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TYPOLOGIES: The shapes of the
     built environment
1. Introduction to architectural technology
2. Ancient construction shapes
   2.1. Beams and columns
   2.2. Pyramids
   2.3 Arches
3. Case Study: Alhambra palace
4. New construction shapes
   4.1 Trusses
   4.2 Cables
   4.3 Shells
5. Case study: Guggenheim Bilbao museum
6. How will buildings look like in the future?
7. Debate
ARCHITECTURE.

The professional service rendered by architects is known as
architecture. It is basically the science and art of
conceptualizing, designing, and constructing buildings and
other structures either for human shelter or for other purposes such
as storage, production, entertainment, or exhibition. Often,
famous works of architecture have been identified as cultural
symbols and also as works of art. Many historical civilizations
have also been made famous due to their architectural
uniqueness.
ARCHITECTURE. ORIGIN AND HISTORY .INDEX

• Basic survival needs. (architecture took the form of a craft).

•The early civilizations saw the splendid architecture of the Egyptians,
Mesopotamians, Persians, Greek, and Romans.

• Architecture as a religious symbol. (Roman Coliseum and the Egyptian
Pyramids) .

•The medieval period: saw the emergence of Islamic architecture.

•The Renaissance period: emphasized on the individual and humanity.

•The early modern and the industrial age saw the emergence of new
materials and technology. (Everyday needs).

•The concept of environmental sustainability.
ARCHITECTURE. ORIGIN AND HISTORY (I)

The earliest known form of architecture evolved from the
interaction between the basic survival needs and the available
resources. Through the process of trial and error and gradual
technological evolution and progress with the help of improvisation
and replication, architecture took the form of a craft.
The gradual progress from rural living to the urban area saw the
magnificence of architecture, and how it has been developed along
history.

The early civilizations saw the splendid architecture of the
Egyptians, Mesopotamians, Persians, Greek, and Romans,
each with its own distinct style. In Asia, architecture, sometimes,
was developed along religious lines with different characteristics.
The Roman Coliseum and the Egyptian Pyramids are examples of
their cultural symbols.
ARCHITECTURE. ORIGIN AND HISTORY (II)

The medieval period saw the emergence of Islamic
architecture which also influenced European styles of that period.

The Renaissance period emphasized on the individual and
humanity instead of religion and buildings were dedicated to the
architects such as Michelangelo, Palladio, Alberti, and Brunelleschi.

The early modern and the industrial age saw the emergence
of new materials and technology and the architects started to get
formal education and training starting from the drawing board.

 The industrial revolution at this stage helped the production of
better quality materials for construction purposes.
ARCHITECTURE. ORIGIN AND HISTORY (III)

The modern age viewed structural design as a convenient blend
of art, craft, and technology. Emphasis shifted from historical
styles, to a new style that focused on the aspirations of the middle
and working classes.

The modernist architects reduced buildings to pure form with
functionalist details based on everyday needs of people and
creating a livable environment.

The concept of environmental sustainability has now
pervaded architectural thought and most modern architects and New
Zealand have pioneered the integration of green building
sustainable design principles into their architectural projects.
TECHNOLOGY APPLIED TO ARCHITECTURE IN THE
EARLIEST AGES (I)

Along the history, we can see many examples of technology applied
to architecture in different civilizations , but unfortunately we do
not have a lot of information about them.

An example are Egyptians , The pyramids are chiefly impressive for
their enormous size and the staggering manpower that must have
been employed in their construction. Of these the largest is the Great
Pyramid of Giza which remained the tallest structure in the world
for 3800 years.
TECHNOLOGY APPLIERD TO ARCHITECTURE IN THE
EARLIEST AGES (II)

The methods used in the construction of the pyramids have been
the subject of considerable research and discussion.

 The Egyptians achieved extraordinary feats of engineering, they
appear to have done so with relatively primitive technology. As far
as is known they did not use wheels or pulleys.

They transported massive stones over great distances using rollers,
ropes, and sledges, with large numbers of slaves hauling the loads.

There are no surviving Egyptian manuals so there has been
considerable speculation on how stones were lifted to great heights
and obelisks erected. Most theories centre around the use of ramps.
TECHNOLOGY APPLIED TO ARCHITECTURE IN THE
EARLIEST AGES (III)

Some years later we have other examples of development of great
technologies applied to construction.

In the Roman ages, Vitruvius gives details of Roman machines.

The Romans developed sophisticated timber cranes allowing them
to lift considerable weights to great heights.

A list of the longest, highest and deepest Roman structures can be
found at List of ancient architectural records.

Roman building ingenuity extended over bridges, aqueducts, and
covered amphitheatres. Their sewerage and water supply works
were remarkable and some systems are still in operation today.
1. Introduction to architectural technology
2. Ancient construction shapes
   2.1. Beams and columns
   2.2. Pyramids
   2.3 Arches
3. Case Study: Alhambra palace
4. New construction shapes
   4.1 Trusses
   4.2 Cables
   4.3 Shells
5. Case study: Guggenheim Bilbao museum
6. How will buildings look like in the future?
7. Debate
Simple beam bridge: stone slabs on stone supports (Dorset, England)
BEAM AND COLUMN (I)

In the Neolithic period, the first bridges made by humans
were probably wooden logs or stone slabs placed across a
river stream.

The first buildings were simple shelters meant to suit the
basic needs of protection from the elements, built by their
inhabitants.The most used materials were the mud brick,
wood (timber) and stone (masonry).

The set of beam and pillars is the simplest solution the
Neolithic man imagined.
Beam-and-column scheme is the 2nd simplest typology.
BEAM AND COLUMN (II)
The architecture and urbanism of the Greeks were very
different from those of the Neolithic but the structural
scheme of beam supported by columns is the same.
Building structures used a simple beam and column system
without vaults or arches, which imposed strict limits on the
spans that could be achieved. Although Greek
mathematics was technically advanced the Ancient Greeks
never developed strong mortars or used arches and domes
to their limit which were an important feature of more
practical Roman construction.
Age of the pyramids




A pyramid is like a mountain, and it is the simplest
and most stable shape.
PYRAMIDS
Both Egyptian and Incan architectures are mostly noted for
their pyramids which are the largest in the world and try to
imitate the natural shape of the mountains. Due to the
stable shape and the sophisticated skills of the stone cutters
the masonry needs no mortar.
The pyramids are impressive for their enormous size and
the manpower that must have been employed in their
construction.
Of these the largest is the Great Pyramid of Giza which
remained the tallest structure in the world for 3800 years.
The Age of the Cathedrals
        The Romanic cathedral




-Reduced space, little light and small windows
-Buttress leans outward, arch deforms and
foundation deforms.
Córdoba Mosque (IX)   León Cathedral (XIII)
ARCHES
Romanesque buildings were entirely roofed in timber or
had stone barrel vaults covered by timber roofs: spans
were narrow and walls did not allow ample windows. The
Gothic style of architecture with its vaults, flying
buttresses and pointed gothic arches developed in the
twelfth century to provide wider spans and galleries to the
urban churches: the cathedrals.
The resulting thin stone vaults and towering buildings
were raised entirely using rules derived by trial and error
and failures were frequent.
1. Introduction to architectural technology
2. Ancient construction shapes
   2.1. Beams and columns
   2.2. Pyramids
   2.3 Arches
3. Case Study: Alhambra palace
4. New construction shapes
   4.1 Trusses
   4.2 Cables
   4.3 Shells
5. Case study: Guggenheim Bilbao museum
6. How will buildings look like in the future?
7. Debate
EXAMPLE: ALHAMBRA (I)




     General view       Court of the Myrtles (Arrayanes)
EXAMPLE: ALHAMBRA (II)




     Generalife
                         Water supply of Arrayanes
EXAMPLE: ALHAMBRA (III)




           The fountain of the lions
EXAMPLE: ALHAMBRA (IV)

Literally "the red one”, is a palace and fortress complex constructed
during the mid 14th century by the Moorish rulers of the Emirate
of Granada in Al- Andalus, occupying the top of the hill of the
Assabica on the southeastern border of the city of Granada in
Andalusia.


In this building we can see a great example of technology applied
to architecture in our country. Its water supply- system was built,
to create the necessary water supplies needed for the Alhambra's
survival.
EXAMPLE: ALHAMBRA (V)
EXAMPLE: ALHAMBRA (VI)

In 1238 AD, a six-kilometer water channel was constructed the
acequia real: the royal canal.

•Water was taken at the point of the Toma de la Acequia: the
capture point of the canal.

•Water traversed countryside till it reached an old waterwheel,
which created the dynamic-power to convey the water, across the
aqueduct, at Cortijo Jesus del Valle, in the Darro valley

•From there, water travelled on the flats of the Llano del Perdiz,
parallel to the Darro River
EXAMPLE: ALHAMBRA (VII)

•Later, the acequia real was spread out, in order to supply water to
the Generalife and the high fields of the Generalife

•The water path purposely forked, in order for water to descend
through the emblematic Escalera de Agua: Water Staircase
further down, it reunited, with the Generalife's lower flow

•The water paths continued and descended...

•Water was entered into the Alhambra, crossing over to the
Torre de Agua aqueduct (above the Camino de los Chinos).

•From this point on - the Alhambra, its vast cisterns and the
original Alcazaba were supplied with the precious liquid.
Moorish Hydrology Technology had been successful
EXAMPLE: ALHAMBRA (VIII)

A vast albercon: large pool was constructed on the highest slope
The water then was entered inside the hill by means of a
horizontally-pierced underground passage
Three wells were positioned above the underground water-path,
each well, at different heights Finally, the underground passage
reached the level of the vast albercon At that point, the water
was lifted, by means of another waterwheel and deposited inside
the albercon.




•Lately an cistern or tank was built, capturing rain water to
supply water to the Dar al-arusa and Alixares palaces which
were built on higher levels
EXAMPLE: ALHAMBRA (IX)

The Sophisticated Interior Alhambra Granada Spain Water
Technology.

•Interior Water conduits varied
•Some were narrow - accelerating the flow
•Curved conduits led into containing hollows - slowing the water
passage Burbling and spilling from the low marble basins.
•The Alhambra water systems were designed to cool in summer and
warm in the winter.

The reflection pools: Patio de los Arrayanes and the Partal pool -
were mirrors for the exterior architecture.
1. Introduction to architectural technology
2. Ancient construction shapes
   2.1. Beams and columns
   2.2. Pyramids
   2.3 Arches
3. Case Study: Alhambra palace
4. New construction shapes
   4.1 Trusses
   4.2 Cables
   4.3 Shells
5. Case study: Guggenheim Bilbao museum
6. How will buildings look like in the future?
7. Debate
THE INDUSTRIAL REVOLUTION: STEEL ARCHES (I)




                        Eiffel Tower, Champs du
                        Mars, Paris. 1889. Grew
                        from Eiffel’s bridge-building
                        expertise. Was world’s tallest
                        structure for 40 years. 300 m
                        tower built of puddled iron.
                        The “arch” shape at the
                        bottom is purely decorative.
THE INDUSTRIAL REVOLUTION: STEEL ARCHES (II)




Ironwork arches in the Musée d’Orsey, Paris, which is now the most
beautiful museum in Paris having being converted from a disused
railway station.
THE INDUSTRIAL REVOLUTION: STEEL ARCHES (III)

The industrial revolution was manifested in new construction
devices (steam engines, machine tools and explosives) and a
new material arose: steel was mass-produced since the 19th
century, it was used, in form of I-beams and reinforced
concrete. Glass panels also went into mass production.
Plumbing appeared, and gave common access to drinking water
and waste water collection at houses.

Rationality and the universal laws of physics behind the
building problem lead to the emancipation of history
CABLE-SUSPENDED BRIDGE




Brooklyn Bridge over the East River, New York. 487 m span.
Designed by John Roebling, completed by his son (Washington
Roebling) in 1883: First bridge to use steel wire suspension cables.
CABLE-SUSPENDED ROOF




The Dome is the original name of a large dome-shaped building,
originally used to house the Millennium Experience, a major exhibition
celebrating the beginning of the third millennium in London.
CABLES

The funicular concept can be best described and visualized
with cables or chains suspended from two points that adjust
their form for any load. Suspended structures are used for long-
span roofs.

Cables effectively resist gravity load in tension, but are
unstable under uneven loads. For example, under its own
weight or under uniform loads a cable assumes the funicular
shape of a perfect parabolic catenary. However, under wind
uplift suspended cables tend to flutter and become unstable.
TRUSSES

          Trusses are common
          elements in many types of
          buildings. Why?




Typical beam and colum scheme
shows three problems for long
spans:
1- Cracks may appear
2- Bending deformation could be
uncomfortable.
3- Horizontal instability.
John Hancock Center, Chicago.
                       The braced tube structure employed
                       for the John Hancock Center uses
                       the least amount of steel compared
                       with the framed tubes.




Hearst Headquarters, New
York

The use of perimeter
diagonals for structural
effectiveness and
aesthetics has generated
interest from architectural
and structural designers of
tall buildings in diagrid
structures.
TRUSSES

Trusses support load much like beams, but for longer
spans. As the depth and thus dead weight of beams
increases with span they become increasingly inefficient,
requiring most capacity to support their own weight rather
than imposed live load. Also trusses serve to replace
walls by triangulation to reduce dead weight.
Only triangles are intrinsically stable polygons.
Since the 1960s, the new structural system of framed tubes
appeared in the construction of Hanckock Centre, Sears
Tower, World Trade Center, Petronas Towers and other
supertall skyscrapers. They are often known as the “2nd
Chicago School".
SHELLS
Eero Saarinen (1962)            Milo Ketchum (1910-1999)




                           Sir Norman Foster (1997)
Modern Thin Concrete Shells


                  Oceanogràfic
                  Valencia, Spain
                  (2002)

                  Félix Candela, †1997
SHELLS

With reference to modern shell it is key to remember the legacy
of Saarinen and Candela. Shells can be compared to an igloo.

The most famous work of Saarinen is the TWA Flight Center,
which represents the culmination of his previous designs and
demonstrates his structural expressionism and the technical
marvel in concrete shells.

Candela worked very hard during his life time to prove the real
nature and potential that reinforced concrete had in structural
engineering.
Reinforced concrete is extremely efficient in a dome or shell-
like shape. This shape eliminates the tensile forces that the
concrete without the help of reinforcement cannot bear.
INDUSTRIAL SHELLS: LNG TANKS
INDUSTRIAL SHELLS

Above ground LNG tanks are large double-containment
pressure vessels to store Liquefied Natural Gas at -170ºC.

The role of these tanks is to act as a buffer guaranteeing a
stable supply of gas during seasonal peaks of demand.


The range of potential locations for future LNG projects is
very disparate with a range of seismic and soil conditions
with net storage volumes up to 300,000 m3.
1. Introduction to architectural technology
2. Ancient construction shapes
   2.1. Beams and columns
   2.2. Pyramids
   2.3 Arches
3. Case Study: Alhambra palace
4. New construction shapes
   4.1 Trusses
   4.2 Cables
   4.3 Shells
5. Case study: Guggenheim Bilbao museum
6. How will buildings look like in the future?
7. Debate
EXAMPLE: GUGGENHEIM (I)
EXAMPLE: GUGGENHEIM (II)
EXAMPLE: GUGGENHEIM (III)
EXAMPLE: GUGGENHEIM (IV)
EXAMPLE: GUGGENHEIM (V)

Plans for a new museum in Bilbao date to the late 1980s, when
the Basque Administration began formulating a major
redevelopment of the region.
 It was not until 1991, however, that Basque authorities
proposed the idea for a Guggenheim Museum Bilbao to the
Solomon R. Guggenheim Foundation.
 In moving forward with the museum a site was selected and
three architects, Arata Isozaki from Japan, Coop Himmelb(l)au
from Austria, and Frank O. Gehry from the United States, were
invited to participate in a competition to produce a conceptual
design. These were no requirements in terms of drawings or
models to be produced; rather, the architects were only
asked to present what they thought would convey their
concept for the new museum.
EXAMPLE: GUGGENHEIM (VI)

Almost from the moment it opened in 1997, Gehry's
Guggenheim Museum Bilbao, with its distinctive titanium
curves and soaring glass atrium, was hailed as one of the
most important buildings of the 20th century.

Gehry's use of cutting-edge computer-aided design technology
enabled him to translate poetic forms into reality. The resulting
architecture is sculptural and expressionistic, with spaces
unlike any others for the presentation of art.

The museum is seamlessly integrated into the urban context,
unfolding its interconnecting shapes of stone, glass, and titanium
on a 32,500-square-meter site along the Nervión River in the old
industrial heart of the city.
EXAMPLE: GUGGENHEIM (VII)

Eleven thousand square meters of exhibition space are
distributed over nineteen galleries. Ten of these galleries have a
classic orthogonal plan and can be identified from the exterior
by their stone finishes. Nine other irregularly shaped galleries
present a remarkable contrast and can be identified from the
outside by their swirling forms and titanium cladding. The
largest gallery, measuring 30 meters wide and 130 meters long,
was used for temporary exhibitions for several years. In 2005, it
became the site of the largest sculpture commission in history,
Richard Serra's monumental installation The Matter of Time.
The Guggenheim Museum Bilbao is a pinnacle in Gehry's
outstanding architectural career as well as in the field of
museum design. It remains unsurpassed in its integration of art
and architecture.
1. Introduction to architectural technology
2. Ancient construction shapes
   2.1. Beams and columns
   2.2. Pyramids
   2.3 Arches
3. Case Study: Alhambra palace
4. New construction shapes
   4.1 Trusses
   4.2 Cables
   4.3 Shells
5. Case study: Guggenheim Bilbao museum
6. How will buildings look like in the future?
7. Debate
TECHNOLOGY IN FUTURE EDIFICATIONS (I)




        SeaO2 project
TECHNOLOGY IN FUTURE EDIFICATIONS (II)

Today with lot of environmental developments happening world
over like global warming, energy crisis, lifestyle changes, it’s
become even more difficult to design houses meeting all these
requirements.

More and more architectural designs are using digital
technologies with respect to modeling, simulation,
evaluation and fabrication resulting in complex shaped
buildings which incorporates the above challenges.
TECHNOLOGY IN FUTURE EDIFICATIONS (III)

One such project is coming up in Tel Aviv whose primary
resources are sun, wind, and land making an optimum
utilization of all.

SeaO2 is an experimental ecological housing project. The
project poses an alternative to current plans for Tel Aviv North
West coastal district. SeaO2 demonstrates vast use of cutting
edge computer software, some being used in the aerospace
industry. The project final form is a consequence of a scientific
approach that calculates numerous of elements: the sun orbit,
wind conditions and more, all in a free-form organic manner .
TECHNOLOGY IN FUTURE EDIFICATIONS (III)

Advanced Computer Simulations ensure the project’s
credibility. The project’s unique morphology enables:

•Optimized solar reception for heating at winter time.
•Self-shadowing and solar reception for electricity generation at
summer time.
• Natural lighting.
•Optimized natural ventilation
•Public green spaces.
•Rain collection and more.

 Various passive mechanical systems complement the basic
morphology, enable better performance and create an energy
efficient, environmentally friendly housing project.
HOW WILLL BUILDINGS LOOK LIKE IN THE FUTURE?




              Possible future edifications
1. Introduction to architectural technology
2. Ancient construction shapes
   2.1. Beams and columns
   2.2. Pyramids
   2.3 Arches
3. Case Study: Alhambra palace
4. New construction shapes
   4.1 Trusses
   4.2 Cables
   4.3 Shells
5. Case study: Guggenheim Bilbao museum
6. How will buildings look like in the future?
7. Debate

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Typologies

  • 1. TYPOLOGIES: The shapes of the built environment
  • 2. 1. Introduction to architectural technology 2. Ancient construction shapes 2.1. Beams and columns 2.2. Pyramids 2.3 Arches 3. Case Study: Alhambra palace 4. New construction shapes 4.1 Trusses 4.2 Cables 4.3 Shells 5. Case study: Guggenheim Bilbao museum 6. How will buildings look like in the future? 7. Debate
  • 3. ARCHITECTURE. The professional service rendered by architects is known as architecture. It is basically the science and art of conceptualizing, designing, and constructing buildings and other structures either for human shelter or for other purposes such as storage, production, entertainment, or exhibition. Often, famous works of architecture have been identified as cultural symbols and also as works of art. Many historical civilizations have also been made famous due to their architectural uniqueness.
  • 4. ARCHITECTURE. ORIGIN AND HISTORY .INDEX • Basic survival needs. (architecture took the form of a craft). •The early civilizations saw the splendid architecture of the Egyptians, Mesopotamians, Persians, Greek, and Romans. • Architecture as a religious symbol. (Roman Coliseum and the Egyptian Pyramids) . •The medieval period: saw the emergence of Islamic architecture. •The Renaissance period: emphasized on the individual and humanity. •The early modern and the industrial age saw the emergence of new materials and technology. (Everyday needs). •The concept of environmental sustainability.
  • 5. ARCHITECTURE. ORIGIN AND HISTORY (I) The earliest known form of architecture evolved from the interaction between the basic survival needs and the available resources. Through the process of trial and error and gradual technological evolution and progress with the help of improvisation and replication, architecture took the form of a craft. The gradual progress from rural living to the urban area saw the magnificence of architecture, and how it has been developed along history. The early civilizations saw the splendid architecture of the Egyptians, Mesopotamians, Persians, Greek, and Romans, each with its own distinct style. In Asia, architecture, sometimes, was developed along religious lines with different characteristics. The Roman Coliseum and the Egyptian Pyramids are examples of their cultural symbols.
  • 6. ARCHITECTURE. ORIGIN AND HISTORY (II) The medieval period saw the emergence of Islamic architecture which also influenced European styles of that period. The Renaissance period emphasized on the individual and humanity instead of religion and buildings were dedicated to the architects such as Michelangelo, Palladio, Alberti, and Brunelleschi. The early modern and the industrial age saw the emergence of new materials and technology and the architects started to get formal education and training starting from the drawing board. The industrial revolution at this stage helped the production of better quality materials for construction purposes.
  • 7. ARCHITECTURE. ORIGIN AND HISTORY (III) The modern age viewed structural design as a convenient blend of art, craft, and technology. Emphasis shifted from historical styles, to a new style that focused on the aspirations of the middle and working classes. The modernist architects reduced buildings to pure form with functionalist details based on everyday needs of people and creating a livable environment. The concept of environmental sustainability has now pervaded architectural thought and most modern architects and New Zealand have pioneered the integration of green building sustainable design principles into their architectural projects.
  • 8. TECHNOLOGY APPLIED TO ARCHITECTURE IN THE EARLIEST AGES (I) Along the history, we can see many examples of technology applied to architecture in different civilizations , but unfortunately we do not have a lot of information about them. An example are Egyptians , The pyramids are chiefly impressive for their enormous size and the staggering manpower that must have been employed in their construction. Of these the largest is the Great Pyramid of Giza which remained the tallest structure in the world for 3800 years.
  • 9. TECHNOLOGY APPLIERD TO ARCHITECTURE IN THE EARLIEST AGES (II) The methods used in the construction of the pyramids have been the subject of considerable research and discussion. The Egyptians achieved extraordinary feats of engineering, they appear to have done so with relatively primitive technology. As far as is known they did not use wheels or pulleys. They transported massive stones over great distances using rollers, ropes, and sledges, with large numbers of slaves hauling the loads. There are no surviving Egyptian manuals so there has been considerable speculation on how stones were lifted to great heights and obelisks erected. Most theories centre around the use of ramps.
  • 10. TECHNOLOGY APPLIED TO ARCHITECTURE IN THE EARLIEST AGES (III) Some years later we have other examples of development of great technologies applied to construction. In the Roman ages, Vitruvius gives details of Roman machines. The Romans developed sophisticated timber cranes allowing them to lift considerable weights to great heights. A list of the longest, highest and deepest Roman structures can be found at List of ancient architectural records. Roman building ingenuity extended over bridges, aqueducts, and covered amphitheatres. Their sewerage and water supply works were remarkable and some systems are still in operation today.
  • 11. 1. Introduction to architectural technology 2. Ancient construction shapes 2.1. Beams and columns 2.2. Pyramids 2.3 Arches 3. Case Study: Alhambra palace 4. New construction shapes 4.1 Trusses 4.2 Cables 4.3 Shells 5. Case study: Guggenheim Bilbao museum 6. How will buildings look like in the future? 7. Debate
  • 12. Simple beam bridge: stone slabs on stone supports (Dorset, England)
  • 13. BEAM AND COLUMN (I) In the Neolithic period, the first bridges made by humans were probably wooden logs or stone slabs placed across a river stream. The first buildings were simple shelters meant to suit the basic needs of protection from the elements, built by their inhabitants.The most used materials were the mud brick, wood (timber) and stone (masonry). The set of beam and pillars is the simplest solution the Neolithic man imagined.
  • 14. Beam-and-column scheme is the 2nd simplest typology.
  • 15. BEAM AND COLUMN (II) The architecture and urbanism of the Greeks were very different from those of the Neolithic but the structural scheme of beam supported by columns is the same. Building structures used a simple beam and column system without vaults or arches, which imposed strict limits on the spans that could be achieved. Although Greek mathematics was technically advanced the Ancient Greeks never developed strong mortars or used arches and domes to their limit which were an important feature of more practical Roman construction.
  • 16. Age of the pyramids A pyramid is like a mountain, and it is the simplest and most stable shape.
  • 17. PYRAMIDS Both Egyptian and Incan architectures are mostly noted for their pyramids which are the largest in the world and try to imitate the natural shape of the mountains. Due to the stable shape and the sophisticated skills of the stone cutters the masonry needs no mortar. The pyramids are impressive for their enormous size and the manpower that must have been employed in their construction. Of these the largest is the Great Pyramid of Giza which remained the tallest structure in the world for 3800 years.
  • 18. The Age of the Cathedrals The Romanic cathedral -Reduced space, little light and small windows -Buttress leans outward, arch deforms and foundation deforms.
  • 19. Córdoba Mosque (IX) León Cathedral (XIII)
  • 20. ARCHES Romanesque buildings were entirely roofed in timber or had stone barrel vaults covered by timber roofs: spans were narrow and walls did not allow ample windows. The Gothic style of architecture with its vaults, flying buttresses and pointed gothic arches developed in the twelfth century to provide wider spans and galleries to the urban churches: the cathedrals. The resulting thin stone vaults and towering buildings were raised entirely using rules derived by trial and error and failures were frequent.
  • 21. 1. Introduction to architectural technology 2. Ancient construction shapes 2.1. Beams and columns 2.2. Pyramids 2.3 Arches 3. Case Study: Alhambra palace 4. New construction shapes 4.1 Trusses 4.2 Cables 4.3 Shells 5. Case study: Guggenheim Bilbao museum 6. How will buildings look like in the future? 7. Debate
  • 22. EXAMPLE: ALHAMBRA (I) General view Court of the Myrtles (Arrayanes)
  • 23. EXAMPLE: ALHAMBRA (II) Generalife Water supply of Arrayanes
  • 24. EXAMPLE: ALHAMBRA (III) The fountain of the lions
  • 25. EXAMPLE: ALHAMBRA (IV) Literally "the red one”, is a palace and fortress complex constructed during the mid 14th century by the Moorish rulers of the Emirate of Granada in Al- Andalus, occupying the top of the hill of the Assabica on the southeastern border of the city of Granada in Andalusia. In this building we can see a great example of technology applied to architecture in our country. Its water supply- system was built, to create the necessary water supplies needed for the Alhambra's survival.
  • 27. EXAMPLE: ALHAMBRA (VI) In 1238 AD, a six-kilometer water channel was constructed the acequia real: the royal canal. •Water was taken at the point of the Toma de la Acequia: the capture point of the canal. •Water traversed countryside till it reached an old waterwheel, which created the dynamic-power to convey the water, across the aqueduct, at Cortijo Jesus del Valle, in the Darro valley •From there, water travelled on the flats of the Llano del Perdiz, parallel to the Darro River
  • 28. EXAMPLE: ALHAMBRA (VII) •Later, the acequia real was spread out, in order to supply water to the Generalife and the high fields of the Generalife •The water path purposely forked, in order for water to descend through the emblematic Escalera de Agua: Water Staircase further down, it reunited, with the Generalife's lower flow •The water paths continued and descended... •Water was entered into the Alhambra, crossing over to the Torre de Agua aqueduct (above the Camino de los Chinos). •From this point on - the Alhambra, its vast cisterns and the original Alcazaba were supplied with the precious liquid. Moorish Hydrology Technology had been successful
  • 29. EXAMPLE: ALHAMBRA (VIII) A vast albercon: large pool was constructed on the highest slope The water then was entered inside the hill by means of a horizontally-pierced underground passage Three wells were positioned above the underground water-path, each well, at different heights Finally, the underground passage reached the level of the vast albercon At that point, the water was lifted, by means of another waterwheel and deposited inside the albercon. •Lately an cistern or tank was built, capturing rain water to supply water to the Dar al-arusa and Alixares palaces which were built on higher levels
  • 30. EXAMPLE: ALHAMBRA (IX) The Sophisticated Interior Alhambra Granada Spain Water Technology. •Interior Water conduits varied •Some were narrow - accelerating the flow •Curved conduits led into containing hollows - slowing the water passage Burbling and spilling from the low marble basins. •The Alhambra water systems were designed to cool in summer and warm in the winter. The reflection pools: Patio de los Arrayanes and the Partal pool - were mirrors for the exterior architecture.
  • 31. 1. Introduction to architectural technology 2. Ancient construction shapes 2.1. Beams and columns 2.2. Pyramids 2.3 Arches 3. Case Study: Alhambra palace 4. New construction shapes 4.1 Trusses 4.2 Cables 4.3 Shells 5. Case study: Guggenheim Bilbao museum 6. How will buildings look like in the future? 7. Debate
  • 32. THE INDUSTRIAL REVOLUTION: STEEL ARCHES (I) Eiffel Tower, Champs du Mars, Paris. 1889. Grew from Eiffel’s bridge-building expertise. Was world’s tallest structure for 40 years. 300 m tower built of puddled iron. The “arch” shape at the bottom is purely decorative.
  • 33. THE INDUSTRIAL REVOLUTION: STEEL ARCHES (II) Ironwork arches in the Musée d’Orsey, Paris, which is now the most beautiful museum in Paris having being converted from a disused railway station.
  • 34. THE INDUSTRIAL REVOLUTION: STEEL ARCHES (III) The industrial revolution was manifested in new construction devices (steam engines, machine tools and explosives) and a new material arose: steel was mass-produced since the 19th century, it was used, in form of I-beams and reinforced concrete. Glass panels also went into mass production. Plumbing appeared, and gave common access to drinking water and waste water collection at houses. Rationality and the universal laws of physics behind the building problem lead to the emancipation of history
  • 35. CABLE-SUSPENDED BRIDGE Brooklyn Bridge over the East River, New York. 487 m span. Designed by John Roebling, completed by his son (Washington Roebling) in 1883: First bridge to use steel wire suspension cables.
  • 36. CABLE-SUSPENDED ROOF The Dome is the original name of a large dome-shaped building, originally used to house the Millennium Experience, a major exhibition celebrating the beginning of the third millennium in London.
  • 37. CABLES The funicular concept can be best described and visualized with cables or chains suspended from two points that adjust their form for any load. Suspended structures are used for long- span roofs. Cables effectively resist gravity load in tension, but are unstable under uneven loads. For example, under its own weight or under uniform loads a cable assumes the funicular shape of a perfect parabolic catenary. However, under wind uplift suspended cables tend to flutter and become unstable.
  • 38. TRUSSES Trusses are common elements in many types of buildings. Why? Typical beam and colum scheme shows three problems for long spans: 1- Cracks may appear 2- Bending deformation could be uncomfortable. 3- Horizontal instability.
  • 39. John Hancock Center, Chicago. The braced tube structure employed for the John Hancock Center uses the least amount of steel compared with the framed tubes. Hearst Headquarters, New York The use of perimeter diagonals for structural effectiveness and aesthetics has generated interest from architectural and structural designers of tall buildings in diagrid structures.
  • 40. TRUSSES Trusses support load much like beams, but for longer spans. As the depth and thus dead weight of beams increases with span they become increasingly inefficient, requiring most capacity to support their own weight rather than imposed live load. Also trusses serve to replace walls by triangulation to reduce dead weight. Only triangles are intrinsically stable polygons. Since the 1960s, the new structural system of framed tubes appeared in the construction of Hanckock Centre, Sears Tower, World Trade Center, Petronas Towers and other supertall skyscrapers. They are often known as the “2nd Chicago School".
  • 41. SHELLS Eero Saarinen (1962) Milo Ketchum (1910-1999) Sir Norman Foster (1997)
  • 42. Modern Thin Concrete Shells Oceanogràfic Valencia, Spain (2002) Félix Candela, †1997
  • 43. SHELLS With reference to modern shell it is key to remember the legacy of Saarinen and Candela. Shells can be compared to an igloo. The most famous work of Saarinen is the TWA Flight Center, which represents the culmination of his previous designs and demonstrates his structural expressionism and the technical marvel in concrete shells. Candela worked very hard during his life time to prove the real nature and potential that reinforced concrete had in structural engineering. Reinforced concrete is extremely efficient in a dome or shell- like shape. This shape eliminates the tensile forces that the concrete without the help of reinforcement cannot bear.
  • 45. INDUSTRIAL SHELLS Above ground LNG tanks are large double-containment pressure vessels to store Liquefied Natural Gas at -170ºC. The role of these tanks is to act as a buffer guaranteeing a stable supply of gas during seasonal peaks of demand. The range of potential locations for future LNG projects is very disparate with a range of seismic and soil conditions with net storage volumes up to 300,000 m3.
  • 46. 1. Introduction to architectural technology 2. Ancient construction shapes 2.1. Beams and columns 2.2. Pyramids 2.3 Arches 3. Case Study: Alhambra palace 4. New construction shapes 4.1 Trusses 4.2 Cables 4.3 Shells 5. Case study: Guggenheim Bilbao museum 6. How will buildings look like in the future? 7. Debate
  • 51. EXAMPLE: GUGGENHEIM (V) Plans for a new museum in Bilbao date to the late 1980s, when the Basque Administration began formulating a major redevelopment of the region. It was not until 1991, however, that Basque authorities proposed the idea for a Guggenheim Museum Bilbao to the Solomon R. Guggenheim Foundation. In moving forward with the museum a site was selected and three architects, Arata Isozaki from Japan, Coop Himmelb(l)au from Austria, and Frank O. Gehry from the United States, were invited to participate in a competition to produce a conceptual design. These were no requirements in terms of drawings or models to be produced; rather, the architects were only asked to present what they thought would convey their concept for the new museum.
  • 52. EXAMPLE: GUGGENHEIM (VI) Almost from the moment it opened in 1997, Gehry's Guggenheim Museum Bilbao, with its distinctive titanium curves and soaring glass atrium, was hailed as one of the most important buildings of the 20th century. Gehry's use of cutting-edge computer-aided design technology enabled him to translate poetic forms into reality. The resulting architecture is sculptural and expressionistic, with spaces unlike any others for the presentation of art. The museum is seamlessly integrated into the urban context, unfolding its interconnecting shapes of stone, glass, and titanium on a 32,500-square-meter site along the Nervión River in the old industrial heart of the city.
  • 53. EXAMPLE: GUGGENHEIM (VII) Eleven thousand square meters of exhibition space are distributed over nineteen galleries. Ten of these galleries have a classic orthogonal plan and can be identified from the exterior by their stone finishes. Nine other irregularly shaped galleries present a remarkable contrast and can be identified from the outside by their swirling forms and titanium cladding. The largest gallery, measuring 30 meters wide and 130 meters long, was used for temporary exhibitions for several years. In 2005, it became the site of the largest sculpture commission in history, Richard Serra's monumental installation The Matter of Time. The Guggenheim Museum Bilbao is a pinnacle in Gehry's outstanding architectural career as well as in the field of museum design. It remains unsurpassed in its integration of art and architecture.
  • 54. 1. Introduction to architectural technology 2. Ancient construction shapes 2.1. Beams and columns 2.2. Pyramids 2.3 Arches 3. Case Study: Alhambra palace 4. New construction shapes 4.1 Trusses 4.2 Cables 4.3 Shells 5. Case study: Guggenheim Bilbao museum 6. How will buildings look like in the future? 7. Debate
  • 55. TECHNOLOGY IN FUTURE EDIFICATIONS (I) SeaO2 project
  • 56. TECHNOLOGY IN FUTURE EDIFICATIONS (II) Today with lot of environmental developments happening world over like global warming, energy crisis, lifestyle changes, it’s become even more difficult to design houses meeting all these requirements. More and more architectural designs are using digital technologies with respect to modeling, simulation, evaluation and fabrication resulting in complex shaped buildings which incorporates the above challenges.
  • 57. TECHNOLOGY IN FUTURE EDIFICATIONS (III) One such project is coming up in Tel Aviv whose primary resources are sun, wind, and land making an optimum utilization of all. SeaO2 is an experimental ecological housing project. The project poses an alternative to current plans for Tel Aviv North West coastal district. SeaO2 demonstrates vast use of cutting edge computer software, some being used in the aerospace industry. The project final form is a consequence of a scientific approach that calculates numerous of elements: the sun orbit, wind conditions and more, all in a free-form organic manner .
  • 58. TECHNOLOGY IN FUTURE EDIFICATIONS (III) Advanced Computer Simulations ensure the project’s credibility. The project’s unique morphology enables: •Optimized solar reception for heating at winter time. •Self-shadowing and solar reception for electricity generation at summer time. • Natural lighting. •Optimized natural ventilation •Public green spaces. •Rain collection and more. Various passive mechanical systems complement the basic morphology, enable better performance and create an energy efficient, environmentally friendly housing project.
  • 59. HOW WILLL BUILDINGS LOOK LIKE IN THE FUTURE? Possible future edifications
  • 60. 1. Introduction to architectural technology 2. Ancient construction shapes 2.1. Beams and columns 2.2. Pyramids 2.3 Arches 3. Case Study: Alhambra palace 4. New construction shapes 4.1 Trusses 4.2 Cables 4.3 Shells 5. Case study: Guggenheim Bilbao museum 6. How will buildings look like in the future? 7. Debate