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A WORN PATH
Eudora Welty




Dr Mohammed Fahmy Raiyah © 2012
Eudora Welty
 (1909 – 2001)
A Worn Path was first published
in The Atlantic Monthly in
February 1940, and later in A
Curtain of Green, 1941
Phoenix Jackson
Natchez Trace
in Mississippi
Pine trees
“Out of my way, all
                         you foxes, owls,
                         beetles, jack rabbits,
                         coons and wild
                         animals! ... Keep out
                         from under these feet,
Racoon        Wild Hog   little bob-whites ...
                         Keep the big wild hogs
                         out of my path. Don't
                         let none of those come
                         running my direction. I
                         got a long way.”




Jack Rabbit   Bobwhite
“The path ran up a hill. 'Seem like there is chains
about my feet.”
Oak trees
“Up through pines,” she said at length. “Now down
through oaks.”
Thorny Bush
“Thorns, you doing your appointed work. Never want
to let folks pass—no, sir. Old eyes thought you was a
pretty little green bush.”
“At the foot of this hill was a place where a log
was laid across the creek.”
“when a little boy brought her a plate with a slice of marble-
cake on it she spoke to him. 'That would be acceptable,' she
said. But when she went to take it there was just her own
hand in the air.”
“So she . . . had to go through a barbed-
wire fence. There she had to creep and
crawl, spreading her knees and
stretching her fingers like a baby trying
to climb the steps.”
“Who you watching?”
'Glad this not the season for bulls,' she said, looking sideways, 'and the
good Lord made his snakes to curl up and sleep in the winter. A
pleasure I don't see no two-headed snake coming around that tree,
where it come once. It took a while to get by him, back in the summer.'
“She passed through the old
cotton and went into a field
of dead corn. It whispered
and shook, and was taller
than her head. 'Through the
maze now,' she said, for
there was no path.”
“Then there was
something tall, black,
and skinny there,
moving before her.

At first she took it for
a man. It could have
been a man dancing in
the field. But she
stood still and
listened, and it did not
make a sound. It was
as silent as a ghost.”
                           Scarecrow
. “Sleep on, alligators, and blow your bubbles.”
“A big black dog with a lolling tongue came up
out of the weeds by the ditch.”
“He gave another laugh, filling the whole landscape.
'I know you old colored people! Wouldn't miss going
to town to see Santa Claus!”
Santa Claus
“I bound to go on my way, mister,' said Phoenix. She inclined her head
in the red rag. Then they went in different directions, but she could
hear the gun shooting again and again over the hill.”
“Speak up, Grandma,' the
woman said. 'What's your
name? We must have your
history, you know. Have
you been here before?
What seems to be the
trouble with you?'

Old Phoenix only gave a
twitch to her face as if a fly
were bothering her.

'Are you deaf?' cried the
attendant. ”
“I going to the store and buy my child a little windmill they sells, made
out of paper. He going to find it hard to believe there such a thing in
the world. I'll march myself back where he waiting, holding it straight
up in this hand.”
ANALYSIS
PLOT
STAGES OF THE PLOT
The Exposition: In the opening paragraphs, we are
  introduced to the main character, the setting, and
  the beginning of the journey.
The Rising Action: The action complicates as Phoenix
  faces difficulties along the path (upward and
  downward hills, animals, thorny bush, crossing the
  creek, the dog, falling into a ditch, the maze, the
  barbed-wire fence, and the hunter)
The Climax: The encounter with the two women
  at the doctor’s office is the turning point in
  the story. Phoenix’ falling into forgetfulness
  and regaining her memory can be seen as the
  climax of the story.
The falling action and resolution: Phoenix gets
  the medicine and begins her journey back.
CONFLICT
Physical (Man vs nature and the surroundings):
  Phoenix’ old age, the cold weather, the difficulty of
  the path, upward and downward hills, the animals,
  thorny bush, crossing the creek, the dog, falling
  into a ditch, the maze, the barbed-wire fence.
Social (Man vs man):
  Phoenix vs the hunter
  Phoenix vs the women at the doctor’s office
Psychological (Man vs himself/herself):
  Phoenix struggles against herself to complete the
  difficult path. “Something always take a hold of me
  on this hill—pleads I should stay,” she says.
POINT OF VIEW
The story is told from a third person limited
point of view. The narrator allows us to view
the thoughts and feelings of old Phoenix.
SETTING
   The story is set in the Natchez Trace in the
southwestern state of Mississippi. The Trace is an
old highway that runs from Nashville, Tennessee,
to Natchez, Mississippi (see the map on slide 5).
The scene begins in the woods and then shifts to
the city of Natchez.
   The action takes place in December, the
Christmas time, during the 1940s.
THEMES
Love
Phoenix is determined to complete the hard journey to
get the medicine for her grandson. Motivated only by
love, she is ready to suffer all the hardships of the path.
The message is that love can conquer everything.
Racism
The story represents the attitudes of many Southern
White Americans towards African Americans during the
1940s. The disrespectful treatment of the Blacks by the
Whites is represented by the hunter and the women at
the doctor’s office.
SYMBOLISM
    The story is full of interesting symbols:
•   The journey of the protagonist along the worn path is a symbol of the path
    of life.
•   The uphill and downhill phases of the path correspond to the beginning of
    life towards its prime and the decline towards death.
•   The obstacles that Phoenix meets throughout the trip are equivalent to the
    trials and tribulations of life.
•   The thorny bush is a symbol of the deceptive dangers that appear
    harmless.
•   The scarecrow is a symbol of the imagined dangers or unjustified
    physiological fears that hinder our advance.
•   The slice of cake on the plate is a symbol of the unfulfilled joys of life. The
    marble cake can also be symbolic of the blending of blacks and whites that
    was not fulfilled.
•   The maze in the corn field is a symbol of the confusion, uncertainty, and
    loss of direction in life in which can happen to people.
•   The snake can be a symbol of temptation.
•   The windmill can be a symbol of the cycle of life that is repeated.
• The most prominent symbol is that related to the mythological
  phoenix. Phoenix Jackson’s name refers to the phoenix myth in
  Egyptian mythology. The mythological phoenix was a bird that lived
  five hundred years, then died in fire and rose from the ashes to new
  life. Perhaps the most incredible power is the determination of the
  phoenix to travel to Heliopolis in Egypt, the sun city, towards the
  end of its life, where her life cycle starts over. It is a symbol of
  survival, hope, promise, and continuity.
        There are many parallels between the phoenix myth and the
  story of the protagonist. First, Old Phoenix resembles the mythical
  bird in appearance. She is described in terms of red and gold
  colors, the colors of the phoenix: "a golden color ran
  underneath, and the two knobs of her cheeks were illumined
  by a yellow burning under the dark. Under the red rag her hair
  came down on her neck.” Phoenix’ age refers to the five hundred
  years that the phoenix lived before it rose again from fire. The trip
  to the city to get the medicine represents the mythological trip that
  the Phoenix takes to the sun to die.
Phoenix’s arrival at the hospital marks a
turning point in the story and a moment of
change. She unable to talk to anyone, including
the attendant who keeps asking her questions:
“there was a fixed and ceremonial stiffness over
[Phoenix's] body.” Finally, Phoenix comes back to
life: “there was a flicker and then a flame of
comprehension across her face, and she spoke.”
The description of Phoenix’ lapse into oblivion
and her recovery from the state of forgetfulness
seem to echo the rebirth of the phoenix. She is
reborn again and will start her journey back.
The Phoenix rising from the ashes
CHARACTERS
Phoenix Jackson
    She is the protagonist of the story. She is an
elderly and frail woman. Her age and her weakness
make her determination to continue on her journey
admirable.
    She has a sense of humor that makes her laugh at
the difficult situations she meets, like when she is
caught by the thorny bush, when she falls in the ditch,
and when she thinks that the scarecrow is a ghost.
She keeps talking to the animals, telling them to keep
out of her way.
She is brave and remains fearless in the face
of the hunter’s gun. She is not affected by the
negative remarks of either the hunter or the
attendant at the doctor’s office.
   Phoenix’s name suggests her as a symbol of
survival and of the ability to withstand all the
opposite forces that try to break her spirit.

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A worn path by Eudora Welty

  • 1. A WORN PATH Eudora Welty Dr Mohammed Fahmy Raiyah © 2012
  • 2. Eudora Welty (1909 – 2001)
  • 3. A Worn Path was first published in The Atlantic Monthly in February 1940, and later in A Curtain of Green, 1941
  • 7. “Out of my way, all you foxes, owls, beetles, jack rabbits, coons and wild animals! ... Keep out from under these feet, Racoon Wild Hog little bob-whites ... Keep the big wild hogs out of my path. Don't let none of those come running my direction. I got a long way.” Jack Rabbit Bobwhite
  • 8. “The path ran up a hill. 'Seem like there is chains about my feet.”
  • 9. Oak trees “Up through pines,” she said at length. “Now down through oaks.”
  • 10. Thorny Bush “Thorns, you doing your appointed work. Never want to let folks pass—no, sir. Old eyes thought you was a pretty little green bush.”
  • 11. “At the foot of this hill was a place where a log was laid across the creek.”
  • 12. “when a little boy brought her a plate with a slice of marble- cake on it she spoke to him. 'That would be acceptable,' she said. But when she went to take it there was just her own hand in the air.”
  • 13. “So she . . . had to go through a barbed- wire fence. There she had to creep and crawl, spreading her knees and stretching her fingers like a baby trying to climb the steps.”
  • 15. 'Glad this not the season for bulls,' she said, looking sideways, 'and the good Lord made his snakes to curl up and sleep in the winter. A pleasure I don't see no two-headed snake coming around that tree, where it come once. It took a while to get by him, back in the summer.'
  • 16. “She passed through the old cotton and went into a field of dead corn. It whispered and shook, and was taller than her head. 'Through the maze now,' she said, for there was no path.”
  • 17. “Then there was something tall, black, and skinny there, moving before her. At first she took it for a man. It could have been a man dancing in the field. But she stood still and listened, and it did not make a sound. It was as silent as a ghost.” Scarecrow
  • 18. . “Sleep on, alligators, and blow your bubbles.”
  • 19. “A big black dog with a lolling tongue came up out of the weeds by the ditch.”
  • 20. “He gave another laugh, filling the whole landscape. 'I know you old colored people! Wouldn't miss going to town to see Santa Claus!”
  • 22. “I bound to go on my way, mister,' said Phoenix. She inclined her head in the red rag. Then they went in different directions, but she could hear the gun shooting again and again over the hill.”
  • 23. “Speak up, Grandma,' the woman said. 'What's your name? We must have your history, you know. Have you been here before? What seems to be the trouble with you?' Old Phoenix only gave a twitch to her face as if a fly were bothering her. 'Are you deaf?' cried the attendant. ”
  • 24. “I going to the store and buy my child a little windmill they sells, made out of paper. He going to find it hard to believe there such a thing in the world. I'll march myself back where he waiting, holding it straight up in this hand.”
  • 26. PLOT STAGES OF THE PLOT The Exposition: In the opening paragraphs, we are introduced to the main character, the setting, and the beginning of the journey. The Rising Action: The action complicates as Phoenix faces difficulties along the path (upward and downward hills, animals, thorny bush, crossing the creek, the dog, falling into a ditch, the maze, the barbed-wire fence, and the hunter)
  • 27. The Climax: The encounter with the two women at the doctor’s office is the turning point in the story. Phoenix’ falling into forgetfulness and regaining her memory can be seen as the climax of the story. The falling action and resolution: Phoenix gets the medicine and begins her journey back.
  • 28. CONFLICT Physical (Man vs nature and the surroundings): Phoenix’ old age, the cold weather, the difficulty of the path, upward and downward hills, the animals, thorny bush, crossing the creek, the dog, falling into a ditch, the maze, the barbed-wire fence. Social (Man vs man): Phoenix vs the hunter Phoenix vs the women at the doctor’s office Psychological (Man vs himself/herself): Phoenix struggles against herself to complete the difficult path. “Something always take a hold of me on this hill—pleads I should stay,” she says.
  • 29. POINT OF VIEW The story is told from a third person limited point of view. The narrator allows us to view the thoughts and feelings of old Phoenix.
  • 30. SETTING The story is set in the Natchez Trace in the southwestern state of Mississippi. The Trace is an old highway that runs from Nashville, Tennessee, to Natchez, Mississippi (see the map on slide 5). The scene begins in the woods and then shifts to the city of Natchez. The action takes place in December, the Christmas time, during the 1940s.
  • 31. THEMES Love Phoenix is determined to complete the hard journey to get the medicine for her grandson. Motivated only by love, she is ready to suffer all the hardships of the path. The message is that love can conquer everything. Racism The story represents the attitudes of many Southern White Americans towards African Americans during the 1940s. The disrespectful treatment of the Blacks by the Whites is represented by the hunter and the women at the doctor’s office.
  • 32. SYMBOLISM The story is full of interesting symbols: • The journey of the protagonist along the worn path is a symbol of the path of life. • The uphill and downhill phases of the path correspond to the beginning of life towards its prime and the decline towards death. • The obstacles that Phoenix meets throughout the trip are equivalent to the trials and tribulations of life. • The thorny bush is a symbol of the deceptive dangers that appear harmless. • The scarecrow is a symbol of the imagined dangers or unjustified physiological fears that hinder our advance. • The slice of cake on the plate is a symbol of the unfulfilled joys of life. The marble cake can also be symbolic of the blending of blacks and whites that was not fulfilled. • The maze in the corn field is a symbol of the confusion, uncertainty, and loss of direction in life in which can happen to people. • The snake can be a symbol of temptation. • The windmill can be a symbol of the cycle of life that is repeated.
  • 33. • The most prominent symbol is that related to the mythological phoenix. Phoenix Jackson’s name refers to the phoenix myth in Egyptian mythology. The mythological phoenix was a bird that lived five hundred years, then died in fire and rose from the ashes to new life. Perhaps the most incredible power is the determination of the phoenix to travel to Heliopolis in Egypt, the sun city, towards the end of its life, where her life cycle starts over. It is a symbol of survival, hope, promise, and continuity. There are many parallels between the phoenix myth and the story of the protagonist. First, Old Phoenix resembles the mythical bird in appearance. She is described in terms of red and gold colors, the colors of the phoenix: "a golden color ran underneath, and the two knobs of her cheeks were illumined by a yellow burning under the dark. Under the red rag her hair came down on her neck.” Phoenix’ age refers to the five hundred years that the phoenix lived before it rose again from fire. The trip to the city to get the medicine represents the mythological trip that the Phoenix takes to the sun to die.
  • 34. Phoenix’s arrival at the hospital marks a turning point in the story and a moment of change. She unable to talk to anyone, including the attendant who keeps asking her questions: “there was a fixed and ceremonial stiffness over [Phoenix's] body.” Finally, Phoenix comes back to life: “there was a flicker and then a flame of comprehension across her face, and she spoke.” The description of Phoenix’ lapse into oblivion and her recovery from the state of forgetfulness seem to echo the rebirth of the phoenix. She is reborn again and will start her journey back.
  • 35. The Phoenix rising from the ashes
  • 36. CHARACTERS Phoenix Jackson She is the protagonist of the story. She is an elderly and frail woman. Her age and her weakness make her determination to continue on her journey admirable. She has a sense of humor that makes her laugh at the difficult situations she meets, like when she is caught by the thorny bush, when she falls in the ditch, and when she thinks that the scarecrow is a ghost. She keeps talking to the animals, telling them to keep out of her way.
  • 37. She is brave and remains fearless in the face of the hunter’s gun. She is not affected by the negative remarks of either the hunter or the attendant at the doctor’s office. Phoenix’s name suggests her as a symbol of survival and of the ability to withstand all the opposite forces that try to break her spirit.