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Romanticism
Revision
Characteristics
 Romanticism is characterised
by:
 Imaginative and subjective
approach
 Emotional intensity
 Dream-like or visionary quality
 Suggestion states or intense
feelings, mystical
Subjects
 The subjects chosen tend to be:
 Nature, especially wild and
mysterious
 Exotic
 Melancholy
 Melodramatic facts that evoke
passion
Other Characteristics
 It stressed emotion,
imagination and freedom
 Denied previous social
conventions such as the
position of the aristocracy
 Influenced by the Illustration
Values
 Cult of the artist as a genius
 Emphasis on common
language
 Depiction of apparently daily
experience
 Experimentation with non-
classical forms
Interests
 The past
 Old forms
 Ruins in contact with nature
 Mythic and legendary
material
 Low culture was higher
valuate that high culture
France
 It is the time of Napoleonic
wars so it was inspired in
contemporary events
 Style is colourful and
emotional
 Main artists are:
 Gericault
 Delacroix
France
 Gericault:
 He emphasized the heroism and
sufferance
 Powerful brushstrokes
 Conflicting light and dark
tones
 Sense of isolation and
vulnerability
 Work: The Raft of the Medusa
France
 Delacroix:
 Subjects frequently taken from
literature
 Use of colour to create an effect of
pure energy and emotion
 Half-tones derived from juxtaposing
to a colour its complement
 Energetic vibration and nervous
brushstrokes
 Works: Death of Sardanapalus,
Freedom Conducting the Country,
Massacre at Chios
Germany
 Painting was inspired by the
conception of nature as a
manifestation of the divine.
 Symbolic landscape paining
 Authors:
 Friedrich
 The Nazarenes:
 Attempted to discover the style and spirit of
medieval art
 Overbeck and von Schwind (Germanic
mythology and fairy tales).
Germany
 Friedrich:
 Meditative landscaped
 Paintings of lucid and
meticulous style
 Subtle mystical feeling and
sense of melancholy, solitude
 Romantic pessimism
England
 Landscapes were essential
 Innovative styles with simplicity of
style
 Influences of William Blake
 Constable
 Landscapes influenced by feelings
 He worked in open air
 Luminous colours
 Thick brushwork.
England
 Turner:
 Radical pictorial vision
 Concerned with atmospheric
effects of light and colour
 It is frequent to find in his works
clouds, mist, snow
 Objects look to dissolve in his
works
Late Romanticism
 French Barbizon School:
 Quiet and atmospheric landscapes
 Authors: Corot and Rousseau
 Pre-Raphaelites:
 They revived the medieval mission of
the Nazarenes
 Arthur’s legend and feminine images
 Authors: Burne-Jones, Dante Gabriel
Rossetti, Millais
Rosetti
Millais
Influence
 Barbizon School is linked to
Impressionism
 Symbolist movement:
 Subjectivity
 Imagination
 Dream-like imagery
 Freedom in Arts continues
nowadays.

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Romanticism revision (new)

  • 2. Characteristics  Romanticism is characterised by:  Imaginative and subjective approach  Emotional intensity  Dream-like or visionary quality  Suggestion states or intense feelings, mystical
  • 3. Subjects  The subjects chosen tend to be:  Nature, especially wild and mysterious  Exotic  Melancholy  Melodramatic facts that evoke passion
  • 4. Other Characteristics  It stressed emotion, imagination and freedom  Denied previous social conventions such as the position of the aristocracy  Influenced by the Illustration
  • 5. Values  Cult of the artist as a genius  Emphasis on common language  Depiction of apparently daily experience  Experimentation with non- classical forms
  • 6. Interests  The past  Old forms  Ruins in contact with nature  Mythic and legendary material  Low culture was higher valuate that high culture
  • 7. France  It is the time of Napoleonic wars so it was inspired in contemporary events  Style is colourful and emotional  Main artists are:  Gericault  Delacroix
  • 8. France  Gericault:  He emphasized the heroism and sufferance  Powerful brushstrokes  Conflicting light and dark tones  Sense of isolation and vulnerability  Work: The Raft of the Medusa
  • 9.
  • 10. France  Delacroix:  Subjects frequently taken from literature  Use of colour to create an effect of pure energy and emotion  Half-tones derived from juxtaposing to a colour its complement  Energetic vibration and nervous brushstrokes  Works: Death of Sardanapalus, Freedom Conducting the Country, Massacre at Chios
  • 11.
  • 12. Germany  Painting was inspired by the conception of nature as a manifestation of the divine.  Symbolic landscape paining  Authors:  Friedrich  The Nazarenes:  Attempted to discover the style and spirit of medieval art  Overbeck and von Schwind (Germanic mythology and fairy tales).
  • 13. Germany  Friedrich:  Meditative landscaped  Paintings of lucid and meticulous style  Subtle mystical feeling and sense of melancholy, solitude  Romantic pessimism
  • 14.
  • 15. England  Landscapes were essential  Innovative styles with simplicity of style  Influences of William Blake  Constable  Landscapes influenced by feelings  He worked in open air  Luminous colours  Thick brushwork.
  • 16.
  • 17. England  Turner:  Radical pictorial vision  Concerned with atmospheric effects of light and colour  It is frequent to find in his works clouds, mist, snow  Objects look to dissolve in his works
  • 18.
  • 19. Late Romanticism  French Barbizon School:  Quiet and atmospheric landscapes  Authors: Corot and Rousseau  Pre-Raphaelites:  They revived the medieval mission of the Nazarenes  Arthur’s legend and feminine images  Authors: Burne-Jones, Dante Gabriel Rossetti, Millais
  • 21. Influence  Barbizon School is linked to Impressionism  Symbolist movement:  Subjectivity  Imagination  Dream-like imagery  Freedom in Arts continues nowadays.