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3D content production St. Petersburg Electrotechnical University,  St. Petersburg , Russia Sergey A. Sukhanov
Outline ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
What is 3D?
3D  Technology
3D Content Production Three main approaches to creating 3-D content: •  live camera capture •  computer generated imagery (CGI) •  2D to 3D conversion
Live camera capture Live camera capture:  recording stereo sequences of images   simultaneously A depth-range camera Special 3D cameras (single body) Special 3D cameras (single body) side-by-side rig   side-by-side rig
D epth map Regular 2D color video Accompanying 8-bit depth-images with the  same spatio-temporal resolution The depth-images are normalized to a near clipping plane Z near  and a far clipping plane Z far .
2D to 3D conversion 2D to 3D conversion:  using monocular depth cues obtained from a 2D sequence to generate the equivalent 3D sequence 1. Cutting out pieces of the image and nudging them around 2 . Projecting an image on a 3D model 3 . Turning motion parallax into stereoscopy 4 . Using depth maps  and DIBR  process ,[object Object],[object Object]
D epth map s and  depth image based  r endering (DIBR)
D epth map s generation B lock-matching based motion estimation 4x4 block Using previous frame as reference
D epth map s generation ,[object Object],[object Object],Color Segmentation
D epth map s generation Fusion ,[object Object],[object Object],[object Object]
D epth image based   rendering Camera configuration for generation of virtual stereoscopic images. 3D Image Warping ,[object Object],[object Object],[object Object],[object Object]
D epth image based   rendering Hole-Filling -  occlusion :  two different pixels of the real view image are warped to the same location in the virtual view -  disocclusion :  is due to the occluded area in the real view may become visible in the virtual view Left-eye view image created by 3D image warping with holes due to disocculsion Enlarged left-eye view image with stripe distortion after linear interpolation based hole-filling
Conclusion R ising demand on new  3D content •  live camera capture •  2D to 3D conversion ,[object Object],[object Object],[object Object],[object Object],[object Object],[object Object],[object Object]
[object Object]

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Sergey A. Sukhanov, "3D content production"

  • 1. 3D content production St. Petersburg Electrotechnical University, St. Petersburg , Russia Sergey A. Sukhanov
  • 2.
  • 5. 3D Content Production Three main approaches to creating 3-D content: • live camera capture • computer generated imagery (CGI) • 2D to 3D conversion
  • 6. Live camera capture Live camera capture: recording stereo sequences of images simultaneously A depth-range camera Special 3D cameras (single body) Special 3D cameras (single body) side-by-side rig side-by-side rig
  • 7. D epth map Regular 2D color video Accompanying 8-bit depth-images with the same spatio-temporal resolution The depth-images are normalized to a near clipping plane Z near and a far clipping plane Z far .
  • 8.
  • 9. D epth map s and depth image based r endering (DIBR)
  • 10. D epth map s generation B lock-matching based motion estimation 4x4 block Using previous frame as reference
  • 11.
  • 12.
  • 13.
  • 14. D epth image based rendering Hole-Filling - occlusion : two different pixels of the real view image are warped to the same location in the virtual view - disocclusion : is due to the occluded area in the real view may become visible in the virtual view Left-eye view image created by 3D image warping with holes due to disocculsion Enlarged left-eye view image with stripe distortion after linear interpolation based hole-filling
  • 15.
  • 16.