' 2" × 42’.
  21. El Greco (Domenico Theotokopulos). Resurrection . 1597-1604. 9’ 1/4" × 4’ 2”.
  22. Felice Maria Casoni. Continuity & Change: Portrait Medal of Lavinia Fontana. 1611. Diameter: 2-1/2”.
  23. Artemisia Gentileschi. Continuity & Change: Self-portrait as the Allegory of Painting. 1630. 35-1/4" × 29”.