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To pass the course you will need to pass an: 
Internally assessed Close Reading NAB – You are 
given 1 hour to read and answer questions on an 
unseen non-fiction passage. You need to score over 
15/30 to pass. 
Externally assessed Close Reading Paper – You are 
given 1 hour 45 mins to answer questions on two 
non-fiction passages.
WWhhaatt ddooeess cclloossee rreeaaddiinngg tteesstt?? 
The questions in a Close Reading paper test your 
ability to understand, analyse and evaluate texts 
two thematically linked passages of unseen prose. 
You will also need to be able to compare and 
contrast the two texts.
CCooddeess 
Each question in the paper is allocated a code. 
These include U, A, E or sometimes a combined 
code such as U/E and A/E 
You will have to become very familiar with these 
codes and what each question expects you to do.
WWhhaatt ddoo tthhee ccooddeess mmeeaann?? 
U questions test you understanding of the writer’s 
ideas. 
A questions test your skills of analysis. You will be 
asked to identify the techniques and language used by 
the writer and comment on how these help the writer 
to convey his or her message. 
E questions ask you to evaluate how well the writer is 
in using a particular technique or how effective they are 
at achieving the purpose of their writing.
MMaarrkkss 
Each question is allocated a number of marks. The 
amount a question is worth is a good guide as to 
how much the marker expects you to write. 
A (1 mark) question will require a concise 
response. 
A (4 mark) question is likely to expect at least two 
well explained examples. We recommend 4 to play 
it safe.
TTyyppeess ooff PPaassssaaggeess 
To do well in close reading you need to have practise in reading 
unfamiliar and complex texts. 
Passages for Close Reading are always non-fiction. 
They may be taken from: 
•A newspaper article 
•A biography 
•A piece of travel writing 
•A report 
You should seek out and read this kind of writing on a regular 
basis. Look for feature articles in the Times, Herald, Guardian, 
Telegraph, Scotsman or the Independent.
UUNNDDEERRSSTTAANNDDIINNGG
EExxaammpplleess ooff UU QQuueessttiioonn 
1. Referring to lines 7 – 14, explain two ways in 
which ‘That version of London would seem to be a 
village now’ (lines 10 – 11). (from 2010) 
2. Explain in detail why the writer thinks the city is 
‘mankind’s greatest single invention’ (line 31). 
(from 2010) 
3. Read lines 42 – 53. Give … any three reasons 
why it is difficult to define the ‘traditional’ British 
landscape. (from 2008)
HHooww ttoo AAnnsswweerr 
Step 1: Locate the part of the passage you have 
been directed to and underline any of the ideas 
or words you feel relate to the question. 
Step 2: RReepphhrraassee//ppaarraapphhrraassee this information 
into your own words. 
(don’t translate word for word – it has to make sense and show you have genuinely 
understood how to answer)
According to the writer, what is the difference 
between the ways in which language and 
literature develop? 2 U 
Step 1: locate 
Step 2: rephrase / paraphrase
Rephrase / paraphrase 
Look at this passage from the start of a Higher exam about the future of cities: 
In a world changing faster now than ever before, 
the dispossessed and the ambitious are flooding 
into cities swollen out of all recognition. 
Could you put this into your own words by paraphrasing it? 
Here is what a student did:
Rephrase / paraphrase 
In a world changing faster now than ever before, 
the dispossessed and the ambitious are flooding 
into cities swollen out of all recognition. 
The pace of change in the world is faster than it 
has ever been. Cities are growing so fast that 
they can hardly be recognised as those who 
have lost their homes, and those who are highly 
determined, pour into them.
Rephrase / paraphrase 
Notice what expressions she changed: 
In a world changing faster now than ever before, 
the dispossessed and the ambitious are flooding 
into cities swollen out of all recognition. 
What did she change each one into? 
The pace of change in the world is faster than it 
has ever been. Cities are growing so fast that 
they can hardly be recognised as those who 
have lost their homes, and those who are highly 
determined, pour into them.
Rephrase / paraphrase 
Notice what expressions she changed: 
In a world changing faster now than ever before, 
the dispossessed and the ambitious are flooding 
into cities swollen out of all recognition. 
Notice: number of sentences changed from 1 to 2. Ideas put in a slightly different order. 
The pace of change in the world is faster than it 
has ever been. Cities are growing so fast that 
they can hardly be recognised as those who 
have lost their homes, and those who are highly 
determined, pour into them.
NNooww ttrryy tthheessee…… 
1. Referring to lines 7 – 14, explain two ways in 
which ‘That version of London would seem to be a 
village now’ (lines 10 – 11). (from 2010) 
2. Explain in detail why the writer thinks the city is 
‘mankind’s greatest single invention’ (line 31). 
(from 2010) 
3. Read lines 42 – 53. Give … any three reasons 
why it is difficult to define the ‘traditional’ British 
landscape. (from 2008)
MEANING AND CONTEXT 
QUESTIONS
Meaning and Context Question 
These question usually have phrases such as 
‘How do lines… help you understand the meaning of …?’ or 
‘Show how the context helps the reader to arrive at the 
meaning of...’ 
To answer a Meaning and Context question: 
1.State the meaning of the word or expression first 
2.Quote and comment on the words around it to 
show how they help you to arrive at the meaning.
Meaning and Context Question 
By the official definition, London is getting on for eight 
million people, but in practical terms it’s a city of 18 
million, straggling most of the way from Ipswich to 
Bournemouth in an unforgiving rush of business parks 
and designer outlets, gated housing and logistics 
depots. 
Show how the context helps the reader to arrive at the 
meaning of the word ‘straggling’ in line 3.
Meaning and Context Question 
By the official definition, London is getting on for eight 
million people, but in practical terms it’s a city of 18 
million, straggling most of the way from Ipswich to 
Bournemouth in an unforgiving rush of business parks 
and designer outlets, gated housing and logistics 
depots. 
‘............................’ means .......................... . 
This can be understood from the context which refers 
to ......................... as this ......................................................
Meaning and Context Question - Answer 
By the official definition, London is getting on for eight 
million people, but in practical terms it’s a city of 18 
million, straggling most of the way from Ipswich to 
Bournemouth in an unforgiving rush of business parks 
and designer outlets, gated housing and logistics 
depots. 
‘Straggling’ means spreading out over some distance . 
This can be understood from the context which refers to London 
spreading ‘from Ipswich to Bournemouth’ as this is a wide area 
extending to the east of England and to its south coast.
Meaning and Context Question 
It will help if you learn this script for 
answering these questions! 
‘......................’ means ...................... 
This can be understood from the 
context which refers to .................... 
as this ..............................................
Meaning and Context Question 
If you read a wonderful new book by sociologist Frank 
Furedi – Paranoid Parenting – you will see the story of 
a teacher who quit the profession after a school trip 
was cancelled. Some parents were worried the trip 
would involve their children in a 45 minute journey in 
a private car. Would the cars be roadworthy? Were 
the drivers experienced? Were these non-smoking 
cars? 
How does the story told in the paragraph help you to 
understand the meaning of the word ‘paranoid’?
How does the story told in the paragraph help you to 
understand the meaning of the word ‘paranoid’? 
Meaning and Context Question 
If you read a wonderful new book by sociologist Frank 
Furedi – Paranoid Parenting – you will see the story of 
a teacher who quit the profession after a school trip 
was cancelled. Some parents were worried the trip 
would involve their children in a 45 minute journey in 
a private car. Would the cars be roadworthy? Were 
the drivers experienced? Were these non-smoking 
cars? 
One mark for giving the meaning of paranoid (unnecessarily fearful / 
too anxious / suspicious of everyone) 
Remember you must give the meaning or you cannot earn the second 
mark! 
One mark for appropriate reference to parents’ questions / worries / 
concerns.
Meaning and Context Question - Answer 
If you read a wonderful new book by sociologist Frank 
Furedi – Paranoid Parenting – you will see the story of 
a teacher who quit the profession after a school trip 
was cancelled. Some parents were worried the trip 
would involve their children in a 45 minute journey in 
a private car. Would the cars be roadworthy? Were 
the drivers experienced? Were these non-smoking 
cars? 
‘Paranoid’ means always fearing the worst. 
This can be understood from the context which refers to the many 
and varied worries that the parents had, such as ‘Would the cars be 
roadworthy’, as this shows how the parents were fearful of every 
possibility, and anticipating the worst things that might happen.
LINK QUESTIONS
LLiinnkk QQuueessttiioonn 
You might get a question about how a certain 
sentence or a specific paragraph acts as a link in 
the passage. 
The examiners have already decided that it is a 
link; now they want you to explain how it carries 
out that function. 
There is a method for answering these questions.
LLiinnkk QQuueessttiioonn 
The basic formula is: 
Quote + link back; quote + link forward 
1.begin with a short quotation from the linking sentence 
2.explain what idea this links back to 
3.use a different short quotation from the link sentence 
4.explain what ideas this introduces and links forward to
LLiinnkk QQuueessttiioonn 
The basic formula is: 
Quote + link back; quote + link forward 
The words [quote from link sentence]refer back to 
the idea of [give the idea]which was mentioned 
[say where]. 
The words [quote from link sentence] introduce 
the idea of [give the idea] which comes up in [say 
where]...
LLiinnkk QQuueessttiioonn 
Now look at this from the 2008 Close Reading paper: 
Then there is the proliferation of action groups dedicated to stopping construction of 
roads ... while multifarious organisations ... expending their energies in monitoring and 
reporting on the state of ... the landscape and its inhabitants. 
It might be thought – indeed it is widely assumed – that it must be good for the 
countryside to be returned to the central position it enjoyed in British life long ago. Yet 
there is a particularly worrying aspect of the new rural mania that suggests it might 
finally do the countryside more harm than good. 
This is the identification of the countryside in general and the landscape in particular 
with the past ... to protect ... our heritage. This wildly overused term is seriously 
misleading, not least because nobody ever seems to have asked what it means. 
By referring to specific words and phrases, show how the middle 
paragraph above performs a linking function at this stage in the 
writer’s argument.
LLiinnkk QQuueessttiioonn -- AAnnsswweerr 
Now look at this from the 2008 Close Reading paper: 
It might be thought – indeed it is widely assumed – that it must be good for the 
countryside to be returned to the central position it enjoyed in British life long ago. Yet 
there is a particularly worrying aspect of the new rural mania that suggests it might 
finally do the countryside more harm than good. 
The words ‘returned to the central position’ refer back to the idea 
of the aims of the action group which was mentioned in the first 
paragraph. 
The words ‘worrying aspect’ introduce the idea of the writer’s 
concerns which comes up in the last paragraph.
LLiinnkk QQuueessttiioonn 
Now read the extract beginning “Is your journey really necessary?” 
The try answering the question below, using the basic formula for link questions. 
Referring to specific words and phrases, show how the sentence ‘So, 
before ... as a whole?’ performs a linking function in the writer’s 
argument. (2 marks) 
The words [quote from link sentence]refer back to 
the idea of [give the idea]which was mentioned 
[say where]. 
The words [quote from link sentence] introduce 
the idea of [give the idea] which comes up in [say 
where]...
Is your journey really necessary? Who would have thought that, in the absence of world 
war and in the midst of unprecedented prosperity, politicians would be telling us not to 
travel? Just as working people have begun to enjoy the freedoms that the better-off 
have known for generations – the experience of other cultures, other cuisines, other 
climates – they are threatened with having those liberating possibilities priced out of 
their reach. 
And when I hear politicians – most of them comfortably off – trying to deny 
enlightenment and pleasure to ‘working class’ people, I reach for my megaphone. 
Maybe Tommy Tattoo and his mates do use cheap flights to the sunshine as an 
extension of their binge-drinking opportunities, but for thousands of people whose 
parents would never have ventured beyond Blackpool or Rothesay, air travel has been a 
social revelation. 
So, before we all give the eco-lobby’s anti-flying agenda the unconditional benefit of the 
doubt, can we just review their strategy as a whole? 
Remember, it is not just air travel that the green tax lobby is trying to control: it is a 
restriction on any mobility. Clamping down on one form of movement, as the glib 
reformers have discovered, simply creates intolerable pressure on the others. 
Londoners, for example, had just become accustomed to the idea that they would have 
to pay an £8 congestion charge to drive into their own city when they discovered that 
the fares on commuter rail and underground services had been hiked up with the 
intention of driving away customers from the public transport system – now grossly 
overcrowded as a result of people having been forced off the roads by the congestion 
charge.
LLiinnkk QQuueessttiioonn -- AAnnsswweerr 
Now read the extract beginning “Is your journey really necessary?” 
The try answering the question below, using the basic formula for link questions. 
Referring to specific words and phrases, show how the sentence ‘So, 
before ... as a whole?’ performs a linking function in the writer’s 
argument. (2 A) 
The words ‘eco-lobby’s anti-flying agenda’ refer back 
to the idea of restrictions on travel, which was 
mentioned in in the first two paragraphs. 
The words ‘their strategy as a whole’* introduce the 
idea of discussing and examining these proposed 
restrictions, which comes up in the final paragraph. 
* (OR ‘can we just review’)
A for Analysis Questions 
ANALYSIS QUESTIONS
Analysis Questions 
Analysis questions tend to be generally more challenging than understanding 
questions. 
Most of the marks come from A for Analysis questions. Individual questions 
can be worth a lot of marks – often 4 marks. 
Show how the sentence structure of the paragraph as a whole emphasises the 
idea of change. (2010) 
Show how the writer uses imagery and word choice in lines 15-24 to convey the 
‘wonder of the library as a physical space’. (2007) 
Show how the writer’s use of language in lines 4 – 10 creates a self-mocking 
tone. (2008)
Analysis Questions 
A word of warning .... 
When the word ‘language’ is used in a question they 
do not just mean word choice. 
It might include word choice, but should include an 
analysis of the use of other language techniques – 
such as sentence structure, imagery, tone, alliteration 
and so on – as well. 
Show how the 
writer’s use of 
language ... 
How does the 
writer’s 
language ...? 
• You should have noticed that these questions often take the form 
‘Show how…’ 
• They also ask you to focus on specific literary techniques.
Formula 
Step One: Using a quotation, refer to the 
technique(s) being used by the writer. 
Step Two: Comment on how the particular 
technique is used. 
Marks are awarded for your comment and not 
your identification of the technique.
Word Choice Questions 
When you are really being asked about 
word choice – what is going on?
Word Choice Questions 
Word choice questions are about words that 
have been chosen very carefully. 
Most words have two levels of meaning, 
a simple denotation, and 
a more complex connotation.
Word Choice Questions 
For example, 
stormed, sauntered and swaggered all have the 
same denotation. They all tell us that a person 
walked, moving along by putting one foot in front 
of the other. 
However, they all have different connotations. 
•stormed suggests anger 
•sauntered tells us the person was relaxed 
•swaggered implies that the walker is perhaps 
rather arrogant.
Word Choice Questions: Now try this 
You will see pairs or trios of words. In each group the words have the 
same denotation but different connotations. For each group, work out 
the denotation they share, and the different connotations of the 
different words. 
plump obese fat 
elderly mature ancient 
drunk inebriated tipsy 
complex intricate 
question enquiry 
fanatic believer fundamentalist 
partner lover beloved 
announced stated broadcast
Word Choice Questions 
When you answer a word choice 
question, you need to 
-quote the words you think are 
significant, 
-then go into their connotations, 
all the time making sure you 
answer what the question has 
actually asked you.
Word Choice Questions 
In this passage the writer’s son’s primary school has just 
banned sweets, crisps and chocolate. 
After school and in the playground, away from the teachers’ 
eyes, sweets and chocolates were traded. They became the 
marks of rebellion and the statements of independence. Eating 
foods they suspected the grown-ups would rather they didn’t 
made those foods ever so much more enticing. They weren’t 
just good but food plus attitude. 
Show how the writer’s word choice makes clear the 
children’s attitude to the school ban. (2 A)
Word Choice Questions - Answer 
After school and in the playground, away from the teachers’ 
eyes, sweets and chocolates were traded. They became the 
marks of rebellion and the statements of independence. Eating 
foods they suspected the grown-ups would rather they didn’t 
made those foods ever so much more enticing. They weren’t 
just good but food plus attitude. 
The word ‘enticing’ suggests that the children found the 
forbidden food tempting and exciting. The phrase ‘not 
just food but’ implies the sweets became a symbol of their 
fight against the school’s authority.
Word Choice Question: Now try this 
One faction has cried constantly that the countryside is in mortal danger 
from greedy developers whose only motive is profit; another has kept 
roaring that farmers are killing every wild thing in sight and threatening the 
very soil on which we stand through overuse of machinery and chemicals; 
still another has been continually heard ululating over a decline in the bird 
population, or the loss of hedgerows, or the disappearance of marshland, or 
the appearance of coniferous forest. 
Show how the word choice emphasises the strong feelings 
of those who believe the countryside is under threat. (2A) 
The words ‘cried constantly’ suggest that ... 
The words ‘mortal danger’ suggest ... 
The word ‘greedy’ suggests ...
Word Choice Question - Answer 
One faction has cried constantly that the countryside is in mortal danger from greedy 
developers whose only motive is profit; another has kept roaring that farmers are killing every 
wild thing in sight and threatening the very soil on which we stand through overuse of 
machinery and chemicals; still another has been continually heard ululating over a decline in the 
bird population, or the loss of hedgerows, or the disappearance of marshland, or the 
appearance of coniferous forest. 
A The words ‘cried constantly’ suggest a state of 
permanent outrage. 
B The words ‘mortal danger’ suggest extreme peril, 
something life-threatening. 
C The word ‘greedy’ suggests they are too eager for 
monetary gain.
Word Choice: Now try this 
Work with a partner or small group. For each language type, explain in your own words 
what it means, then give at least 3 examples. This first is done for you. 
Work with a partner or small group. For each language type, explain in your own words 
what it means, then give at least 3 examples. This first is done for you. 
Language type Definition Examples 
Emotive language Language designed to 
shock, or to get an 
emotional response 
from the reader 
Formal register 
Informal register 
Hyperbole 
Slang 
Dialect 
jargon
Word Choice: Now try this 
Work with a partner or small group. For each language type, explain in your own words 
what it means, then give at least 3 examples. This first is done for you. 
Language type Definition Examples 
Emotive language Language designed to shock, or to 
Work with a partner or small group. For each language type, explain in your own words 
what it means, then give at least 3 examples. This first is done for you. 
get an emotional response from the 
reader 
catastrophic 
Formal register form of language used in a formal 
setting – complete se, concise, 
precise word choice 
consult 
Informal register form of language used in informal 
setting – more casual se str and 
language choice 
chat 
Hyperbole Exaggeration used for a particular 
effect 
I’ve told you a million times 
Slang Casual speech, often of a smaller 
group of people 
Gonnae no dae that! Soz 
babez. 
Dialect Regional variety of language – 
features of vocab, grammar, pronun 
Gudgie. Scunnered. 
Bouroch. 
jargon Specialist language of a particular 
profession, trade, culture. 
deleverage
Word Choice Questions - Register 
Register means a type of language used in a particular setting, or 
by a particular group of people. Register can be formal or 
informal. Questions sometimes test if you can tell the difference. 
Register means a type of language used in a particular setting, or 
by a particular group of people. Register can be formal or 
informal. Questions sometimes test if you can tell the difference. 
Formal Informal 
Complete form of verbs “I did not” Abbreviations “I didn’t” 
Complex, more intellectual words 
“inevitable compromise” 
Simple, everyday words “give in” 
Longer, more complex sentences; all 
sentences complete. 
Short, simple sentences; without verbs; 
start with ‘and’ or ‘but’ 
‘Literary’ punctuation marks such as semi-colons 
/ colons 
Simple punctuation marks – commas, 
question marks, full stops, exclamation 
marks. 
Standard English ‘beautiful’ ‘very 
important’ 
Dialect or slang forms e.g. ‘bonnie’, ‘big 
deal’ 
A distant, more impersonal tone A chatty, friendly tone
Word Choice 
How many of the 
terms below are you 
familiar with? 
word choice 
denotation 
connotation 
juxtaposition 
list 
inverted commas 
point of view 
incongruity 
balance 
parallel 
contrast 
(extended) image 
If you need to revise any terms 
– see Higher English Close 
Reading 
– Word Choice - pages 3 to 1-10
A for Analysis Questions 
TONE QUESTIONS
Tone Questions 
It’s easy to understand what we mean by tone if we 
think of a speaking tone. The tones in the speaking 
voice are created by factors like the volume, speed, 
and fluency of speech. 
It’s harder to see how we can identify tone in 
written English, as there are only words, not sounds, 
but skilled writers can create a tone by word choice 
alone.
Tone Questions: now try this 
Draw a big speech bubble in your notebook. 
On the bubble write the tones: angry confused 
excited afraid. 
Then add as many more you can think of. 
After 5 mins – compare your answers with the rest 
of the class.
Tone Questions: now try this 
Draw a big speech bubble in your notebook. 
On the bubble write the tones: angry confused excited afraid. 
Then add as many more you can think of. 
After 5 mins – compare your answers with the rest of the class. 
You may have come up with a huge list of tones. 
Some of the most common ones that crop up in exam questions 
are: humorous, matter-of-fact, emphatic/definite, defeated 
and angry. 
Make sure you have those on your bubble. Now underline them 
to remind yourself that these are ones to especially look out 
for.
A Tone Vocabulary 
• humorous 
• tongue-in-cheek 
• sarcastic 
• ironic 
• emotional -name the 
emotion eg angry, 
depressed, 
elated,moody, 
indignant, 
• conversational 
• sorrowful 
• business-like 
• curious 
• chatty/friendly 
• mocking 
• disapproving 
• critical 
• contemptuous 
• menacing 
• dismissive 
• approving
Tone Questions 
When you answer a question about tone, you may have to: 
1.Identify a tone – you have to do this if the examiners 
don’t name a tone, but you usually don’t get marks for it. 
2.Quote words which create that tone 
3.Explain how the words you have quoted create the tone 
(this is where you begin to earn marks!) 
4.Answer any other aspect of the particular question you 
are tackling.
TToonnee QQuueessttiioonnss 
Now look at this from the 2008 Close Reading paper: 
Then there is the proliferation of action groups dedicated to stopping construction of 
roads, airport, railway lines, factories, shopping centres and houses in rural areas, 
while multifarious organisations have become accustomed to expending their energies 
in monitoring and reporting on the state of grassland, water, trees, moorlands, 
uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless 
other aspects of the landscape and its inhabitants. 
Show how the writer’s use of tone 
in these lines conveys his 
disapproval of the ‘action groups’. 
(2 A)
TToonnee QQuueessttiioonnss 
Now look at this from the 2008 Close Reading paper: 
Then there is the proliferation of action groups dedicated to stopping construction of 
roads, airport, railway lines, factories, shopping centres and houses in rural areas, 
while multifarious organisations have become accustomed to expending their energies 
in monitoring and reporting on the state of grassland, water, trees, moorlands, 
uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless 
other aspects of the landscape and its inhabitants. 
The writer creates a .......................... tone. 
He does this by using the words ‘.............................’ 
which are (repeat the tone) .......................... because 
they suggest ...................................
TToonnee QQuueessttiioonnss -- AAnnsswweerr 
Now look at this from the 2008 Close Reading paper: 
Then there is the proliferation of action groups dedicated to stopping construction of 
roads, airport, railway lines, factories, shopping centres and houses in rural areas, 
while multifarious organisations have become accustomed to expending their energies 
in monitoring and reporting on the state of grassland, water, trees, moorlands, 
uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless 
other aspects of the landscape and its inhabitants. 
The writer creates a dismissive tone. 
He does this by using the words ‘moorlands, uplands, lowlands’ 
which are dismissive because they suggest the groups are 
interested in just any old lands, and they don’t have any specific love 
for the countryside.
A for Analysis Questions 
IMAGERY QUESTIONS
Imagery Questions 
Writers use images to strengthen what they say by putting 
all sorts of pictures in the reader’s mind. Imagery is not the 
same thing as description. 
A description tells us what something is like. 
An image shows that one thing is somehow like another. 
The comparison tells us more about the thing that is being 
compared. 
Similes, metaphors and personification are all different sorts 
of image.
Imagery Questions 
You need to be able to identify techniques such 
as simile, metaphor, personification and 
hyperbole so that you can respond effectively to 
questions on imagery. 
You might also be asked to identify sound 
techniques such as alliteration and 
onomatopoeia.
Imagery Questions - technique 
Step 1: Identify the image and technique. 
Step 2: Explain the root of the image and say 
what is being compared with what. 
Step 3: Comment on what the writer intends to 
suggest by using this image.
Outside an anonymous building with blanked-out windows, a 
discarded plastic bag swirls in the breeze, and in the distance the 
arches of Wembley Stadium soar against the darkening sky. 
At first glance it seems a doleful place. But in fact, this is 
where dreams are made and broken. Inside the reinforced – 
concrete building, men in black T-shirts and microphone headsets 
are swarming around like worker bees, ushering a constant stream 
of shrieking teenage girls to their seats, testing the sound levels and 
the autocue, ensuring that the audience is primed to clap and 
scream as loudly as possible once the lights go up. Because this is 
where, every weekend, the X factor goes live. 
At the theme music is pumped through studio speakers, it is 
as though the entire crowd has been electrified by a giant cattle 
prod. We leap out of our seats as one, arms waving maniacally in the 
air as each contestant takes to the stage in a blaze of strobe lighting 
and sequinned backing dancers. When the judges deliver their 
verdicts, we boo as soon as Simon Cowell says anything remotely 
negative and cheer wildly when Cheryl Cole gives a twinkling, 
encouraging smile. 
Question: How does the writer’s use of imagery in the second and third 
paragraphs help to convey what it is like inside the ‘anonymous building’ ? 
(2A)
Answer 
The writer uses a simile to describe the men in black t-shirts 
as ‘Swarming around like worker bees’. Worker bees all have 
individual jobs to do as part of some bigger plan. This 
comparison effectively suggests that there are many men 
who are busy on a variety of tasks in preparation for the 
show. 
The writer uses the simile ‘as though the entire crowd has 
been electrified by a cattle prod’. A cattle prod is used to 
control animals and gives them a quick sharp shock. This 
comparison suggests that the audience are treated very 
much like animals and that there is a sudden change in their 
behaviour when the music starts to play.
Imagery Questions – Method 2 
There is a method for answering imagery questions. 
There is a method for answering imagery questions. 
1.You begin with what the image literally is like, or literally 
means. 
2.Then you go on to the metaphorical meaning, showing 
how that image applies to and adds meaning to the subject 
under discussion. 
Just as [explain the literal meaning] so [explain the 
metaphorical meaning]. 
1.You begin with what the image literally is like, or literally 
means. 
2.Then you go on to the metaphorical meaning, showing 
how that image applies to and adds meaning to the subject 
under discussion.
Imagery Questions – Method 2 
Growing up devoid of freedom, decision-making, and the 
opportunity to learn from taking their own risks, our children 
are becoming trapped, neurotic and as genetically weakened 
as battery hens. 
How effective do you find the image of ‘battery hens’ in 
conveying the writer’s view of how children are currently being 
brought up? (2A) 
Just as [explain the literal meaning] so [explain the 
metaphorical meaning].
Imagery Questions – Method 2 
Growing up devoid of freedom, decision-making, and the 
opportunity to learn from taking their own risks, our children 
are becoming trapped, neurotic and as genetically weakened 
as battery hens. 
Just as [explain the literal meaning] so [explain the 
metaphorical meaning]. 
Just as a battery hen is kept cruelly shut up in a tiny 
cage, so modern children are restricted and denied 
freedom to take the risks the writer thinks they should 
be able to learn from.
Imagery Questions – Method 2 
It seems the childcare pendulum has swung;: the principal 
threat to children is no longer neglectful parents, but 
excessively protective ones who are always worrying about 
germs. 
Explain how the image supports the writer’s viewpoint(2A) 
Just as [explain the literal meaning] so [explain the 
metaphorical meaning].
Imagery Questions – Method 2 
It seems the childcare pendulum has swung;: the principal 
threat to children is no longer neglectful parents, but 
excessively protective ones who are always worrying about 
germs. 
Just as [explain the literal meaning] so [explain the 
metaphorical meaning]. 
Just as a clock pendulum swings from one side to the 
other, so people’s opinions on the dangers to children 
have gone from one extreme to the other.
A for Analysis Questions 
SENTENCE STRUCTURE QUESTIONS
Sentence Structure Questions 
Sentence structure is how a sentence is made and built up. 
Often students get structure questions wrong because the 
end up looking at the content of a sentence when they 
should be examining its structure. 
Structure is not the same as content. 
The structure of your school bag might be leather, stitched 
together, with buckles. 
The content would probably include books, pens, and your 
mobile phone.
Sentence Structure Questions 
A number of smaller techniques contribute to sentence structure: 
• length: Look at whether a sentence is noticeably long, or short, or if its 
length contrasts with the length of other sentences nearby 
• listing: What is being listed and what does this list suggest? 
• repetition: What is being repeated and what does this repetition 
suggest? 
• parenthesis: What is the extra information inside the parenthesis about 
and what is the effect of this? 
• word order: Have any words been put in a position in the sentence that 
particularly creates emphasis? 
• colons or semi-colons: What do these divide the sentence into? What do 
colons introduce? 
• minor sentence: These ungrammatical (usually short) sentences are used 
to create some kind of impact, so what impact is it? 
• questions: What is the effect of these on the reader?
Sentence Structure Question: Now try this 
A lot has been learned about the nature of cosmic collisions and 
this new knowledge has given a remarkable twist to the story of 
our origins. We now recognise that comet and asteroid impacts 
may be the most important driving force behind evolutionary 
change on the planet. Originally, such objects smashed into one 
another to build the Earth 4.5 billion years ago. After that, 
further comet impacts brought the waters of our oceans and 
the Show organic how the modules sentence needed structure for life. here Ever emphasises since then, the impacts 
strong 
have feelings continued of those to who punctuate feel the the countryside story of evolution. is under threat. On many 
(2A) 
occasions, comets slammed into Earth with such violence that 
they nearly precipitated the extinction of all life. In the 
aftermath of each catastrophe, new species emerged to take 
the place of those that had been wiped out.
Sentence Structure Question: Now try this 
How does the sentence structure of these lines highlight 
the writer’s ideas? 
By beginning a number of the sentences with reference to 
time periods such as ....................... and ......................, 
the writer creates a sequence through time which 
suggests that comet impacts were part of the process of 
evolution. 
By ending the last two sentences with the 
phrases ............... and ................. the writer creates a 
climax that emphasises his point about the 
destructiveness of these impacts. 
The fact that he uses the word ‘ ..................’ three times 
shows how important ..........................................
Sentence Structure Question: Answer 
How does the sentence structure of these lines highlight 
the writer’s ideas? 
By beginning a number of the sentences with reference to 
time periods such as ‘originally’ and ‘after that’, the writer 
creates a sequence through time which suggests that 
comet impacts were part of the process of evolution. 
By ending the last two sentences with the phrases ‘all life’ 
and ‘wiped out’ the writer creates a climax that emphasises 
his point about the destructiveness of these impacts. 
The fact that he uses the word ‘ impacts’ three times shows 
how important these events have been.
Sentence Structure Question: Now try this 
One faction has cried constantly that the countryside is in mortal danger 
from greedy developers whose only motive is profit; another has kept 
roaring that farmers are killing every wild thing in sight and threatening the 
very soil on which we stand through overuse of machinery and chemicals; 
still another has been continually heard ululating over a decline in the bird 
population, or the loss of hedgerows, or the disappearance of marshland, or 
the appearance of coniferous forest. 
Show how the sentence structure here emphasises the strong 
feelings of those who feel the countryside is under threat. (2A) 
The listing of ........... emphasises ........... 
The repetition of ............... emphasises ......................
Sentence Structure Question: Answer 
One faction has cried constantly that the countryside is in mortal danger 
from greedy developers whose only motive is profit; another has kept 
roaring that farmers are killing every wild thing in sight and threatening the 
very soil on which we stand through overuse of machinery and chemicals; 
still another has been continually heard ululating over a decline in the bird 
population, or the loss of hedgerows, or the disappearance of marshland, or 
the appearance of coniferous forest. 
Show how the sentence structure here emphasises the strong 
feelings of those who feel the countryside is under threat. (2A) 
The listing of the different subjects that factions complain about 
emphasises the wide range of causes of protest. 
The repetition of ‘or’ emphasises a determination to find something to 
complain about.
Sentence Structure Question: Now try this 
Then there is the proliferation of action groups dedicated to stopping construction of 
roads, airport, railway lines, factories, shopping centres and houses in rural areas, 
while multifarious organisations have become accustomed to expending their energies 
in monitoring and reporting on the state of grassland, water, trees, moorlands, 
uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless 
other aspects of the landscape and its inhabitants. 
Show how the writer’s use of sentence structure in this 
paragraph conveys his disapproval of the ‘action groups’.(2A) 
The list of .......... suggests ............ 
The list of .......... suggests ..............
Sentence Structure Question: Answer 
Then there is the proliferation of action groups dedicated to stopping construction of 
roads, airport, railway lines, factories, shopping centres and houses in rural areas, 
while multifarious organisations have become accustomed to expending their energies 
in monitoring and reporting on the state of grassland, water, trees, moorlands, 
uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless 
other aspects of the landscape and its inhabitants. 
Show how the writer’s use of sentence structure in this 
paragraph conveys his disapproval of the ‘action groups’.(2A) 
The list of developments these groups wish to stop suggests that he feels 
they protest excessively. 
The list of projects they spend time and energy on suggests that they are 
excessively concerned about a wide range of aspects of nature.
E for Evaluation Questions 
EVALUATION QUESTIONS
Evaluation Questions 
The number of marks for these varies, from 5 marks upwards. 
U for Understanding questions are about what the writer 
says. 
A for Analysis questions are about how the writer says it. 
E for Evaluation questions are about how well, how 
convincingly, how suitably or how effectively the writer says 
it. 
Many evaluation questions will be marked with a mixture 
of key letters.
Evaluation Questions 
Many evaluation questions will be marked with a mixture 
of key letters. 
If you are asked how effective an image is, this would be 
labelled A/E, as you have to be able to analyse the image 
before you can show how effective it is. 
Or you might be asked how effective an anecdote is in 
supporting the writer’s point of view – this would be labelled 
U/E as you need to understand the point of view before you 
can evaluate how well the anecdote supports it.
Questions on both passages 
At the end of the paper you find the above heading. Usually 
there is just one question here, asking you to compare the 
passages in some way. It’s usually worth 5 marks and is 
always an E for Evaluation question, sometimes with an 
element of Understanding or Analysis mixed in. 
As the heading makes clear, you can’t answer this question 
until you know both passages well and in full. Doing whole 
past papers to practice this type of question will be hugely 
helpful to you.
Questions on both passages 
•There are 5 marks, 10% of the total for the exam. 
•You’ll need ten to fifteen minutes 
•Approach this question like a mini-essay 
•You will usually be invited to state some preference for one 
passage over the other, and asked to justify this preference 
by referring closely to both passages. 
•Small details in the wording of the question are crucial to 
your answering the question correctly.
Questions on both passages 
The style of your answer 
•Start by setting up a line of thought that 
gives your basic answer to the question 
•Carry on by writing a number of brief, clear 
paragraphs. Each should begin with a topic 
sentence. There are two ways you can do 
this: 
-Compare or contrast the two passages in 
every paragraph. 
-have some paragraphs about why you find 
one passage convincing, etc, and a smaller 
number of paragraphs about why you feel 
the other passage has shortcomings or is 
less successful. 
I am more inclined to 
agree with Tommy 
Atkins’ response to the 
subject. 
OR 
I find the second 
passage, by Joe Bloggs, 
more effective in 
capturing my interest. 
OR 
I found the first passage 
by Jane Doe, more 
effective in making me 
think.
NOW IT’S 
TIME TO 
TACKLE 
SOME ON 
YOUR OWN.

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Close Reading Strategies for Higher English

  • 3. AAsssseessssmmeennttss To pass the course you will need to pass an: Internally assessed Close Reading NAB – You are given 1 hour to read and answer questions on an unseen non-fiction passage. You need to score over 15/30 to pass. Externally assessed Close Reading Paper – You are given 1 hour 45 mins to answer questions on two non-fiction passages.
  • 4. WWhhaatt ddooeess cclloossee rreeaaddiinngg tteesstt?? The questions in a Close Reading paper test your ability to understand, analyse and evaluate texts two thematically linked passages of unseen prose. You will also need to be able to compare and contrast the two texts.
  • 5. CCooddeess Each question in the paper is allocated a code. These include U, A, E or sometimes a combined code such as U/E and A/E You will have to become very familiar with these codes and what each question expects you to do.
  • 6. WWhhaatt ddoo tthhee ccooddeess mmeeaann?? U questions test you understanding of the writer’s ideas. A questions test your skills of analysis. You will be asked to identify the techniques and language used by the writer and comment on how these help the writer to convey his or her message. E questions ask you to evaluate how well the writer is in using a particular technique or how effective they are at achieving the purpose of their writing.
  • 7. MMaarrkkss Each question is allocated a number of marks. The amount a question is worth is a good guide as to how much the marker expects you to write. A (1 mark) question will require a concise response. A (4 mark) question is likely to expect at least two well explained examples. We recommend 4 to play it safe.
  • 8. TTyyppeess ooff PPaassssaaggeess To do well in close reading you need to have practise in reading unfamiliar and complex texts. Passages for Close Reading are always non-fiction. They may be taken from: •A newspaper article •A biography •A piece of travel writing •A report You should seek out and read this kind of writing on a regular basis. Look for feature articles in the Times, Herald, Guardian, Telegraph, Scotsman or the Independent.
  • 10. EExxaammpplleess ooff UU QQuueessttiioonn 1. Referring to lines 7 – 14, explain two ways in which ‘That version of London would seem to be a village now’ (lines 10 – 11). (from 2010) 2. Explain in detail why the writer thinks the city is ‘mankind’s greatest single invention’ (line 31). (from 2010) 3. Read lines 42 – 53. Give … any three reasons why it is difficult to define the ‘traditional’ British landscape. (from 2008)
  • 11. HHooww ttoo AAnnsswweerr Step 1: Locate the part of the passage you have been directed to and underline any of the ideas or words you feel relate to the question. Step 2: RReepphhrraassee//ppaarraapphhrraassee this information into your own words. (don’t translate word for word – it has to make sense and show you have genuinely understood how to answer)
  • 12. According to the writer, what is the difference between the ways in which language and literature develop? 2 U Step 1: locate Step 2: rephrase / paraphrase
  • 13. Rephrase / paraphrase Look at this passage from the start of a Higher exam about the future of cities: In a world changing faster now than ever before, the dispossessed and the ambitious are flooding into cities swollen out of all recognition. Could you put this into your own words by paraphrasing it? Here is what a student did:
  • 14. Rephrase / paraphrase In a world changing faster now than ever before, the dispossessed and the ambitious are flooding into cities swollen out of all recognition. The pace of change in the world is faster than it has ever been. Cities are growing so fast that they can hardly be recognised as those who have lost their homes, and those who are highly determined, pour into them.
  • 15. Rephrase / paraphrase Notice what expressions she changed: In a world changing faster now than ever before, the dispossessed and the ambitious are flooding into cities swollen out of all recognition. What did she change each one into? The pace of change in the world is faster than it has ever been. Cities are growing so fast that they can hardly be recognised as those who have lost their homes, and those who are highly determined, pour into them.
  • 16. Rephrase / paraphrase Notice what expressions she changed: In a world changing faster now than ever before, the dispossessed and the ambitious are flooding into cities swollen out of all recognition. Notice: number of sentences changed from 1 to 2. Ideas put in a slightly different order. The pace of change in the world is faster than it has ever been. Cities are growing so fast that they can hardly be recognised as those who have lost their homes, and those who are highly determined, pour into them.
  • 17. NNooww ttrryy tthheessee…… 1. Referring to lines 7 – 14, explain two ways in which ‘That version of London would seem to be a village now’ (lines 10 – 11). (from 2010) 2. Explain in detail why the writer thinks the city is ‘mankind’s greatest single invention’ (line 31). (from 2010) 3. Read lines 42 – 53. Give … any three reasons why it is difficult to define the ‘traditional’ British landscape. (from 2008)
  • 18. MEANING AND CONTEXT QUESTIONS
  • 19. Meaning and Context Question These question usually have phrases such as ‘How do lines… help you understand the meaning of …?’ or ‘Show how the context helps the reader to arrive at the meaning of...’ To answer a Meaning and Context question: 1.State the meaning of the word or expression first 2.Quote and comment on the words around it to show how they help you to arrive at the meaning.
  • 20. Meaning and Context Question By the official definition, London is getting on for eight million people, but in practical terms it’s a city of 18 million, straggling most of the way from Ipswich to Bournemouth in an unforgiving rush of business parks and designer outlets, gated housing and logistics depots. Show how the context helps the reader to arrive at the meaning of the word ‘straggling’ in line 3.
  • 21. Meaning and Context Question By the official definition, London is getting on for eight million people, but in practical terms it’s a city of 18 million, straggling most of the way from Ipswich to Bournemouth in an unforgiving rush of business parks and designer outlets, gated housing and logistics depots. ‘............................’ means .......................... . This can be understood from the context which refers to ......................... as this ......................................................
  • 22. Meaning and Context Question - Answer By the official definition, London is getting on for eight million people, but in practical terms it’s a city of 18 million, straggling most of the way from Ipswich to Bournemouth in an unforgiving rush of business parks and designer outlets, gated housing and logistics depots. ‘Straggling’ means spreading out over some distance . This can be understood from the context which refers to London spreading ‘from Ipswich to Bournemouth’ as this is a wide area extending to the east of England and to its south coast.
  • 23. Meaning and Context Question It will help if you learn this script for answering these questions! ‘......................’ means ...................... This can be understood from the context which refers to .................... as this ..............................................
  • 24. Meaning and Context Question If you read a wonderful new book by sociologist Frank Furedi – Paranoid Parenting – you will see the story of a teacher who quit the profession after a school trip was cancelled. Some parents were worried the trip would involve their children in a 45 minute journey in a private car. Would the cars be roadworthy? Were the drivers experienced? Were these non-smoking cars? How does the story told in the paragraph help you to understand the meaning of the word ‘paranoid’?
  • 25. How does the story told in the paragraph help you to understand the meaning of the word ‘paranoid’? Meaning and Context Question If you read a wonderful new book by sociologist Frank Furedi – Paranoid Parenting – you will see the story of a teacher who quit the profession after a school trip was cancelled. Some parents were worried the trip would involve their children in a 45 minute journey in a private car. Would the cars be roadworthy? Were the drivers experienced? Were these non-smoking cars? One mark for giving the meaning of paranoid (unnecessarily fearful / too anxious / suspicious of everyone) Remember you must give the meaning or you cannot earn the second mark! One mark for appropriate reference to parents’ questions / worries / concerns.
  • 26. Meaning and Context Question - Answer If you read a wonderful new book by sociologist Frank Furedi – Paranoid Parenting – you will see the story of a teacher who quit the profession after a school trip was cancelled. Some parents were worried the trip would involve their children in a 45 minute journey in a private car. Would the cars be roadworthy? Were the drivers experienced? Were these non-smoking cars? ‘Paranoid’ means always fearing the worst. This can be understood from the context which refers to the many and varied worries that the parents had, such as ‘Would the cars be roadworthy’, as this shows how the parents were fearful of every possibility, and anticipating the worst things that might happen.
  • 28. LLiinnkk QQuueessttiioonn You might get a question about how a certain sentence or a specific paragraph acts as a link in the passage. The examiners have already decided that it is a link; now they want you to explain how it carries out that function. There is a method for answering these questions.
  • 29. LLiinnkk QQuueessttiioonn The basic formula is: Quote + link back; quote + link forward 1.begin with a short quotation from the linking sentence 2.explain what idea this links back to 3.use a different short quotation from the link sentence 4.explain what ideas this introduces and links forward to
  • 30. LLiinnkk QQuueessttiioonn The basic formula is: Quote + link back; quote + link forward The words [quote from link sentence]refer back to the idea of [give the idea]which was mentioned [say where]. The words [quote from link sentence] introduce the idea of [give the idea] which comes up in [say where]...
  • 31. LLiinnkk QQuueessttiioonn Now look at this from the 2008 Close Reading paper: Then there is the proliferation of action groups dedicated to stopping construction of roads ... while multifarious organisations ... expending their energies in monitoring and reporting on the state of ... the landscape and its inhabitants. It might be thought – indeed it is widely assumed – that it must be good for the countryside to be returned to the central position it enjoyed in British life long ago. Yet there is a particularly worrying aspect of the new rural mania that suggests it might finally do the countryside more harm than good. This is the identification of the countryside in general and the landscape in particular with the past ... to protect ... our heritage. This wildly overused term is seriously misleading, not least because nobody ever seems to have asked what it means. By referring to specific words and phrases, show how the middle paragraph above performs a linking function at this stage in the writer’s argument.
  • 32. LLiinnkk QQuueessttiioonn -- AAnnsswweerr Now look at this from the 2008 Close Reading paper: It might be thought – indeed it is widely assumed – that it must be good for the countryside to be returned to the central position it enjoyed in British life long ago. Yet there is a particularly worrying aspect of the new rural mania that suggests it might finally do the countryside more harm than good. The words ‘returned to the central position’ refer back to the idea of the aims of the action group which was mentioned in the first paragraph. The words ‘worrying aspect’ introduce the idea of the writer’s concerns which comes up in the last paragraph.
  • 33. LLiinnkk QQuueessttiioonn Now read the extract beginning “Is your journey really necessary?” The try answering the question below, using the basic formula for link questions. Referring to specific words and phrases, show how the sentence ‘So, before ... as a whole?’ performs a linking function in the writer’s argument. (2 marks) The words [quote from link sentence]refer back to the idea of [give the idea]which was mentioned [say where]. The words [quote from link sentence] introduce the idea of [give the idea] which comes up in [say where]...
  • 34. Is your journey really necessary? Who would have thought that, in the absence of world war and in the midst of unprecedented prosperity, politicians would be telling us not to travel? Just as working people have begun to enjoy the freedoms that the better-off have known for generations – the experience of other cultures, other cuisines, other climates – they are threatened with having those liberating possibilities priced out of their reach. And when I hear politicians – most of them comfortably off – trying to deny enlightenment and pleasure to ‘working class’ people, I reach for my megaphone. Maybe Tommy Tattoo and his mates do use cheap flights to the sunshine as an extension of their binge-drinking opportunities, but for thousands of people whose parents would never have ventured beyond Blackpool or Rothesay, air travel has been a social revelation. So, before we all give the eco-lobby’s anti-flying agenda the unconditional benefit of the doubt, can we just review their strategy as a whole? Remember, it is not just air travel that the green tax lobby is trying to control: it is a restriction on any mobility. Clamping down on one form of movement, as the glib reformers have discovered, simply creates intolerable pressure on the others. Londoners, for example, had just become accustomed to the idea that they would have to pay an £8 congestion charge to drive into their own city when they discovered that the fares on commuter rail and underground services had been hiked up with the intention of driving away customers from the public transport system – now grossly overcrowded as a result of people having been forced off the roads by the congestion charge.
  • 35. LLiinnkk QQuueessttiioonn -- AAnnsswweerr Now read the extract beginning “Is your journey really necessary?” The try answering the question below, using the basic formula for link questions. Referring to specific words and phrases, show how the sentence ‘So, before ... as a whole?’ performs a linking function in the writer’s argument. (2 A) The words ‘eco-lobby’s anti-flying agenda’ refer back to the idea of restrictions on travel, which was mentioned in in the first two paragraphs. The words ‘their strategy as a whole’* introduce the idea of discussing and examining these proposed restrictions, which comes up in the final paragraph. * (OR ‘can we just review’)
  • 36. A for Analysis Questions ANALYSIS QUESTIONS
  • 37. Analysis Questions Analysis questions tend to be generally more challenging than understanding questions. Most of the marks come from A for Analysis questions. Individual questions can be worth a lot of marks – often 4 marks. Show how the sentence structure of the paragraph as a whole emphasises the idea of change. (2010) Show how the writer uses imagery and word choice in lines 15-24 to convey the ‘wonder of the library as a physical space’. (2007) Show how the writer’s use of language in lines 4 – 10 creates a self-mocking tone. (2008)
  • 38. Analysis Questions A word of warning .... When the word ‘language’ is used in a question they do not just mean word choice. It might include word choice, but should include an analysis of the use of other language techniques – such as sentence structure, imagery, tone, alliteration and so on – as well. Show how the writer’s use of language ... How does the writer’s language ...? • You should have noticed that these questions often take the form ‘Show how…’ • They also ask you to focus on specific literary techniques.
  • 39. Formula Step One: Using a quotation, refer to the technique(s) being used by the writer. Step Two: Comment on how the particular technique is used. Marks are awarded for your comment and not your identification of the technique.
  • 40. Word Choice Questions When you are really being asked about word choice – what is going on?
  • 41. Word Choice Questions Word choice questions are about words that have been chosen very carefully. Most words have two levels of meaning, a simple denotation, and a more complex connotation.
  • 42. Word Choice Questions For example, stormed, sauntered and swaggered all have the same denotation. They all tell us that a person walked, moving along by putting one foot in front of the other. However, they all have different connotations. •stormed suggests anger •sauntered tells us the person was relaxed •swaggered implies that the walker is perhaps rather arrogant.
  • 43. Word Choice Questions: Now try this You will see pairs or trios of words. In each group the words have the same denotation but different connotations. For each group, work out the denotation they share, and the different connotations of the different words. plump obese fat elderly mature ancient drunk inebriated tipsy complex intricate question enquiry fanatic believer fundamentalist partner lover beloved announced stated broadcast
  • 44. Word Choice Questions When you answer a word choice question, you need to -quote the words you think are significant, -then go into their connotations, all the time making sure you answer what the question has actually asked you.
  • 45. Word Choice Questions In this passage the writer’s son’s primary school has just banned sweets, crisps and chocolate. After school and in the playground, away from the teachers’ eyes, sweets and chocolates were traded. They became the marks of rebellion and the statements of independence. Eating foods they suspected the grown-ups would rather they didn’t made those foods ever so much more enticing. They weren’t just good but food plus attitude. Show how the writer’s word choice makes clear the children’s attitude to the school ban. (2 A)
  • 46. Word Choice Questions - Answer After school and in the playground, away from the teachers’ eyes, sweets and chocolates were traded. They became the marks of rebellion and the statements of independence. Eating foods they suspected the grown-ups would rather they didn’t made those foods ever so much more enticing. They weren’t just good but food plus attitude. The word ‘enticing’ suggests that the children found the forbidden food tempting and exciting. The phrase ‘not just food but’ implies the sweets became a symbol of their fight against the school’s authority.
  • 47. Word Choice Question: Now try this One faction has cried constantly that the countryside is in mortal danger from greedy developers whose only motive is profit; another has kept roaring that farmers are killing every wild thing in sight and threatening the very soil on which we stand through overuse of machinery and chemicals; still another has been continually heard ululating over a decline in the bird population, or the loss of hedgerows, or the disappearance of marshland, or the appearance of coniferous forest. Show how the word choice emphasises the strong feelings of those who believe the countryside is under threat. (2A) The words ‘cried constantly’ suggest that ... The words ‘mortal danger’ suggest ... The word ‘greedy’ suggests ...
  • 48. Word Choice Question - Answer One faction has cried constantly that the countryside is in mortal danger from greedy developers whose only motive is profit; another has kept roaring that farmers are killing every wild thing in sight and threatening the very soil on which we stand through overuse of machinery and chemicals; still another has been continually heard ululating over a decline in the bird population, or the loss of hedgerows, or the disappearance of marshland, or the appearance of coniferous forest. A The words ‘cried constantly’ suggest a state of permanent outrage. B The words ‘mortal danger’ suggest extreme peril, something life-threatening. C The word ‘greedy’ suggests they are too eager for monetary gain.
  • 49. Word Choice: Now try this Work with a partner or small group. For each language type, explain in your own words what it means, then give at least 3 examples. This first is done for you. Work with a partner or small group. For each language type, explain in your own words what it means, then give at least 3 examples. This first is done for you. Language type Definition Examples Emotive language Language designed to shock, or to get an emotional response from the reader Formal register Informal register Hyperbole Slang Dialect jargon
  • 50. Word Choice: Now try this Work with a partner or small group. For each language type, explain in your own words what it means, then give at least 3 examples. This first is done for you. Language type Definition Examples Emotive language Language designed to shock, or to Work with a partner or small group. For each language type, explain in your own words what it means, then give at least 3 examples. This first is done for you. get an emotional response from the reader catastrophic Formal register form of language used in a formal setting – complete se, concise, precise word choice consult Informal register form of language used in informal setting – more casual se str and language choice chat Hyperbole Exaggeration used for a particular effect I’ve told you a million times Slang Casual speech, often of a smaller group of people Gonnae no dae that! Soz babez. Dialect Regional variety of language – features of vocab, grammar, pronun Gudgie. Scunnered. Bouroch. jargon Specialist language of a particular profession, trade, culture. deleverage
  • 51. Word Choice Questions - Register Register means a type of language used in a particular setting, or by a particular group of people. Register can be formal or informal. Questions sometimes test if you can tell the difference. Register means a type of language used in a particular setting, or by a particular group of people. Register can be formal or informal. Questions sometimes test if you can tell the difference. Formal Informal Complete form of verbs “I did not” Abbreviations “I didn’t” Complex, more intellectual words “inevitable compromise” Simple, everyday words “give in” Longer, more complex sentences; all sentences complete. Short, simple sentences; without verbs; start with ‘and’ or ‘but’ ‘Literary’ punctuation marks such as semi-colons / colons Simple punctuation marks – commas, question marks, full stops, exclamation marks. Standard English ‘beautiful’ ‘very important’ Dialect or slang forms e.g. ‘bonnie’, ‘big deal’ A distant, more impersonal tone A chatty, friendly tone
  • 52. Word Choice How many of the terms below are you familiar with? word choice denotation connotation juxtaposition list inverted commas point of view incongruity balance parallel contrast (extended) image If you need to revise any terms – see Higher English Close Reading – Word Choice - pages 3 to 1-10
  • 53. A for Analysis Questions TONE QUESTIONS
  • 54. Tone Questions It’s easy to understand what we mean by tone if we think of a speaking tone. The tones in the speaking voice are created by factors like the volume, speed, and fluency of speech. It’s harder to see how we can identify tone in written English, as there are only words, not sounds, but skilled writers can create a tone by word choice alone.
  • 55. Tone Questions: now try this Draw a big speech bubble in your notebook. On the bubble write the tones: angry confused excited afraid. Then add as many more you can think of. After 5 mins – compare your answers with the rest of the class.
  • 56. Tone Questions: now try this Draw a big speech bubble in your notebook. On the bubble write the tones: angry confused excited afraid. Then add as many more you can think of. After 5 mins – compare your answers with the rest of the class. You may have come up with a huge list of tones. Some of the most common ones that crop up in exam questions are: humorous, matter-of-fact, emphatic/definite, defeated and angry. Make sure you have those on your bubble. Now underline them to remind yourself that these are ones to especially look out for.
  • 57. A Tone Vocabulary • humorous • tongue-in-cheek • sarcastic • ironic • emotional -name the emotion eg angry, depressed, elated,moody, indignant, • conversational • sorrowful • business-like • curious • chatty/friendly • mocking • disapproving • critical • contemptuous • menacing • dismissive • approving
  • 58. Tone Questions When you answer a question about tone, you may have to: 1.Identify a tone – you have to do this if the examiners don’t name a tone, but you usually don’t get marks for it. 2.Quote words which create that tone 3.Explain how the words you have quoted create the tone (this is where you begin to earn marks!) 4.Answer any other aspect of the particular question you are tackling.
  • 59. TToonnee QQuueessttiioonnss Now look at this from the 2008 Close Reading paper: Then there is the proliferation of action groups dedicated to stopping construction of roads, airport, railway lines, factories, shopping centres and houses in rural areas, while multifarious organisations have become accustomed to expending their energies in monitoring and reporting on the state of grassland, water, trees, moorlands, uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless other aspects of the landscape and its inhabitants. Show how the writer’s use of tone in these lines conveys his disapproval of the ‘action groups’. (2 A)
  • 60. TToonnee QQuueessttiioonnss Now look at this from the 2008 Close Reading paper: Then there is the proliferation of action groups dedicated to stopping construction of roads, airport, railway lines, factories, shopping centres and houses in rural areas, while multifarious organisations have become accustomed to expending their energies in monitoring and reporting on the state of grassland, water, trees, moorlands, uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless other aspects of the landscape and its inhabitants. The writer creates a .......................... tone. He does this by using the words ‘.............................’ which are (repeat the tone) .......................... because they suggest ...................................
  • 61. TToonnee QQuueessttiioonnss -- AAnnsswweerr Now look at this from the 2008 Close Reading paper: Then there is the proliferation of action groups dedicated to stopping construction of roads, airport, railway lines, factories, shopping centres and houses in rural areas, while multifarious organisations have become accustomed to expending their energies in monitoring and reporting on the state of grassland, water, trees, moorlands, uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless other aspects of the landscape and its inhabitants. The writer creates a dismissive tone. He does this by using the words ‘moorlands, uplands, lowlands’ which are dismissive because they suggest the groups are interested in just any old lands, and they don’t have any specific love for the countryside.
  • 62. A for Analysis Questions IMAGERY QUESTIONS
  • 63. Imagery Questions Writers use images to strengthen what they say by putting all sorts of pictures in the reader’s mind. Imagery is not the same thing as description. A description tells us what something is like. An image shows that one thing is somehow like another. The comparison tells us more about the thing that is being compared. Similes, metaphors and personification are all different sorts of image.
  • 64. Imagery Questions You need to be able to identify techniques such as simile, metaphor, personification and hyperbole so that you can respond effectively to questions on imagery. You might also be asked to identify sound techniques such as alliteration and onomatopoeia.
  • 65. Imagery Questions - technique Step 1: Identify the image and technique. Step 2: Explain the root of the image and say what is being compared with what. Step 3: Comment on what the writer intends to suggest by using this image.
  • 66. Outside an anonymous building with blanked-out windows, a discarded plastic bag swirls in the breeze, and in the distance the arches of Wembley Stadium soar against the darkening sky. At first glance it seems a doleful place. But in fact, this is where dreams are made and broken. Inside the reinforced – concrete building, men in black T-shirts and microphone headsets are swarming around like worker bees, ushering a constant stream of shrieking teenage girls to their seats, testing the sound levels and the autocue, ensuring that the audience is primed to clap and scream as loudly as possible once the lights go up. Because this is where, every weekend, the X factor goes live. At the theme music is pumped through studio speakers, it is as though the entire crowd has been electrified by a giant cattle prod. We leap out of our seats as one, arms waving maniacally in the air as each contestant takes to the stage in a blaze of strobe lighting and sequinned backing dancers. When the judges deliver their verdicts, we boo as soon as Simon Cowell says anything remotely negative and cheer wildly when Cheryl Cole gives a twinkling, encouraging smile. Question: How does the writer’s use of imagery in the second and third paragraphs help to convey what it is like inside the ‘anonymous building’ ? (2A)
  • 67. Answer The writer uses a simile to describe the men in black t-shirts as ‘Swarming around like worker bees’. Worker bees all have individual jobs to do as part of some bigger plan. This comparison effectively suggests that there are many men who are busy on a variety of tasks in preparation for the show. The writer uses the simile ‘as though the entire crowd has been electrified by a cattle prod’. A cattle prod is used to control animals and gives them a quick sharp shock. This comparison suggests that the audience are treated very much like animals and that there is a sudden change in their behaviour when the music starts to play.
  • 68. Imagery Questions – Method 2 There is a method for answering imagery questions. There is a method for answering imagery questions. 1.You begin with what the image literally is like, or literally means. 2.Then you go on to the metaphorical meaning, showing how that image applies to and adds meaning to the subject under discussion. Just as [explain the literal meaning] so [explain the metaphorical meaning]. 1.You begin with what the image literally is like, or literally means. 2.Then you go on to the metaphorical meaning, showing how that image applies to and adds meaning to the subject under discussion.
  • 69. Imagery Questions – Method 2 Growing up devoid of freedom, decision-making, and the opportunity to learn from taking their own risks, our children are becoming trapped, neurotic and as genetically weakened as battery hens. How effective do you find the image of ‘battery hens’ in conveying the writer’s view of how children are currently being brought up? (2A) Just as [explain the literal meaning] so [explain the metaphorical meaning].
  • 70. Imagery Questions – Method 2 Growing up devoid of freedom, decision-making, and the opportunity to learn from taking their own risks, our children are becoming trapped, neurotic and as genetically weakened as battery hens. Just as [explain the literal meaning] so [explain the metaphorical meaning]. Just as a battery hen is kept cruelly shut up in a tiny cage, so modern children are restricted and denied freedom to take the risks the writer thinks they should be able to learn from.
  • 71. Imagery Questions – Method 2 It seems the childcare pendulum has swung;: the principal threat to children is no longer neglectful parents, but excessively protective ones who are always worrying about germs. Explain how the image supports the writer’s viewpoint(2A) Just as [explain the literal meaning] so [explain the metaphorical meaning].
  • 72. Imagery Questions – Method 2 It seems the childcare pendulum has swung;: the principal threat to children is no longer neglectful parents, but excessively protective ones who are always worrying about germs. Just as [explain the literal meaning] so [explain the metaphorical meaning]. Just as a clock pendulum swings from one side to the other, so people’s opinions on the dangers to children have gone from one extreme to the other.
  • 73. A for Analysis Questions SENTENCE STRUCTURE QUESTIONS
  • 74. Sentence Structure Questions Sentence structure is how a sentence is made and built up. Often students get structure questions wrong because the end up looking at the content of a sentence when they should be examining its structure. Structure is not the same as content. The structure of your school bag might be leather, stitched together, with buckles. The content would probably include books, pens, and your mobile phone.
  • 75. Sentence Structure Questions A number of smaller techniques contribute to sentence structure: • length: Look at whether a sentence is noticeably long, or short, or if its length contrasts with the length of other sentences nearby • listing: What is being listed and what does this list suggest? • repetition: What is being repeated and what does this repetition suggest? • parenthesis: What is the extra information inside the parenthesis about and what is the effect of this? • word order: Have any words been put in a position in the sentence that particularly creates emphasis? • colons or semi-colons: What do these divide the sentence into? What do colons introduce? • minor sentence: These ungrammatical (usually short) sentences are used to create some kind of impact, so what impact is it? • questions: What is the effect of these on the reader?
  • 76. Sentence Structure Question: Now try this A lot has been learned about the nature of cosmic collisions and this new knowledge has given a remarkable twist to the story of our origins. We now recognise that comet and asteroid impacts may be the most important driving force behind evolutionary change on the planet. Originally, such objects smashed into one another to build the Earth 4.5 billion years ago. After that, further comet impacts brought the waters of our oceans and the Show organic how the modules sentence needed structure for life. here Ever emphasises since then, the impacts strong have feelings continued of those to who punctuate feel the the countryside story of evolution. is under threat. On many (2A) occasions, comets slammed into Earth with such violence that they nearly precipitated the extinction of all life. In the aftermath of each catastrophe, new species emerged to take the place of those that had been wiped out.
  • 77. Sentence Structure Question: Now try this How does the sentence structure of these lines highlight the writer’s ideas? By beginning a number of the sentences with reference to time periods such as ....................... and ......................, the writer creates a sequence through time which suggests that comet impacts were part of the process of evolution. By ending the last two sentences with the phrases ............... and ................. the writer creates a climax that emphasises his point about the destructiveness of these impacts. The fact that he uses the word ‘ ..................’ three times shows how important ..........................................
  • 78. Sentence Structure Question: Answer How does the sentence structure of these lines highlight the writer’s ideas? By beginning a number of the sentences with reference to time periods such as ‘originally’ and ‘after that’, the writer creates a sequence through time which suggests that comet impacts were part of the process of evolution. By ending the last two sentences with the phrases ‘all life’ and ‘wiped out’ the writer creates a climax that emphasises his point about the destructiveness of these impacts. The fact that he uses the word ‘ impacts’ three times shows how important these events have been.
  • 79. Sentence Structure Question: Now try this One faction has cried constantly that the countryside is in mortal danger from greedy developers whose only motive is profit; another has kept roaring that farmers are killing every wild thing in sight and threatening the very soil on which we stand through overuse of machinery and chemicals; still another has been continually heard ululating over a decline in the bird population, or the loss of hedgerows, or the disappearance of marshland, or the appearance of coniferous forest. Show how the sentence structure here emphasises the strong feelings of those who feel the countryside is under threat. (2A) The listing of ........... emphasises ........... The repetition of ............... emphasises ......................
  • 80. Sentence Structure Question: Answer One faction has cried constantly that the countryside is in mortal danger from greedy developers whose only motive is profit; another has kept roaring that farmers are killing every wild thing in sight and threatening the very soil on which we stand through overuse of machinery and chemicals; still another has been continually heard ululating over a decline in the bird population, or the loss of hedgerows, or the disappearance of marshland, or the appearance of coniferous forest. Show how the sentence structure here emphasises the strong feelings of those who feel the countryside is under threat. (2A) The listing of the different subjects that factions complain about emphasises the wide range of causes of protest. The repetition of ‘or’ emphasises a determination to find something to complain about.
  • 81. Sentence Structure Question: Now try this Then there is the proliferation of action groups dedicated to stopping construction of roads, airport, railway lines, factories, shopping centres and houses in rural areas, while multifarious organisations have become accustomed to expending their energies in monitoring and reporting on the state of grassland, water, trees, moorlands, uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless other aspects of the landscape and its inhabitants. Show how the writer’s use of sentence structure in this paragraph conveys his disapproval of the ‘action groups’.(2A) The list of .......... suggests ............ The list of .......... suggests ..............
  • 82. Sentence Structure Question: Answer Then there is the proliferation of action groups dedicated to stopping construction of roads, airport, railway lines, factories, shopping centres and houses in rural areas, while multifarious organisations have become accustomed to expending their energies in monitoring and reporting on the state of grassland, water, trees, moorlands, uplands, lowlands, birds’ eggs, wildflowers, badgers, historical sites and the countless other aspects of the landscape and its inhabitants. Show how the writer’s use of sentence structure in this paragraph conveys his disapproval of the ‘action groups’.(2A) The list of developments these groups wish to stop suggests that he feels they protest excessively. The list of projects they spend time and energy on suggests that they are excessively concerned about a wide range of aspects of nature.
  • 83. E for Evaluation Questions EVALUATION QUESTIONS
  • 84. Evaluation Questions The number of marks for these varies, from 5 marks upwards. U for Understanding questions are about what the writer says. A for Analysis questions are about how the writer says it. E for Evaluation questions are about how well, how convincingly, how suitably or how effectively the writer says it. Many evaluation questions will be marked with a mixture of key letters.
  • 85. Evaluation Questions Many evaluation questions will be marked with a mixture of key letters. If you are asked how effective an image is, this would be labelled A/E, as you have to be able to analyse the image before you can show how effective it is. Or you might be asked how effective an anecdote is in supporting the writer’s point of view – this would be labelled U/E as you need to understand the point of view before you can evaluate how well the anecdote supports it.
  • 86. Questions on both passages At the end of the paper you find the above heading. Usually there is just one question here, asking you to compare the passages in some way. It’s usually worth 5 marks and is always an E for Evaluation question, sometimes with an element of Understanding or Analysis mixed in. As the heading makes clear, you can’t answer this question until you know both passages well and in full. Doing whole past papers to practice this type of question will be hugely helpful to you.
  • 87. Questions on both passages •There are 5 marks, 10% of the total for the exam. •You’ll need ten to fifteen minutes •Approach this question like a mini-essay •You will usually be invited to state some preference for one passage over the other, and asked to justify this preference by referring closely to both passages. •Small details in the wording of the question are crucial to your answering the question correctly.
  • 88. Questions on both passages The style of your answer •Start by setting up a line of thought that gives your basic answer to the question •Carry on by writing a number of brief, clear paragraphs. Each should begin with a topic sentence. There are two ways you can do this: -Compare or contrast the two passages in every paragraph. -have some paragraphs about why you find one passage convincing, etc, and a smaller number of paragraphs about why you feel the other passage has shortcomings or is less successful. I am more inclined to agree with Tommy Atkins’ response to the subject. OR I find the second passage, by Joe Bloggs, more effective in capturing my interest. OR I found the first passage by Jane Doe, more effective in making me think.
  • 89. NOW IT’S TIME TO TACKLE SOME ON YOUR OWN.